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T Hebuzzon Mosquitoes
MAY 11, 1994 40 CENTS VOLUME 24, NUMBER 19 The buzz on m o s q u i t o e s ________ BY CANDY TRUNZO________ But don’t toss your Cutter’s or calamine just yet. Staff Writer “That’s this week,” cautions Robert Kent, principal biologist with the N.J. ever give a sucker an even break, Office of Mosquito Control Coordination. especially when that sucker is out “Next week, we could have our hands for blood and called a mosquito. N full.” From May to October, swarms of those buzzing, bothersome pests are out to put Kent likens New Jersey to a checker board. Some counties have landed on the bite on us. Fortunately, the Monmouth squares that have intense adult mosquito County Mosquito Commission is braced to problems. Other counties, such as help minimize the number of these para Monmouth County right now, are seeing sites that are as much a part of the warm that water is receding and draining back weather as Memorial Day or the Fourth of and that treatment efforts are working. July. For a while there, it didn’t look good. But things can change, depending most ly on weather conditions. The record rain, sleet and snow over the Water is the key to mosquito breeding. winter months created early-season breed ing, according to Martin S. Chomsky, It is in water where, as larvae and pupae, superintendent of the Mosquito mosquitoes spend a major part of their life Commission. cycle. Unfortunately, in Monmouth “But our inspectors started their treat County, water is everywhere. -
Black Monday Magazine
5333 north lincoln avenue #3n chicago illinois 60625 black mon day START v1.4 day mon black :::BLACK MONDAY V1.4::: controlled bleeding noise unit advertise (it’s very affordable!) windsdieddownadifferen controlled bleedingnoiseunitadvertise (it’s advertise (it’s very affordable!) windsdieddownadifferent advertise kindofcopthetablesecular (it’s my lifewiththethrillkillkult sistermachinegunslaveunitkraftwelt beautyw acumen alienfaktor battery collide controlledbleedingnoiseunitadvert noise unit advertise (it’s very affordable!) windsdieddownadifferent noise unitadvertise kindofcoptheta (it’s able!) vault.9rosettastoneseveredheadstherazorskylinegrotuskmfdm grotusdown kmfdm a different kind my of verylife affordable!) mechanism insight23 christanaloguevampirerodentsadvertise (it’s cop with the thrill the kill table kult secularsister machine mechanism gun insightslave unit23 kraftchristwelt analogu e beauty vampire wired rodents under advertise the noise (it’s very affordable!) advertise (it’s very vault.9 affordable!) rosetta stone16 volt christ analogue vampire rodents advertise (it’s very affordable!) vault.9rosetta stone christ analoguevampirerodentsadvertise (it’s kraftwelt beauty wired under the noise advertise (it’s very affordable!) 16volt kraftwelt beautywiredunderthenoiseadvertise (it’s slave unit kraftwelt beauty wired under the noise advertise (it’s very affordable! slave unitkraftweltbeautywired under thenoiseadvertise (it’s pire rodents advertise (it’s very affordable!) vault.9rosettastoneseveredheads pire rodentsadvertise -
Eileen Stevens
"'LetEach Becone Aware" Founded 1957, Incorporated 1976 Volume XXXIX, Number 21 Monday, November 13, 1995 : First Copy lFree- University Senate Passes (quality of Teaching Propos1a, _w BY ENEILRYAN DE LA PENA departmental and university-wide for commuting students. order to gain student support. "I think [students] should at Statesman Editor training program. "There was a lot of least be able to understand their The University Senate . "In general, [the proposal] discussion," Mackin said, teachers, but-I think they should passed a. proposal at last 3. All teachers,- in will help the.students,-" said referring to the University Senate be strict on [enacting the Monday's'meeting that will undergraduate' course-both' Nicole Rosner, :Polity vice voting on the proposals, -last proposals]," said Natalie Jacobs, ultimately improve the quality of faculty and TA's-must speak, president and member of the Monday. "There were still a lot a sophomore. "A teacher can still teaching at Stony Brook, English at a level appropriate to Undergraduate Council, of people disagreeing with it.- be pretty, good at handling the according to James Mackin, classroom instruction or other referring to the TA's who do not The vote came up 37 to 5 in favor accent, but they must get their professor and' chair of the teaching duties. fluently speak English. "I don't of adopting them." Since the point across." Undergraduate Council. think it's fair that students go into proposals have been passed in the Sophia Campbell, a junior, Mackin, along 'with 4.' When possible, faculty classes while they can't Senate, they are now currently in -strongly agreed with the members of the Ad Hoc should be given credit for understand the TA." effect, said Mackin. -
Passing Masculinities at Boy Scout Camp
PASSING MASCULINITIES AT BOY SCOUT CAMP Patrick Duane Vrooman A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Joe Austin, Advisor Melissa Miller Graduate Faculty Representative Ellen Berry Jay Mechling ii ABSTRACT Joe Austin, Advisor This study examines the folklore produced by the Boy Scout summer camp staff members at Camp Lakota during the summers of 2002 and 2003, including songs, skits, and stories performed both in front of campers as well as “behind the scenes.” I argue that this particular subgroup within the Boy Scouts of America orders and passes on a particular constellation of masculinities to the younger Scouts through folklore while the staff are simultaneously attempting to pass as masculine themselves. The complexities of this situation—trying to pass on what one has not fully acquired, and thus must only pass as—result in an ordering of masculinities which includes performances of what I call taking a pass on received masculinities. The way that summer camp staff members cope with their precarious situation is by becoming tradition creators and bearers, that is, by acquiescing to their position in the hegemonizing process. It is my contention that hegemonic hetero-patriarchal masculinity is maintained by partially ordered subjects who engage in rather complex passings with various masculinities. iii Dedicated to the memory of my Grandpa, H. Stanley Vrooman For getting our family into the Scouting movement, and For recognizing that I “must be pretty damn stupid, having to go to school all those years.” iv ACKNOWLEDGMENTS I never knew how many people it would take to write a book! I always thought that writing was a solitary act. -
Paul Weller Wild Wood
The Venus Trail •Flying Nun-Merge Paul Weller Wild Wood PAUL WELLER Wild Wood •Go! Discs/London-PLG FAY DRIVE LIKE JEHU Yank Crime •Cargo-Interscope FRENTE! Marvin The Album •Mammoth-Atlantic VOL. 38 NO.7 • ISSUE #378 VNIJ! P. COMBUSTIBLE EDISON MT RI Clnlr SURE THING! MESSIAH INSIDE II The Grays On Page 3 I Ah -So-Me-Chat In Reggae Route ai DON'T WANT IT. IDON'T NEED IT. BUT ICAN'T STOP MYSELF." ON TOUR VITH OEPECHE MOUE MP.'i 12 SACRAMENTO, CA MAJ 14 MOUNTAIN VIEV, CA MAI' 15 CONCORD, CA MA,' 17 LAS, VEGAS, NV MAI' 18 PHOENIX, AZ Aff.q 20 LAGUNA HILLS, CA MAI 21 SAN BERNARDINO, CA MA,' 24 SALT LAKE CITY, UT NOTHING MA,' 26 ENGLEVOOD, CO MA,' 28 DONNER SPRINGS, KS MA.,' 29 ST. LOUIS, MO MP, 31 Sa ANTONIO, TX JUNE 1HOUSTON. TX JUNE 3 DALLAS, TX JUNE 5BILOXI, MS JUNE 8CHARLOTTE, NC JUNE 9ATLANTA, GA THE DEBUT TRACK ON COLUMBIA .FROM THE ALBUM "UNGOD ." JUNE 11 TILE ,' PARX, IL PROOUCED 81.10101 FRYER. REN MANAGEMENT- SIEVE RENNIE& LARRY TOLL. COLI MI-31% t.4t.,• • e I The Grays (left to right): Jon Brion, Jason Falkner, Dan McCarroll and Buddy Judge age 3... GRAYS On The Move The two started jamming together, along with the band's third songwriter two guys who swore they'd never be in aband again, Jason Falkner and Buddy Judge and drummer Dan McCarron. The result is Ro Sham Bo Jo Brion sure looked like they were having agreat time being in the Grays (Epic), arecord full of glorious, melodic tracks that owe as much to gritty at BGB's earlier this month. -
Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition. -
KMFDM Angst Mp3, Flac, Wma
KMFDM Angst mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Angst Country: US Released: 1993 Style: Industrial MP3 version RAR size: 1145 mb FLAC version RAR size: 1209 mb WMA version RAR size: 1427 mb Rating: 4.9 Votes: 215 Other Formats: WAV FLAC APE AAC TTA MP4 MP3 Tracklist Hide Credits A1 Light 6:05 A2 A Drug Against War 3:44 Blood (Evil Mix) A3 5:12 Vocals – Christine Siewert A4 Lust 4:27 A5 Glory 3:54 A6 Move On 5:34 No Peace B1 4:28 Organ [Hammond B3] – Bruce Breckenfeld B2 A Hole In The Wall 5:50 B3 Sucks 3:31 The Problem B4 6:02 Written-By – Anderson* Companies, etc. Recorded At – Chicago Recording Company Mixed At – Chicago Recording Company Mastered At – Classic Digital, Evanston, IL Copyright (c) – Edition KMFDM Enterprises Copyright (c) – Freibank Copyright (c) – Artlos Music Copyright (c) – Wax Trax! Records, Inc. Phonographic Copyright (p) – Wax Trax! Records, Inc. Manufactured By – TVT Records Distributed By – TVT Records Credits Artwork – Brute* Engineer – Chris Shepard Mastered By – Konrad Strauss Performer – En Esch, Mark Durante, Sascha Konietzko, Svet Am* Producer, Mixed By – KMFDM Inc. Typography [Type] – Chris Z.* Vocals – Dorona Alberti Written-By – Shepard* (tracks: A1 to A6, B1, B2, B4), Esch* (tracks: A1 to A4, A6, B1, B2, B4), Durante* (tracks: A1 to A4, A6, B1, B2, B4), Konietzko*, Am* Barcode and Other Identifiers Barcode: 016581720244 Other versions Category Artist Title (Format) Label Category Country Year Wax Trax! Records, TVT 7202-2 KMFDM Angst (CD, Album) TVT 7202-2 US 1993 TVT Records Wax Trax! Records, TVT 7202-2, Angst (CD, Album, TVT Records, Wax TVT 7202-2, KMFDM US Unknown TVT 7202 RP) Trax! Records, TVT TVT 7202 Records Angst (Cass, KPAMC-A 050 KMFDM K.P.A. -
Youtube Nightstick
Iron Claw - Skullcrusher - 1970 - YouTube Damon -[1]- Song Of A Gypsy - YouTube Chromakey Dreamcoat - YouTube Nightstick - Dream of the Witches' Sabbath/Massacre of Innocence (Air Attack) - YouTube Nightstick - Four More Years - YouTube Orange Goblin - The Astral Project - YouTube Orange Goblin - Nuclear Guru - YouTube Skepticism - Sign of the Storm - YouTube Cavity - Chase - YouTube Supercollider - YouTube Satin Black - YouTube Today Is The Day - Willpower - 2 - My First Knife - YouTube Alex G - Gnaw - YouTube Stereo Total - Baby Revolution - YouTube Add N To (X) Metal Fingers In My Body - YouTube 'Samurai' by X priest X (Official) - YouTube Bachelorette - I Want to be Your Girlfriend (Bored to Death ending credits) - YouTube Bachelorette - Her Rotating Head (Official) - YouTube The Bug - 'Fuck a Bitch' ft. Death Grips - YouTube Stumble On Tapes - Girlpool - YouTube Joanna Gruesome - Talking To Yr Dick - YouTube Joanna Gruesome - Lemonade Grrl - YouTube BLACK DIRT OAK "Demon Directive" - YouTube Black Dirt Oak - From The Jaguar Priest - YouTube alternative tv how much longer - YouTube Earthless - Lost in the Cold Sun - YouTube Electric Moon - The Doomsday Machine (2011) [Full Album] - YouTube CWC Music Video Holding Out For a Hero - YouTube La Femme - Psycho Tropical Berlin (Full Album) - YouTube Reverend Alicia - YouTube The Phi Mu Washboard Band - Love Hurts - YouTube BJ SNOWDEN IN CANADA - YouTube j-walk - plastic face (prod. cat soup) - YouTube BABY KAELY "SNEAKERHEAD" AMAZING 9 YEAR OLD RAPPER - YouTube Bernard + Edith - Heartache -
The Second Coming of Industrial Music
The History of Rock Music - The Nineties The History of Rock Music: 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Second Coming of Industrial Music (These are excerpts from my book "A History of Rock and Dance Music") Chicago's Industrial Music, 1989-92 Towards the end of the 1980s, Chicago became the epicenter of the new industrial genre (Ministry's, not Throbbing Gristle's), thanks to a plethora of bands. The most infernal atmosphere and beats were packed on Disco Rigido (1989), the debut album by Die Warzau (1). Chicago also benefited by the work of former Killing Joke's drummer Martin Atkins, whose supergroup Pigface (1) interpreted industrial music as a producer's product, not unlike the producer of hip-hop: rhythm and noise form the foundation for a slew of guest vocalists such as Chris Connelly, Trent Reznor (Nine Inch Nails), Nivek Ogre (Skinny Puppy), Mary Byker (Gaye Bykers On Acid) and En Esch (KMFDM) to deliver shocking lyrics on albums such as Fook (1992). From this fertile soil Trent Reznor's Nine Inch Nails (12) were born, and the fate of industrial music changed dramatically. Reznor created a persona that was a cross of Dostoevsky's "demons", Goethe's Werther, Nietzsche's "ueber-mensch", and De Sade's perverts. -
Features Sister Machine Gun Returns to Their Roots on Influence
THE RETRIEVER February 10, 2004 15 Features Sister Machine Gun Returns To Their Roots on Influence DOUGLAS MILLER makes him one of the more distinctive vocalists Retriever Weekly Staff Writer in industrial music. On Influence, He makes great use of his talents on some tracks like Veteran industrial group Sister Machine “Clean” – but it is a shame that on much of the Gun returns with Influence, a mostly successful album he hides behind walls of vocal distortion. throwback to the hard-hitting WAX TRAX! Part of this is likely a stylistic choice given the sound that made the group somewhat popular in more abrasive nature of this album, but the the mid-1990’s. weakness lyrics might also be a factor. With angst-driven club mainstays like “Not As a whole, industrial lyrics tend to be trite My God” and “Wired,” Sister Machine Gun was and self-obsessed, and Sister Machine Gun lyrics at the forefront of Nine Inch Nails-inspired have always served as an archetypal example of industrial rock movement a decade ago. Peaking that. While the band has been progressing musi- with the classic Metropolis, the group turned cally over the last couple of years, Sister Machine relentlessly experimental before supposedly Gun lyrics only seem to be getting more generic. eschewing “industrial music” and commercialism Randall generally just writes pronoun-heavy entirely around 1999. angsty breakup songs, and that pattern continues It has been 5 years since Sister Machine on Influence. Much of this album sounds like Gun frontman Chris Randall dissolved the bad poetry ripped out of a middle school journal. -
Jersey Beat 52
issue 52 Fall/Winter 1994 Two Dollars The Figgs. jeancuy BOUNCING SOULS Ss ‘\ MADBALL ~ EX-VEGAS NG adv The Grip Weeds ‘house of Vibes 12 song cop “Mighty trunks of rhythm, lofty lyrical leaves into gleaming orange sunshine... The Grip Weeds ROCK and this is freaking incredible. k#***” - Music PAPER, NYC. “The mighty Grip Weeds have returned, remodeled and retooled for long lasting rock and roll goodness. The Grip Weeds have acquired guitar-mistress extra- ordinaire Kristin Pinell, and toughened their sound somewhat...Recorded at the famed House of Vibes...as rock solid (if not more) than anything in the previous Grip Weeds catalog... # AAA” - THE EVIL EYE, NJ “Poised for bigger things. They've gone from being a solid genre band in the Flamin’ Groovies mold to being...well, not that much different, actually. But there's more variety, more muscle, more personality this time around. If the Goo Goo Dolls can do it, so can they.” - SOUND VIEWS, NYC BV ACE A BSE NO Ww With two seven-inch records under their belts, the Grip Weeds (New Brunswick, NJ) have now released their first full-length record. Songs full of mindblow- ing riffs, head spinning harmonies, ripping guitar ioe plas full color artwork. At a eae store near you, or send $12 plus $3 postage & handling ($5 overseas) to Ground Up Records. Major credit card holders may order by phone: g800.641.8995 TRY BEFORE YOU BUY: Download the song “Salad Days” from the [UMA (Internet Underground Music Archive). Reach IUMA via the World Wide Web at: “heep:\\sunsite.unc.edu\ianc\index. -
RENEWABLE ENERGY PATHWAYS in ROAD TRANSPORT FIA FOUNDATION RESEARCH SERIES, PAPER 13 November 2020
RESEARCH SERIES AIR QUALITY RENEWABLE ENERGY PATHWAYS IN ROAD TRANSPORT FIA FOUNDATION RESEARCH SERIES, PAPER 13 November 2020 Commissioned by: The FIA Foundation, 60 Trafalgar Square, London WC2N 5DS, United Kingdom The FIA Foundation is an independent UK registered charity which supports an international programme of activities promoting road safety, the environment and sustainable mobility, as well as funding motor sport safety research. Our aim is to ensure ‘Safe, Clean, Fair and Green’ mobility for all, playing our part to ensure a sustainable future. RENEWABLE The FIA Foundation Research Paper series seeks to provide interesting insights into current issues, using rigorous data analysis to generate conclusions which are highly relevant to current global and local policy debates. © 2020 REN21 and FIA Foundation ENERGY Unless otherwise stated, material in this publication may be freely used, shared, copied, reproduced, printed and/or stored, provided that appropriate acknowledgement is given of REN21 and the FIA Foundation as the sources and copyright holders PATHWAYS and provided that the statement below is included in any derivative works. Material in this publication that is attributed to third parties may be subject to separate terms of use and restrictions, and appropriate permissions from these third parties may need to be secured before any use of such material. This publication should be cited as REN21 & FIA Foundation IN ROAD (2020), Renewable Energy Pathways in Road Transport, REN21 and FIA Foundation. Disclaimer TRANSPORT This publication and the material herein are provided “as is”. All reasonable precautions have been taken by REN21 and the FIA Foundation to verify the reliability of the material in this publication.