{DOWNLOAD} Behind the Scenes!!: Vol. 3 Kindle

Total Page:16

File Type:pdf, Size:1020Kb

{DOWNLOAD} Behind the Scenes!!: Vol. 3 Kindle BEHIND THE SCENES!!: VOL. 3 PDF, EPUB, EBOOK Bisco Hatori | 192 pages | 09 Feb 2017 | Viz Media, Subs. of Shogakukan Inc | 9781421590493 | English | San Francisco, United States Quentin Tarantino: ‘Kill Bill Vol. 3’ Is At Least Three Years Away | IndieWire In Guardians of the Galaxy Vol. The film was officially announced at the San Diego Comic-Con International before the theatrical release of the first film, along with James Gunn's return from the first film, with the title of the sequel revealed a year later in June Principal photography began in February at Pinewood Atlanta Studios in Fayette County, Georgia , with many crew changes from the first film due to other commitments. Filming concluded in June James Gunn chose to set the sequel shortly after the first film to explore the characters' new roles as the Guardians, and to follow the storyline of Quill's father established throughout that previous film. Russell was confirmed as Quill's father in July , portraying Ego, a departure from Quill's comic father. The film received praise for its visuals, direction, soundtrack, humor, and performances particularly those of Rooker and Russell , though some critics deemed it inferior to the original. A sequel, Guardians of the Galaxy Vol. Ayesha , leader of the Sovereign race, has the Guardians protect valuable batteries from an inter-dimensional monster in exchange for Gamora's estranged sister Nebula , who was caught attempting to steal the batteries. After Rocket steals the batteries for himself, the Sovereign attacks the Guardians' ship with a fleet of drones. The drones are destroyed by a mysterious figure, and the Guardians crash-land on a nearby planet. There, this figure reveals himself as Quill's father, Ego , and invites Quill, Gamora, and Drax to his home planet. Rocket and Groot remain behind to repair the ship and guard Nebula. Meanwhile, Ayesha hires Yondu Udonta and his crew, who have been exiled from the greater Ravager community for child trafficking , to recapture the Guardians. They capture Rocket, but when Yondu hesitates to turn over Quill, whom he raised, his assistant Kraglin Obfonteri questions his objectivity, and his lieutenant Taserface leads a mutiny with help from Nebula. Taserface imprisons Rocket and Yondu aboard the latter's ship, and executes his loyalists by releasing them into space. Nebula leaves to find and kill Gamora, whom she blames for the torture inflicted on her by their father, Thanos. While imprisoned, Rocket and Yondu bond. Groot and Kraglin, the latter having never intended to start the mutiny, free Rocket and Yondu, and they destroy the ship and its crew as they escape, but Taserface warns the Sovereign before dying. Ego, a god-like Celestial that manipulated the matter around its consciousness to form this "home" planet, explains that he projected a humanoid guise to travel the universe and discover a purpose, eventually falling in love with Quill's mother Meredith. Ego hired Yondu to collect the young Quill after Meredith's death, but the boy was never delivered, and Ego has been searching for him ever since. He teaches Quill to manipulate the Celestial power. Nebula arrives at Ego's planet and tries to kill Gamora, but the pair reach an uneasy alliance when they discover a cavern filled with skeletal remains. Ego reveals to Quill that in his travels, he planted seedlings on thousands of worlds that can terraform into new extensions of himself, but they can only be activated by the power of two Celestials. To that end, he impregnated countless women and hired Yondu to collect the children, but killed them all when they failed to access the Celestial power. Under Ego's influence, Quill helps him activate the seedlings, which begin to consume every world, but Quill fights back when Ego reveals that he gave Meredith the tumor that killed her due to the distraction she posed. The reunited Guardians find Ego's brain at the planet's core, as they come under attack from the Sovereign's drones. Rocket makes a bomb using the stolen batteries, which Groot plants on the brain. Quill fights Ego with his newfound Celestial powers to distract him long enough for the other Guardians and Mantis to escape. The bomb explodes, killing Ego and disintegrating the planet. Quill loses his Celestial powers soon after Ego's death. Yondu sacrifices himself to save Quill and dies in the vacuum of space. Meanwhile, Quill realizes that the reason Yondu kept him was to spare him from the fate of Ego's other progeny. Having reconciled with Gamora, Nebula still chooses to leave and resume her quest to kill Thanos by herself. The Guardians hold a funeral for Yondu, which is attended by Kraglin and dozens of Ravager ships, acknowledging Yondu's sacrifice and accepting him as a Ravager again. In a series of mid- and post-credit scenes , Kraglin takes up Yondu's telekinetic arrow and control-fin; Ravager leader Stakar Ogord reunites with his ex-teammates; Groot has grown into a teenager; [N 1] Ayesha creates a new artificial being with whom she plans to destroy the Guardians, naming him Adam; [N 2] and a group of uninterested Watchers abandon their informant, who is discussing his experiences on Earth. Stan Lee appears as an informant to the Watchers , discussing previous adventures that include his cameos in other MCU films; he specifically mentions his time as a FedEx delivery man, referring to Lee's cameo in Captain America: Civil War So the notion that he could be sitting there on a cosmic pit stop during the jump gate sequence in Guardians David Hasselhoff makes a cameo appearance as himself, when Ego shape-shifts to his likeness, [11] while Rob Zombie once again has a Ravager voice cameo. Gunn had begun work on the film within a month, and said it would include at least one new Guardian from the comics. I've never been told to put in any character or plot element at all When they trust you they give you a wide berth In May, Gunn said the sequel would feature fewer characters than the first film, and that he had planned to introduce two major new characters in the script—Mantis and Adam Warlock. I think we did something really creative and unique with Adam Warlock. But it was one character too many and I didn't want to lose Mantis and Mantis was more organically part of the movie anyway. By including the scene, Gunn promised Marvel he would use his social media presence to clarify for fans that the character would not be seen in either of the Avengers films. After the film's announcement, Gunn said he knew "a lot of where I want to go [in the sequel]", [97] having written the backstory of Peter Quill, his father, and his history with Yondu during the making of the first film with the intention of exploring them in a future film. That serves the entire movie-going audience and not just the handful of Nova [and Carol Danvers] fans. Feige said exploring Quill's father "would certainly be part of a next Guardians adventure", adding "I think there's a reason we seeded it at the very end of the [first] film like that. Thanos is not the most important thing in Guardians 2 , that's for damn sure. There's the Guardians themselves and other threats the Guardians are going to be facing that are not Thanos. I think it's really about the Guardians and what they are doing. Gunn set the film two to three months after the first film [95] [] "because he felt the group are just such fragile egos and he didn't think this story could start years later. Feige also stated two or three other worlds would be seen, as well as "a little bit of Earth in this film, but it's not these characters going to Earth. I'm excited about it. He described it as "not really based on anything" from the comics, being mainly an original story. On June 2, , Gunn announced on social media that he had completed the first draft of the screenplay, and that the film's title would not simply be Guardians of the Galaxy 2. But because 'Guardians of the Galaxy' is already so wordy, it seemed strange to add another bunch of words after it. I liked Vol. McConaughey felt he would have been "an amendment" in Vol. Reilly about him reprising his role as Nova Corpsman Rhomann Dey , [] while Kurt Russell entered early talks to play Quill's father. Prop master Russell Bobbitt had difficulty finding the cassette decks that had been used in the first film, and all of the Sony Walkman headsets they sourced for the sequel were broken. Bobbitt eventually created six from scratch for Vol. Other props he created for the film included two sets of blasters for Quill, with removable blaster cartridges, and "steampunk-looking weapons and belts" for the Ravagers; [23] Bobbitt explained that four different weapons were designed for the latter group, and then 15—20 versions of those were produced to be used by the various Ravager actors there could be up to 85—95 Ravagers per scene. For their belts, the props team cut the leather themselves rather than buying existing belts, and then parts from different electronic devices such as radios and cell phones were glued together to make each belt "a unique piece of art". The prop department also made edible props for certain scenes: a prop of a stinkbug -inspired insect was made from chocolate and injected with black honey so it could be eaten on screen and "when he bit down the honey poured out of his mouth"; similarly, a "yarrow root" was designed based on enlarged images of pollen, and then created with non-dairy white chocolate to be eaten onscreen.
Recommended publications
  • Once Upon a Time in Hollywood
    THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE SUMMER MOVIE ISSUE IN THIS ISSUE Once Upon a Time in Hollywood PLUS John Wick: Chapter 3 – Parabellum Rocketman Toy Story 4 AND MUCH MORE! US $8.95 / Canada $8.95 QTR 2 / 2019 / VOL 69 FOR YOUR EMMY ® CONSIDERATION OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES - STEVE SINGLETON FYC.NETFLIX.COM CINEMA EDITOR MAGAZINE COVER 2 ISSUE: SUMMER BLOCKBUSTERS EMMY NOMINATION ISSUE NETFLIX: BODYGUARD PUB DATE: 06/03/19 TRIM: 8.5” X 11” BLEED: 8.75” X 11.25” PETITION FOR EDITORS RECOGNITION he American Cinema Editors Board of Directors • Sundance Film Festival T has been actively pursuing film festivals and • Shanghai International Film Festival, China awards presentations, domestic and international, • San Sebastian Film Festival, Spain that do not currently recognize the category of Film • Byron Bay International Film Festival, Australia Editing. The Motion Picture Editors Guild has joined • New York Film Critics Circle with ACE in an unprecedented alliance to reach out • New York Film Critics Online to editors and industry people around the world. • National Society of Film Critics The organizations listed on the petition already We would like to thank the organizations that have recognize cinematography and/or production design recently added the Film Editing category to their Annual Awards: in their annual awards presentations. Given the essential role film editors play in the creative process • Durban International Film Festival, South Africa of making a film, acknowledging them is long • New Orleans Film Festival overdue. We would like to send that message in • Tribeca Film Festival solidarity.
    [Show full text]
  • Meagan Costello Freelance Film Editor
    MEAGAN COSTELLO FREELANCE FILM EDITOR 2019 BABY STEPS (pilot) /// Directors: Fia Perera + Dava Krause 2019 THE CALL (short) /// Director: Angelica Weaver 2018 THE WATER SONG (short) /// Director: Dave Janetta 2018 MARY POPPINS RETURNS (DISNEY) Director: Rob Marshall • Editor: Wyatt Smith 2016 DOCTOR STRANGE (MARVEL + DISNEY) Director: Scott Derrickson • Editors: Wyatt Smith + Sabrina Plisco 2015 THE NICE GUYS (WARNER BROS.) Director: Shane Black - - - Editor: Joel Negron 2014 GUARDIANS OF THE GALAXY (MARVEL + DISNEY) Director: James Gunn • Editors: Fred Raskin, Hughes Winborne, Craig Wood 2013 THOR: THE DARK WORLD (MARVEL + DISNEY) Director: Alan Taylor • Editors: Dan Lebental, Wyatt Smith, Conrad Buff 2012 PAIN & GAIN (PARAMOUNT) Director: Michael Bay • Editor: Joel Negron + Tom Muldoon 2012 21 JUMP STREET (SONY) Directors: Phil Lord + Chris Miller • Editor: Joel Negron 2011 BRIDESMAIDS (UNIVERSAL) Director: Paul Feig • Editors: Bill Kerr + Mike Sale 2010 THE LAST AIRBENDER (PARAMOUNT) Director: M. Night Shyamalan • Editor: Conrad Buff 2009 ALICE IN WONDERLAND (DISNEY) Director: Tim Burton • Editor: Chris Lebenzon 2008 THE MUMMY: TOMB OF THE DRAGON EMPEROR (UNIVERSAL) Director: Rob Cohen • Editors: Joel Negron & Kelly Matsumoto 2007 THE INVASION (WARNER BROS) Director: Oliver Hirschbiegel & James McTeigue • Editor: Joel Negron 2006 GRIDIRON GANG (SONY) Director: Phil Joanou • Editor: Joel Negron UNIVERSITY OF CALIFORNIA SAN DIEGO Bachelor of Arts, June 2002 Major: Communications; Minor: Visual Arts/Media History and Criticism MOTION PICTURE EDITORS GUILD, Assistant Editor WOMEN IN FILM LA + NY, Executive Member NEW YORK POST ALLIANCE, Member.
    [Show full text]
  • The Director's Method in Contemporary Visual Effects Film
    The Director’s Method in Contemporary Visual Effects Film: The Influence of Digital Effects on Film Directing Gianluca Balla PhD University of York Theatre, Film and Television September 2016 Abstract The director’ s method – meant as the organisation of the filmmaking process – is usually characterised by common procedures such as work on the script, shot design and the actors’ performance. For films involving a large-scale use of digital effects, directors consistently approach such procedures with a particular attitude dictated by the digital pipeline, the step-by- step technical procedure through which computer-generated images are created. In light of this, the use of digital effects might influence the director’s method. This thesis aims to define what is considered to be a consensual methodological approach to direct films with no or few digital effects and then compares this approach to when such effects are conspicuously involved. This analysis is conducted through interviews with working directors, visual effects companies and practitioners, and integrated with the current literature. The frame of the research is represented by a large spectrum of contemporary films produced in western countries and which involve digital effects at different scales and complexity but always in interaction with live-action. The research focuses on commercial films and excludes computer-animated and experimental films. The research is intended to address an area in production studies which is overlooked. In fact, although the existent literature examines both digital effects and film directing as distinct elements, there is to date no detailed analysis on the influence that the former has on the latter.
    [Show full text]
  • The Big Bang
    ANCHOR BAY FILMS and Hannibal Pictures presents A Big Bang Production In Association with Flame Ventures and North by Northwest Entertainment In Association with Rollercoaster Entertainment and Blue Rider Pictures Antonio Banderas THE BIG BANG Thomas Kretschmann William Fichtner Sienna Guillory Autumn Reeser Jimmi Simpson Bill Duke James Van Der Beek Rebecca Mader Robert Maillet Featuring Snoop Dogg with Delroy Lindo and Sam Elliott PRESS NOTES Running time is 101 minutes. This film is Unrated. Press Contacts: National PR National PR: Online: Ed Peters Tim Williams Sheila Romana Sue Procko Public Relations Sue Procko Public Relations RMS P: 323‐653‐5153 P: 323‐653‐5153 P: 310‐345‐4387 [email protected] [email protected] [email protected] THE BIG BANG Synopsis Late one night, Los Angeles private investigator, Ned Cruz (Antonio Banderas) gets a visit from a recently paroled Russian boxer with an intriguing job offer: find Lexie, his missing girlfriend—and the 30‐ million dollar stash of diamonds she’s hiding. As Detective Cruz sets out to find her, the clues send him into the city’s seediest corners, from a Hollywood action star with a dirty little secret (James Van Der Beek), to an enterprising porn producer who takes a personal interest in his own work (Snoop Dogg), and a kinky waitress with an unusual fetish for particle physics (Autumn Reeser). Lexie proves to be as elusive as she is beautiful and Cruz becomes obsessed with finding her. With time running out, Cruz discovers the trail leads to reclusive billionaire (Sam Elliott), and his physicist (Jimmi Simpson), intent on recreating The Big Bang underneath the New Mexico desert.
    [Show full text]
  • 2007 Nominations
    2012 NOMINATIONS (presented in 2013) BEST FILM ARGO - Grant Heslov, Ben Affleck, George Clooney LES MISÉRABLES - Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh LIFE OF PI - Gil Netter, Ang Lee, David Womark LINCOLN - Steven Spielberg, Kathleen Kennedy ZERO DARK THIRTY - Mark Boal, Kathryn Bigelow, Megan Ellison OUTSTANDING BRITISH FILM ANNA KARENINA - Joe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard THE BEST EXOTIC MARIGOLD HOTEL - John Madden, Graham Broadbent, Pete Czernin, Ol Parker LES MISÉRABLES - Tom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer SEVEN PSYCHOPATHS - Martin McDonagh, Graham Broadbent, Pete Czernin SKYFALL - Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER BART LAYTON (Director), DIMITRI DOGANIS (Producer)- The Imposter DAVID MORRIS (Director), JACQUI MORRIS (Director/Producer) - McCullin DEXTER FLETCHER (Director/Writer), DANNY KING (Writer) - Wild Bill JAMES BOBIN (Director) - The Muppets TINA GHARAVI (Director/Writer) - I Am Nasrine DIRECTOR AMOUR - Michael Haneke ARGO - Ben Affleck DJANGO UNCHAINED - Quentin Tarantino LIFE OF PI - Ang Lee ZERO DARK THIRTY - Kathryn Bigelow DOCUMENTARY THE IMPOSTER - Bart Layton, Dimitri Doganis MARLEY - Kevin Macdonald, Steve Bing, Charles Steel McCULLIN - David Morris, Jacqui Morris SEARCHING FOR SUGAR MAN - Malik Bendjelloul, Simon Chinn WEST OF MEMPHIS - Amy Berg ORIGINAL SCREENPLAY AMOUR - Michael Haneke DJANGO UNCHAINED - Quentin Tarantino THE MASTER - Paul Thomas Anderson MOONRISE KINGDOM - Wes Anderson, Roman Coppola ZERO DARK THIRTY - Mark Boal ADAPTED SCREENPLAY ARGO - Chris Terrio BEASTS OF THE SOUTHERN WILD - Lucy Alibar, Benh Zeitlin LIFE OF PI - David Magee LINCOLN - Tony Kushner SILVER LININGS PLAYBOOK - David O.
    [Show full text]
  • Open Editfest Program
    20:21 EDITING E M a tt Marjorie Bruce Fran Make a big production less of a production. “Productions is the fi nal puzzle piece for making Premiere Pro an undeniable choice for any scale movie. Th e ability to share projects and organize media across them, combined with Premiere’s existing dynamic workfl ows, lets our entire team work and collaborate incredibly fast.” —Ben Insler, First Assistant Editor, MANK © 2021 Adobe. All rights reserved. Adobe, the Adobe logo, and Adobe Premiere are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Creativity for all. TABLE CONTENTS E :05 Welcome :06 Itinerary :12 Sponsors :14 ACE President Kevin Tent, ACE :15 SATURDAY | PANEL 1 Editing for Musicals :23 SATURDAY | PANEL 2 Inside the Cutting Room with Bobbie O’Steen A Conversation with Tom Cross, ACE :27 Saturday Breakout Room Speakers :39 SUNDAY | PANEL 1 From Assistant to Editor Mentoring the Next Generation :51 SUNDAY | PANEL 2 International Partnership Program Launch Strengthening the Art of Editing in the Global Film Community :59 Sunday Breakout Room Speakers :71 Production Credits :72 ACE Member Roster :80 EditFestGlobal.com :03 WELCOME EDITFEST 2021 The American Cinema Editors is an honorary society founded in 1950 by editors who wanted to create a forum to honor their profession. There were 108 editors at that first meeting. Today we number over 1,000 members, from all over the world and, like those who came before us, we wish to educate others about our craft, and our dedication to advancing the art and dignity of the editing profession.
    [Show full text]
  • THE HATEFUL EIGHT Production Notes
    THE HATEFUL EIGHT Production Notes Publicity materials are available at: twcpublicity.com 70mm Roadshow Run Time: 187 mins (includes 12 min intermission) Wide Release Run Time: 167mins MPAA Rating: R 1 SYNOPSIS Six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town’s new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie's Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all… THE HATEFUL EIGHT also stars Channing Tatum, James Parks, Dana Gourrier, Zoë Bell, Gene Jones, Keith Jefferson, Lee Horsley, Craig Stark, and Belinda Owino. Written and directed by Quentin Tarantino, THE HATEFUL EIGHT is produced by Richard N.
    [Show full text]
  • FDEV Zine (Issue 1, February 2021) a New Publication by the Office of Faculty Development a Brief History of Zines
    FDEV Zine (Issue 1, February 2021) A new publication by the Office of Faculty Development A brief history of Zines WHY A ZINE?? The real question, actually, is why NOT a zine? Zines offer a less formal and constrained channel of communication at a time when everything is becoming automated, homogeneous, and oftentimes too clean and dry. While playing with design and aesthetics, fonts and colors, we want to be mindful of the need to address your concerns, share the resources we can offer, and invite you to participate in all sorts of FDEV events. This Zine is conceived as a publication to enjoy when you can hopefully take some time for yourself, so that you can EXPLORE it, beyond reading it. It contains information about programs, a list of all events planned for this month, and links to many of our resources. So, grab your coffee or tea and start the journey... (Chiara Ferrari, FDEV Director) Click here to read a message from FDEV Director Chiara Ferrari MEET THE FDEV TEAM REBECCA NELSON ADMINISTRATIVE SUPPORT COORDINATOR As Administrative Support Coordinator and CSU, Chico alumna, it is a true pleasure to support the various programs, events and resources for faculty towards student success. The cross-functional partnerships that our Faculty Development Team encourages between departments, colleges, disciplines and units offers a unique opportunity for growth and development on behalf of the university and our local community. ARIANA M. SINGH STUDENT ASSISTANT As a student who gets to work as closely with Faculty as I have over the last four years, I feel that I get a sense of how both parties operate based on each other and amongst ourselves.
    [Show full text]
  • Avid Editors Sweep the 2015 ACE Eddie Awards
    February 4, 2015 Avid Editors Sweep the 2015 ACE Eddie Awards Award-Winning Editors Embrace Avid Everywhere to Cut the Most Celebrated Films and Television Shows of the Year BURLINGTON, Mass., Feb. 4, 2015 (GLOBE NEWSWIRE) -- Avid® (Nasdaq: AVID) today congratulated the professional video editing community on their achievements at the 65th annual American Cinema Editors Eddie Awards held in Los Angeles on January 30. Many of the award winners and nominees embraced Avid EverywhereTM using the Avid Artist Suite's Media Composer® | Software, to bring the director's vision to life. Avid editors who took home awards on the night include Sandra Adair for Best Edited Feature Film (Dramatic) Boyhood, Barney Pilling for Best Edited Feature Film (Comedy or Musical) Grand Budapest Hotel, Mathilde Bonnefoy for Best Edited Documentary (Feature) Citizenfour, Erik Ewers for Best Edited Documentary (Television) The Roosevelts: An Intimate History: Episode 3 / The Fire of Life, and Hunter Gross for Best Edited Non-Scripted Series Anthony Bourdain: Parts Unknown: Iran. "We're honored that the world's most esteemed editors have embraced Avid Everywhere and continue to trust in the industry's preeminent editing solution to bring the most compelling stories to our screens," said Avid Chairman, President and CEO Louis Hernandez Jr. "We congratulate our customers on their achievements, and look forward to empowering their creativity for many years to come." Eddie Award winners and nominees relied on Media Composer | Software to create: ● Best Edited Feature
    [Show full text]