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Once Upon a Time in Hollywood
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE SUMMER MOVIE ISSUE IN THIS ISSUE Once Upon a Time in Hollywood PLUS John Wick: Chapter 3 – Parabellum Rocketman Toy Story 4 AND MUCH MORE! US $8.95 / Canada $8.95 QTR 2 / 2019 / VOL 69 FOR YOUR EMMY ® CONSIDERATION OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES - STEVE SINGLETON FYC.NETFLIX.COM CINEMA EDITOR MAGAZINE COVER 2 ISSUE: SUMMER BLOCKBUSTERS EMMY NOMINATION ISSUE NETFLIX: BODYGUARD PUB DATE: 06/03/19 TRIM: 8.5” X 11” BLEED: 8.75” X 11.25” PETITION FOR EDITORS RECOGNITION he American Cinema Editors Board of Directors • Sundance Film Festival T has been actively pursuing film festivals and • Shanghai International Film Festival, China awards presentations, domestic and international, • San Sebastian Film Festival, Spain that do not currently recognize the category of Film • Byron Bay International Film Festival, Australia Editing. The Motion Picture Editors Guild has joined • New York Film Critics Circle with ACE in an unprecedented alliance to reach out • New York Film Critics Online to editors and industry people around the world. • National Society of Film Critics The organizations listed on the petition already We would like to thank the organizations that have recognize cinematography and/or production design recently added the Film Editing category to their Annual Awards: in their annual awards presentations. Given the essential role film editors play in the creative process • Durban International Film Festival, South Africa of making a film, acknowledging them is long • New Orleans Film Festival overdue. We would like to send that message in • Tribeca Film Festival solidarity. -
Meagan Costello Freelance Film Editor
MEAGAN COSTELLO FREELANCE FILM EDITOR 2019 BABY STEPS (pilot) /// Directors: Fia Perera + Dava Krause 2019 THE CALL (short) /// Director: Angelica Weaver 2018 THE WATER SONG (short) /// Director: Dave Janetta 2018 MARY POPPINS RETURNS (DISNEY) Director: Rob Marshall • Editor: Wyatt Smith 2016 DOCTOR STRANGE (MARVEL + DISNEY) Director: Scott Derrickson • Editors: Wyatt Smith + Sabrina Plisco 2015 THE NICE GUYS (WARNER BROS.) Director: Shane Black - - - Editor: Joel Negron 2014 GUARDIANS OF THE GALAXY (MARVEL + DISNEY) Director: James Gunn • Editors: Fred Raskin, Hughes Winborne, Craig Wood 2013 THOR: THE DARK WORLD (MARVEL + DISNEY) Director: Alan Taylor • Editors: Dan Lebental, Wyatt Smith, Conrad Buff 2012 PAIN & GAIN (PARAMOUNT) Director: Michael Bay • Editor: Joel Negron + Tom Muldoon 2012 21 JUMP STREET (SONY) Directors: Phil Lord + Chris Miller • Editor: Joel Negron 2011 BRIDESMAIDS (UNIVERSAL) Director: Paul Feig • Editors: Bill Kerr + Mike Sale 2010 THE LAST AIRBENDER (PARAMOUNT) Director: M. Night Shyamalan • Editor: Conrad Buff 2009 ALICE IN WONDERLAND (DISNEY) Director: Tim Burton • Editor: Chris Lebenzon 2008 THE MUMMY: TOMB OF THE DRAGON EMPEROR (UNIVERSAL) Director: Rob Cohen • Editors: Joel Negron & Kelly Matsumoto 2007 THE INVASION (WARNER BROS) Director: Oliver Hirschbiegel & James McTeigue • Editor: Joel Negron 2006 GRIDIRON GANG (SONY) Director: Phil Joanou • Editor: Joel Negron UNIVERSITY OF CALIFORNIA SAN DIEGO Bachelor of Arts, June 2002 Major: Communications; Minor: Visual Arts/Media History and Criticism MOTION PICTURE EDITORS GUILD, Assistant Editor WOMEN IN FILM LA + NY, Executive Member NEW YORK POST ALLIANCE, Member. -
The Director's Method in Contemporary Visual Effects Film
The Director’s Method in Contemporary Visual Effects Film: The Influence of Digital Effects on Film Directing Gianluca Balla PhD University of York Theatre, Film and Television September 2016 Abstract The director’ s method – meant as the organisation of the filmmaking process – is usually characterised by common procedures such as work on the script, shot design and the actors’ performance. For films involving a large-scale use of digital effects, directors consistently approach such procedures with a particular attitude dictated by the digital pipeline, the step-by- step technical procedure through which computer-generated images are created. In light of this, the use of digital effects might influence the director’s method. This thesis aims to define what is considered to be a consensual methodological approach to direct films with no or few digital effects and then compares this approach to when such effects are conspicuously involved. This analysis is conducted through interviews with working directors, visual effects companies and practitioners, and integrated with the current literature. The frame of the research is represented by a large spectrum of contemporary films produced in western countries and which involve digital effects at different scales and complexity but always in interaction with live-action. The research focuses on commercial films and excludes computer-animated and experimental films. The research is intended to address an area in production studies which is overlooked. In fact, although the existent literature examines both digital effects and film directing as distinct elements, there is to date no detailed analysis on the influence that the former has on the latter. -
The Big Bang
ANCHOR BAY FILMS and Hannibal Pictures presents A Big Bang Production In Association with Flame Ventures and North by Northwest Entertainment In Association with Rollercoaster Entertainment and Blue Rider Pictures Antonio Banderas THE BIG BANG Thomas Kretschmann William Fichtner Sienna Guillory Autumn Reeser Jimmi Simpson Bill Duke James Van Der Beek Rebecca Mader Robert Maillet Featuring Snoop Dogg with Delroy Lindo and Sam Elliott PRESS NOTES Running time is 101 minutes. This film is Unrated. Press Contacts: National PR National PR: Online: Ed Peters Tim Williams Sheila Romana Sue Procko Public Relations Sue Procko Public Relations RMS P: 323‐653‐5153 P: 323‐653‐5153 P: 310‐345‐4387 [email protected] [email protected] [email protected] THE BIG BANG Synopsis Late one night, Los Angeles private investigator, Ned Cruz (Antonio Banderas) gets a visit from a recently paroled Russian boxer with an intriguing job offer: find Lexie, his missing girlfriend—and the 30‐ million dollar stash of diamonds she’s hiding. As Detective Cruz sets out to find her, the clues send him into the city’s seediest corners, from a Hollywood action star with a dirty little secret (James Van Der Beek), to an enterprising porn producer who takes a personal interest in his own work (Snoop Dogg), and a kinky waitress with an unusual fetish for particle physics (Autumn Reeser). Lexie proves to be as elusive as she is beautiful and Cruz becomes obsessed with finding her. With time running out, Cruz discovers the trail leads to reclusive billionaire (Sam Elliott), and his physicist (Jimmi Simpson), intent on recreating The Big Bang underneath the New Mexico desert. -
2007 Nominations
2012 NOMINATIONS (presented in 2013) BEST FILM ARGO - Grant Heslov, Ben Affleck, George Clooney LES MISÉRABLES - Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh LIFE OF PI - Gil Netter, Ang Lee, David Womark LINCOLN - Steven Spielberg, Kathleen Kennedy ZERO DARK THIRTY - Mark Boal, Kathryn Bigelow, Megan Ellison OUTSTANDING BRITISH FILM ANNA KARENINA - Joe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard THE BEST EXOTIC MARIGOLD HOTEL - John Madden, Graham Broadbent, Pete Czernin, Ol Parker LES MISÉRABLES - Tom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer SEVEN PSYCHOPATHS - Martin McDonagh, Graham Broadbent, Pete Czernin SKYFALL - Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER BART LAYTON (Director), DIMITRI DOGANIS (Producer)- The Imposter DAVID MORRIS (Director), JACQUI MORRIS (Director/Producer) - McCullin DEXTER FLETCHER (Director/Writer), DANNY KING (Writer) - Wild Bill JAMES BOBIN (Director) - The Muppets TINA GHARAVI (Director/Writer) - I Am Nasrine DIRECTOR AMOUR - Michael Haneke ARGO - Ben Affleck DJANGO UNCHAINED - Quentin Tarantino LIFE OF PI - Ang Lee ZERO DARK THIRTY - Kathryn Bigelow DOCUMENTARY THE IMPOSTER - Bart Layton, Dimitri Doganis MARLEY - Kevin Macdonald, Steve Bing, Charles Steel McCULLIN - David Morris, Jacqui Morris SEARCHING FOR SUGAR MAN - Malik Bendjelloul, Simon Chinn WEST OF MEMPHIS - Amy Berg ORIGINAL SCREENPLAY AMOUR - Michael Haneke DJANGO UNCHAINED - Quentin Tarantino THE MASTER - Paul Thomas Anderson MOONRISE KINGDOM - Wes Anderson, Roman Coppola ZERO DARK THIRTY - Mark Boal ADAPTED SCREENPLAY ARGO - Chris Terrio BEASTS OF THE SOUTHERN WILD - Lucy Alibar, Benh Zeitlin LIFE OF PI - David Magee LINCOLN - Tony Kushner SILVER LININGS PLAYBOOK - David O. -
Open Editfest Program
20:21 EDITING E M a tt Marjorie Bruce Fran Make a big production less of a production. “Productions is the fi nal puzzle piece for making Premiere Pro an undeniable choice for any scale movie. Th e ability to share projects and organize media across them, combined with Premiere’s existing dynamic workfl ows, lets our entire team work and collaborate incredibly fast.” —Ben Insler, First Assistant Editor, MANK © 2021 Adobe. All rights reserved. Adobe, the Adobe logo, and Adobe Premiere are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Creativity for all. TABLE CONTENTS E :05 Welcome :06 Itinerary :12 Sponsors :14 ACE President Kevin Tent, ACE :15 SATURDAY | PANEL 1 Editing for Musicals :23 SATURDAY | PANEL 2 Inside the Cutting Room with Bobbie O’Steen A Conversation with Tom Cross, ACE :27 Saturday Breakout Room Speakers :39 SUNDAY | PANEL 1 From Assistant to Editor Mentoring the Next Generation :51 SUNDAY | PANEL 2 International Partnership Program Launch Strengthening the Art of Editing in the Global Film Community :59 Sunday Breakout Room Speakers :71 Production Credits :72 ACE Member Roster :80 EditFestGlobal.com :03 WELCOME EDITFEST 2021 The American Cinema Editors is an honorary society founded in 1950 by editors who wanted to create a forum to honor their profession. There were 108 editors at that first meeting. Today we number over 1,000 members, from all over the world and, like those who came before us, we wish to educate others about our craft, and our dedication to advancing the art and dignity of the editing profession. -
THE HATEFUL EIGHT Production Notes
THE HATEFUL EIGHT Production Notes Publicity materials are available at: twcpublicity.com 70mm Roadshow Run Time: 187 mins (includes 12 min intermission) Wide Release Run Time: 167mins MPAA Rating: R 1 SYNOPSIS Six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town’s new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie's Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all… THE HATEFUL EIGHT also stars Channing Tatum, James Parks, Dana Gourrier, Zoë Bell, Gene Jones, Keith Jefferson, Lee Horsley, Craig Stark, and Belinda Owino. Written and directed by Quentin Tarantino, THE HATEFUL EIGHT is produced by Richard N. -
FDEV Zine (Issue 1, February 2021) a New Publication by the Office of Faculty Development a Brief History of Zines
FDEV Zine (Issue 1, February 2021) A new publication by the Office of Faculty Development A brief history of Zines WHY A ZINE?? The real question, actually, is why NOT a zine? Zines offer a less formal and constrained channel of communication at a time when everything is becoming automated, homogeneous, and oftentimes too clean and dry. While playing with design and aesthetics, fonts and colors, we want to be mindful of the need to address your concerns, share the resources we can offer, and invite you to participate in all sorts of FDEV events. This Zine is conceived as a publication to enjoy when you can hopefully take some time for yourself, so that you can EXPLORE it, beyond reading it. It contains information about programs, a list of all events planned for this month, and links to many of our resources. So, grab your coffee or tea and start the journey... (Chiara Ferrari, FDEV Director) Click here to read a message from FDEV Director Chiara Ferrari MEET THE FDEV TEAM REBECCA NELSON ADMINISTRATIVE SUPPORT COORDINATOR As Administrative Support Coordinator and CSU, Chico alumna, it is a true pleasure to support the various programs, events and resources for faculty towards student success. The cross-functional partnerships that our Faculty Development Team encourages between departments, colleges, disciplines and units offers a unique opportunity for growth and development on behalf of the university and our local community. ARIANA M. SINGH STUDENT ASSISTANT As a student who gets to work as closely with Faculty as I have over the last four years, I feel that I get a sense of how both parties operate based on each other and amongst ourselves. -
Avid Editors Sweep the 2015 ACE Eddie Awards
February 4, 2015 Avid Editors Sweep the 2015 ACE Eddie Awards Award-Winning Editors Embrace Avid Everywhere to Cut the Most Celebrated Films and Television Shows of the Year BURLINGTON, Mass., Feb. 4, 2015 (GLOBE NEWSWIRE) -- Avid® (Nasdaq: AVID) today congratulated the professional video editing community on their achievements at the 65th annual American Cinema Editors Eddie Awards held in Los Angeles on January 30. Many of the award winners and nominees embraced Avid EverywhereTM using the Avid Artist Suite's Media Composer® | Software, to bring the director's vision to life. Avid editors who took home awards on the night include Sandra Adair for Best Edited Feature Film (Dramatic) Boyhood, Barney Pilling for Best Edited Feature Film (Comedy or Musical) Grand Budapest Hotel, Mathilde Bonnefoy for Best Edited Documentary (Feature) Citizenfour, Erik Ewers for Best Edited Documentary (Television) The Roosevelts: An Intimate History: Episode 3 / The Fire of Life, and Hunter Gross for Best Edited Non-Scripted Series Anthony Bourdain: Parts Unknown: Iran. "We're honored that the world's most esteemed editors have embraced Avid Everywhere and continue to trust in the industry's preeminent editing solution to bring the most compelling stories to our screens," said Avid Chairman, President and CEO Louis Hernandez Jr. "We congratulate our customers on their achievements, and look forward to empowering their creativity for many years to come." Eddie Award winners and nominees relied on Media Composer | Software to create: ● Best Edited Feature