DOCSLIB.ORG

ALL RIGHTS GO to THEIR CREATORS the WRATH of the HELGHAST CHAPTER 1 (2147 Petrusite Is Discovered by Humanity) (2148 Petr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ALL RIGHTS GO to THEIR CREATORS the WRATH of the HELGHAST CHAPTER 1 (2147 Petrusite Is Discovered by Humanity) (2148 Petr ALL RIGHTS GO TO THEIR CREATORS THE WRATH OF THE HELGHAST CHAPTER 1 (2147 Petrusite is discovered by Humanity) (2148 Petrusite found to be a massive power source/ now is used in Petrusite Capacitor) (2149 Humanity discovers Petracite/ the birth of Visaria Corporation is born) (2150 VC makes the VC5 Arc Rifle being the first Tesla weapon in the armed forces) (2151 All forces unit and become the Helghast and Earth has been renamed Helghan) (2152 Petrusite Capacitor found to be able to make advance weapons and massive ships) (2153 Humanity goes through a Golden Age of Technology and advancements) (2154 Humanity is hit by strange Radiation Helghast take action with Hazmat suites that will look like cloths and military armor but are doomed to wear the suites for more than a 50,000 years) (2155 All planets have been colonized and booming in Economy and research from FTL drives to the new MAWLR and growing food at mass rates and are new Fleet made of 60,000 ships) (By the way every weapon and Vehicle from all games is in here) (2156 Mass Relay is discovered and found out to be like a massive FTL drive) (2157 Mass Relay is activated) (2157) (Helghast Colonel ) Sir we are getting massive energy readings from the Mass Relay. (Helghast Emperor) Have the Fleet prepared this could be a First Contact situation and they could be hostiles to the Helghan Empire. (Helghast Colonel) Yes Sir. (Turian Fleet) (Turian Pilot) Sir we are getting readings of a massive fleet beyond the Sol Relay. (Turian General) Keep cautious we where sent here to find out who broke the law stating that know dormant Relay is to be activated but this is a First contact then we are getting another Species under Council space. (Turian Pilot) Sir they are Haling us. (Turian General) Patch it through. (Helghast Colonel) Attention space crafts you are trespassing in Helghast space go back or we will open fire. (Turian General) You are making breaking Council law you are to stand down and be brought under Council leadership. (Turian Captain) Are you an Idiot look at them they aren't a new species they are Quarian. (Turian General) I see it now what did we tell you Suit Rat's you are not allowed to colonize worlds fir for Council species and who you steal the ship's from. (Helghast Colonel) YOU MOCK HUMANITY WE KNOW NOT OF THESE QUARIANS BUT IF THEY SUFFER THE SAME FATE AS US IN SUITES MAY WE BRING THEM PEACE BY DESTROYING YOU! (Turian) Did you see his hand five fingers Quarian's only have three we just commited war against a race who knows how advance. (That was the begging of the First Contact War most of the Turian Fleet was destroyed in a few minutes this war when on for years Council losing more and more ground to this Race in three months the war was over with 700'000 Turian Causality's and 10,000 Human Causality's) (and Helghast space was a big as it is Allies mass effect 3) (Present Day) ( Of Mass Effect 1) (John Shepard) My Emperor you wanted to see me. (Boeing) Yes I did as you know we are feared by all in the Council so what will we do with that fear. (John Shepard) We will crush them and prove Humanity shall rule all. (Boeing) No not yet we will expand they fear us to much to stop us from expanding we shall claim the stars once more. (John Shepard) What do you want me to do sir. (Boeing) I want you to take are new ship the Normandy and search for more planets. (John Shepard) Of course sir and if I find Quarian's. (Boeing) We think they are a myth used by the Turians but if they are real talk to them. (John Shepard) Yes my lord Glory To Helghan. (Boeing) Glory to Helghan. (USS Normandy) (John Shepard) Joker good to see I have the best pilot the Helghast Navy has to offer. (Joker) You know it. (Kaidian) Sir I am Sgt. Kaidian Alenko and this is Sgt. Ashley Williams. (Ashley) Pleasure to meet a War hero sir. (John Shepard) You know about the Blizts. (Ashley) I know you are a Hero to Helghast for wining that fight. (Joker) Sir we are entering a non colonized part of our territory. (John Shepard) Thank god we have FTL drives while the Council has to use Mass Relays. (Joker) I am getting huge signals of the Mass Effect Relay near us there is one massive Fleet coming in. (John Shepard) Witch Council species. (Joker) None these could be the one race. (John Shepard) Hale them. (Quarian ship) (Quarian) Captain we are being haled. (Quarian Captain) By who Turians trying to make us Extinct. (Tali) Wait I can find out oh Kheela. (Quarian Captain) What is it Tali. (Tali) I thought they were rumors to keep us out but they are real. (Crew) WHO (Tali) The Helghast. (Quarian Captain) Answer them. (John Shepard) Hello I am Commander Shepard of the Normandy we are the Helghast but are species is Human what is yours. (John Shepard) Pleas respond you are in Helghast space after all. (John Shepard) If you do not respond we will assume you are Council and destroy your ship. (Quarian Captain) We are Quarian. (John Shepard) Pleas hold your position. (John Shepard) Get word to the Emperor we found them. (End Of Chapter 1) .
Load more

Recommended publications
  • Mass Effect 2 Unofficial Guide
    SuperCheats.com Unoffical Mass Effect 2 Guide http://www.supercheats.com/guides/mass-effect-2 Check back for updates, videos and comments for this guide. Table of Contents Introduction 2 Character Creation 3 Hacking 5 Getting Started 6 Normandy Prologue 7 Intro 8 Freedom's Progress 15 The Normandy SR2 19 Omega 23 - Recruit the Veteran 24 (DLC Character) - Recruit Archangel 25 - Recruit Professor 35 Mordin Solus Omega Side Quests 43 Recruit The Convict 48 Recruit The rogan 52 Save Horizon 59 Illium 68 Illium Side-Quests 79 Recruit Tali 84 The Collector Ship 91 Loyalty Missions 94 - Miranda: The Prodigal 95 - Jacob: The Gift of Greatness 99 - Jack: Subject Zero 102 - Garrus: Eye for an Eye 105 - Mordin: Old Blood 108 - Grunt: Rite of Passage 113 - Thane: Sins of the Father 117 Samara: The Ardat-Yakshi 119 - Tali: Treason 121 - Zaeed: The Price of Revenge 123 page pnb / nb SuperCheats.com Unoffical Mass Effect 2 Guide http://www.supercheats.com/guides/mass-effect-2 Check back for updates, videos and comments for this guide. Reaper IFF 128 Recruitment: Legion 133 Legion: A House Divided 134 IFF Installation 138 Suicide Mission 139 Normandy Assignments 151 Downloadable Content 169 DLC: Normandy Crash Site 170 DLC: Firewalker MSV Rosalie 172 DLC: Firewalker: Recover Research Data 173 DLC: Firewalker: Artifact Collection 175 DLC: Firewalker: Geth Incursion 177 DLC: Firewalker: Prothean Site 178 DLC: asumi Goto 179 - asumi: Stealing Memory 181 The Citadel 185 Tuchanka 187 Romance 190 Planetary Mining 192 Xbox 360 Achievements 196 page 2 / 201 SuperCheats.com Unoffical Mass Effect 2 Guide http://www.supercheats.com/guides/mass-effect-2 Check back for updates, videos and comments for this guide.
    [Show full text]
  • UNIVERSITY of VAASA School of Marketing And
    UNIVERSITY OF VAASA School of Marketing and Communication Multidisciplinary Master’s Programme in Communication Harri Huusko “Direct intervention is necessary” Interesting character creation through narrative elements in Mass Effect Master’s Thesis in digital media Vaasa 2018 1 TABLE OF CONTENTS IMAGES AND FIGURES 2 ABSTRACT 3 1 INTRODUCTION 5 1.1 Objective 7 1.2 Material 9 1.3 Method 11 2 MASS EFFECT AS A ROLE-PLAYING GAME 13 2.1 Single player role-playing games 13 2.2 The world of Mass Effect 16 3 NARRATOLOGY IN GAME STUDIES 25 3.1 Traditional narratology 26 3.2 Studying game narratives 33 3.2.1 Narrative in role-playing games 39 3.2.2 The narrative appeal of Mass Effect games 45 3.3 Close-reading game narratives 50 4 CHARACTER NARRATIVES IN THE MASS EFFECT SERIES 55 4.1 Commander Shepard 58 4.2 Urdnot Wrex 69 4.3 Tali’Zorah nar Rayaa 74 4.4 Emotional character narratives 80 4.5 The binding of character narratives 84 5 CONCLUSION 88 WORKS CITED 93 2 IMAGES Image 1. First encounter with the ancient Reaper machines. 17 Image 2. Normandy ambushed by an unknown enemy in Mass Effect 2 (2010). 19 Image 3. Commander Shepard floating in space, with air coming out of the suit 20 Image 4. Reapers shown ascending upon the city of Vancouver etc. 22 Image 5. Appearance options for Shepard, as seen in Mass Effect 2 (2010). 60 Image 6. Pre-service history selection in Mass Effect 1 (2007). 61 Image 7. The narrativized interface, as seen in Mass Effect 1 (2007).
    [Show full text]
  • Mass Effect Saga Não Utiliza Destiny Points, Ado- Do De Frio, Calculista E Brutal
    C APÍTULO III 1 TRAÇOS HERÓICOS CAMPAING SOURCEBOOK DBOHR PADAWAN BESSA DM RAFAEL Turian Agent .............................................. 20 Sumário Themes Talent Trees ......................................... 20 Special Theme Talents ...................................... 23 Introdução ...................................................................5 Capítulo III Capítulo I Traços heróicos ................. 25 Espécies ................................... 6 Event Background ........................................ 25 Asari ................................................................. 7 Occupation Background ............................... 26 Drell ................................................................. 8 Planet of Origin Background ....................... 26 Humanos ......................................................... 9 Krogan ........................................................... 10 Traits & Passions ............. 28 Quarian .......................................................... 11 Usando Traits e Passions .............................. 28 Salarian .......................................................... 12 Traits e Passions famosos ............................. 28 Turian ............................................................ 13 Traits e Passions ordinários .......................... 28 Traits .............................................................. 28 Capítulo II Chaste/Lustful ........................................... 30 Classes Heróicas .................15 Energetic/Lazy...........................................
    [Show full text]
  • The Expanding Storyworld: an Intermedial Study of the Mass Effect Novels Jessika Sundin
    Stockholm University Department of Culture and Aesthetics The Expanding Storyworld: An Intermedial Study of the Mass Effect novels Jessika Sundin Master Thesis in Literature (30 ECTS) Master’s Program in Literature (120 ECTS) Supervisor: Christer Johansson Examiner: Per-Olof Mattsson Spring Semester 2018 Abstract This study investigates the previously neglected literary phenomenon of game novels, a genre that is part of the increasing significance that games are having in culture. Intermedial studies is one of the principal fields that examines these types of phenomena, which provides perspectives for understanding the interactions between media. Furthermore, it forms the foundation for this study that analyses the relation between the four novels by Drew Karpyshyn (Mass Effect: Revelation, 2007; Mass Effect: Ascension, 2008; Mass Effect: Retribution, 2010) and William C. Dietz (Mass Effect: Deception, 2012), and the Mass Effect Trilogy. Differences and similarities between the media are delineated using semiotic theories, primarily the concepts of modalities of media and transfers of media characteristics. The thesis further investigates the narrative discourse, and narrative perspectives in the novels and how these instances relate to the transferred characteristics of Mass Effect. Ultimately, the commonly transferred characteristic in the novels is the storyworld, which reveals both differences and similarities between the media. Regardless of any differences, the similarities demonstrate a relationship where the novels expand the storyworld. Keywords: Drew Karpyshyn, William C. Dietz, Mass Effect, BioWare, storyworld, video games, digital games, intermediality, transmediality, narratology, semiotics 2 Table of Contents 1. Introduction ………………………………………………………………………….…. 4 1.1. Survey of the field …………………………………………………………...………..… 5 1.1.1. Novelizations …………………………………………………………….…….……. 5 1.1.2.
    [Show full text]
  • Mass Effect! Action! Drama! War! Romance!
    Story: In the year 2148, explorers on Mars discovered the remains of an ancient spacefaring civilization. In the decades that followed, these mysterious artifacts revealed startling new technologies, enabling travel to the furthest stars. The basis for this incredible technology was a force that controlled the very fabric of space and time. They called it the greatest discovery in human history. The civilizations of the galaxy call it... --------------------------------------------------------------------------------------------------------------------------------------------- Intro: Element Zero! You're going to be hearing that term (or eezo) a lot from now on. It'll be used to justify faster-than-light travel, energy shields, even glowy space psychic people. Why? Because you get to spend the next 10 years in the sci-fi adventure setting of Mass Effect! Action! Drama! War! Romance! You will begin your adventure in the year 2181. For the record, the first Mass Effect takes place in 2183, Mass Effect 2 takes place in 2185, and Mass Effect 3 kicks off in 2186. You get a few years to get yourself ready for the impending Reaper (sentient starship) invasion. You might even be able to stop it yourself. Remember, you probably know information (or can learn it by just reading the Jump) that could save a lot of lives if you can get people to believe you. Cerberus' (human supremacist organization headed by the Illusive Man) antics, the Collectors, all of that information could be resolved with less fuss if you can get the word out to the right people. You'll have to survive though. Good luck with that! Go join up with Shepard, take things into your own hands, or use your information to change the galaxy.
    [Show full text]
  • Mass Effect 3 Checklist
    Mass Effect 3 Checklist ---After Priority: Sur'Kesh--- ...After Priority: Tuchanka continued ---After Priority: The Citadel I --- Citadel: Barla Von Nimbus Cluster Apien Crest Arcturus Stream Agaiou System Castellus System Arcturus System Citadel: Library of Asha Citadel: Banner of the 1st Regiment Euler System Kallini System Gemmae System N7: Cerberus Abductions Mesana System Exodus Cluster ->Citadel: Evidence Ardat-Yakshi Monastery Asgard System Gemini Sigma ->Citadel: Asari Widow Utopia System Han System Pelion System Priority: Eden Prime(DLC) {Garrus} Ming System Valhallan Threshold Hades Gamma Krogan DMZ Micah System Antaeus System Aralakh System Paz System Cacus System Tuchanka: Turian Platoon Citadel: Prothean Data Drives Dis System ->Tuchanka: Bomb(3) {Garrus} Raheel-Leyya System Farinata System ->Citadel: GX12 Thermal Pipe Plutus System N7: Cerberus Attack ---After Priority: Geth Dreadnought--- Kite's Nest ->Citadel: Improved Power Grid Argos Rho Harsa System Dranek System Gorgon System Untrel System Nith System Hydra System Sigurd's Cradle Ninmah Cluster Phoenix System Decoris System Mulla Xul System Citadel: Kakliosaur Fossil N7: Cerberus Lab Attican Traverse: Krogan Team {Javik} Silean Nebula ->Citadel:Alien MediGel Formula ->Citadel: Krogan Dying Message Kypladon System Skepsis System N7: Fuel Reactors ---After Priority: Tuchanka--- ->Citadel: Chemical Treatment ---After Priority: Palaven --- Citadel: Shore Leave DLC {after Horizon} Rannoch: Admiral Koris Grissom Academy(3){EDI if David here} Aethon Cluster ->Citadel: Target
    [Show full text]
  • Discourses of Queer Gender and Sexuality Across Bioware's Mass
    University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2018-01-26 “But You’re Female!”: Discourses of Queer Gender and Sexuality Across BioWare’s Mass Effect Trilogy Thai, Tina Thai, T. (2018). “But You’re Female!”: Discourses of Queer Gender and Sexuality Across BioWare’s Mass Effect Trilogy (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/5451 http://hdl.handle.net/1880/106370 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY “But You’re Female!”: Discourses of Queer Gender and Sexuality Across BioWare’s Mass Effect Trilogy by Tina Thai A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN COMMUNICATION AND MEDIA STUDIES CALGARY, ALBERTA JANUARY, 2018 © Tina Thai 2018 Abstract BioWare’s highly successful Mass Effect trilogy is one of the most lauded examples of mainstream video games that have incorporated prominent queer representation. In a media landscape that is still navigating marginalized representation in a meaningful way, BioWare has made strides in terms of their depth and quality of queer inclusion since its release. The ways that this inclusion is constructed in all levels of design – from formal game qualities to its storytelling choices – can tell researchers much about how discourses of queerness function, using the game space as a site of discursive operations.
    [Show full text]
  • Mass Effecting the Thousand Suns
    Mass Effecting the Thousand Suns by Stew “DigitalRaven” Wilson MASS EFFECTING THE THOUSAND SUNS Mass Effecting the Thousand Suns by Stew “DigitalRaven” Wilson 2 TABLE OF CONTENTS INTRODUCTION 5 Acknowledgements 5 CHARACTER CREATION 6 Species 6 Homeworld Packages 8 Career Packages 9 Infiltrator 9 BIOTICS 11 Affecting Shielded Characters 11 New Biotic Skills 11 Charge (Body) 11 Singularity (Perception) 12 Stasis (Perception) 12 Warp (Perception) 12 MORALITY 13 Paragon Points 13 Renegade Points 13 Regaining Points 13 TECH POWERS 14 AI Hacking 14 Cryo Blast 14 Energy Drain 14 Flashbang 14 Hardened Shields 14 Incinerate 15 Neural Shock 15 Overload 15 Ammo Powers 15 MASS EFFECTING THE THOUSAND SUNS Armor Piercing 15 Cryo 15 Disruptor 16 Incendiary 16 Warp 16 TECHNOLOGY 17 Shields 17 Robots 17 YMIR Mech 17 LOKI Mech 17 FENRIS Mech 17 WEAPONS 18 ARMOR 19 EQUIPMENT 20 Additional Equipment 20 Omni-Tool 20 Monoblade 20 Grenade Launcher 20 Combat Cloak 20 Combat Drone 21 Shield Modulator 21 Tech Shields 21 Medi-gel 21 Omni-gel 21 Ammo Powers (each) 21 Tech Powers (each) 22 4 MASS EFFECTING THE THOUSAND SUNS INTRODUCTION This is a compendium of changes to James Maliszewski’s Thousand Suns roleplaying game to better emulate the world of the Mass Effect series of video games. Much of this information is based on the work of fans at the Mass Effect Wiki. Mass Effect is an imperial SF story at its heart, and that makes Thousand Suns a very good fit to the universe. Most of the work in adapting one to the other is creating the traits for alien creatures, adapting Tech Powers and Biotics, and creating listings for the various items of technology that make the Mass Effect world so compelling.
    [Show full text]
  • Mass Effect: Andromeda V1.16 By: Ovid Different Galaxy, Same
    Mass Effect: Andromeda v1.16 By: Ovid Different Galaxy, Same Problems Hello Jumper, welcome to Mass Effect! Specifically, the Heleus Cluster located within the Andromeda Galaxy. I hope you are ready to fight to survive. The place looked great for a colonization effort by the species of the Milky Way 600 years ago. But between then and now, things have changed. Mysterious structures have popped up on the selected colonization candidates, and now those planets are barely inhabitable at best. In addition, there’s this nasty stuff preventing convenient space travel called the Scourge, which is best characterized as space fog that will screw up anything that gets too close to it. Ships, planets, etc. Good news though! You aren’t going in empty handed. Have 1000 Choice Points, and make ​ ​ them count. (In the interests of not breaking immersion, there is additional information on the setting and perks/items/drawbacks at the end of the document.) The year is 2819 CE. The Arks are scheduled to arrive now, and they are expecting the Nexus, which showed up a year earlier, to be set up and waiting for them. But, the conditions have changed over the last 634 years. But enough of that! What Race are you? Roll 1d7. ​ ​ ...Congratulations, that’s your lucky number! All joking aside, pick your race for free. Human: Back in the Milky Way, Humanity was the latest race to join the Citadel Council after a staggeringly short waiting period. You know a human will continue to push the boundaries of what can and can’t be done, so it makes sense that the Andromeda Initiative was originally founded by a human.
    [Show full text]
  • Rhetoric of Mass Effect 2 Submitted by Rebekah
    Thesis Hidden Options and Player Pushback: Rhetoric of Mass Effect 2 Submitted by Rebekah Robson-May Department of English In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Summer 2011 Master’s Committee: Advisor: Sarah Jane Sloane Carrie Lamanna Jennifer Cross Copyright by Rebekah Robson-May, 2011 All Rights Reserved Abstract Hidden Options and Player Pushback: Rhetoric of Mass Effect 2 This thesis is an exploration of gender construction within the digital gaming subculture of the United States in the early 21st century. Using the 2010 game Mass Effect 2 as an organizing theme and central focus, the thesis examines how gender is constructed within this single-player role-playing game; how marketing materials reveal expectations about audience for this game and two other single-player role- playing games released in 2010 (Fable III and Final Fantasy XIII); and how online communities related to games, particularly to Mass Effect 2, both reinforce normative assumptions and attitudes about gender for players of digital games and characters within the games, and how they offer opportunities for the subversion and disruption of these normative models. Theories from Judith Butler and from Candace West and Don Zimmerman provide the primary basis for exploring gender construction. To examine the effects of digital games on literacy and learning, James Paul Gee’s work is used extensively. Additional discussion utilizes online fan and gamer posts. Insights about games, their marketing, and the broader community are drawn from a number of perspectives, in- cluding autoethnography, visual rhetoric, the principles of interpreting visual art, and a study of theatrical costume design.
    [Show full text]
  • PDF Download Mass Effect Volume 1: Redemption
    MASS EFFECT VOLUME 1: REDEMPTION PDF, EPUB, EBOOK Mac Walters,John Jackson Miller,Omar Francia,Michael Atiyeh,Daryl Mandryk | 96 pages | 15 Jun 2010 | Dark Horse Comics,U.S. | 9781595824813 | English | Milwaukie, United States Mass Effect Volume 1: Redemption PDF Book Mac Walters. Months after a devastating plague ends World War I, Europe is suddenly flooded with deadly Overall I think it's pretty well paced. Introducing Rasa, a mysterious agent working behind the scenes for the Illusive Man and his human-survivalist paramilitary group, Cerberus! Unfortunately, this comic doesn't have much of either. Nice illustrations with sketchbook at the end. Read more That said: I think it is awesome that they not only avoided locking Shepard into a gender, but actually lampshaded the avoidance, which amused me. Liara T'soni was by far the most disappointing. All little let downs, yes, but not infringing on more then moments of my time and not directly impacting the story. The story of what happens nex Mass Effect 2 lead writer Mac Walters reveals an essential moment in the life of Commander Shepard, the galaxy's greatest hero, only in Mass Effect: Redemption! The once shy, timid and compassionate Asari, turns into a dark, one-liner, demanding, biotic powerhouse. Enter the URL for the tweet you want to embed. Refresh and try again. Start a Wiki. Mass Effect Omnibus Volume 2. Not usually a reader of graphic novels but Mass Effect is my favourite game of all time so I have wanted to read these for a while. Notify me. The Normandy is destroyed and Commander Shepard is feared dead.
    [Show full text]
  • Identity Transformation and Agency in Digital Narratives and Story Based Games
    Identity Transformation and Agency in Digital Narratives and Story Based Games by Joshua Glen Tanenbaum M.A. (Interactive Arts and Technology), Simon Fraser University, 2008 B.A., University of Redlands, 2002 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the School of Interactive Arts and Technology Faculty of Communication, Art, and Technology Joshua Glen Tanenbaum 2015 SIMON FRASER UNIVERSITY Spring 2015 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Joshua Tanenbaum Degree: Doctor of Philosophy Title of Thesis: Identity Transformation and Agency in Digital Narratives and Story Based Games Examining Committee: Chair: Steve DiPaola, Associate Professor Alissa N. Antle Senior Supervisor Associate Professor Jim Bizzocchi Co- Supervisor Associate Professor Dene Grigar Supervisor Associate Professor, Digital Technology and Culture Program, Washington State University Richard Smith Internal Examiner Professor, Communications, SFU Margaret MacKey External Examiner Professor, School of Library and Information Studies, University of Alberta Date Defended/Approved: March 13, 2015 ii Partial Copyright Licence iii Ethics Statement iv Abstract In this dissertation I propose a reimagining of two of the central pleasures of digital media: Agency and Transformation. The first of these pleasures – Agency – is a concept that has received significant attention in the discourse around games and storytelling. The second pleasure – Transformation – has received comparatively little deep investigation.
    [Show full text]