New Directions in Soviet Literature
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Bakhtin's Romantic Grotesque in Konstantin Vaginov's Novels: Alienation from the Soviet Society and the Pre-Revolutionary Culture's Loss
Bakhtin's Romantic Grotesque In Konstantin Vaginov's Novels: Alienation from the Soviet Society and the Pre-Revolutionary Culture's Loss Item Type text; Electronic Thesis Authors Shamarova, Assem Citation Shamarova, Assem. (2021). Bakhtin's Romantic Grotesque In Konstantin Vaginov's Novels: Alienation from the Soviet Society and the Pre-Revolutionary Culture's Loss (Master's thesis, University of Arizona, Tucson, USA). Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 27/09/2021 06:57:39 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/660305 BAKHTIN’S ROMANTIC GROTESQUE IN KONSTANTIN VAGINOV’S NOVELS: ALIENATION FROM THE SOVIET SOCIETY AND THE PRE-REVOLUTIONARY CULTURE’S LOSS by Assem Shamarova ____________________________ Copyright © Assem Shamarova 2021 A Thesis Submitted to the Faculty of the DEPARTMENT OF RUSSIAN AND SLAVIC STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2021 22 5/21/21 3 Table of Contents Abstract…………………………………………………………………………………..4 Introduction………………………………………............................................................5 Chapter One. Konstantin Vaginov’s Biography, His Novels, and Bakhtin’s -
Vaginov's Kozlinaia Pesn' Maxwell Anley
Durham E-Theses An Aesthetics of Exclusion: Konstantin Vaginov's Kozlinaia pesn' ANLEY, MAXWELL,LYDSTON How to cite: ANLEY, MAXWELL,LYDSTON (2011) An Aesthetics of Exclusion: Konstantin Vaginov's Kozlinaia pesn', Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/838/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Durham University School of Modern Languages and Cultures: Department of Russian An aesthetics of exclusion: Vaginov's Kozlinaia pesn' Maxwell Anley A thesis submitted for the degree of M.Res December 2010 Abstract This thesis renegotiates the position of Konstantin Vaginov’s novel Kozlinaia pesn΄ within the meta-text of post- Revolutionary culture, challenging the long accepted view that Vaginov maps out a programme of exclusion from Bolshevik reality in an attempt to preserve the classical ideals of pre-Revolutionary Russian culture from ruin. -
The Petersburg Text of Russian Cinema in Perestroika and Post-Perestroika Eras
The Petersburg Text of Russian Cinema in Perestroika and Post-Perestroika Eras Bratova, Natalia 2013 Link to publication Citation for published version (APA): Bratova, N. (2013). The Petersburg Text of Russian Cinema in Perestroika and Post-Perestroika Eras. Lund University (Media-Tryck). Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Download date: 09. Oct. 2021 LUND SLAVONIC MONOGRAPHS 11 CENTRE FOR LANGUAGES AND LITERATURE LUND UNIVERSITY The Petersburg Text of Russian Cinema in the Perestroika and Post-Perestroika Eras Natalia Bratova Lund 2013 LUND SLAVONIC -
Nonconformist Soviet Classics in Post-Soviet Perspective
Russian Culture Center for Democratic Culture 2012 Rethinking the Canon: Nonconformist Soviet Classics in Post- Soviet Perspective Alexander Zholkovsky Follow this and additional works at: https://digitalscholarship.unlv.edu/russian_culture Part of the Other Languages, Societies, and Cultures Commons, and the Slavic Languages and Societies Commons Repository Citation Zholkovsky, A. (2012). Rethinking the Canon: Nonconformist Soviet Classics in Post-Soviet Perspective. In Dmitri N. Shalin, 1-28. Available at: https://digitalscholarship.unlv.edu/russian_culture/18 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Russian Culture by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. Rethinking the Canon: Nonconformist Soviet Classics in Post-Soviet Perspective Alexander Zholkovsky I. The Problem of Reinterpretation In the four-plus decades since Stalin's death, the Soviet literary canon has undergone a series of changes. Thus, Fedor Dostoyevsky, Konstantin Leontiev, and Apollon Grigoriev, seen in all their complexity, gradually resumed their pride of place in nineteenth-century literary history, while Gogol was allowed to be more of a conservative thinker and modernist stylist than during the period of High Stalinism. -
Twentieth-Century Russian Poetry
TWENTIETH-CENTURY RUSSIAN POETRY Reinventing the Canon EDITED BY KATHARINE HODGSON, JOANNE SHELTON AND ALEXANDRA SMITH ONLINE SURVEY In collaboration with Unglue.it we have set up a survey (only ten questions!) to learn more about how open access ebooks are discovered and used. We really value your participation, please take part! CLICK HERE TWENTIETH-CENTURY RUSSIAN POETRY Twentieth-Century Russian Poetry Reinventing the Canon Edited by Katharine Hodgson, Joanne Shelton and Alexandra Smith https://www.openbookpublishers.com © 2017 Katharine Hodgson, Joanne Shelton and Alexandra Smith. Copyright of each chapter is maintained by the author. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Katharine Hodgson, Joanne Shelton and Alexandra Smith (eds.). Twentieth-Century Russian Poetry: Reinventing the Canon. Cambridge, UK: Open Book Publishers, 2017. https://doi. org/10.11647/OBP.0076 In order to access detailed and updated information on the license, please visit https://www. openbookpublishers.com/product/294#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
A Few Notes on Nabokov's Childhood Entomology Victor Fet Marshall University, [email protected]
Marshall University Marshall Digital Scholar Biological Sciences Faculty Research Biological Sciences 2016 A Few Notes on Nabokov's Childhood Entomology Victor Fet Marshall University, [email protected] Follow this and additional works at: http://mds.marshall.edu/bio_sciences_faculty Part of the Environmental Sciences Commons, and the Medical Sciences Commons Recommended Citation Fet, Victor. “Notes on Nabokov's childhood entomology.” Fine Lines: Nabokov's Scientific Art, edited by Stephen H. Blackwell and Kurt Johnson, Yale UP, 2016, pp. 216-224. This Article is brought to you for free and open access by the Biological Sciences at Marshall Digital Scholar. It has been accepted for inclusion in Biological Sciences Faculty Research by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. Fine Lines Vladimir Nabokov's Scientific Art EDITED sv Stephen H. Blackwell and Kurt Johnson AFew Notes on Nabokov's Childhood Entomology V ICTOR FET The marvelous compendia by Brian Boyd and Robert M. Pyle, Kurt Johnson and Steve Coates, and Dieter Zimmer present exciting reading to anyo ne interested in Nabokov's butterflies. 1 The main emphasis in these volumes, however, is on the double passion of Nabokov in his adult age. Nabokov's childhood activities in lepidoptery were so brilliantly described by the writer himself (chapter 6 of Speak, Memory I Drugie berega [Other shores]) that one finds it hard to add anything to his own account. Here I sketch possible lines of inquiry that surround childhood involvement in natura l sc ience-an issue of a great impor tance in Nabokov's case-that interested scholars could pursue. -
Nota Bene-- <C:\Nbwin\USERS\DEFAULT
AATSEEL 2020 Presentation Abstracts FRIDAY, FEBRUARY 7, 2020 1-1 Stream 1A: Tolstoy as Reader (I): Tolstoy Reading Literature, Myth and Religion Brian Kim, University of Pennsylvania Recommending Reading: Great Books According to Tolstoy In 1890, in response to Sir John Lubbock’s recently published list of one hundred books deemed “best worth reading,” Leo Tolstoy was approached by the publisher M. M. Lederle, who was interested in printing Tolstoy’s own recommendations in this regard. Tolstoy’s sin- gle and abortive attempt at compiling such a list in response contained fewer than 50 titles, organized according to the period of one’s life when they ought to be read and the degree of impression each had made on him personally. Ranging from religious texts and classical epics to contemporary philosophy and Russian literature, Tolstoy’s unpublished list is unsurprisingly characterized by an extraordinary breadth and a focus on writings conducive to the development of moral and spiritual education that was his main preoccupation in the latter period of his life. Though it did not become part of his public recommendations for reading (as, e.g., the aphorisms he later gathered in Krug chteniia), Tolstoy’s list was reflec- tive of a contemporaneous response to the rapid growth of literacy in late nineteenth-century Russia that was concerned with directing the reading consumption of a newly literate public toward texts of greater value than the light fiction so commonly found among booksellers’ wares. This paper examines Tolstoy’s recommendations in light of his experiences as a reader, educator, and public figure, and places his list in dialogue with conversations about literacy education in Russia at the end of the nineteenth century. -
Russian Literature 1945-1988
Arbeiten und Texte zu Slawistik ∙ Band 46 (eBook - Digi20-Retro) Wolfgang Kasack Russian Literature 1945-1988 Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbHWolfgang. Kasack - 9783954794379 Downloaded from PubFactory at 01/10/2019 04:19:17AM via free access 00047014 ARBEITEN UND TEXTE ZUR SLAVISTIK • 46 HERAUSGEGEBEN VON WOLFGANG KASACK Wolfgang Kasack RUSSIAN LITERATURE 1945-1988 1989 München • Verlag Otto Sagner in Kommission Wolfgang Kasack - 9783954794379 Downloaded from PubFactory at 01/10/2019 04:19:17AM via free access í+Ъ/І ( ĻĻ׳/ .fb *־ “ This exposition of Russian literature from 1945 to 1987 is a revised and considerably enlarged third issue of my books "Die russische Literatur 1945-1976й (München 1980). "Die russische Literatur 1945-1982" (München 1983). My thanks to Miss Carol Sandison for the suggestion of an English version and for the task of translation. My thanks also to my colleagues at the Slavic Institute of Cologne University - Miss Monika Glaser, Mrs. Barbara Göbler, Dr. Frank Göbler, Miss Annette Julius. Mrs. Angelika Lauhus M.A.. Dr. Irmgard Lorenz, Miss Daniela Scarpati. Mrs. Marianne Wiebe M.A. - for bibliographical, editorial and technical assistance in the preparation of the text. Köln and Much, Decem ber 1988 W.K. -
Durham E-Theses
CORE Metadata, citation and similar papers at core.ac.uk Provided by Durham e-Theses Durham E-Theses An Aesthetics of Exclusion: Konstantin Vaginov's Kozlinaia pesn' ANLEY, MAXWELL,LYDSTON How to cite: ANLEY, MAXWELL,LYDSTON (2011) An Aesthetics of Exclusion: Konstantin Vaginov's Kozlinaia pesn', Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/838/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Durham University School of Modern Languages and Cultures: Department of Russian An aesthetics of exclusion: Vaginov's Kozlinaia pesn' Maxwell Anley A thesis submitted for the degree of M.Res December 2010 Abstract This thesis renegotiates the position of Konstantin Vaginov’s novel Kozlinaia pesn΄ within the meta-text of post- Revolutionary culture, challenging the long accepted view that Vaginov maps out a programme of exclusion from Bolshevik reality in an attempt to preserve the classical ideals of pre-Revolutionary Russian culture from ruin. -
AINSLEY MORSE 54 Carpenter St. Norwich, VT 05055 [email protected] +1 603-738-6711
AINSLEY MORSE 54 Carpenter St. Norwich, VT 05055 [email protected] +1 603-738-6711 EDUCATION Ph.D., Slavic Languages and Literatures (2016) Harvard University M.A., Comparative Slavic Literatures (2008) University of North Carolina-Chapel Hill B.A. summa cum laude, Russian Language and Literature (2005) University of North Carolina-Chapel Hill RESEARCH AND TEACHING INTERESTS Twentieth- and twenty-first century Russian (post-Soviet) and Soviet literature; contemporary Russian-language poetry and short prose; Soviet children’s and young- adult literature; Yugoslav literature and contemporary South Slavic literature; translation and translation studies; literary and social non-conformism; literary and artistic communities and institutions; modernisms, avant-gardes and literary experiments; émigré literature CURRENT PROJECTS • Word Play: Experimental Poetry and Soviet Children’s Literature (working title) (final manuscript submitted following favorable peer reviews, Northwestern UP) • “Стихотворение Всеволода Некрасова «Ленинград/первый взгляд»,” solicited essay fpr edited volume on the Lianozovo poets & artists, ed. Mikhail Pavlovets and Vladislav Kulakov (NLO, forthcoming 2020) • “Детские стихи АХВ,” solicited essay for edited volume on Aleksei Khvostenko and Anri Volokhonsky, ed. Ilja Kukuj (NLO, forthcoming 2020) • “«Профессоров надо вешать»: Константин Кузьминский и американский академический истеблишмент,” solicited essay for edited volume on Konstantin Kuzminsky, ed. Ilja Kukuj (projected 2021) • “The X-word: Translating Profanity in Contemporary Russian Poetry,” solicited essay for Lost and Found in Translation, ed. Vera Tsareva-Brauner (Academic Studies Press, projected 2021) • Lianozovo in Words and Pictures (collaborative visual art / poetry book project) • “Networks for Art and Opposition in Late Socialism and Beyond”: working group led by Ann Komaromi at the University of Toronto (project participant / international collaborator) • Works and Days: The Novels of Konstantin Vaginov (ed. -
The Kennan Institute 38
KENNAN INSTITUTE 30 Year Report KENNAN INSTITUTE KENNAN INSTITUTE KENNAN INSTITUTE 30 Year Report Kennan Institute Staff Blair A. Ruble, Director Margaret Paxson, Senior Associate Nancy Popson, Senior Associate F. Joseph Dresen, Program Associate Jennifer Giglio, Program Associate Atiq Sarwari, Program Associate Summer Brown, Program Specialist Edita Krunkaityte, Program Assistant Erin Trouth, Program Assistant Kennan Moscow Project Galina Levina, Program Manager Ekaterina Alekseeva, Program Manager and Editor Irina Petrova, Office Manager Pavel Korolev, Program Officer Anna Toker, Accountant Murad Pateev, Technical Support Kennan Kyiv Project Yaroslav Pylynskyi, Project Manager Nataliya Samozvanova, Office Manager WOODROW WILSON INTERNATIONAL CENTER FOR SCHOLARS Lee H. Hamilton, Director BOARD OF TRUSTEES Joseph B. Gildenhorn, Chair; David A. Metzner, Vice Chair. Public Members: James H. Billington, Librarian of Congress; John W. Carlin, Archivist of the United States; Bruce Cole, Chair, National Endowment for the Humanities; Roderick R. Paige, Secretary, U.S. Department of Education; Colin L. Powell, Secretary, U.S. Department of State; Lawrence M. Small, Secretary, Smithsonian Institution; Tommy G. Thompson, Secretary, U.S. Department of Health and Human Services. Private Citizen Members: Joseph A. Cari, Jr., Carol Cartwright, Donald E. Garcia, Bruce S. Gelb, Daniel L. Lamaute, Tamala L. Longaberger, Thomas R. Reedy WILSON COUNCIL Bruce S. Gelb, President. Elias F. Aburdene, Jennifer Acker, Charles S. Ackerman, B.B. Andersen, Russell Anmuth, Cyrus A. Ansary, Lawrence E. Bathgate II, Theresa Behrendt, John Beinecke, Joseph C. Bell, Steven Alan Bennett, Rudy Boschwitz, A. Oakley Brooks, Donald A. Brown, Melva Bucksbaum, Richard I. Burnham, Nicola L. Caiola, Mark Chandler, Peter B. Clark, Melvin Cohen, William T. -
Twentieth-Century Russian Poetry
TWENTIETH-CENTURY RUSSIAN POETRY Reinventing the Canon EDITED BY KATHARINE HODGSON, JOANNE SHELTON AND ALEXANDRA SMITH To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/294 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. ONLINE SURVEY In collaboration with Unglue.it we have set up a survey (only ten questions!) to learn more about how open access ebooks are discovered and used. We really value your participation, please take part! CLICK HERE Twentieth-Century Russian Poetry Reinventing the Canon Edited by Katharine Hodgson, Joanne Shelton and Alexandra Smith https://www.openbookpublishers.com © 2017 Katharine Hodgson, Joanne Shelton and Alexandra Smith. Copyright of each chapter is maintained by the author. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Katharine Hodgson, Joanne Shelton and Alexandra Smith (eds.). Twentieth-Century Russian Poetry: Reinventing the Canon. Cambridge, UK: Open Book Publishers, 2017. https://doi. org/10.11647/OBP.0076 In order to access detailed and updated information on the license, please visit https://www. openbookpublishers.com/product/294#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www.