The Social Ideas of Oliver Goldsmith with Particular Reference to His Position Between Classicism and Romanticism

Total Page:16

File Type:pdf, Size:1020Kb

The Social Ideas of Oliver Goldsmith with Particular Reference to His Position Between Classicism and Romanticism The social ideas of Oliver Goldsmith with particular reference to his position between classicism and romanticism Item Type text; Thesis-Reproduction (electronic) Authors McNiece, Gerald Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 22:24:27 Link to Item http://hdl.handle.net/10150/318941 THE SOCIAL IDEAS OF OLIVER GOLDSMITH WITH PARTICULAR REFERENCE TO HIS POSITION BETWEEN CLASSICISM AND ROMANTICISM by Gerald M. Me Niece A Thesis submitted to the faculty of the Department of English in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College University of Arizona 1948 Approved 711 — -__ > . (Lb n Director of The ^as M)ate • ' • ; . ^ABIE 'OF GOT^STS , Chapter : - I ^ -. THE :p r o b l e i ' AID HEPTHTTIOHS OF ,TERMS HSED, II . A PRESEHTATIOH. OF GOHmMITH* S. IDEAS OF LHXHRY AND COMIERCE . ... ..o @ . ..6 ..o e . @ ■ 23 III, GOLDSMITH® S IDEOLOGICAL POSITIOF BETWEEN . • PRIMITIVISM AFD SO'CIAL REFINEMENT... ..... .o... 49 IVo GOLDSMITH'S IDEAS ON INDIVIDUALISM AND ' •, COSMOPOLITANISM.. $. « • . .. « *■» « @ . © ©. © . ©. 61 V. SUMMARY AND CONCLUSIONS.... ..V.. .... .. ........... 81 HIBIiIOG RAPRiY'...... ..................................... 90 /i 9 6.84.8 ■ : THE PROBLEM AND DEFINITIONS OF TERMS USED ' Tbh position .of Oliver Goldsmith. (1728=1774) In English letters has long been assuredo The beauties.of his style and :tlie: charm of his sentiments ■ have attracted many readers " ' to this later eighteenth century literary'figurei But Goldsmithrs positibn in the history of ideas has received relatively little. consideration0 Too often his comments on ■. social questions have been laid aside as of little signlfi- . cance.® h ; ' : . /i:/ : -'' i ' ' i -: ■ lo / THE PROBLEM ' \ ; vi . Statement of the problem-^. It: was the purpose of this V ^ : Study : (1 ) to present and • interpret, the social ideas .of . : ■ Oliver .Goldsmith with a view to the eighteenth century background from which they proceededI and (2) to decide Goldsmith® s.. position be tween classicism and romanticism as established by those social ideas® • : importance of the study o Goldsmith was sub .is c te d to' a hr crosscurrent of ideas<, some originating from the traditional- .. 1st 9 nep-classic., pas to t h e r s fore shadowing, a future age which ' saw the French Revolutioh and the;romantic upheavalo. It is felt that a study of Goldsmith, a ■writer of the transitional period,' might clarify' the. meanings- of the , terms classicism ' 4 ;and: romanticism by revealing. the. contrasting tendencies at • In GoldsmltM lies :tile: key to an ‘age e But not only does the survey of his. ideas aid in comprehending: the literary forces .whlchhourlshed.hirris but- it also provides considerable i: ' Insight into a difficult perlodp a period of transition .. between: two great IdeaSo T . ' /. - ' - \ : - i : ; ■ S; ' iio the plan of. the thesis v ■ V - t - Prefatory material concerning Goldsmith5s eighteenth .century background has been included in this Introductpry . chapter in addition to working .definitions of classicism9 .• : romanticism9 and sentimentalism. Two further topicss the -' ''transition from classicism to romanticism and the distinction between romanticlsm and .sentimehtalism, have been discussed "ibrieflyi.r :V:'.. 1 v; /"■ ^ . I; ; h ^-Vnr The actual matter of Goldsmith8 s social ideas has been apportioned among Chapters II? III9 and IV9 with ChapterV . presenting a summary and conclusionsc Chapter II presents - Goldsmi th’ s Ideas on luxury arid commerceChapters ' III and I¥ proceed from Goldsmith’s detiunciation of the abuses .'of " luxury in Chapter 111 Chapter III .inspects the range Of Goldsmith’s ideas on sentimental primitivism and useful : luxury^ attempting to discover If. justification may exist > for referring to Goldsmith as a sentlmentalist.» ; Chapter IV : is developed from the s ymp a thy whi ch Goldsmith displayed for: the poors simple folk oppressed by the tyranny of luxury. His •concern with the Iridiyidual as opposed to the mass of 'aoc.i@tys'/':.with''vparfei.cular'.'rdfer0Eic9;.:fco .'lai.s -ideas on prison reform^ is observed as growing from his personal sympathies» . Cosmopoil fcanism has been disous sed 'as: an extension . of- romantic indivldualism, with emphasis upon Goldsmithis citizen™of-the-. world concept o' Chapter V s the final chapters, .summarizes in the usual fashion the findings of the problem chapters, and^ in conclusions attempts to justify by. reference to these findings'the statements made as to the importance of the Study o..y \ ■ . : ^ ■■' -: ; ■: h '1 . : - ' ' ::".i ;V ' ; in.: m e t h o d of p r o c e d u r e " : ; . - The. edition of Goldsmith which has been used in this study is that of Peter Cunninghamo This editions .first ■ released: in 1854 and- reprinted in: the; Turk1 s Head Edition. of 1908s was followed by a number nf more, modern editions whichp' however$, were: not available o The Gunnlngham edltion includes Goldsmithts major works and large excerpts from . his more important'cbmpilations c Those works by Goldsmith, which are usually rated as of ma jor 'importance and theref ore . considered at some;:length ■ in. this study are the two poems. The Traveller and The Deserted tillage, The Citizen, of the • ■; World essays, and the one great novel. The Vicar of Wakefield0 The two comedies„ The Good^Hatured Map-and She Stoops to ' Conquerg- had no particular application to this study*.. : .Supplementary material:has been derived from his other less ’ known works j, some of' whichg notably Hew Essays edited by ' : Ronald So Crane in 1927s help to explain and corroborate the .pbsltibns which. Goldsmith, takes in the better-known■ works» : Critical and interpretive material to . supplement, the readings: in. G-b Id smith :has: been considered under, four divisions : ' (1 ) general background . works ; ( 2); works' on the , theorie s of roman­ ticism s .cladslelsmj, and sentimentalism; .(3) works containing references to Goldsmith^ :s 'social ideas i - and ( 4) works in . which Goldsmith’ s, position invthe histpry of ideas has been estimatedo ;v ^ :V > . - - - . % , . ■ - ihere are ^ no extended works available, on Goldsmith1s ■social: .Ideas» Howeveri a fairly representative group of opinions has been derived by the collation of such articles .as Robert Wo Seitz5 s- "The Irish Background of Goldsmith's Thought" and Howard Jo Bell's "The Deserted Village and Goldsmith5s Social Doctrines" with the brief but pertinent comments from the literary histories and critical surveys 6 • : An Interesting variance of opinion exists among those who have attempted to classify Goldsmith as classicists : romanticists' or sentimentalist0 The anti-sentimentalist • side is represented by Robert B e.Heilman and Ernest.Bernbaumj . such scholars as Walter,- Pran.cis Wright and James Hall Pitman stress h i s .entlmcntallsm„ A'similar situation exists in regard to Goldsmith5.s position between classidsm and roman--, tlcismo ; Thus, a gallery Of . critics .refer to the ; writer, , . according to their respective .predilections-, , as 'Goldsmith? the arch-cons.ervatiVe9 the reactionary; Goldsmith9 the romantic precursor I, or perhaps as Gbldsmiths, the man who wrote his prose with his head and his poetry with his he art« The reasons for such a condition as centered Inin the : dual'natUredual 'natUre of many of Goldsmith5s 11deas:have.beendeas: have.been discus sedse as: part of this thesisthesis0 It is feltfait that the best way to . • ; resolve such disturbing paradoxes is to display the author6s i deas as controlled or influenced by his background and i evaluate them by su: etic. criteria^. > : I¥ o BlCKGI^IJliBj, J®FINlTipSS:? MBVhSSEHTIAL DISTIdGTlOHS Gf the period in which Goldsmith iived, referring espe­ cially, to: the' years be tween 1710 and 1780 P VG 0. Mo Trevelyan . ;'States t. :■ 'f . ; ': i' ’h " :'h . hi In England it was an age of aristocracy and liberty! • of the rule of law and the absence of reform;, of indi- g vidual initiative and institutional decay! of Latitudin arianism above and Wesleyanism below| of the growth of hmaani tar I an and philanthropic .feeling and endeavour ■ of creative vigour In' all the trades and arts that serve and adorn the life of man0 It was? as -Trevelyan implies $, an age which glorif ied man and .his facuitieso Thinkers of that era felt that society had -reached a certain peak Of perfectionc, Philosophers of the s tree t> such' as. Br o Johns on # had ample leisure to--•moralize ' on the human scene j,:. fee ling: happily certain that the state. of society and the modes of thoUght'to which they were ' . ; • accustomed were not mere passing aspects of . an ever-shifting kaleIdoscopep -hut permanent habitationss the final outcome " of reason and- experienced" : • ' -1- - : - >.-■ ; - ■ " George Macaulay :Tre velyan9 Englis Po 359 :Prosperity was theirs o The canal system'and the turn- . pike roads had stimulated both the exchange of goods' :Inside the island and the overseas tradeo- British commerce had ' begun to assume .its modern form of supplying necessaries for: all j, instead of • merely luxuries for the rich.. For; it :was ■.;h only in the eighteenth century that - articles of general con- .sump 11 on. we re;
Recommended publications
  • Irish Authors Collections Guide 18 August 2020 English Literature Is One of the Two Greatest Strengths of the Rosenbach's Libr
    Irish Authors Collections Guide 18 August 2020 English Literature is one of the two greatest strengths of the Rosenbach’s library collections (the other being American history). What we usually call English Literature is more precisely the English-language literature of Great Britain, Ireland, and surrounding islands. Some of the greatest writers in the English language have been Irish. Dr. Rosenbach certainly recognized this, and although we don't know that he had a special interest in Irish writers as such, it means that he did collect a number of them. His interest was chiefly in pre-20th-century literature, so apart from James Joyce there are few recent writers represented. Although they are not segregated by country of origin on the Rosenbach shelves, this guide highlights Irish authors as a particular sub-set of English-language authors. The guide is arranged in alphabetical order by author’s last name, and in the instances of James Joyce, Bram Stoker, and Oscar Wilde, the list is further broken down by collections category. Throughout this guide, all objects owned by Dr. Rosenbach are marked with an asterisk (*). Those marked with double (**) are part of Philip Rosenbach’s gift to the Foundation on January 12, 1953, consisting partly of objects from Dr. Rosenbach’s estate. This guide will be updated periodically to reflect new acquisitions and further cataloging of the Rosenbach collections. Objects acquired since 2014 are marked with a “+”. For further information on any item listed on this collections guide, please contact us at https://rosenbach.org/research/make-an-inquiry/. For information about on-site research, or to request an appointment to see specific materials, visit http://rosenbach.org/research/make-an- appointment/.
    [Show full text]
  • YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares Beside the Edmund Dulac Memorial Stone to W
    To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/194 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the same series YEATS ANNUALS Nos. 1, 2 Edited by Richard J. Finneran YEATS ANNUALS Nos. 3-8, 10-11, 13 Edited by Warwick Gould YEATS AND WOMEN: YEATS ANNUAL No. 9: A Special Number Edited by Deirdre Toomey THAT ACCUSING EYE: YEATS AND HIS IRISH READERS YEATS ANNUAL No. 12: A Special Number Edited by Warwick Gould and Edna Longley YEATS AND THE NINETIES YEATS ANNUAL No. 14: A Special Number Edited by Warwick Gould YEATS’S COLLABORATIONS YEATS ANNUAL No. 15: A Special Number Edited by Wayne K. Chapman and Warwick Gould POEMS AND CONTEXTS YEATS ANNUAL No. 16: A Special Number Edited by Warwick Gould INFLUENCE AND CONFLUENCE: YEATS ANNUAL No. 17: A Special Number Edited by Warwick Gould YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares beside the Edmund Dulac memorial stone to W. B. Yeats. Roquebrune Cemetery, France, 1986. Private Collection. THE LIVING STREAM ESSAYS IN MEMORY OF A. NORMAN JEFFARES YEATS ANNUAL No. 18 A Special Issue Edited by Warwick Gould http://www.openbookpublishers.com © 2013 Gould, et al. (contributors retain copyright of their work). The text of this book is licensed under a Creative Commons Attribution 3.0 Unported Licence. This licence allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text.
    [Show full text]
  • “Goldsmith, the Gate, and the 'Hibernicising' of Anglo-Irish Plays”
    This PRE-PUBLICATION version was delivered at Mary Immaculate College, UL on 8 November 2017, as part of the “Institute for Irish Studies Lunchtime Lecture Series”. Earlier versions were delivered on 8 June 2013 at NUI Maynooth, as part of the ECIS Annual Conference, and at NUI Galway on 17 July 2013, as part of the “Performance, Nation and Globalization Summer School”. For the “official”, published version of this essay, please see The Gate Theatre, Dublin: Inspiration and Craft. Eds. David Clare, Des Lally, and Patrick Lonergan. Dublin: Carysfort Press, 2018. 239-259. “Goldsmith, the Gate, and the ‘Hibernicising’ of Anglo-Irish Plays” Dr. David Clare (Mary Immaculate College, UL) In recent decades, Irish theatre-makers have frequently imposed Irish elements onto the “English” plays written by London-based, Irish Anglican playwrights. As discerning critics have long recognised, George Farquhar, Oliver Goldsmith, Richard Brinsley Sheridan, Oscar Wilde, and Bernard Shaw frequently signalled their Irish origins in their plays. Often cited are their satirical portraits of the English, their subversive use of Stage Irishmen, and their inclusion of Irish topical references. However, since independence (and even more markedly since the early 1980s), Irish theatres and theatre companies have not been satisfied with such coded expressions of Irishness. Bowing to popular, narrow conceptions of Irish identity – and perhaps demonstrating their discomfort with the Irish/British cultural hybridity of these writers1 – Irish theatre-makers have frequently had certain English, Scottish, or continental European characters in these works played as Irish, or have re-set the plays in Ireland. When “Hibernicising” these scripts, Irish theatre-makers have, on occasion, cleverly highlighted Irish aspects of these plays which were in danger of going unnoticed, or have added an extra Irish dimension which was appealing to Irish audiences and which did not distort the plays as a whole.
    [Show full text]
  • Cultural Convergence the Dublin Gate Theatre, 1928–1960
    Cultural Convergence The Dublin Gate Theatre, 1928–1960 Edited by Ondřej Pilný · Ruud van den Beuken · Ian R. Walsh Cultural Convergence “This well-organised volume makes a notable contribution to our understanding of Irish theatre studies and Irish modernist studies more broadly. The essays are written by a diverse range of leading scholars who outline the outstanding cultural importance of the Dublin Gate Theatre, both in terms of its national significance and in terms of its function as a hub of international engagement.” —Professor James Moran, University of Nottingham, UK “The consistently outstanding contributions to this illuminating and cohesive collection demonstrate that, for Gate Theatre founders Hilton Edwards and Micheál mac Liammóir and their collaborators, the limits of the imagination lay well beyond Ireland’s borders. Individually and collectively, the contribu- tors to this volume unravel the intricate connections, both personal and artistic, linking the theatre’s directors, designers, and practitioners to Britain, Europe, and beyond; they examine the development and staging of domestic plays written in either English or Irish; and they trace across national boundaries the complex textual and production history of foreign dramas performed in translation. In addition to examining a broad spectrum of intercultural and transnational influ- ences and perspectives, these frequently groundbreaking essays also reveal the extent to which the early Gate Theatre was a cosmopolitan, progressive, and inclusive space that recognized and valued women’s voices and queer forms of expression.” —Professor José Lanters, University of Wisconsin—Milwaukee, USA “Cultural Convergence is a book for which we have been waiting, not just in Irish theatre history, but in Irish cultural studies more widely.
    [Show full text]
  • CELT Corpus of Electronic Texts CELT, Conceived by Profes- Irish History in Over 1,000 and Beyond, CELT’S Web- Ing
    CELT Corpus of Electronic Texts CELT, conceived by Profes- Irish history in over 1,000 and beyond, CELT’s web- ing. CELT also includes there will be materials for and October 2008, our sor Donnchadh Ó Corráin, text documents, including site celt.ucc.ie is the high- stand-alone projects, travel, economy, histori- corpus has grown by over is Ireland’s biggest single bibliographical information est ranking UCC individual such as Writers of Ireland ography and politics from 3.4 million words in 285 Internet corpus of scholarly and background material. research project in pages (2006) funded by UCC. Un- the early modern period, new texts, and we are multilingual XML-encoded All documents have been served per day; with 10% der PRTLI 4, CELT makes including hitherto unpub- looking forward to pub- electronic texts on Irish his- edited by CELT staff to TEI of successful page requests available a) materials for lished items; b) Irish sagas lishing more online. We tory, literature, and poli- standards. from UCC. Authors of Ireland (1600– and hagiographical texts; would like to acknowl- tics. Founded in 1991, it CELT has been a leader CELT’s funding comes 1900) including editions and c) materials relating to edge the help of CELT vol- was Ireland’s first website. in electronic text editing. from private donors, public provided by members of the history of science from unteers who enthusiasti- It has 11.5 million words Widely used by the schol- bodies (HEA, IRCHSS), and History and other UCC de- the early modern era. cally give of their time to from over 1,000 years of arly community in Ireland through its own fundrais- partments.
    [Show full text]
  • Life of Oliver Goldsmith
    GOLDSMITH B Y AUSTIN DOBS ON " L1BRJJBRMfr I UNIVERSITY[NlVERSI^OF C/tLlBORNIA S/^J DIEGO ! " Great Writers." EDITED BV PROFESSOR ERIC S. ROBERTSON, M.A. LIFE OF GOLDSMJTH. LIFE BY AUSTIN DOBSON LONDON WALTER SCOTT 34 WARWICK LANE, PATERNOSTER ROW 1888 (All rights reserved.) CONTENTS. CHAPTER I. PAGE of Pallas The Goldsmith family ; Rev. Charles Goldsmith, ; Oliver Goldsmith born there, November 10, 1728; removal to 1 first Lissoy, 730 ; Oliver's teachers, Elizabeth Delap has the and Thomas Byrne ; childish characteristics ; further school- smallpox ; anecdotes connected therewith ; at ing Elphin, Athlone, and Edgeworthstown ; adventure at Ardagh ; sizar at Trinity College, Dublin, June II, 1744; his tutor Theaker Wilder ; dislike to mathematics and in small logic ; involved a college riot, May, 1747 ; gets a exhibition ; disastrous results ; runs away from college ; of his returns ; writes songs for ballad-singers ; anecdote benevolence; takes his B.A. degree, February 27, 1749; relics of college life n CHAPTER II. for Waiting orders ; rejected by the Bishop of Elphin, 1751 ; tutor to Mr. Flinn ; sets out for America, and returns ; letter starts to his mother ; again fruitlessly as a law student to ; goes to Edinburgh study medicine ; becomes a member of the Medical Society there, January 13, 1753 ; life in Scotland starts for Paris adventures ; ; by the way ; CONTENTS. PAGE life leaves arrives at Leyclen ; there ; Leyden, February, 1755; travels on foot through Flanders and France; of Voltaire further travels travelling tutor (?) ; anecdote
    [Show full text]
  • Xerox University Microfilms 300 North Zm (> Road Ann Arbor, Michigan 48106 75-3059
    INFORMATION TO USERS This material was produoad from a microfilm copy of the original document. While the molt advanced technological meant to photograph and reproduce this document have been used, the quality it heavily dependent upon the quality of the original lubmitted. The following explanation of techniques it provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Pags(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand comer of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again - beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]
  • The Worlding of Irish Studies
    Wednesday American Irish-Argentines at a gathering in Venado Tuerto, c. 1920. (Roberto Landaburu Collection) Conference for Irish Studies The Worlding of Irish Studies Hosted by March 30 - April 3, 2016 University of Notre Dame acis.nd.edu 1 WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY march 30 march 31 april 1 april 2 april 3 9:00 a.m. 9:30 a.m. 9:00am–10:30am: 9:00am–10:30am: 9:00am–10:30am: 9:00am–10:30am: 10:00 a.m. PANEL 3 PANEL 6 PANEL 9 PANEL 12 10:30 a.m. 10:30am–11:00am: 10:30am–11:00am: 10:30am–11:00am: BREAK BREAK BREAK 11:00 a.m. 10:30am–12:00pm: 11:00am–12:30pm: 11:00am–12:30pm: 11:30 a.m. 11:00am–12:30pm: ANEL KEYNOTE KEYNOTE P 13 MARY E. DALY THOMAS BARTLETT 12:00 p.m. PANEL 7 McKenna Hall McKenna Hall 12:30 p.m. 12:00pm: REGISTRATION OPENS 12:30pm–2:00pm: 1:00 p.m. GRADUATE STUDENT 12:30pm–2:00pm: 12:30pm–2:00pm: LUNCH ACIS BUSINESS LUNCH 1:30 p.m. 1:00pm–2:30pm: EXECUTIVE COUNCIL LUNCH ON YOUR OWN LUNCH 2:00 p.m. PANEL 1 2:30 p.m. 2:00pm–3:30pm: 2:00pm–3:30pm: 2:00pm–3:30pm: 2:30pm–3:00pm REAK 3:00 p.m. B PANEL 4 PANEL 8 PANEL 10 3:30 p.m. 3:00pm–4:30pm: 3:30pm–4:00pm: 3:30pm–4:00pm: 3:30pm–4:00pm: BREAK BREAK BREAK 4:00 p.m.
    [Show full text]
  • AP English 12 / Ms. Cecelia Research Topic List Students Must Select Two
    AP English 12 / Ms. Cecelia Research Topic List Students must select two works and create a literary link between those works. The link may be thematic or stylistic. The USCHS Library contains critical research on all of the works of literature on this list. This list is certainly not exhaustive, and if students want to create a link between any other works of literature, they are encouraged to present their ideas to the teacher for approval. This is the updated version of this list for the 2009-2010 school year. Some general guidelines for selecting a research topic follow: Choose works of literary merit. Choose works with a valid connection (thematic or stylistic) for comparison and contrast. 1. The Picture of Dorian Gray – Oscar Wilde and The Tragical History of Doctor Faustus – Christopher Marlowe 2. Paradise Lost – John Milton and The Tragical History of Doctor Faustus – Christopher Marlowe 3. Paradise Lost – John Milton and Macbeth – William Shakespeare 4. Macbeth – William Shakespeare and The Tragical History of Doctor Faustus – Christopher Marlowe 5. Paradise Lost – John Milton and Samson Agonistes - John Milton 6. Hamlet – William Shakespeare and The Spanish Tragedy – Thomas Kyd 7. The Importance of Being Earnest – Oscar Wilde and She Stoops to Conquer – Oliver Goldsmith 8. The Importance of Being Earnest – Oscar Wilde and The Way of the World – William Congreve 9. She Stoops to Conquer – Oliver Goldsmith and The Way of the World – William Congreve 10. Six Characters in Search of an Author – Luigi Pirandello and Waiting for Godot – Samuel Beckett 11. Six Characters in Search of an Author – Luigi Pirandello and Rosencrantz and Guildenstern Are Dead – Tom Stoppard 12.
    [Show full text]
  • Archives of the Proscenium Press
    Special Collections Department Archives of the Proscenium Press 1904 - 1993 (bulk dates 1962 - 1993) Manuscript Collection Number: 313 Accessioned: Purchase, 1975-1993. Extent: 13 linear ft. Content: Letters, photographs, contracts, bank statements, drawings, certificates of copyright, catalogs, calendars, broadsides, posters, programs, galley proofs, page layouts, bills (financial), typescripts, journal, drafts (preliminary versions), clippings, photomechanical reproductions, microfilm, poems, books, playbills, and playscripts. Access: The collection is open for research. Processed: February 1995 by Anita A. Wellner. for reference assistance email Special Collections or contact: Special Collections, University of Delaware Library Newark, Delaware 19717-5267 (302) 831-2229 Table of Contents Historical Note Biographical Note Scope and Contents Note Arrangement Note Series List Contents List History of the Proscenium Press According to a brief notice in the August 5, 1967 issue of Saturday Review, Robert Hogan founded the Proscenium Press in 1965. His intention was to fill an educational and cultural need unrecognized by commercial publishers. Hogan believed that large numbers of excellent playscripts, written by distinguished authors, were unavailable to the public, small theaters, and classrooms, because they were not commercially attractive to large publishing firms. Hogan, whose areas of scholarly expertise include modern drama and Irish literature, also wished to make the work of Irish literary figures available to both students and audiences in the United States. Although Proscenium Press began publishing in 1965, the Press was not incorporated until 1977, when incorporation became a necessary development in seeking tax exempt status as a nonprofit organization. Proscenium Press was incorporated in the State of Delaware, where Hogan had joined the faculty of the University of Delaware in 1970.
    [Show full text]
  • Maurice R. O'connell Papers
    Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 155 Maurice R. O’Connell Papers MSS 47,334 – 47,519 (Accession No. 5627) Papers of Maurice Rickard O’Connell, historian, writer and academic, and great great grandson of Daniel O’Connell, including correspondence, drafts of articles, offprints and newspaper cuttings relating mainly to Daniel O’Connell, the Liberator. Compiled by Máire Ní Chonalláin with assistance from Nora Thornton, March 2010 Table of Contents Introduction..................................................................................................................3 I. Historical notes mainly on Daniel O’Connell ........................................................6 II. Scully Family Papers ..............................................................................................9 III. Personal papers of Maurice Rickard O’Connell..............................................10 III.i. General Papers .................................................................................................10 III.ii. Career of Maurice Rickard O’Connell ...........................................................10 III.iii. Correspondence .............................................................................................11 III.iii.1. Main Correspondents..............................................................................11 III.iii.2. Other Correspondents.............................................................................20 2 Introduction Biographical note Maurice
    [Show full text]
  • The Penguin Book of Irish Poetry
    THE PENGUIN BOOK OF IRISH POETRY Edited by PATRICK CROTTY with a Preface by SEAMUS HEANEY PENGUIN CLASSICS an imprint of PENGUIN BOOKS Contents Preface xliii Introduction xlvii I WRITING OUT OF DOORS: EARLIEST TIMES TO 1200 THE ARRIVAL OF CHRISTIANITY ANONYMOUS Adze-head 3 I Invoke the Seven Daughters 3 The Deer's Cry 5 from The Calendar of Oengus The Downfall of Heathendom 8 Patrick's Blessing on Munster 9 Writing Out of Doors 10 MONASTICISM ANONYMOUS The Hermit's Song (Marban to Guaire) 11 The Priest Rediscovers His Psalm-Book 13 Straying Thoughts 14 Myself and Pangur 16 . : Celibacy 17 EARL ROGNVALD OF ORKNEY (d.1158) Irish Monks on a Rocky Island 18 vu CONTENTS DEVOTIONAL POEMS ANONYMOUS Eve 19 The Massacre of the Innocents 20 BLATHMAC, SON OF CU BRETTAN (fl. 750) from To Mary and Her Son 'May I have from you my three petitions .. .' 22 ANONYMOUS from The Metrical Translation of the Gospel of St Thomas Jesus and the Sparrows 23 St Ite's Song 25 St Brigit's Housewarming 26 CORMAC, KING BISHOP OF CASHEL (837-903) The Heavenly Pilot 27 POEMS RELATING TO COLUM CILLE (COLUMBA) DALLAN FORGAILL (J.598) . from Amra Colm Cille (Lament for Colum Cille) I: 'Not newsless is Niall's land ...' 28 II: 'By the grace of God Colum rose to exalted companionship .. .' 29 V: 'He ran the course which runs past hatred to right action . .' 29 COLUM CILLE (attrib.) The Maker on High 30 Colum Cille's Exile 34 He Sets His Back on Ireland 3 6 He Remembers Derry 3 6 'My hand is weary with writing' 3 6 BECCAN THE HERMIT (d.677) Last Verses in Praise of Colum Cille 3 7 via CONTENTS EPIGRAMS ANONYMOUS The Blackbird of Belfast Lough 40 Bee 40 Parsimony 41 An 111 Wind 41 The King of Connacht 41 Sunset 41 'He is my love' 42 ORLD AND OTHERWORLD ANONYMOUS Storm at Sea 43 Summer Has Come 44 Gaze North-East 45 Winter 46 World Gone Wrong 47 from The Voyage of Bran, Son of Febal, to the Land of the Living The Sea-God's Address to Bran 48 The Voyage of Maeldune 5° from The Vision of Mac Conglinne 'A vision that appeared to me .
    [Show full text]