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Filmmaker Bios, 2008
FILMMAKER BIOS, 2008 Aneel Ahmad, Boot Polish Aneel Ahmad was born and raised from a working class family within the poverty- stricken, inner city suburbs of Manchester, Longsight, England. He has no formal training or any academic qualifications and is completely self-taught. His role models are the (late) Stanley Kubrick, Sir David Lean, Satyajit Ray and documentary filmmaker Peter Watkins. In 2003 Aneel made his first short film with North West Vision, A Man's World, as part of the Lottery-funded Virgin Shorts scheme. In 2004, Aneel progressed to the UK Film Council, Digital Shorts scheme and made his second film in association with North West Vision, Waiting for Sunrise. Aneel Ahmad's film won the UNICEF UK AWARD at Sheffield in 2005. It was short- listed for one of the film world's most distinguished awards - the Grierson Awards for documentary. Aneel has also won critical acclaim and praise for his work from some of the top industry professionals and directors such as Ridley Scott, Mike Leigh and Quentin Tarantino. Aneel's third film Boot Polish was shot in Lahore, Pakistan and has just been selected by the British Council for Film & Arts to be screened worldwide in 2007. Aneel is currently developing two British feature films and another short film to be shot in the UK in 2007/08. Chris Ahrens, D.O.P.E. (Death or Prison Eventually) Chris Ahrens, director, remembers seeing Bruce Logan bomb Black Hill at 40 miles per hour in the mid- 1970s and watched the rise and fall of world-champion skateboarders over the years. -
Leslie Caron
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] Leslie Caron Photo: John Mann Location: London, United Kingdom Eye Colour: Blue Height: 5'1" (154cm) Hair Colour: Dark Brown Playing Age: Over 60 years Hair Length: Long Appearance: White Film Film, Suzanne de Persand, Le Divorce, Merchant Ivory Productions, James Ivory Film, Madame Audel, Chocolat, Miramax Films, Lasse Hallström Film, Regine De Chantelle, The Reef, CBS, Robert Allan Ackerman Film, Marguerite, Let It Be Me, Savoy Pictures, Eleanor Begstein Film, Katie Parker, Funny Bones, Hollywood Pictures, Peter Chelsom Film, Elizabeth Prideaux, Damage, Studio Canal, Louis Malle Film, Waitress, Guns, Malibu Bay Films, Andy Sidaris Film, Jane Hillary, Courage Mountain, Triumph Films, Christopher Leitch Film, Henia Liebskind, Dangerous Moves, Gaumont, Richard Dembo Film, Mother, Imperative, TeleCulture, Krzysztof Zanussi Film, uncredited, Chanel Solitaire, United Film Distribution Company, George Kaczender Film, Lucille Berger, All Stars Film, Dr. Sammy Lee, Goldengirl, AVCO Embassy Pictures, Joseph Sargent Film, Nicole, Nicole, Troma Entertainment, István Ventilla Film, Alla Nazimova, Valentino, United Artists, Ken Russell Film, Véra, The Man Who Loved Women, United Artists, François Truffaut Film, Céleste, Surreal Estate, Caribou Films, Eduardo de Gregorio Film, Katherine Creighton, Chandler, MGM, Paul Magwood Film, Sister Mary, Madron, Four Star-Excelsior, Jerry Hopper -
“No Reason to Be Seen”: Cinema, Exploitation, and the Political
“No Reason to Be Seen”: Cinema, Exploitation, and the Political by Gordon Sullivan B.A., University of Central Florida, 2004 M.A., North Carolina State University, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2017 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Gordon Sullivan It was defended on October 20, 2017 and approved by Marcia Landy, Distinguished Professor, Department of English Jennifer Waldron, Associate Professor, Department of English Daniel Morgan, Associate Professor, Department of Cinema and Media Studies, University of Chicago Dissertation Advisor: Adam Lowenstein, Professor, Department of English ii Copyright © by Gordon Sullivan 2017 iii “NO REASON TO BE SEEN”: CINEMA, EXPLOITATION, AND THE POLITICAL Gordon Sullivan, PhD University of Pittsburgh, 2017 This dissertation argues that we can best understand exploitation films as a mode of political cinema. Following the work of Peter Brooks on melodrama, the exploitation film is a mode concerned with spectacular violence and its relationship to the political, as defined by French philosopher Jacques Rancière. For Rancière, the political is an “intervention into the visible and sayable,” where members of a community who are otherwise uncounted come to be seen as part of the community through a “redistribution of the sensible.” This aesthetic rupture allows the demands of the formerly-invisible to be seen and considered. We can see this operation at work in the exploitation film, and by investigating a series of exploitation auteurs, we can augment our understanding of what Rancière means by the political. -
Listing of HORROR FILM FESTIVALS
The Filmmaker’s Listing of HORROR FILM FESTIVALS CHICAGO HORROR FILM FESTIVAL CHICAGO, IL http://www.chicagohorrorfest.com http://www.myspace.com/chicagohorrorfest FESTIVAL DIRECTOR: JASON R. DAVIS SHRIEKFEST – The Los Angeles Horror / Sci-Fi Film Festival LOS ANGELES, CA http://www.shriekfest.com FESTIVAL DIRECTORS: DENISE GOSSETT and TODD BEESON EMAIL: [email protected] SCREAMFEST HORROR FILM FESTIVAL LOS ANGELES, CA http://www.screamfestla.com http://www.myspace.com/screamfestla FESTIVAL DIRECTOR: RACHEL BELOFSKY EMAIL: [email protected] PHONE: 310-358-3273 NEW YORK CITY HORROR FILM FESTIVAL NEW YORK CITY, NY http://www.nychorrorfest.com FESTIVAL DIRECTOR: MICHAEL J. HEIN EMAIL: [email protected] HOLLYWOOD HORROR FILM FESTIVAL HOLLYWOOD, CA http://www.hollywoodawards.com/horror.html SLAMDANCE FILM FESTIVAL PARK CITY, UT http://www.slamdance.com/ EMAIL: [email protected] EERIE HORROR FILM FESTIVAL EERIE, PA © 2010 Elsevier, Inc. All rights reserved. http://www.eeriehorrorfest.com/ FESTIVAL DIRECTOR: GREG ROPP EMAIL: [email protected] SACRAMENTO HORROR FILM FESTIVAL SACRAMENTO, CA http://www.sachorrorfilmfest.com/ FESTIVAL DIRECTOR: TIM MEUNIER EMAIL: [email protected] NEVERMORE FILM FESTIVAL DURHAM, NC http://festivals.carolinatheatre.org/nevermore/ FESTIVAL DIRECTOR: JIM CARL TROMADANCE FILM FESTIVAL PARK CITY, UT http://www.tromadance.com/ NOTES: NO ENRTY FEES! INSOMNIFEST THE WORLD’S FIRST ONLINE HORROR FILM FESTIVAL http://www.insomnifest.com/ FESTIVAL DIRECTOR: JOSH FREDRIK NORDSTROM EMAIL: [email protected] A NIGHT OF HORROR INTERNATIONAL FILM FEST SYDNEY, AUSTRAILIA http://www.anightofhorror.com EMAIL: [email protected] H.P. LOVECRAFT FILM FESTIVAL & CTHULHU CON PORTLAND, OR http://hplfilmfestival.com/ FESTIVAL DIRECTOR: ANDREW MIGLIORE WEEKEND OF FEAR – INTERNATIONAL HORROR FEST GERMANY http://www.weekend-of-fear.de/ FESTIVAL DIRECTOR: MICHAEL NEUN EMAIL: [email protected] DEAD BY DAWN HORROR FILM FESTIVAL UNITED KINGDOM http://www.deadbydawn.co.uk/ © 2010 Elsevier, Inc. -
Our Festival Partners
Our Festival Partners... A Night of Horror, Accolade Competition, AFI Dallas, AFI FEST, AFM, Almost Famous, Angelus Awards, Ann Arbor Film Festival, Appalachian Film Festival, Ashland Independent, Austin Film Festival, Babelgum, Beloit International, Bend Film Festival Big Bear Lake International Film Festival, Big Apple Film Festival, Big Island Film Festival, Big Sky Documentary Film Festival, Black Maria Film Festival, California Independent, California Film & Video Festival, Cine Gear Expo, Cine Las Americas, Cinequest, Coney Island Film Festival, Cucalorus, Crossroads Film Festival, DC Shorts Film Festival, DV Expo, Duke City Shootout, East Lansing Children’s Film Festival, Elevate Film Festival, Estes Park Film Festival, Fantastic Fest, Filmstock, FirstGlance, Flatland Film Festival, Flint Film Festival, Florida ART, Ft. Lauderdale International Film Festival, 48 Hour Film Project, FTX West Expo, Fusion Film Festival, Fylmz, George Lindsey UNA Festival, Hamptons International Film Festival, Haydenfilms, Hardacre Film Fest, HD Expo, HD Fest, Heart of Gold, Heartland, Indie Memphis, IP Schmoozefest, Jackson Hole Film Festival, Jackson Hole Wildlife, Long Island Film Festival, Los Angeles Film Festival, HP Lovecraft Film Festival, Indie Memphis, Indie Short Films, International Family Film Festival, International Horror & Sci-Fi Film Festival, MacWorld, Magnolia Independent, The Method Fest, Miami International Film Festival, Miami Underground Film Festival, Milwaukee International Film Festival, Moondance, NAB, NAB Post+ Production -
RESISTANCE MADE in HOLLYWOOD: American Movies on Nazi Germany, 1939-1945
1 RESISTANCE MADE IN HOLLYWOOD: American Movies on Nazi Germany, 1939-1945 Mercer Brady Senior Honors Thesis in History University of North Carolina at Chapel Hill Department of History Advisor: Prof. Karen Hagemann Co-Reader: Prof. Fitz Brundage Date: March 16, 2020 2 Acknowledgements I want to thank Dr. Karen Hagemann. I had not worked with Dr. Hagemann before this process; she took a chance on me by becoming my advisor. I thought that I would be unable to pursue an honors thesis. By being my advisor, she made this experience possible. Her interest and dedication to my work exceeded my expectations. My thesis greatly benefited from her input. Thank you, Dr. Hagemann, for your generosity with your time and genuine interest in this thesis and its success. Thank you to Dr. Fitz Brundage for his helpful comments and willingness to be my second reader. I would also like to thank Dr. Michelle King for her valuable suggestions and support throughout this process. I am very grateful for Dr. Hagemann and Dr. King. Thank you both for keeping me motivated and believing in my work. Thank you to my roommates, Julia Wunder, Waverly Leonard, and Jamie Antinori, for being so supportive. They understood when I could not be social and continued to be there for me. They saw more of the actual writing of this thesis than anyone else. Thank you for being great listeners and wonderful friends. Thank you also to my parents, Joe and Krista Brady, for their unwavering encouragement and trust in my judgment. I would also like to thank my sister, Mahlon Brady, for being willing to hear about subjects that are out of her sphere of interest. -
Complicated Views: Mainstream Cinema's Representation of Non
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e. -
2000 Film Program Schedule
ACCOUNTANT, THE USA 2000 Betacam SP/16mm 106 mins. One Wheel Panther Productions East Coast Premiere [email protected] Director/Writer/Editor: Glenn Gers Producer: Spencer M. Clarke, Jr. Cinematography: Noah Prince Music: Bryan E. Miller Costumes: Loren Bevans Starring: David Valcin, Marlene Forte, John Randolph Jones The story of a gentleman who tries to protest the lack of civilized behavior in New York City and inadvertently brings about the end of civilization. A narrator-hero guides us through an Altmanesque/neo-Dickensian tale involving 18 principal characters in a tragicomedy of race, class, good intentions and bad luck. Shot for $62,000 in 88 locations with 120 actors, "The Accountant" is a no-budget magical-realist disaster movie. A.J.’S DOGUMENTARY USA 1999 Digital Video 53 mins. New England Premiere Director: A.J. Poulin The film offers a comic glimpse into the lives of obsessive dog owners, and shows the bizarre ways they pamper their pets. A.J.’s Dogumentary has been in four film festivals, winning the audience award for favorite film three times. ALZIRA: A MATRIARCH TELLS HER STORY USA 2000 Digital Video 63 mins. In English and Portuguese (with English subtitles) http://members.tripod.com/~christian-d/index.html Breaking Branches Pictures Official World Premiere [email protected] Director: Christian de Rezendes Music: Alberto Resendes Featuring: Alzira Rodrigues By 1929, Alzira de Jesus Soares had survived the conditions of her impoverished village in the north of Portugal, a place called Bouçoais - where her father and two younger siblings had died from influenza and starvation. Only months earlier, she had been granted the most unique of opportunities for those in her native homeland: a better life in America. -
Pressive – That Stays with You Long After It Ends.” – Mike Watt, FILM THREAT
NOWHERE MAN A Film by Tim McCann 75 Minutes, Color FIRST RUN FEATURES 153 Waverly Place New York, NY 10014 (212) 243-0600/Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] “An outstanding film – dark, twisted and impressive – that stays with you long after it ends.” – Mike Watt, FILM THREAT “The pulse pounding intensity of Rodrick and Rochon's performances, married with McCann's muscular direction, make this film devastatingly shocking and utterly convincing!” - Mark Van Woert, b-critic.com “Unflinching… writer/director Tim McCann wisely concentrates his energy on story and characterization, pulling off one of the more impressive lo-fi efforts of the year.” – John W. Bowen, RUE MORGUE Just how bad can things get? Conrad has found a pornographic video featuring his fiancé. Shocked, he calls the wedding off. But now, after an emotionally brutal week, an abused Jennifer has cut off Conrad's penis - and taken it with her for ransom! A doctor has advised Conrad that if found immediately, there is some hope for re-attachment. But where is Jennifer hiding? Vengeful and furious, Conrad blunders gun first into the underworld of her “blue-film” past, to find her – and his missing member! Starring MICHAEL RODRICK ( Another World, Desolation Angels ), renowned cult actress DEBBIE ROCHON (‘Scream Queen of the Decade'), real life porn legend FRANK OLIVIER (as Daddy Mac), and directed by award winning filmmaker TIM MCCANN ( Revolution #9 , Desolation Angels ), NOWHERE MAN probes and cauterizes the preposterousness of love and revenge. It is both a nasty little film noir and a black humored treatise on the ever shifting balance of power in human relationships. -
CABO DE GATA, LA INSPIRACIÓN DEL MEDITERRÁNEO CABO DE GATA, MEDITERRANEAN INSPIRATION Dirigido Por/Directed by BATISTE MIGUEL (JUAN BAUTISTA MIGUEL GIL)
CABO DE GATA, LA INSPIRACIÓN DEL MEDITERRÁNEO CABO DE GATA, MEDITERRANEAN INSPIRATION Dirigido por/Directed by BATISTE MIGUEL (JUAN BAUTISTA MIGUEL GIL) Productora/Production Company: DOCU PRODUCCIONES, S.L. Avda. Blasco Ibañez, 153, 81. 46022 Valencia. Tel.: +34 96 371 93 83. www.docuproducciones.com ; [email protected] Director: BATISTE MIGUEL (JUAN BAUTISTA MIGUEL GIL). Dirección de producción/Line Producer: CLARA SANZ. Guión/Screenplay: BATISTE MIGUEL. Fotografía/Photography: JOAQUÍN FERNÁNDEZ ALEMANY, BATISTE MIGUEL. Música/Score: JORGE PARDO CORDERO, GRUPO FLAMENCO DE ANA ALONSO. DOCUMENTAL/DOCUMENTARY Con/With:JEANNE CHEVALIER (Fotógrafa), ANA ALONSO (Bailaora de flamenco), JORGE PARDO (Músico), MATTHEW WEIR (Ceramista), ANNE KAMPSCHULTE (Escultora), MARIO SANZ (Farero y escritor), SOPHIE CUENDET (Ceramista, pintora, escultora). Cortometraje/Short Film. HD. Género/Genre: Documental / Documentary / Arte / Fine Arts. Duración/Running time: 52 minutos. Fechas de rodaje/Shooting dates: 01/07/2011 - 30/09/2011. Lugares de rodaje/Locations: Parque Natural de Cabo de Gata Nijar (Almería). Web: www.docuproducciones.com/cabo-de-gata.html Siete artistas, de distintos países y ramas del arte, encontraron aquí la libertad. El Cabo de Gata, situado en el sureste español, es el litoral que mejor conserva la esencia del Mediterráneo, por eso en los últimos 40 años se ha convertido en el hogar de artistas de diferentes nacionalidades. Aquí tienen su trabajo, realizan sus obras y disfrutan de vivir a orillas de un mar de aguas cristalinas y fondos marinos de gran belleza. De día, el único desierto europeo, muestra su desnudez bajo una luz extraordinaria y cuando oscurece se despierta el duende de la música y el baile flamenco con toda su energía. -
Wednesday, March 4 Rue Auditorium (Sweigart Hall 115)
Wednesday, March 4 Rue Auditorium (Sweigart Hall 115) 10:00-11:30 a.m. Screening of a Cult Classic Directed by Hal Ashby (Featured speaker Nick Dawson will analyze Ashby’s work Wednesday at 6:30 p.m.) 11:45 a.m.-12:45 p.m. Student-Faculty Panel Hauntings — in Melodrama, Mansions, Love and War Dr. Charles Frantz, Moderator, Department of Music, Composition, History, and Theory; Film & Media Studies faculty • Jacob’s Ladder (1990): Kyle VanLaningham, Filmmaking, TV & Radio major; Film & Media Studies minor • Women on the Verge of a Nervous Breakdown (1988, Spain): Jordan Wilson, Marine Science major, Biology minor • The Haunting (1963): Dr. Charles Frantz 1:10-2:40 p.m. Student Screenplays and Papers Classic Cult, American Style Dr. Cynthia Lucia, Moderator, Department of English; Film & Media Studies Program Director • “Scooter Squad,” written by Collin Cortright, Filmmaking, TV & Radio major • Lost Highway (1997), Emily Fraschilla, Biology major • The Rocky Horror Picture Show (1975), Annie Challice, Theatre major; Film & Media Studies minor • Iron Giant (1999), Frank Gigliotti, Filmmaking, TV & Radio major; Film & Media Studies minor • Heathers (1989), Elliot Schwartz, Psychology and Spanish double major; Gender and Sexuality Studies minor • The Blues Brothers (1980), Gabe Kennis, Arts & Entertainment Industry Management major • Twilight (2008), Belle McNamara, Musical Theatre and Arts & Entertainment Industry Management double major 2:50-4:20 Student film and Papers So Superbad, It’s Good Dr. Cynthia Lucia, Moderator, Department of English; -
Monstrous Nature: Environment and Horror on the Big Screen / Robin L
monstrous nature Monstrous Nature environment and horror on the big screen Robin L. Murray and Joseph K. Heumann university of nebraska press | lincoln and london © 2016 by the Board of Regents of the University of Nebraska Acknowledgments for the use of copyrighted material appear on pages ix– x, which constitute an extension of the copyright page. All rights reserved Manufactured in the United States of America Library of Congress Cataloging- in- Publication Data Names: Murray, Robin L., author. | Heumann, Joseph K., author. Title: Monstrous nature: environment and horror on the big screen / Robin L. Murray and Joseph K. Heumann. Description: Lincoln: University of Nebraska Press, [2016] | Includes bibliographical references and index. Identifiers: lccn 2015044552 (print) lccn 2015046477 (ebook) isbn 9780803285699 (cloth: alk. paper) isbn 9780803294905 (epub) isbn 9780803294912 (mobi) isbn 9780803294929 (pdf) Subjects: lcsh: Horror films— History and criticism. | Environmental protection and motion pictures. | Nature in motion pictures. Classification: lcc pn1995.9.h6 m875 2016 (print) | lcc pn1995.9.h6 (ebook) | ddc 791.43/6164— dc23 lc record available at http://lccn.loc.gov/2015044552 Set in Sabon Next by John Klopping. Designed by N. Putens. contents List of Illustrations vii Acknowledgments ix Introduction: Film, Environment, Horror xi part 1: anthropomorphism and the “big bug” movie 1. The Hellstrom Chronicle and Beetle Queen Conquers Tokyo: Anthropomorphizing Nature for Humans 3 2. “As Beautiful as a Butterfly”? Monstrous Cockroach Nature and the Horror Film 19 part 2: human ecology and the horror film 3. The Earth Bites Back: Vampires and the Ecological Roots of Home 41 4. Through an Eco- lens of Childhood: Roberto Rossellini’s Germany Year Zero and Guillermo del Toro’s The Devil’s Backbone 57 part 3: evolution and monstrous nature 5.