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Winlabel User's Manual
WinLabel User’s Manual 2017/12/22 Ver 4.0 WINCODE Technology Co., Ltd copyright reserved WinLabel user’s manual Contents STARTUP ......................................................................................................................................................... 4 OPERATING INTERFACE OVERVIEW ............................................................................................................. 6 1 START BUTTON, QUICK ACCESS TOOLBAR AND STYLE SETTING ......................................................... 7 1.1 START BUTTON .................................................................................................................................. 7 1.2 QUICK ACCESS TOOLBAR ..................................................................................................................... 9 1.3 STYLE SETTING TOOLBAR ..................................................................................................................... 9 2 FUNCTIONAL ZONE .............................................................................................................................. 10 2.1 MAIN PAGE..................................................................................................................................... 10 2.1.1 Page Setup .............................................................................................................................. 10 2.1.2 Printer Setup (Driver Setup)................................................................................................... -
4. Reconfigurations of Screen Borders: the New Or Not-So-New Aspect Ratios
4. Reconfigurations of Screen Borders: The New or Not-So-New Aspect Ratios Miriam Ross Abstract The ubiquity of mobile phone cameras has resulted in many videos foregoing the traditional horizontal (landscape) frame in favour of a vertical (portrait) mode. While vertical framing is often derided as amateur practice, these new framing techniques are part of a wider contemporary screen culture in which filmmakers and artists are using unconventional aspect ratios and/or expanding and contracting aspect ratios over the course of their audio-visual work. This chapter briefly outlines historical contexts in which the border of the screen has been more flexible and open to changing configurations than is widely acknowledged. It then uses recent case studies to consider how our understanding of on-screen and off-screen space is determined by these framing configurations. Keywords: Aspect ratios, embodiment, framing, cinema In recent years, the increasing ubiquity of mobile phone videos has drawn attention to a radical challenge to traditional screen culture. It is not just that a wide variety of amateur users now have a filmmaking device at their fingertips—rather, that many of them are foregoing the more than a century- long norm for shooting with a horizontal frame. Appearing on social media sites such as YouTube, Facebook, and Twitter as well as in commercial news broadcasts, their footage stands tall in a vertical format. When replayed on horizontal screens, the startling strangeness of wide black bands on either side of the content focuses attention on the border of the frame as well as seem- ingly absent screen space. -
IMAX Technician Robert Kilburn Uses Aspect Ratios to Make Sure Audiences Enjoy the Movie
THE Scenes from upcoming IMAX releases Star Trek and (below) Monsters vs. Aliens f you've ever seen a movie in an IMAX theater—with a huge screen and excellent sound and picture—you know how realistic it can be. You might have even felt like you were inside the movie. It takes many people to make sure that the film looks the way it's supposed to. One of those people is Robert kilburn, the manager of system installations at IMAX. His job is to IMAX technician supervise the installation of IMAX screens and projection Robert Kilburn and sound systems. Kilburn's favorite films to uses aspect work on might also be your favorites to watch. "I like the ratios to make visually spectacular films that take you places you sure audiences wouldn't normally be able to go, from the deepest depths enjoy the movie. of our oceans to the magical Continued on next page world of Harry Potter," Kilburn OA modem flat-screen television Some IMAX theaters use the told MATH. "The Harry Potter M(LCD or plasma) could have a 416:9 aspect ratio. If the height of films are my favorites." width of 64 inches and a height of an image at this ratio is 51.3 feet... In order to make sure the 36 inches, a. what proportion could you picture looks perfect on an a. To find the aspect ratio for write to find the width? IMAX screen, Kilburn uses flat-screen TVs, write those aspect ratios. A ratio compares dimensions as a ratio in two different numbers of the simplest form: same unit. -
Simplification of Trade Documentation Using International Standards
Rev 3 January 2011 Trust Fund for Trade Facilitation Negotiations1 Technical Note 13 Simplification of trade documentation using international standards Background Documents are the support to collect information and data. Document requirements in international trade serve different purposes. These may include for example documents required as part of governmental procedures, supply chain management and payment requirements. Managing the various documentary requirements becomes problematic as the information need to be submitted to different agencies in different countries and languages, on difference forms, and with various supportive documents attached to them. National and international businesses, traders and transport operators have to cope with numerous documents and forms (sometimes up to 40 originals), often containing redundant and repetitive data and information (200 data elements on average). The World Bank Doing Business Study www.doingbusiness.org provides country-specific data on document requirements for export operations, informing of opportunity costs induced by trade document processing. The data shows that in many developing countries the costs for document preparation are the biggest cost factor in the export process. For example, Indian exporters experienced costs of $350 for document preparation, $120 for Customs clearance, $150 for port and terminal handling and $200 for inland transport. The costs for document preparation in a country with highly simplified and automated processes such as Germany were reported at $85 per shipment. The data indicates that for developing countries and transition economies document simplification and automation is an important instrument to increase competitiveness at competitively low investment costs. Simplification of trade documents, therefore aims at reducing document and data requirements and aligning them to international standards. -
XMITIP User Reference Guide
XMITIP User Reference Guide SMTP (E-Mail) from z/OS to the World Version 18.03 Revised March 28, 2018 Lionel B. Dyck E-Mail: [email protected] XMITIP User Reference Guide Page 1 of 54 8/6/2021 Table of Contents Table of Contents ............................................................................................................................ 2 Introduction .................................................................................................................................... 5 Acknowledgements ......................................................................................................................... 6 Local Customizations (alter this section for your site and republish for your users) ........................... 7 Using XMITIP in Batch ..................................................................................................................... 8 Usage Notes ................................................................................................................................... 9 Performance Considerations ........................................................................................................................................ 9 XMITIP - The Command (syntax) ................................................................................................... 10 To-Address .................................................................................................................................................................. 11 Other Keywords ............................................................................................................................................................. -
Design & Printing Handbook
Design & Printing Handbook SCSU PRINTING SERVICES Brown Hall Basement St. Cloud State University 720 Fourth Avenue South St. Cloud, Minnesota 56301-4498 [email protected] www.stcloudstate.edu/printingservices P: 320.308.2105 F: 320.308.6407 CONTENTS About Printing Services & Services Offered .......................................................2 Getting Started ..............................................................................................3 Types of Printing & Acceptable File Types .........................................................3 Checklist for Sending Files ..............................................................................3 Filling Out a Printing Requisition ......................................................................4 Design Do’s and Don’ts & Tips to Consider .......................................................6 Standard Paper Sizes & Maximizing Paper Use ................................................7 Book Binding Options & Graphics & Logos ......................................................8 Folding Options & Brochure Setup ...................................................................9 Saving PDFs (InDesign) .................................................................................11 Collecting/Packaging Files for Output (InDesign) .............................................14 Saving PDFs (QuarkXpress) ...........................................................................15 Collecting/Packaging Files for Output (QuarkXpress) .......................................16 -
Black & White A4 Multifunctional > up to 40
ineo 4052 > Black & white A4 multifunctional > Up to 40 ppm Datasheet ineo 4052 Option diagram Interface cable Air cleaning unit for CSRC modem CU-203 EK-P07 USB I/F kit EK-P05 OR Staple fi nisher FS-P02 10-key pad USB I/F kit KP-P01 EK-P06 PDF enhancements LK-102v3 Trusted Platform Module activation LK-115v2 Wireless LAN UK-216 Barcode fonts LK-106 ThinPrint© Client Wireless LAN LK-111 SX-BR-4600 Biometric authentication AU-102 Unicode fonts Serverless Pull OR LK-107 Printing Fax kit ID card reader LK-114 FK-517 various ID card technologies OCR A and Upgrade kit B fonts UK-219 LK-108 OR 250-sheet tray 550-sheet tray PF-P15 OR PF-P16 250-sheet tray 550-sheet tray PF-P15 OR PF-P16 250-sheet tray 550-sheet tray PF-P15 PF-P16 Copier desk SCD-4000e Finishing functionalities Corner Duplex stapling Datasheet ineo 4052 Description ineo 4052 A4 multifunctional with 40 ppm b/w. Standard ineo AU-102 Biometric authenticationFinger vein scanner print controller with PCL, PostScript and XPS ID card reader Various ID card technologies support. Paper capacity of 550 sheets and LK-102v3 PDF enhancements PDF/A (1b), PDF encryption, digital signature 100-sheet manual bypass. Automatic dual-scan LK-106 Barcode fonts Supports native barcode printing document feeder and duplex unit standard. 2 GB LK-107 Unicode fonts Supports native Unicode printing memory, 250 GB hard disk and Gigabit Ethernet. LK-108 OCR A and B fonts Supports native OCR A and B font printing PF-P15 Paper tray A5–A4, 250 sheets, 60–120 g/m² LK-111 ThinPrint® Client Print data compression for reduced network impact PF-P16 Paper tray A5–A4, 550 sheets, 60–120 g/m² LK-114 Serverless Pull Printing Secure and Follow Me printing solution require SCD-4000e Copier desk Provides storage space for print media, etc. -
MFX-7595I Black & White A3 Multifunctional Printer
MFX-7595i black & white A3 multifunctional printer BRIDGE THE GAP BETWEEN PAPER AND DIGITAL BUSINESS-CLASS DOCUMENT SOLUTIONS 2 MFX-7595i Datasheet CUSTOMER BENEFITS Intuitive operability Mobile connectivity Security Application ecosystem Productivity Sustainability Operate the MFX-7595i like a Print anytime from Secure network integration, Enhanced efficiency thanks to Reliability, high-speed scanning Numerous eco features reduce smartphone or tablet with fully anywhere with data encryption, and advanced Muratec’s extensive and printing, combined with energy consumption and costs customizable user interface Muratec´s innovative user authentication applications portfolio powerful finishing functions mobile technologies OPTIONS Connectivity 1 ENHANCED FEATURES 2 CONNECTIVITY PDF enhancements Fax board x2 LK-102v3 FK-514 OCR text recognition 1 3 Wireless LAN LK-105v4 UK-221 Barcode fonts USB I/F kit LK-106 EK-608 OR Unicode fonts USB I/F kit LK-107 2 EK-609 OCR A and B fonts Biometric authentication LK-108 AU-102 OR Document converter pack BiometricID card reader authentication LK-110v2 AU-102AU-205H 5 ThinPrint® client Mount kit LK-111 MK-735 Antivirus LK-116 FOIP IP-Fax (T.38 Fax) LK-117 4 3 OTHERS 4 MEDIA INPUT 5 MEDIAMEDIA OUTPUT OUTPUT OR OR Working table Large capacity tray Output tray StapleInner Finisher finisher Staple finisher WT-506 LU-303 OT-514 FS-539FS-533 FS-540FS-536 OR Upright panel Large capacity tray RelayPunch unit kit Relay unit WT-519 LU-205 RU-519PK-519 RU-519 OR OR 10-Key pad Banner tray Booklet finisher BookletStaple/booklet -
Mobile Print/Scan Guide for Brother Iprint&Scan
Mobile Print/Scan Guide for Brother iPrint&Scan Version I ENG Definitions of notes We use the following icon throughout this user’s guide: Notes tell you how you should respond to a situation that may arise or give NOTE tips about how the operation works with other features. Trademarks The Brother logo is a registered trademark of Brother Industries, Ltd. Brother is a trademark of Brother Industries, Ltd. Google, Android, Android Market and Gmail are trademarks of Google Inc. Use of these trademarks is subject to Google Permissions. Apple, OS X, iCloud, iPhone, iPod touch, iPad, iTunes and Safari are trademarks of Apple Inc., registered in the U.S. and other countries. Microsoft, Windows, Excel and PowerPoint are registered trademarks of Microsoft Corporation in the United States and/or other countries. Wi-Fi is a registered trademarks of the Wi-Fi Alliance. Wi-Fi Direct is a trademark of the Wi-Fi Alliance. The Bluetooth word mark and logos are owned by the Bluetooth SIG, Inc. and any use of such marks by Brother Industries, Ltd. is under license. Each company whose software title is mentioned in this manual has a Software License Agreement specific to its proprietary programs. Any trade names and product names of companies appearing on Brother products, related documents and any other materials are all trademarks or registered trademarks of those respective companies. ©2011-2012 Brother Industries, Ltd. All rights reserved. i Table of Contents Section I For Android™ Devices 1 Introduction 2 Overview....................................................................................................................................................2 -
Digital Image Prep for Displays
Digital Image Prep for Displays Jim Roselli ISF-C, ISF-R, HAA Tonight's Agenda • A Few Basics • Aspect Ratios • LCD Display Technologies • Image Reviews Light Basics We view the world in 3 colors Red, Green and Blue We are Trichromatic beings We are more sensitive to Luminance than to Color Our eyes contain: • Light 4.5 million cones (color receptors) 90 million rods (lumen receptors) Analog vs. Digital Light Sample • Digitize the Photon Light Sample Light Sample DSLR’s Canon 5D mkII and Nikon D3x 14 bits per color channel (16,384) Color channels (R,G & B) • Digital Capture Digital Backs Phase One 16 bits per channel (65,536) Color channels (R,G & B) Square Pixels Big pixels have less noise … Spatial Resolution Round spot vs. Square pixel • Size Matters Square Pixels • What is this a picture of ? Aspect Ratio Using Excel’s “Greatest Common Divisor” function • The ratio of the width to =GCD(x,y) xRatio = (x/GCD) the height of the image yRatio = (y/GCD) on a display screen Early Television • How do I calculate this ? Aspect Ratio 4 x 3 Aspect Ratio • SAR - Storage Aspect Ratio • DAR – Display Aspect Ratio • PAR – Pixel Aspect Ratio Aspect Ratio Device Width(x) Heigth(y) GCD xRa5o yRa5o Display 4096 2160 16 256 135 Display 1920 1080 120 16 9 • Examples Display 1280 720 80 16 9 Display 1024 768 256 4 3 Display 640 480 160 4 3 Aspect Ratio Device Width(x) Heigth(y) GCD xRa5o yRa5o Nikon D3x 6048 4032 2016 3 2 • Examples Canon 5d mkII 4368 2912 1456 3 2 Aspect Ratio Device Width(x) Heigth(y) GCD xRa5o yRa5o iPhone 1 480 320 160 3 2 HTC Inspire 800 480 160 5 3 • Examples Samsung InFuse 800 480 160 5 3 iPhone 4 960 640 320 3 2 iPad III 2048 1536 512 4 3 Motorola Xoom Tablet 1280 800 160 8 5 Future Aspect Ratio Device Width(x) Heigth(y) GCD xRa5o yRa5o Display 2048 1536 512 4 3 Display 3840 2160 240 16 9 Display 7680 4320 480 16 9 Aspect Ratio 4K Format Aspect Ratio • Don’t be scared … Pan D3x Frame . -
Printing, Exportin and Emailing | 3 Printing
Draw Guide Chapter 10 Printing, Exporting and E-mailing Copyright This document is Copyright © 2020 by the LibreOffice Documentation Team. Contributors are listed below. You may distribute it and/or modify it under the terms of either the GNU General Public License (http://www.gnu.org/licenses/gpl.html), version 3 or later, or the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), version 4.0 or later. All trademarks within this guide belong to their legitimate owners. Contributors To This Edition Peter Schofield Claire Wood To Previous Editions John A Smith Jean Hollis Weber Hazel Russman Ron Faile Jr. Feedback Please direct any comments or suggestions about this document to the Documentation Team’s mailing list: [email protected] Note Everything sent to a mailing list, including your email address and any other personal information that is written in the message, is publicly archived and cannot be deleted. Publication date and software version Published June 2020. Based on LibreOffice 6.4. Using LibreOffice on macOS Some keystrokes and menu items are different on macOS from those used in Windows and Linux. The table below gives some common substitutions for the instructions in this document. For a more detailed list, see the application Help. Windows or Linux macOS equivalent Effect Tools > Options menu LibreOffice > Preferences Access setup options Right-click Control +click or right-click Open a context menu depending on computer setup Ctrl (Control) ⌘ (Command) Used with other keys -
City of Glendale Fire Department
CITY OF GLENDALE FIRE DEPARTMENT FIRE STATION NO. 26 RENOVATION GLENDALE, CALIFORNIA PROJECT MANUAL CONSTRUCTION DOCUMENTS PROJECT #: 17052.01 MAY 10, 2019 City of Glendale Fire Department Project #17052.01 Fire Station No. 26 Renovation Construction Documents TABLE OF CONTENTS DIVISION 1 - GENERAL REQUIREMENTS 01 10 00 Summary 01 23 00 Alternates 01 26 00 Contract Modification Procedures 01 29 00 Payment Procedures 01 31 00 Project Management and Coordination 01 32 00 Construction Progress Documentation 01 33 00 Submittal Procedures 01 40 00 Quality Requirements 01 42 00 References 01 45 23 Testing & Inspection 01 50 00 Temporary Facilities and Controls 01 60 00 Product Requirements 01 73 00 Execution Requirements 01 73 29 Cutting and Patching 01 74 19 Construction Waste management 01 77 00 Closeout Procedures 01 78 23 Operation and Maintenance Data 01 78 39 Project Record Documents 01 79 00 Demonstration and Training 01 81 19 Construction Indoor Air Quality 01 81 23 Noise and Vibration Control DIVISION 2 – EXISTING CONDITIONS 02 41 00 Demolition PMSM DIVISION 3 - CONCRETE 03 20 00 Reinforcing Steel SWA DIVISION 4 – MASONRY 04 21 13 Brick Veneer Masonry PMSM 04 22 00 Concrete Masonry Unit SWA DIVISION 5 - METALS 05 12 00 Structural Steel SWA 05 40 00 Cold-Formed Metal Framing SWA DIVISION 6 – WOOD, PLASTICS, AND COMPOSITES 06 10 00 Rough Carpentry SWA TABLE OF CONTENTS 1 City of Glendale Fire Department Project #17052.01 Fire Station No. 26 Renovation Construction Documents 06 16 00 Sheathing SWA 06 20 00 Finish Carpentry PMSM 06 41