Carancho Director: Pablo Trapero Reparto: Ricardo Darín , Martina

Total Page：16

File Type：pdf, Size：1020Kb

Carancho Director: Pablo Trapero Reparto: Ricardo Darín, Martina Gusman, Darío Valenzuela, Carlos Weber, José Luis Arias,Loren Acuña, Gabriel Almirón, José Manuel Espeche Argentina, 2010, 107 min., drama. Sinopsis: Después de haber perdido su licencia, el abogado Sosa (Ricardo Darín) ingresa en una sociedad ilegal que se encarga de provocar accidentes automovilísticos para estafar a las aseguradoras. El destino hace que un día Sosa conozca a Luján (Martina Gusmán), una médica de un hospital de Buenos Aires. Premios: 2010 Premios Sur: 11 nominaciones incluyendo mejor película y director. Martes 19 de diciembre de 2017, 19:00 hs Miércoles 20 de diciembre de 2017, 13.00 hs Nueve reinas Director: Fabián Bielinsky Reparto: Ricardo Darín, Gastón Pauls, Leticia Brédice, Tomás Fonzi, Ignasi Abadal,Roly Serrano, Alejandro Awada, Antonio Ugo, Elsa Berenguer, Celia Juárez,Leo Dyzen, Graciela Tenembaum, Oscar Núñez, María Mercedes Villagra, Argentina, 2000, 114 min., thriller. Sinopsis: Buenos Aires. Juan y Marcos son dos estafadores de poca monta, uno joven y un veterano en el arte del timo, que casualmente se ven envueltos en un asunto que les puede hacer millonarios: tienen menos de un día para hacer una estafa que no puede fallar. Premios: nominada a 29 premios internacionales de los que ganó 21 Martes 19 de diciembre de 2017, 13.00 hs Miércoles 20 de diciembre de 2017, 16.00 hs El secreto de sus ojos Director: Juan José Campanella Reparto: Ricardo Darín, Soledad Villamil, Pablo Rago, Javier Godino, Guillermo Francella,José Luis Gioia, Mario Alarcón, Mariano Argento, Kiko Cerone, David Di Nápoli,Carla Quevedo Argentina, 2009, 129 min., thriller. Sinopsis: Benjamín Espósito es oficial de un Juzgado de Instrucción de Buenos Aires recién retirado. Obsesionado por un brutal asesinato ocurrido veinticinco años antes, en 1974, decide escribir una novela sobre el caso, del cual fue testigo y protagonista. Reviviendo el pasado, viene también a su memoria el recuerdo de una mujer, a quien ha amado en silencio durante todos esos años. Premios: Oscar a la mejor película de habla no inglesa (2009) Lunes 18 de diciembre de 2017, 19:00 hs Miércoles 20 de diciembre de 2017, 19.00 hs El aura Director: Fabián Bielinsky Reparto: Ricardo Darín, Dolores Fonzi, Alejandro Awada, Pablo Cedrón, Walter Reyno,Jorge D´Elía, Nahuel Pérez Biscayart Argentina, 2005,: 138 min. Intriga. Sinopsis: Esteban Espinosa (Ricardo Darín) es un hombre honrado, aunque taciturno y hosco. Es un taxidermista que, aislado en su taller, dedica el tiempo a dar apariencia de vida a la materia muerta. Pero, detrás de sus ojos fríos, arde un deseo oculto, una extraña obsesión en un hombre honrado: durante los últimos años, una y otra vez, ha imaginado y planeado los golpes más perfectos y brillantes, fruto de una inteligencia que, según él, lo diferencia de los demás. Lo que ocurre fuera de su taller: la lucha de “tontos contra tontos”, policías y ladrones no tiene nada que ver con él. Premios: Festival de Sundance: Nominada a Premio del Jurado - Drama (World Cinema). 2006 Lunes 18 de diciembre de 2017, 16:00 hs Martes 19 de diciembre de 2017, 16:00 hs .

Copy Link

Recommended publications

Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
[Show full text]
Course FS-16 LITERARY and CULTURAL TRADITIONS in SPANISH-SPEAKING COMMUNITIES (45 Class Hours) (Second Semester) Lecturer: Dr
Course FS-16 LITERARY AND CULTURAL TRADITIONS IN SPANISH-SPEAKING COMMUNITIES (45 class hours) (Second semester) Lecturer: Dr. Salomé Lora Bravo ([email protected]) Substitute Lecturer: Dr. Yolanda Congosto Martín ([email protected]) Language, literature, as well as culture in general, constitute the key aspects of the identity of peoples; it is for this reason that, in order to learn a foreign language, having knowledge of the culture associated with it also gains relevance: knowing who, what, when and why ( in terms of political, religious, education-related, historical, geographical, etc. issues), knowing about (events, developments, and social concerns), as well as knowing how (that same society acts, speaks, and manifests itself). OBJECTIVES The main objective of this Course is to bring students into contact with the existing range of Spanish-speaking communities by providing them with real, thorough knowledge regarding their literary and cultural traditions, while also furnishing information on: Their values and beliefs. How they are manifested. What makes up life on a day-to-day basis, as well as their customs. Their popular traditions. What is sought as a result is that students develop: A tolerant and open-minded attitude toward other cultures. A thinking-person’s attitude toward social and cultural similarities and differences. The ability to become involved in an intercultural milieu. Empathy toward people from a wide range of different cultures. Real skills in dealing with how culture and society are seen to interact. METHODOLOGY This Course has been conceived of with highly practical intentions in mind, while deliberately tendering to students communicative and cultural interaction within real contexts.
[Show full text]
The Diving Bell and the Butterfly June 2016
PROGRAMME THE DIVING BELL AND THE BUTTERFLY JUNE 2016 “possibly Britain’s most beautiful cinema..” (BBC) Britain’s Best Cinema – Guardian Film Awards 2014 JUNE 2016 • ISSUE 135 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm BEST IN JUNE CONTENTS Films At A Glance 16-17 Rants and Pants 26-27 BOX OFFICE: 01442 877759 Mon to Sat 10.30-6.30 The Diving Bell and The Butterfly Sun 4.30-5.30 Remains one of our most powerful, beautiful films. (2008) Don’t miss. Page 18 SEAT PRICES Circle £9.00 FILMS OF THE MONTH Concessions £7.50 Table £11.00 Concessions £9.50 Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 All matinees £5, £6.50, £10 (box) Disabled and flat access: through SEE more. DO more. the gate on High Street (right of apartments) Truman Mustang 50% OFF YOUR SECOND PAIR A fabulous South American tragi- They’re saying this is the must-film Terms and conditions apply Director: James Hannaway comedy embracing all the worth in to see… so come and see. 01442 877999 life and death. Page 10 Page 13 Also available with Advertising: Chloe Butler 01442 877999 (From Space) Artwork: Demiurge Design 01296 668739 The Rex High Street (Three Close Lane) Berkhamsted, Herts HP4 2FG www.therexberkhamsted.com Troublemakers: Race The Story Of Land Art The timely story of Jesse Owens. “ Unhesitatingly The Rex Miss this and you might as well Hitler should have taken more 24 Bridge Street, Hemel Hempstead 25 Stoneycroft, Hemel Hempstead is the best cinema I have stop breathing… Breathtaking care of his skin.
[Show full text]
La TV Que Era De Los Argentinos. (Historia De La Televisión Perdida)
Revista Latina de Comunicación Social 2 – febrero de 1998 Edita: Laboratorio de Tecnologías de la Información y Nuevos Análisis de Comunicación Social Depósito Legal: TF-135-98 / ISSN: 1138-5820 Año 1º – Director: Dr. José Manuel de Pablos Coello, catedrático de Periodismo Facultad de Ciencias de la Información: Pirámide del Campus de Guajara - Universidad de La Laguna 38200 La Laguna (Tenerife, Canarias; España) Teléfonos: (34) 922 31 72 31 / 41 - Fax: (34) 922 31 72 54 La TV que era de los argentinos. (Historia de la televisión perdida) Lic. Paulina Beatriz Emanuelli © Universidad Nacional de Córdoba - Argentina [email protected] "... La primera imagen que se vio en los televisores argentinos fue la de Eva y Juan Domingo Perón, en el acto del 17 de octubre de 1951 en la plaza de Mayo, el día en que una desfalleciente Evita renunció a la vicepresidencia. Sus palabras fueron interrumpidas varias veces por el llanto y conmovieron al país: "Yo no valgo por lo que hice; yo no valgo por lo que soy ni por lo que tenga. Yo tengo una sola cosa que vale y la llevo en mi corazón: el amor de mi pueblo" (Apiscella y Casciero: 1995, 3). Así nació la primera imagen de la televisión argentina, impregnada de emoción y plena de fuerte contenido político. Estas características en su nacimiento marcaron la realidad de su futuro. Porque la televisión en Argentina nació y evolucionó de acuerdo a la vida política, institucional y económica de la nación. Su desarrollo se produjo en medio de profundos debates políticos, cambios económicos y cierta inmovilidad en el campo de lo legal producto de las constantes interrupciones de la vida democrática.
[Show full text]
SEATTLE SEATTLE INTERNATIONAL FILM FESTIVAL for More Information Go To
NEWS FROM EGEDA US Phone: 310 246 0531 Fax: 310 246 1343 Email: [email protected] SPANISH MOVIES IN USA – JUNE 2013 LOS ANGELES LOS ANGELES INTERNATIONAL FILM FEST For more information go to http://filmguide.lafilmfest.com/tixSYS/2013/xslguide/eventnote.php?EventNumber=5446 I’m So Excited! Thu, June 13 – 7:30 PM (Opening Night) at Regal Cinemas, 1000 W. Olympic Blvd. Dir. Pedro Almodovar - Spain|2012|90 min. Cast: Antonio de la Torre, Hugo Silva, Miguel Ángel Silvestre, Laya Martí, Javier Cámara, Carlos Areces, Raúl Arévalo, José María Yazpik, Guillermo Toledo, José Luis Torrijo, Lola Dueñas, Cecilia Roth, Blanca Suárez When a passenger jet headed for Mexico--which you are free to take or leave as a metaphor for Spain today--develops dangerous mechanical problems, all hell breaks loose in business class. Here we meet an amazing assortment of Almodóvarian characters, including a psychic, a chic dominatrix, a crooked businessman and a soap star. Tending to their peculiar, increasingly frantic needs are a trio of high camp stewards who react to the crisis in ways only the mischievous director could dream up--like lacing their passengers drinks with mescaline. Fasten your seat belts as this bawdy, pointed farce takes us up, up and away. Opens on Friday june 28th in New York & Los Angeles…!!! SEATTLE SEATTLE INTERNATIONAL FILM FESTIVAL For more information go to http://www.siff.net/festival-2013/films-a-to-z?country=Spain Yesterday Never ends Sat, June 1 – 5:30 PM at SIFF Cinema Uptown, 511 Queen Anne Avenue N Dir. Isabel Coixet - Spain|2013|108 min.
[Show full text]
Un Recorrido Por La Filmografía Hispano-Argentina De Ricardo Darín
Un recorrido por la filmografía hispano-argentina de Ricardo Darín 53 UN RECORRIDO POR LA FILMOGRAFÍA HISPANO-ARGENTINA DE RICARDO DARÍN Nereida RÓDENAS LOPERA Universidad de Alicante RESUMEN Ricardo Darín (1957) es uno de los intérpretes argentinos con mayor repercusión internacional a causa de su amplia y variada carrera actoral. Debutó en la pequeña pantalla en 1968 y, desde entonces, ha participado en más de una decena de representaciones teatrales, entre las que destaca Art; así como en más de una treintena de series. También lo podemos encontrar en más de cuarenta películas, entre las que destacan El secreto de sus ojos, El hijo de la novia, Tesis sobre un homicidio y Relatos salvajes, entre otras. Si bien es cierto que participa mayoritariamente en filmes argentinos, también ha protagonizado numerosas co-producciones hispanoamericanas, así como exclusivamente españolas. El objetivo de este artículo es hacer un recorrido por la filmografía hispano-argentina del actor, así como realizar una sinopsis del largometraje y los galardones que recibió el bonaerense por su labor actoral. Palabras clave: Ricardo Darín, filmografía, trayectoria profesional, co-producciones hispano-argentinas. ABSTRACT Ricardo Darín (1957) is one of the Argentinean interpreters with the greatest international impact because of his wide and varied acting career. He debuted on the small screen in 1968 and, since then, has participated in more than a dozen theatrical performances, including Art; as well as in more than thirty series. We can also find it in more than forty films, among which El secreto de sus ojos, El hijo de la novia, Tesis sobre un homicidio and Relatos salvajes,, among others.
[Show full text]
El Secreto De Sus Ojos: Apasionada Discusión L•
El secreto de sus ojos: apasionada discusión l•.........•.••••.•••••••••••••••••••••••••••••••••••••••••....•...•...••••••••••••••••••••••••••••....•....•.......•..•..••••••••••••••••••••••••••.....••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.......••••••••••••••••••••••••••••••••••••.••....•.•.••••••••••••••••••••••....•••••••••• 11I--......-.... - WAIVER LOGISTICS Si te costó tanto filmarlo, NO MATTER WHERE, WE DELIVER asegurate que viaje de primera Logística Global de Producciones Audiovisuales Alicia M. de Justo 2050 - piso 3 of. 307 - CP:Cl107 AFP Ciudad de Buenos Aires - Argentina TEL:+54 (11) 4307 0715 - FAX:+54 (11) 4307 0731 [email protected] ELAM TE CINE SEPTIEMBRE 2009 stamos cerrando este número con temperaturas en extremo veraniegas (ya se superaron las marcas absolutas, según el SMN) y estamos en E invierno. No sabemos si es por el clima o por nuestra pasión habitual, pero éste es un número ... icaliente! Ok, es una berretada comparar el calor cli- mático con el atractivo de una revista de cine. iPero estamos escribiendo este editorial en sandalias, hace más de treinta grados y es agosto! Este número empieza con unas páginas -icalientes!- sobre la última película de Tarantino. Bastardos sin gloria cuenta la historia de múltiples venganzas contra los nazis en el calor y el fragor de la guerra. Las privadas de la película fueron muy cerca del cierre, así que aquéllos más veloces han escrito "en caliente". Pero, mientras escribimos este editorial, las dis- cusiones por mail suben de temperatura. Es de preverse que unos cuantos quieran decir algo más sobre la séptima película de Tarantino el mes que viene, cuando pase el calor, o cuando haga más. Luego de las páginas dedicadas a Bastardos sin gloria y al mundo Tarantino en general, se encontrarán con varios textos sobre una película que generó discusiones acaloradas en la redacción: eternas polémicas, argumentaciones, contraargumentos, revisiones, retractaciones y reafirma- ciones.
[Show full text]
'Memory,' 'Serpent,' 'Truman,' 'Magallanes'
‘Memory,’ ‘Serpent,’ ‘Truman,’ ‘Magallanes’ Vie For Platino Glory Emilio Mayorga COURTESY: LLEIDA LATIN AMERICAN FILM FESTIVAL APRIL 14, 2016 | 11:44AM PT Latin Platino Awards reveals shorter longlist in Santo Domingo SANTO DOMINGO– Matías Bize’s “The Memory of Water,” Salvador del Solar’s “Magallanes,” Ciro Guerra’s “Embrace of the Serpent” and Cesc Gay’s “Truman” figure among 20 Platino Award best pic nomination candidates announced Thursday at a press-conference in Santo Domingo. Pablo Trapero’s “The Clan,” Pablo Larrain’s “The Club,” Federico Veiroj’s “The Apostate” and Paula Ortiz’s “The Bride” also made the best pic cut for the third Platino kudofest, awards aimed at highlighting talent and movies from Latin America, Spain and Portugal. Starring Elena Anaya and Benjamín Vicuña as a couple battling to overcome the loss of their small son, “Memory” competed at 2015’s Venice Days and took the Silver Colon at Spain’s Huelva Fest. Sold by Germany’s Global Screen, it most recently received plaudits from critics and audiences at this week’s Latin American Fest in Lleida, Spain. Handled by Filmax Intl., melancholy friendship dramedy “Truman” has swept awards at multiple events this season. Produced by Spain’s Impossible Films, the seventh feature of Cesc Gay is co-produced out of Argentina by K & S and Telefonica Studios/Telefe, two shingles behind Damian Szifron’s “Wild Tales” — which swept the 2nd Platino Awards — and “The Clan” — also in the running this year. Produced by Peru’s Pendulo Films and Tondero Films, Argentina’s Cepa Audiovisual and Colombia’s Cinerama and Proyectil, “Magallanes,” which is the directorial debut of Peruvian thesp Salvador del Solar (“Pantaleon y las Visitadores”), is one of the highest- profile titles from a national cinema, Peru, which, like Brazil, Spain, Argentina, Venezuela and this year Chile, has seen local movies fire up appreciable market share at their domestic box office.
[Show full text]
The Secret in Their Eyes Somewhat Surprisingly, the Argentine Film
The Secret in Their Eyes Somewhat surprisingly, the Argentine film “The Secret in Their Eyes” (El Secreto de Sus Oyos in Spanish) was the winner of the Oscar for the Best Foreign Language Film released in 2009. Few in Washington had heard of it, much less seen it. It has finally opened locally at several local art houses, and this review is one shout out to see this finely crafted film before it leaves town prematurely (in Spanish with subtitles). The film opens in Buenos Aires in the year 1999, when a newly-retired criminal court investigator clerk, Benjamin Esposito (Ricardo Darin), begins reflecting on—and hoping to resolve—a notorious rape/murder case of 25 years before in which he was involved. He brings his project to his one-time supervisor, now a judge, Irene Menéndez-Hastings (Soledad Villamil), with whom he has been in love for years. Esposito looks to write a novel based on the unresolved case, which still haunts him, and he consults with Irene in his research. The film then flashes back to 1974 to follow the case’s original intricacies involving the devastated husband of the victim, Ricardo Morales (Pablo Rago), as well as Benjamin’s boss Irene, and his principal office colleague, the roguish drunk Sandoval (the comic Guillermo Francella). Esposito and Sandoval eventually identify a likely prospect, Soledad Villamil and Ricardo Darin in Oscar winner the surly thug Isidro Gomez (Javier Godino), who eventually confesses to Benjamin and Irene (in a fascinating good-cop, bad-cop sequence). Though convicted, Gomez gets off suddenly and mysteriously through the intervention of the then-Peronist government.
[Show full text]
Palmerston North City Library Massey University School of Language Studies Latin American Society
Palmerston North City Library Massey University School of Language Studies Latin American Society Present the 2010 Latin American Film Festival in Palmerston North 12-23 October – 7pm City Library’s Sound & Vision Zone All films in Spanish with English subtitles Gold Coin Donation With Support from and Friends of the Library TUESDAY 12 OCTOBER – 7 pm El secreto de sus ojos / The Secret in Their Eyes Argentina – Directed by Juan José Campanella Running time: 129 min The Secret in Their Eyes Reviewed by Matthew Turner – The ViewLondon Review Beautifully made and superbly written, this is an emotionally absorbing thriller with a terrific central performance from Ricardo Darin. What's it all about? The winner of the 2010 Oscar for best foreign film, The Secret in Their Eyes is directed by Juan Jose Campanella and stars Ricardo Darin (Nine Queens) as Benjamin Esposito, a recently retired criminal court investigator, whose efforts to write a novel are frustrated when he finds himself unable to shake the memories of a 25-year-old murder case. After visiting his ex-superior Irene (Soledad Villamil), who's now a high court judge, Benjamin decides to reinvestigate the case and we flash back to his first view of the crime scene, where a beautiful young woman was raped and murdered. As Benjamin attempts to recall the details of the case, the various events unfold, from the questioning of the victim's troubled husband (Pablo Rago) to the discovery and arrest of a probable suspect (Javier Godino), only for the authorities to subsequently let him go for nefarious purposes of their own.
[Show full text]
Download Last Years Program
In Memoriam Linda Buchanon Jacob The first Whitehead International Film Festival was held in January of 2002. In April of that year Marjorie Suchocki received an email from Linda B. Jacob, telling her of the Helios Foundation's interest in contributing financial support. As costs spiraled upward from that first year's modest beginnings, it was the Helios Foundation that allowed us to keep pace with the costs, and by 2004 expand to the format of ten features and ten shorts screening over the Martin Luther King, Jr. holiday weekend. This support continued through 2013, when we were able to make the transition to the generous local support of film sponsors, as well as support through ticket sales. To our loss and our sorrow, Linda Jacob passed away in 2014. In gratitude to her, we dedicate the 14th Whitehead International Film Festival to her memory. Welcome! The Whitehead International Film Festival is extremely grateful for the following Film Sponsors Wadjda, Diane Kenney and DarEll Wiest Excuse my French, Hala Aly Abuhusien and Ignacio Castuera Siddharth, Alfredo Galvan and Damian Geddry Rock the Casbah, Susan and Ray Bell Ilo Ilo, Terri and Bob Ireland Lion’s Heart, Murray Palitz Like Father, Like Son, Janice and Richard Lau Love and Lemons, John Suchocki Lovely Louise, Pilgrim Film Collective (Lynn Juarez, Grace and William Moreman, Donna Ambrogi, Jeanne A. Powers, Barbara Troxell, Patricia Patterson) Grand Seduction, Karen and David Lull Thanks also to Mr. and Mrs. James G. Harker for graciously supplying the wine for our banquet. And once again, thanks to John Buchanan for his continuing generosity.
[Show full text]
Half Title>NEW TRANSNATIONALISMS in CONTEMPORARY LATIN AMERICAN
<half title>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS</half title> i Traditions in World Cinema General Editors Linda Badley (Middle Tennessee State University) R. Barton Palmer (Clemson University) Founding Editor Steven Jay Schneider (New York University) Titles in the series include: Traditions in World Cinema Linda Badley, R. Barton Palmer, and Steven Jay Schneider (eds) Japanese Horror Cinema Jay McRoy (ed.) New Punk Cinema Nicholas Rombes (ed.) African Filmmaking Roy Armes Palestinian Cinema Nurith Gertz and George Khleifi Czech and Slovak Cinema Peter Hames The New Neapolitan Cinema Alex Marlow-Mann American Smart Cinema Claire Perkins The International Film Musical Corey Creekmur and Linda Mokdad (eds) Italian Neorealist Cinema Torunn Haaland Magic Realist Cinema in East Central Europe Aga Skrodzka Italian Post-Neorealist Cinema Luca Barattoni Spanish Horror Film Antonio Lázaro-Reboll Post-beur Cinema ii Will Higbee New Taiwanese Cinema in Focus Flannery Wilson International Noir Homer B. Pettey and R. Barton Palmer (eds) Films on Ice Scott MacKenzie and Anna Westerståhl Stenport (eds) Nordic Genre Film Tommy Gustafsson and Pietari Kääpä (eds) Contemporary Japanese Cinema Since Hana-Bi Adam Bingham Chinese Martial Arts Cinema (2nd edition) Stephen Teo Slow Cinema Tiago de Luca and Nuno Barradas Jorge Expressionism in Cinema Olaf Brill and Gary D. Rhodes (eds) French Language Road Cinema: Borders,Diasporas, Migration and ‘NewEurope’ Michael Gott Transnational Film Remakes Iain Robert Smith and Constantine Verevis Coming-of-age Cinema in New Zealand Alistair Fox New Transnationalisms in Contemporary Latin American Cinemas Dolores Tierney www.euppublishing.com/series/tiwc iii <title page>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS Dolores Tierney <EUP title page logo> </title page> iv <imprint page> Edinburgh University Press is one of the leading university presses in the UK.
[Show full text]