Life of Oliver Goldsmith
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Irish Authors Collections Guide 18 August 2020 English Literature Is One of the Two Greatest Strengths of the Rosenbach's Libr
Irish Authors Collections Guide 18 August 2020 English Literature is one of the two greatest strengths of the Rosenbach’s library collections (the other being American history). What we usually call English Literature is more precisely the English-language literature of Great Britain, Ireland, and surrounding islands. Some of the greatest writers in the English language have been Irish. Dr. Rosenbach certainly recognized this, and although we don't know that he had a special interest in Irish writers as such, it means that he did collect a number of them. His interest was chiefly in pre-20th-century literature, so apart from James Joyce there are few recent writers represented. Although they are not segregated by country of origin on the Rosenbach shelves, this guide highlights Irish authors as a particular sub-set of English-language authors. The guide is arranged in alphabetical order by author’s last name, and in the instances of James Joyce, Bram Stoker, and Oscar Wilde, the list is further broken down by collections category. Throughout this guide, all objects owned by Dr. Rosenbach are marked with an asterisk (*). Those marked with double (**) are part of Philip Rosenbach’s gift to the Foundation on January 12, 1953, consisting partly of objects from Dr. Rosenbach’s estate. This guide will be updated periodically to reflect new acquisitions and further cataloging of the Rosenbach collections. Objects acquired since 2014 are marked with a “+”. For further information on any item listed on this collections guide, please contact us at https://rosenbach.org/research/make-an-inquiry/. For information about on-site research, or to request an appointment to see specific materials, visit http://rosenbach.org/research/make-an- appointment/. -
YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares Beside the Edmund Dulac Memorial Stone to W
To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/194 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the same series YEATS ANNUALS Nos. 1, 2 Edited by Richard J. Finneran YEATS ANNUALS Nos. 3-8, 10-11, 13 Edited by Warwick Gould YEATS AND WOMEN: YEATS ANNUAL No. 9: A Special Number Edited by Deirdre Toomey THAT ACCUSING EYE: YEATS AND HIS IRISH READERS YEATS ANNUAL No. 12: A Special Number Edited by Warwick Gould and Edna Longley YEATS AND THE NINETIES YEATS ANNUAL No. 14: A Special Number Edited by Warwick Gould YEATS’S COLLABORATIONS YEATS ANNUAL No. 15: A Special Number Edited by Wayne K. Chapman and Warwick Gould POEMS AND CONTEXTS YEATS ANNUAL No. 16: A Special Number Edited by Warwick Gould INFLUENCE AND CONFLUENCE: YEATS ANNUAL No. 17: A Special Number Edited by Warwick Gould YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares beside the Edmund Dulac memorial stone to W. B. Yeats. Roquebrune Cemetery, France, 1986. Private Collection. THE LIVING STREAM ESSAYS IN MEMORY OF A. NORMAN JEFFARES YEATS ANNUAL No. 18 A Special Issue Edited by Warwick Gould http://www.openbookpublishers.com © 2013 Gould, et al. (contributors retain copyright of their work). The text of this book is licensed under a Creative Commons Attribution 3.0 Unported Licence. This licence allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text. -
“Goldsmith, the Gate, and the 'Hibernicising' of Anglo-Irish Plays”
This PRE-PUBLICATION version was delivered at Mary Immaculate College, UL on 8 November 2017, as part of the “Institute for Irish Studies Lunchtime Lecture Series”. Earlier versions were delivered on 8 June 2013 at NUI Maynooth, as part of the ECIS Annual Conference, and at NUI Galway on 17 July 2013, as part of the “Performance, Nation and Globalization Summer School”. For the “official”, published version of this essay, please see The Gate Theatre, Dublin: Inspiration and Craft. Eds. David Clare, Des Lally, and Patrick Lonergan. Dublin: Carysfort Press, 2018. 239-259. “Goldsmith, the Gate, and the ‘Hibernicising’ of Anglo-Irish Plays” Dr. David Clare (Mary Immaculate College, UL) In recent decades, Irish theatre-makers have frequently imposed Irish elements onto the “English” plays written by London-based, Irish Anglican playwrights. As discerning critics have long recognised, George Farquhar, Oliver Goldsmith, Richard Brinsley Sheridan, Oscar Wilde, and Bernard Shaw frequently signalled their Irish origins in their plays. Often cited are their satirical portraits of the English, their subversive use of Stage Irishmen, and their inclusion of Irish topical references. However, since independence (and even more markedly since the early 1980s), Irish theatres and theatre companies have not been satisfied with such coded expressions of Irishness. Bowing to popular, narrow conceptions of Irish identity – and perhaps demonstrating their discomfort with the Irish/British cultural hybridity of these writers1 – Irish theatre-makers have frequently had certain English, Scottish, or continental European characters in these works played as Irish, or have re-set the plays in Ireland. When “Hibernicising” these scripts, Irish theatre-makers have, on occasion, cleverly highlighted Irish aspects of these plays which were in danger of going unnoticed, or have added an extra Irish dimension which was appealing to Irish audiences and which did not distort the plays as a whole. -
Cultural Convergence the Dublin Gate Theatre, 1928–1960
Cultural Convergence The Dublin Gate Theatre, 1928–1960 Edited by Ondřej Pilný · Ruud van den Beuken · Ian R. Walsh Cultural Convergence “This well-organised volume makes a notable contribution to our understanding of Irish theatre studies and Irish modernist studies more broadly. The essays are written by a diverse range of leading scholars who outline the outstanding cultural importance of the Dublin Gate Theatre, both in terms of its national significance and in terms of its function as a hub of international engagement.” —Professor James Moran, University of Nottingham, UK “The consistently outstanding contributions to this illuminating and cohesive collection demonstrate that, for Gate Theatre founders Hilton Edwards and Micheál mac Liammóir and their collaborators, the limits of the imagination lay well beyond Ireland’s borders. Individually and collectively, the contribu- tors to this volume unravel the intricate connections, both personal and artistic, linking the theatre’s directors, designers, and practitioners to Britain, Europe, and beyond; they examine the development and staging of domestic plays written in either English or Irish; and they trace across national boundaries the complex textual and production history of foreign dramas performed in translation. In addition to examining a broad spectrum of intercultural and transnational influ- ences and perspectives, these frequently groundbreaking essays also reveal the extent to which the early Gate Theatre was a cosmopolitan, progressive, and inclusive space that recognized and valued women’s voices and queer forms of expression.” —Professor José Lanters, University of Wisconsin—Milwaukee, USA “Cultural Convergence is a book for which we have been waiting, not just in Irish theatre history, but in Irish cultural studies more widely. -
Hugh Douglas HAMILTON II Named Sitters
Neil Jeffares, Dictionary of pastellists before 1800 Online edition HAMILTON, Hugh Douglas Dublin 1740–1808 Part II: Named sitters F–L J.375.1331 Mme Hendrik FAGEL, née Agneta Margaretha Catharina Boreel (1771–1824), pstl/ppr, 24x19.5 ov., sd → “HH ft Roma 1789” (Dutch PC; olim dep.: Amsterdam, Stedelijk Museum, inv. B3250). Exh.: Amsterdam 2018, h.c. ϕ J.375.1339 ~pendant: Countess of FARNHAM [?née ?Grace Burdett (1734–1816)], in a blue dress, pstl, pencil/ppr, 22.5x17.5 ov. (London, Christie’s, 21.III.1989, Lot 93, £1100; Leger Galleries 1995. London, Sotheby’s, 25.XI.1999, Lot 4 repr., with pendant n.r., est. £1000–1500; London, Sotheby’s, 18.V.2001, Lot 137 repr., v.q. pendant, Boreel est. £2500–3500; London, Sotheby’s, J.375.1334 Lady FALKENER [?Lady Fawkener, née 17.VII.2002, Lot 115 repr., est. £1500–2000) Harriet Churchill (1725–1777)], crayons, Φδ Society of Artists 1773, no. 124 J.375.1335 Rev. John FALKINER (c.1747–1821), rector of Carlow, pstl 23x20 ov. (Duke of Leinster, Carton, cat. 1885, p. 35, no. 25).. Lit.: Strickland 1912, n.r. J.375.135 Lord Edward FITZGERALD (1763–1798), J.375.1337 [?Robert Maxwell], Earl of FARNHAM pstl, 23x20 ov. (Duke of Leinster, Carton, cat. [(p.1720–1779)], pstl, 22x18 ov., inscr. verso 1885, p. 34 no. 6) “The Earl of Farnham last Earl married M’elle J.375.1351 Lord Gerald FITZGERALD (1766–1788), de Cantillon” (desc. family; Washington, West. pstl 23x20 ov. (Duke of Leinster, Carton, cat. Sussex, Toovey’s, 10–12.IX.2014, Lot 2 repr., 1885, p. -
CELT Corpus of Electronic Texts CELT, Conceived by Profes- Irish History in Over 1,000 and Beyond, CELT’S Web- Ing
CELT Corpus of Electronic Texts CELT, conceived by Profes- Irish history in over 1,000 and beyond, CELT’s web- ing. CELT also includes there will be materials for and October 2008, our sor Donnchadh Ó Corráin, text documents, including site celt.ucc.ie is the high- stand-alone projects, travel, economy, histori- corpus has grown by over is Ireland’s biggest single bibliographical information est ranking UCC individual such as Writers of Ireland ography and politics from 3.4 million words in 285 Internet corpus of scholarly and background material. research project in pages (2006) funded by UCC. Un- the early modern period, new texts, and we are multilingual XML-encoded All documents have been served per day; with 10% der PRTLI 4, CELT makes including hitherto unpub- looking forward to pub- electronic texts on Irish his- edited by CELT staff to TEI of successful page requests available a) materials for lished items; b) Irish sagas lishing more online. We tory, literature, and poli- standards. from UCC. Authors of Ireland (1600– and hagiographical texts; would like to acknowl- tics. Founded in 1991, it CELT has been a leader CELT’s funding comes 1900) including editions and c) materials relating to edge the help of CELT vol- was Ireland’s first website. in electronic text editing. from private donors, public provided by members of the history of science from unteers who enthusiasti- It has 11.5 million words Widely used by the schol- bodies (HEA, IRCHSS), and History and other UCC de- the early modern era. cally give of their time to from over 1,000 years of arly community in Ireland through its own fundrais- partments. -
Xerox University Microfilms 300 North Zm (> Road Ann Arbor, Michigan 48106 75-3059
INFORMATION TO USERS This material was produoad from a microfilm copy of the original document. While the molt advanced technological meant to photograph and reproduce this document have been used, the quality it heavily dependent upon the quality of the original lubmitted. The following explanation of techniques it provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Pags(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand comer of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again - beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
The Worlding of Irish Studies
Wednesday American Irish-Argentines at a gathering in Venado Tuerto, c. 1920. (Roberto Landaburu Collection) Conference for Irish Studies The Worlding of Irish Studies Hosted by March 30 - April 3, 2016 University of Notre Dame acis.nd.edu 1 WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY march 30 march 31 april 1 april 2 april 3 9:00 a.m. 9:30 a.m. 9:00am–10:30am: 9:00am–10:30am: 9:00am–10:30am: 9:00am–10:30am: 10:00 a.m. PANEL 3 PANEL 6 PANEL 9 PANEL 12 10:30 a.m. 10:30am–11:00am: 10:30am–11:00am: 10:30am–11:00am: BREAK BREAK BREAK 11:00 a.m. 10:30am–12:00pm: 11:00am–12:30pm: 11:00am–12:30pm: 11:30 a.m. 11:00am–12:30pm: ANEL KEYNOTE KEYNOTE P 13 MARY E. DALY THOMAS BARTLETT 12:00 p.m. PANEL 7 McKenna Hall McKenna Hall 12:30 p.m. 12:00pm: REGISTRATION OPENS 12:30pm–2:00pm: 1:00 p.m. GRADUATE STUDENT 12:30pm–2:00pm: 12:30pm–2:00pm: LUNCH ACIS BUSINESS LUNCH 1:30 p.m. 1:00pm–2:30pm: EXECUTIVE COUNCIL LUNCH ON YOUR OWN LUNCH 2:00 p.m. PANEL 1 2:30 p.m. 2:00pm–3:30pm: 2:00pm–3:30pm: 2:00pm–3:30pm: 2:30pm–3:00pm REAK 3:00 p.m. B PANEL 4 PANEL 8 PANEL 10 3:30 p.m. 3:00pm–4:30pm: 3:30pm–4:00pm: 3:30pm–4:00pm: 3:30pm–4:00pm: BREAK BREAK BREAK 4:00 p.m. -
The Social Ideas of Oliver Goldsmith with Particular Reference to His Position Between Classicism and Romanticism
The social ideas of Oliver Goldsmith with particular reference to his position between classicism and romanticism Item Type text; Thesis-Reproduction (electronic) Authors McNiece, Gerald Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 22:24:27 Link to Item http://hdl.handle.net/10150/318941 THE SOCIAL IDEAS OF OLIVER GOLDSMITH WITH PARTICULAR REFERENCE TO HIS POSITION BETWEEN CLASSICISM AND ROMANTICISM by Gerald M. Me Niece A Thesis submitted to the faculty of the Department of English in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College University of Arizona 1948 Approved 711 — -__ > . (Lb n Director of The ^as M)ate • ' • ; . ^ABIE 'OF GOT^STS , Chapter : - I ^ -. THE :p r o b l e i ' AID HEPTHTTIOHS OF ,TERMS HSED, II . A PRESEHTATIOH. OF GOHmMITH* S. IDEAS OF LHXHRY AND COMIERCE . ... ..o @ . ..6 ..o e . @ ■ 23 III, GOLDSMITH® S IDEOLOGICAL POSITIOF BETWEEN . • PRIMITIVISM AFD SO'CIAL REFINEMENT... ..... .o... 49 IVo GOLDSMITH'S IDEAS ON INDIVIDUALISM AND ' •, COSMOPOLITANISM.. $. « • . .. « *■» « @ . © ©. © . ©. 61 V. SUMMARY AND CONCLUSIONS.... ..V.. .... .. ........... 81 HIBIiIOG RAPRiY'...... ..................................... 90 /i 9 6.84.8 ■ : THE PROBLEM AND DEFINITIONS OF TERMS USED ' Tbh position .of Oliver Goldsmith. (1728=1774) In English letters has long been assuredo The beauties.of his style and :tlie: charm of his sentiments ■ have attracted many readers " ' to this later eighteenth century literary'figurei But Goldsmithrs positibn in the history of ideas has received relatively little. -
Irish Literature, 1750–1900
Wright: Irish Literature 1750–1900 9781405145190_4_001 Page Proof page 131.7.2007 3:38pm Irish Literature, 1750–1900 Wright: Irish Literature 1750–1900 9781405145190_4_001 Page Proof page 231.7.2007 3:38pm Wright: Irish Literature 1750–1900 9781405145190_4_001 Page Proof page 331.7.2007 3:38pm Thomas Sheridan (1719–1788) Thomas Sheridan, probably born in Dublin but Humble Appeal also included a proposal for a possibly in Co. Cavan, was the son of another national theater in Dublin that would be publicly Thomas Sheridan (clergyman and author) and administered and ensure fair treatment of theater the godson of Jonathan Swift (a close friend of workers. the family). He may have been a descendant of As a dramatist, Sheridan mostly adapted other Denis Sheridan (c.1610–83), a native Irish authors’ works, as was common in his day; he speaker who assisted in the translation of the adapted, for instance, Coriolanus (1755) from Old Testament into Irish as part of Bishop texts by English authors William Shakespeare Bedell’s efforts to make the Church of Ireland and James Thomson. His enduringly popular accessible to Irish speakers. The younger Thomas farce The Brave Irishman: Or, Captain O’Blunder Sheridan worked primarily in the theater, as was published and staged throughout the second actor, manager, playwright, and author of var- half of the eighteenth century and compactly ious tracts related to theater reform, but also abbreviated in three double-columned pages published on other subjects, including British for the Cabinet of Irish Literature a century Education: Or the Source of Disorders in Great later. -
AP English 12 / Ms. Cecelia Research Topic List Students Must Select Two
AP English 12 / Ms. Cecelia Research Topic List Students must select two works and create a literary link between those works. The link may be thematic or stylistic. The USCHS Library contains critical research on all of the works of literature on this list. This list is certainly not exhaustive, and if students want to create a link between any other works of literature, they are encouraged to present their ideas to the teacher for approval. This is the updated version of this list for the 2009-2010 school year. Some general guidelines for selecting a research topic follow: Choose works of literary merit. Choose works with a valid connection (thematic or stylistic) for comparison and contrast. 1. The Picture of Dorian Gray – Oscar Wilde and The Tragical History of Doctor Faustus – Christopher Marlowe 2. Paradise Lost – John Milton and The Tragical History of Doctor Faustus – Christopher Marlowe 3. Paradise Lost – John Milton and Macbeth – William Shakespeare 4. Macbeth – William Shakespeare and The Tragical History of Doctor Faustus – Christopher Marlowe 5. Paradise Lost – John Milton and Samson Agonistes - John Milton 6. Hamlet – William Shakespeare and The Spanish Tragedy – Thomas Kyd 7. The Importance of Being Earnest – Oscar Wilde and She Stoops to Conquer – Oliver Goldsmith 8. The Importance of Being Earnest – Oscar Wilde and The Way of the World – William Congreve 9. She Stoops to Conquer – Oliver Goldsmith and The Way of the World – William Congreve 10. Six Characters in Search of an Author – Luigi Pirandello and Waiting for Godot – Samuel Beckett 11. Six Characters in Search of an Author – Luigi Pirandello and Rosencrantz and Guildenstern Are Dead – Tom Stoppard 12. -
Oliver Goldsmith
OLIVER GOLDSMITH THE CRITICAL HERITAGE Edited by G. S. ROUSSEAU London and New York Contents PREFACE pagexvn ACKNOWLEDGMENTS XIX CHRONOLOGICAL TABLE XXi INTRODUCTION I The Traveller, or a Prospect of Society (December 1764) 1 DR JOHNSON, Critical Review, December 1764 29 2 Unsigned notice, Gentleman's Magazine, December 1764 33 3 Unsigned notice, London Chronicle, 18-20 December 1764 34 4 JOHN LANGHORNE, Monthly Review, January 1765 35 The Vicar of Wakefield (27 March 1766) 5 Unsigned notice, Monthly Review, May 1766 44 6 Unsigned review, Critical Review, June 1766 45 7 MME RICCOBONI, in a letter to David Garrick on the plot of The Vicar of Wakefield, 11 September 1766 48 8 LADY SARAH PENNINGTON, ^4« Unfortunate Mother's Advice to Her Absent Daughters, 1767 51 9 FANNY BURNBY compares The Vicar of Wakefield with other sentimental novels, 1768 52 10 Two brief estimates of Goldsmith's novel, 1776, 1785 (a) Unsigned review in Hugh Kelly's Babler, July 1776 54 (b) CLARA REEVE'S estimate of The Vicar of Wakefield in The Progress of Romance, 1785 56 11 MRS JANE WEST commenting on 'criminal conversation* in The Vicar of Wakefield, in Letters to a Young Lady: in which the duties and characters of women are considered . 1806 57 12 EDWARD MANGIN compares Goldsmith and Richardson as novelists in An Essay on Light Reading, 1808 58 13 BYRON comments on Schlegel's estimate of The Vicar of Wakefield, 29 January 1821 62 14 GEORGE ELIOT on story telling and narrative art in The Vicar of Wakefield, in Essays and Leaves from a Notebook, 1884 63 ix CONTENTS 15 HENRY JAMES'S introduction to The Vicar of Wakefield, 1900 65 The Good Natured Man (29 January 1768) 16 Two early reviews of The Good Natured Man, 1768, 1772 (a) Unsigned review, Critical Review, February 1768 70 (b) SIR NICHOLAS NIPCLOSE [pseudonym] commenting on Goldsmith and other theatrical delinquents in 1768, in The Theatres.