Gordon Griffith
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Best Picture of the Yeari Best. Rice of the Ear
SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history. -
CED Videodisc
SUMMER 1984 SUPPLEMENT II -' WORLD'S GREATEST SELECTION OF THINGS TO SHOW DON'T LOSE YOUR CATALOG SUBSCRIPTION Because of increased printing costs we will no longer be able to mail catalogs to anyone who has not ordered from us in the last 15 months. SO, order from this catalog today and you will stay on our list. MIDSUMMER'S NIGHT CLOSING OUT! A JAZZY SUMMER SALE! SPECIAL! T. Marvin Hatley (videocassette) (videocassette) Music For laurel & Hardy BLACK AND TAN (1930) FLIGHTS AND FLYERS : (and Friends) 8 8 AMELIA EARHART' /ST. LOUIS BLUES (1929) A Blockhawk/Movietone compilation of Miss You can now own original studio recordings of BLACK AND TAN (1930) Earhart's exploits from about 1932 to that garbled background music created for the films of Laurel & message received at Howland Island. S~e her pilot an DUKE ELLINGTON autogiro, a tickertape parade in New York following her Hardy by the inimitable T. Marvin Hatley! This fine trans-Atlantic trip, receiving the National Geographic album contains memorable scores from WAY OUT D~ke Ellington's first screen appearance Award from President Hoover. Also arriving at Newark WEST, THEM THAR HILLS, SAPS AT SEA, SONS wos th is extraordinary and deeply moving after completing a cross country flig.ht in 17 hours and OF THE DESERT, A CHUMP AT OXFORD, film pr<,duced in the second year of sound some moments, and that ofter spending about 2½ hours BLOCKHEADS and BONNIE SCOTLAND. These on the ground for canopy repairs. Then on to Honolulu are not re-creations! They ore the original 1930s by Dudley Murphy. -
Camera (1920-1922)
7 l Page To>o "The Digest of the Motion Picture Industry” CAM ERA A Liberal Privilege of Conversion Besides the safety of enormous assets and large and increasing earnings, besides a substantial and profitable yield, there is a very liberal privilege of conversion in the $3 , 000,000 Carnation Milk Products Company Five-Year Sinking Fund 7 % Convertible Gold Notes notes convertible at option after November I creased in past five years. These are , over 400% 1921, and until ten days prior to maturity or redemption into Total assets after deducting all indebtedness, except this note, 7% Cumulative Sinking Fund Preferred Stock on the basis of amount to more than four times principal of this issue. I 00 for these notes and 95 for the stock. With these notes Net earnings for past ten years have averaged more than four at 96J/2 this is equivalent to buying the stock at 91 /i- and one-half times interest charges, and during the past five Thus you see that at your option you have either a long- years more than seven times. term, high yielding preferred stock or a short-term, high- There is no other bonded or funded indebtedness and at yielding note. Preferred stock is subject to call at 1 1 0 and present no outstanding preferred stock. accrued dividends, and the usual features of safety. You will want to invest your savings and surplus funds in This Company is one of the largest and most successful of its this decidedly good investment. Call, write or phone for kind in America. -
'DJ.M~ ~ WORLD's GREATEST SELECTION of THINGS to SHOW
WINTER 1984 SUPPLEMENT I -'DJ.m~ ~ WORLD'S GREATEST SELECTION OF THINGS TO SHOW SCROOGE 2 (1935) SEYMORE HICKS, DONALD CALTHROP, ROBERT COCHRAN, MARY GLYNNE It's the one and only "Bah Humbug" story as told by Charles Dickens. From the irascible old Scrooge, through Bob Crotchet's misery, old Marlye's ghost and the new and loveable Scrooge, we and Tiny Tim again enjoy that most wonderful spirit of Christmas. 77 min . BW We are pleased to present the classic version of this Dickens Christ mas classic to all our customers. Merry Christmas to you all! 506-30-0599 - Beta 525-30-0599 - VHS. .. .. .. .................... $29.98 BLACKHAWK CHRISTMAS PRICE ....... ... $23.88 (Sale ends December 31, 1983) A CHRISTMAS CAROL, here called SCROOGE, was the first of Charles Dickens "Christmas Books" written' in 1845 and we are pleased to announce on page 3 his third "Book" called THE CRICKET ON THE HEARTH. (order blank p. 33) 1983 Blackhawk f ilms, Inc ., One Old Eagle Brewery, Davenport, Iowa 52802 Special Delivery Services United States: Guarantee 16mm Film - Special Order Most 16mm format film is special order. Please UPS BLUE LABEL $2 .00 per item POSTAL EXPRESS OVERNITE $8.00 (1 only) If after receivin!;l an item you are not allow 12 weeks for printing and delivery. satisfied, return 11 to us within 10 days. {Limit 1 tape or 1 Disc only) We'll allow full credit on some other Running Time Conversion Table UPS NEXT DAY AIR $10.00 per item FEDERAL EXPRESS $28.00 per item purchase or give you a full refund. -
Selected Film Criticism: 1921-1930 Selected Film Criticism: 1931-1940 Selected Film Criticism: 1941-1950
«6t to be taken FROM THE ROQfc* IAR 2 8 1983 t \ \ . ** * i Digitized by the Internet Archive in 2018 with funding from Kahle/Austin Foundation https://archive.org/details/selectedfilmcritOOOOslid SELECTED □ FILM CRITICISM 1912-1920 □ edited by Anthony Slide THE SCARECROW PRESS, INC. METUCHEN, N.J., & LONDON 1982 Frontispiece: Julian Johnson In Preparation: Selected Film Criticism: 1921-1930 Selected Film Criticism: 1931-1940 Selected Film Criticism: 1941-1950 Library of Congress Cataloging in Publication Data Main entry under title: Selected film criticism. Contents: 1. 1912-1920. 1. Moving-pictures--Reviews. I. Slide, Anthony. PR1995.S426 791.43*75 81-23344 ISBN 0-8108-1525-7 (v. 1) AACR2 Copyright © 1982 by Anthony Slide Manufactured in the United States of America This volume is dedicated to the memory of the screen’s first serious critic, Julian Johnson □ CONTENTS Preface xi The Adventures of Kathlyn (Selig, 1914) 3 An American Citizen (Famous Players, 1914) 5 Anne of Green Gables (Realart/Paramount, 1919) 6 The Avenging Conscience (Reliance-Majestic/ Mutual, 1914) 7 Baby Mine (Goldwyn, 1917) 9 Barbary Sheep (Paramount-Artcraft, 1917) 9 The Bargain (Ince/Paramount, 1914) 11 The Battle Cry of Peace (Vitagraph, 1915) 13 Behind the Door (Ince/Paramount-Artcraft, 1920) 15 Bella Donna (Famous Players-Lasky, 1915) 16 The Better ’Ole (Welsh-Pearson/World, 1919) 16 The Birth of a Nation (Epoch, 1915) 17 The Birth of a Race (Renco, 1919) 24 Black Orchids (Bluebird/Universal, 1917) 25 Blind Husbands (Universal, 1919) 26 The Blue Bird (Paramount-Artcraft, -
Tarzan of the Apes: the First Motion Picture Adaptation (1918)
Single Cycle Degree programme in LINGUE E LETTERATURE EUROPEE, AMERICANE E POSTCOLONIALI Final Thesis Tarzan of the Apes: The First Motion Picture Adaptation (1918) Supervisor Prof. Simone Francescato Assistant supervisor Prof. Thomas Devine Graduand Letizia Negrisolo Matriculation Number 848940 Academic Year 2017 / 2018 1 Table of Contents Introduction………………………………………………….…………………………………………………………p.4 Chapter One Adaptation 1.1. What is Adaptation?………………………………………………………………………………………..…p.8 1.2. The Adaptation from Book to Film……………………………………………………………………p.12 1.3 Adaptation in the 1910s-1920s………………………..…………………………………………..……p.18 1.4. How to Read Adaptations………………………………………………………………………..……….p.21 Chapter Two Edgar Rice Burroughs’s Tarzan of the Apes 2.1. Edgar Rice Burroughs and Tarzan’s Success…………………………………………………...…p.24 2.2. The Novel.……………………………………………………………………………………………………….p.28 2.3. Burroughs’s Tarzan………………………………………………………………………………………….p.31 2.4. The Book’s Ending and Its Cultural Context……………………………………..………………..p.41 2.5. Tarzan vs. Mowgli: Two Feral Children in Comparison………………………………………p.46 Chapter Three Tarzan of the Apes (1918): An Analysis 3.1 The Cinematic Adaptations of Tarzan………………………………………………………………..p.58 3.2. Al Bohl’s documentary Tarzan Lord of the Louisiana Jungle……………….………………p.63 3.3. On the Differences Between the Film and the Book…………………….…………………..…p.70 3.4. The Film’s Reception and Reviews…………………………………………………...…………….…p.75 3.5. Darwinism and Self-Development…………………………………………………………………….p.79 2 3.6. Gender and Masculinity……………………………………………………………………………………p.87 -
Film Club Sky 328 Newsletter Freesat 306 DEC/JAN 2020 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 DEC/JAN 2020 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History,BAH HUMBUG!!! Can you believe that Christmas is almost upon us?! It’s been a tough year for so many but I do hope we’ve brought you some comfort in such difficult times. Christmas might be a bit ‘Bah Humbug!’ for us all this year, but we have lots to keep you entertained and there is room for you all in our cinema! Sad news this month as we say goodbye to John Fraser a fine actor who can be seen on the channel in Doctor in Clover and El Cid. Good news for Old Mother Riley fans in the New Year: Noel has managed to license the ‘lost’ films to air on Talking Pictures TV. More on this in the next newsletter. This month we have a new crime release for you, our new Crime Collection Volume 7! This enthralling box set features a fantastic selection of films, includingDevil’s Bait with Jane Hylton, Geoffrey Keen and Gordon Jackson as a policeman, long before his butlering days! Warren Mitchell also features in a superb performance as a magician, in Where Has Poor Mickey Gone; a rarely seen thriller, The Black Abbot and a gripping yarn about two boys on the hunt for a stolen painting, The Secret Tunnel – plus many more! If you are struggling for gift ideas this year, please don’t forget we have gift vouchers available – they never expire and can be used on anything we sell. -
Current As of 10.23.2019 7,200 Lost U.S. Silent Feature Films (1912-29) National Film Preservation Board (October 2019) • This
1 Current as of 10.23.2019 2 7,200 Lost U.S. Silent Feature Films (1912-29) 3 National Film Preservation Board (October 2019) 4 5 • This compilation is a definite work-in-progress. Updated versions of this list will 6 be posted periodically at this location. 7 • Feature film means 4 reels or more in length 8 • Each title contains a hypertext link to its entry in our silent film database. There 9 you can find additional information on each title, including studio. 10 • In cases where only a fragment from one reel, trailer, outtakes or stills survive, 11 that film is included in this list as a lost film. 12 • “Incomplete” films are not included here. These comprise cases where a full reel 13 or more survives but not the whole set of reels. 14 • Our searchable database consists of approximately 11,000 titles, the 7200+ in 15 this list of “lost” titles as well as the 3800 or so titles surviving as incomplete or 16 complete. The full database may be searched at: 17 http://memory.loc.gov/diglib/ihas/html/silentfilms/silentfilms-home.html 18 • Please direct any questions or report any errors/suggested changes to Steve 19 Leggett at [email protected] 20 21 • Some recent “finds” now removed from this list: Devil’s Claim (1920), 22 Foreman of the Bar-Z Ranch (1915), Secrets of the Night (1924), Sinews of 23 Steel (1927), Broadway Billy (1926), Broadway Gold (1923), Dancer and the 24 King (1914), Dark Angel (1925), Double-Fisted (1925), Earth Woman (1926), 25 Man-Made Women/Woman (1928), Eye of Envy (1917), Between Dangers 26 (1927), Pursued (1925), On-the-Square Girl (1917), Two Lovers (1928), 27 Win(k)some Widow (1914), Clear the Decks (1917), Grim Game (1917), The 28 Noose (1928), In Slumberland (1917) 29 30 31 $1,000 Reward (1923), Charles R. -
1 Women's Writing and British Female Film Culture in the Silent Era Submitted by Lisa Rose Stead to the University of Exeter A
Women’s Writing and British Female Film Culture in the Silent Era Submitted by Lisa Rose Stead to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English In January 2011 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature_____________________________ I acknowledge the support of the Arts and Humanities Research Council in fully funding this doctoral research project (2007-2010). 1 Abstract This thesis explores women’s writing and its place in the formation of female film culture in the British silent cinema era. The project focuses upon women’s literary engagement with silent cinema as generative of a female film culture, looking at materials such as fan letters, fan magazines, popular novels, short story papers, novelizations, critical journals and newspaper criticism. Exploring this diverse range of women’s cinema writing, the thesis seeks to make an original contribution to feminist film historiography. Focusing upon the mediations between different kinds of women’s cinema writing, the thesis poses key questions about how the feminist film historian weights original sources in the reclamation of silent female film culture, relative to the varying degrees of cultural authority with which different women commentated upon, reflected upon, and creatively responded to film culture. -
How. Ik V~6E&" See Page 3 NEW TITLES Videocassettes
SPRING 1984 SUPPLEMENT I ~ ~:!: =~::~ WORLD'S GREATEST SELECTION OF THINGS TO SHOW /11,.rtuo~IC• <I !\ll'I t UulH't/,Pu•hl'sf ,'\<tc•l i.tt Ho c,..,,,ff,t S,t#,.,. Tti1Jm1th. "How. iK V~6e&" See page 3 NEW TITLES Videocassettes ..... 3, 16 & 17 Film prints .................... 32 VideoDiscs ............. 46 & 47 SALE! SALE! SALE! Laurel & Hardy film prints ........................ 31 Classic comedians, videocassette ................ 8 DW Griffith on videocassette ................ 9 BLACKHAWK® BARGAINS!! VideoDiscs .................... 38 Classic Radio Shows.36 & 37 1984 Blackhawk Film\, Inc, One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru Mar. 31, 1984 VideoDisc Players Electronic disc loading system with Auto Start Disc looding ond unloading is completely outomotic. Simply press "Power" button ond slide disc sleeve portiolly into port door. In• ternol player mechanism will pull sleeve into player, rerr,ove disc and return empty sleeve to user. Playback begins automatically in seconds. Disc removal is just as easy: Press "Reject" button and insert empty sleeve; player automatically returns disc to sleeve and smoothly ejects both. Your hands never touch the disc itself. Press "Power" button. Player door opens Insert sleeve partially into slot. Auto-lood mechanism pulls sleeve into player, removes disc and ejects sleeve. Playback begins automatically. MODEL SJT300 • Infrared remote control • Electronic function controls Pause Control Interrupts playback on command; returns to program at some • Visual Speech • Precision micro-stylus point when "Pause/Ploy" is pressed again. Useful during phone • High-speed Scan • Quartz-locked direct-drive turntable coifs or other momentary "intermissions." • Pause • Linear-tracking pickup assembly Electronic function controls • Electronic disc loading system with • Illuminated function indicators All front panel controls are completely electronic. -
Current As of 5.18.2018 7200 Lost US Silent Feature Films (1912-29)
1 Current as of 5.18.2018 2 7,200 Lost U.S. Silent Feature Films (1912-29) 3 National Film Preservation Board (May 2018) 4 5 • This compilation is a definite work-in-progress. Updated versions of this list will 6 be posted periodically at this location. 7 • Feature film means 4 reels or more in length 8 • Each title contains a hypertext link to its entry in our silent film database. There 9 you can find additional information on each title, including studio. 10 • In cases where only a fragment from one reel, trailer, outtakes or stills survive, 11 that film is included in this list as a lost film. 12 • “Incomplete” films are not included here. These comprise cases where a full reel 13 or more survives but not the whole set of reels. 14 • Our searchable database consists of approximately 11,000 titles, the 7200+ in 15 this list of “lost” titles as well as the 3800 or so titles surviving as incomplete or 16 complete. The full database may be searched at: 17 http://memory.loc.gov/diglib/ihas/html/silentfilms/silentfilms-home.html 18 • Please direct any questions or report any errors/suggested changes to Steve 19 Leggett at <[email protected]> 20 21 22 $1,000 Reward (1923), Charles R. Seeling 23 $30,000 (1920), Ernest C. Warde 24 $5,000 Reward (1918), Douglas Gerrard 25 $5,000,000 Counterfeiting Plot, The (1914), Bertram Harrison 26 1915 World's Championship Series (1915) 27 2 Girls Wanted (1927), Alfred E. Green 28 23 1/2 Hours' Leave (1919), Henry King 29 30 Below Zero (1926), Robert P.