Al-Maqrizi As a Historian of the Reign of Barquq (MSR VII.2, 2003)
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THE AMERICAN UNIVERSITY in CAIRO School of Humanities And
1 THE AMERICAN UNIVERSITY IN CAIRO School of Humanities and Social Sciences Department of Arab and Islamic Civilizations Islamic Art and Architecture A thesis on the subject of Revival of Mamluk Architecture in the 19th & 20th centuries by Laila Kamal Marei under the supervision of Dr. Bernard O’Kane 2 Dedications and Acknowledgments I would like to dedicate this thesis for my late father; I hope I am making you proud. I am sure you would have enjoyed this field of study as much as I do. I would also like to dedicate this for my mother, whose endless support allowed me to pursue a field of study that I love. Thank you for listening to my complains and proofreads from day one. Thank you for your patience, understanding and endless love. I am forever, indebted to you. I would like to thank my family and friends whose interest in the field and questions pushed me to find out more. Aziz, my brother, thank you for your questions and criticism, they only pushed me to be better at something I love to do. Zeina, we will explore this world of architecture together some day, thank you for listening and asking questions that only pushed me forward I love you. Alya’a and the Friday morning tours, best mornings of my adult life. Iman, thank you for listening to me ranting and complaining when I thought I’d never finish, thank you for pushing me. Salma, with me every step of the way, thank you for encouraging me always. Adham abu-elenin, thank you for your time and photography. -
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Mamluk cavalry practices: Evolution and influence Item Type text; Dissertation-Reproduction (electronic) Authors Nettles, Isolde Betty Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 06:40:30 Link to Item http://hdl.handle.net/10150/289748 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this roproduction is dependent upon the quaiity of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that tfie author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g.. maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal secttons with small overlaps. Photograpiis included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9" black and white photographic prints are available for any photographs or illustrattons appearing in this copy for an additk)nal charge. -
CAIRO of the MAMLUKS
CAIRO of the MAMLUKS A History of the Architecture and its Culture Doris Behrens-Abouseif I.B.TAURIS List of Illustrations ix 6. Treasures, Status and Style 35 Treasures 35 Preface xv Status and style 38 Acknowledgements xvii 7. Construction: Organization and Cost 43 Supervisors, master builders and builders 43 Note to the Reader xix Time and money 45 The cost of a mosque 47 1. The Mamluk Sultanate (1250-1517) 1 The Mamluk system 1 8. The Growth of the Metropolis 51 The Mamluks in history 2 Urban visions and building zeal 51 The cultural environment 4 9. The Metropolitan Architectural Style 65 2. Pious Patronage 9 The singularity of Cairo 65 Institutions, scholars and waqf 9 10. The Evolution of Mamluk Architecture 3. Motivation and Perception of in Cairo 71 Monumental Patronage 15 The formation of an architectural identity 71 Prestige, memory and urban development 15 The layout 73 Minarets 77 4. The Patronage of the Civilian Elite 21 Domes 80 Functionaries, shaykhs and merchants 21 Facades and fenestration 84 Portals and entrances 86 5. Ceremonial Culture 25 Materials and techniques of decoration 90 The spectacle of the Sultan 25 Epigraphy 97 The Sultan in the city 28 Oddities 99 The Sultan as overseer 32 CONTENTS Appendix to Chapter 10: Building Materials 18. The mosque of Emir Qawsun (1330) 171 and Construction Methods 19. The mosque of al-Nasir Muhammad at the by Philipp Speiser 101 Citadel (1318-35) 173 Building materials IOI 20. The mosques of Emirs Almalik al-Juqandar Construction methods 102 (1319) and Ahmad al-Mihmandar (1325) 178 Conclusion 105 21. -
Contents 1. Introduction
Contents 1. Introduction ………………………………………………………………… 2 2. Location and site history …………………………………………………… 11 3. The façade and the layout of the maq‘ad and the ruins of the palace …….. 22 4. The decorative program …………………………………………………..... 33 5. From al-Dar al-Mu‘athama to Bayt al-Qadi …………………………….… 43 6. Building conservation at the site of the maq’ad ……………………...…… 48 7. Conclusion …………………………………………………………………. 55 Bibliography …………………………………………………………………… 62 Figures ………………………..……………………………………………..…. 66 1 Chapter 1: Introduction Walking down Al-Mi‘uzz Street, one is bombarded by the spirit of historical buildings from every side. The street is usually buzzing with tourists and local residents going in and out of monuments, buying and selling or taking photos. It is rare that they venture out to side streets such as the wide Bayt al-Qadi Street, that extends next to the complex of Sultan Qalawun. Upon entering the street, the scene significantly changes and the noise levels drop. Within less than a hundred meters, one arrives at Bayt al-Qadi Square, a humble space that once belonged to the grandest of palaces. Today, the palace is forgotten but its mighty loggia stands tall, dominating the entire square with its superb proportions and elaborate decoration. Like most Mamluk residences, the palace of Mamay al-Sayfi has vanished leaving minimal traces and one impressive maq‘ad. The maq‘ad itself survives in good condition with its architecture and decoration still very much intact (Fig. 1). Only parts of royal and princely palaces dating from the Mamluk period survive. It is very common that we come across a portal and a qa‘a with mostly ruins or new constructions surrounding them, such as at the grand palace of Yashbak or Qawsun.1 Religious institutes have had better chances of survival because of the waqf system, which provides funding for the upkeep of its premises in perpetuity (at least in theory). -
Annales Islamologiques
MINISTÈRE DE L'ÉDUCATION NATIONALE, DE L'ENSEIGNEMENT SUPÉRIEUR ET DE LA RECHERCHE ANNALES ISLAMOLOGIQUES en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne AnIsl 41 (2007), p. 97-118 Anne F. Broadbridge Diplomatic Conventions in the Mamluk Sultanate Conditions d’utilisation L’utilisation du contenu de ce site est limitée à un usage personnel et non commercial. Toute autre utilisation du site et de son contenu est soumise à une autorisation préalable de l’éditeur (contact AT ifao.egnet.net). Le copyright est conservé par l’éditeur (Ifao). Conditions of Use You may use content in this website only for your personal, noncommercial use. Any further use of this website and its content is forbidden, unless you have obtained prior permission from the publisher (contact AT ifao.egnet.net). The copyright is retained by the publisher (Ifao). Dernières publications 9782724708288 BIFAO 121 9782724708424 Bulletin archéologique des Écoles françaises à l'étranger (BAEFE) 9782724707878 Questionner le sphinx Philippe Collombert (éd.), Laurent Coulon (éd.), Ivan Guermeur (éd.), Christophe Thiers (éd.) 9782724708295 Bulletin de liaison de la céramique égyptienne 30 Sylvie Marchand (éd.) 9782724708356 Dendara. La Porte d'Horus Sylvie Cauville 9782724707953 Dendara. La Porte d’Horus Sylvie Cauville 9782724708394 Dendara. La Porte d'Hathor Sylvie Cauville 9782724708011 MIDEO 36 Emmanuel Pisani (éd.), Dennis Halft (éd.) © Institut français d’archéologie orientale - Le Caire Powered by TCPDF (www.tcpdf.org) 1 / 1 Anne F. BroAdBridge Diplomatic Conventions in the Mamluk Sultanate iplomatic conventions are generally understood to mean the protocol and etiquette that govern encounters between the representatives of different states, such as when Dambassadors go to a foreign court to meet with its ruler on behalf of their own. -
The Citadel of Cairo by Nasser O
THE CITADEL OF CAIRO by Nasser O. Rabbat With photographs by Arnaud du Boistesselin 2nd Edition Supreme Council of Antiquities 2009 2 Introduction General view of the Citadel from the minaret of the Mosque of Sultan Hasan he Citadel of the Mountain (Qal’at changed tremendously over the centuries, Tal-Jabal) in Cairo is an architectural but the interior organization of the Citadel complex with a long history of building has continually been changed, and its and rebuilding. Situated on a spur that was ground level is always rising as a result of artificially cut out of the Muqqatam Hills, the process of erecting new buildings on top the Citadel originally faced, and overlooked, of older ones. the city of Cairo to the west and northwest, Founded by Salah al-Din al-Ayyubi in and the city of Misr al-Fustat in the south; its 1176, the Citadel was, for almost seven northern and eastern sides were bordered by centuries (1206-1874), the seat of government either rocky hills or the desert. The site was for the Ayyubids, Mamluks, Ottomans, and certainly chosen for its strategic importance: the Muhammad ‘Ali dynasty. It was, during it dominated the two cities, formed the this long period, the stage upon which the border between the built environment and history of Egypt was played. The continuous the desert, and was connected to the city so building and rebuilding process may be that the Citadel would not be cut away from viewed both as a reflection and as a formal its urban support in the event of a siege. -
The Aesthetics of Islamic Architecture & the Exuberance of Mamluk Design
The Aesthetics of Islamic Architecture & The Exuberance of Mamluk Design Tarek A. El-Akkad Dipòsit Legal: B. 17657-2013 ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del s eu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
The Position and Power of Sultans, Amirs and the Mamluk Armies During the Circassian Mamluk Period (872-922/1468-1517)
THE POSITION AND POWER OF SULTANS, AMIRS AND THE MAMLUK ARMIES DURING THE CIRCASSIAN MAMLUK PERIOD (872-922/1468-1517) By: Wan Kamal Mujani * Abstrak Artikel ini bertujuan membincangkan kedudukan dan kuasa para sultan, amir dan tentera Mamluk kira-kira setengah abad sebelum kejatuhan kerajaan Mamluk. Di samping itu, ia juga meninjau keadaan atau suasana politik ketika itu. Isu-isu ini perlu diketengahkan kerana ia masih kurang dibicarakan dan tidak banyak penulisan yang dibuat mengenainya terutama kedudukan politik ketiga-tiga kumpulan ini sebelum berakhir kesultanan Mamluk. Artikel ini menjelaskan bahawa kerajaan Mamluk tidak mempunyai sistem atau kaedah yang tetap dalam perlantikan seseorang sultan dan jawatan ini adalah terbuka kepada kumpulan Mamluk yang paling dominan. Seseorang sultan boleh digulingkan bila-bila masa sekiranya ia lemah dan tidak lagi dapat menjaga kepentingan kumpulan Mamluk yang diwakilinya. Kuasanya juga kadang-kala terbatas mengikut kehendak ahli-ahli kumpulannya. Dalam tempoh yang dikaji, terdapat seramai 7 orang sultan yang memerintah dan pertikaian politik sering kali berlaku sama ada disebabkan faktor dalaman mahupun luaran. Kumpulan amir pula kerap kali bertelagah untuk merebutkan pangkat dan mendapatkan kuasa. Amir yang menjadi sultan akan cuba memperkukuhkan kedudukan dan kekuasaannya dengan menambahkan tentera peribadinya dan meminggirkan amir lain yang berpengaruh. Manakala tentera Mamluk yang terdiri daripada pelbagai kumpulan, mempunyai kedudukan yang berbeza-beza. Kumpulan Julbdn yang merupakan sayap kanan seseorang sultan lebih tinggi kedudukannya dan kuasanya berbanding kumpulan lain yang dianaktirikan. Ini juga menjadi punca kepada ketidakstabilan politik ketika itu. Wan Kamal Mujani, PhD is a Senior Lecturer at Department of Arabic Studies and Islamic Civilization, Faculty of Islamic Studies, National University of Malaysia. -
The Origins of the Circassian Mamluks a Subject of Myth-Making
Milana Yu. Iliushina THE ORIGINS OF THE CIRCASSIAN MAMLUKS A SUBJECT OF MYTH-MAKING BASIC RESEARCH PROGRAM WORKING PAPERS SERIES: HUMANITIES WP BRP 64/HUM/2014 This Working Paper is an output of a research project implemented as part of the Basic Research Program at the National Research University Higher School of Economics (HSE). Any opinions or claims contained in this Working Paper do not necessarily reflect the views of HSE. Milana Yu. Iliushina1 THE ORIGINS OF THE CIRCASSIAN MAMLUKS A SUBJECT OF MYTH-MAKING2 Myth, legend, and history appear as constituent components in the ideology of a ruling elite. If the ruling elite is foreign, the ideology acquires a distinctive colouring. A noble lineage which could be traced to common roots shared with the autochthonous population of the country was seen by Mamluks as a tool to maintain and support their authority. A version concerning the origins of the Circassian Mamluks can be found in al-‘Ayni’s treatise which stated that the forefathers of the Circassian Sultan Tatar had been Arabs of the Ghassan tribe. The legendary version of the origin of the Circassian Mamluks narrated reveals an important aspect, which directed and shaped the development of the ideology of the Egyptian ruling elite: the eagerness of the Mamluk sultans and their entourage to find and demonstrate a relation, if remote and vague, to the country’s local population. In the Ottoman period of Egypt, a completely different political landscape together with a new socio-cultural reality necessitated the transformation of the myth: changed are the name of the forefather, his tribal affiliation and certain plot details. -
Regicide and the „Law of the Turks“
Sonderdrucke aus der Albert-Ludwigs-Universität Freiburg ULRICH HAARMANN Regicide and the „Law of the Turks“ Originalbeitrag erschienen in: Michel M. Mazzaoui (Hrsg.): Intellectual studies on Islam: essays written in honor of Martin B. Dickson. Salt Lake City: Univ. of Utah Press, 1990, S. [127]-135 ULRICH HAAR1VIANN Albert-Ludwigs-Universitat, Freiburg im Breisgau Federal Republic of Germany Regicide and the "Law of the Turks" WE OWE Martin Dickson important insights into the rules and dynamics of Turkish statecraft. In the in- troduction to his 1958 Princeton dissertation on "Shah Tahmasb and the Uzbeks" (which to our greatest regret was never published) as well as in his concise contribution to the 25th International Congress of Orientalists in Moscow' on "Uzbek Dynastic Theory in the Sixteenth Century," he studied the modes of distributing and legitimizing power in a post- Chingizid, specifically Turkish polity: the Uzbek confederacy that was to dominate Transoxania and Turkestan in the sixteenth century barred Safawid expansion to the northeast, and provided the framework for the silver age revival of orthodox Islam in Bukhara and Samarciand. In this connection it may not be inappropriate to turn one's attention to a so-called "law (or custom, in Arabic: asa[t] = Yasa) of the Turks" to be encountered in the very first phase of Mamluk history. This asat al-Turk entails the following norm: He who kills the king will be king himself. This "law" is mentioned within the context of the assassination of Sultan al-Malik al-Muzaffar Qutuz after his triumphal victory over the Mongol army led by Ketbogha Noyon at cAyn Jalut in October 1260. -
298 a Note on Al-Maqr Z 'S Remarks Regarding The
298 A NOTE ON AL-MAQR�Z�'S REMARKS REGARDING THE SILVER COINAGE OF BAYBARS In his discussion of the quality of the silver coinage of Baybars I, al-Maqrizi (1364-1422 A.D.), the chief authority of medieval Egyptian coinage, stated that: "Al-Malik al-Zdhir Rukn al-Din Baybars I, who was one of the greatest kings in Islamic history and whose biography should be known to every king, struck the Zdhirl dirhams, making each one hundred dirhams consist of 70 dirhams of pure silver and 30 dirhams of pure copper, and engraved his blason, the lion, on the dirhams. From then on the Kamili and the Zdhiri dirhams continued to circulate in Egypt and Syria until they deteriorated in A.H. 781 due to the introduction of the Hamawi dirhams, which caused much trouble for the population; this took place under Zahir Barquq before he became A. Ehrenkreutz, in his article "Contribution to the Knowledge of the Fiscal Administration of Egypt in the Middle Ages"2), also adduced al-Maqrizi's report regarding the standard of fineness of the early Mamluk dirhams. His conclusions were based, on the one hand, on exchange rate data and, on the other hand, on the information obtained from Sauvaire3). Likewise, modern numismatists and monetary historians including P. Balog4) and J. Bacharachl) have corroborated Ehrenkreutz's viewpoint in their investigations; thereby supporting al-Maqrizi's report. New numismatic evidence also supports al-Maqrizi's assertion. This new evidence is based on the results of the neutron activation analysis of the standard of fineness of a large number of early Mamluk silver coins from the Karak Hoard. -
Revival of Mamluk Architecture in the 19Th & 20Th Centuries
American University in Cairo AUC Knowledge Fountain Theses and Dissertations 2-1-2012 Revival of Mamluk architecture in the 19th & 20th centuries Laila Kamal Marei Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Marei, L. (2012).Revival of Mamluk architecture in the 19th & 20th centuries [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/873 MLA Citation Marei, Laila Kamal. Revival of Mamluk architecture in the 19th & 20th centuries. 2012. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/873 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. 1 THE AMERICAN UNIVERSITY IN CAIRO School of Humanities and Social Sciences Department of Arab and Islamic Civilizations Islamic Art and Architecture A thesis on the subject of Revival of Mamluk Architecture in the 19th & 20th centuries by Laila Kamal Marei under the supervision of Dr. Bernard O’Kane 2 Dedications and Acknowledgments I would like to dedicate this thesis for my late father; I hope I am making you proud. I am sure you would have enjoyed this field of study as much as I do. I would also like to dedicate this for my mother, whose endless support allowed me to pursue a field of study that I love. Thank you for listening to my complains and proofreads from day one.