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Pale Intrusions Into Blue: the Development of a Color Hannah Rose Mendoza
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2004 Pale Intrusions into Blue: The Development of a Color Hannah Rose Mendoza Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF VISUAL ARTS AND DANCE PALE INTRUSIONS INTO BLUE: THE DEVELOPMENT OF A COLOR By HANNAH ROSE MENDOZA A Thesis submitted to the Department of Interior Design in partial fulfillment of the requirements for the degree of Master of Fine Arts Degree Awarded: Fall Semester, 2004 The members of the Committee approve the thesis of Hannah Rose Mendoza defended on October 21, 2004. _________________________ Lisa Waxman Professor Directing Thesis _________________________ Peter Munton Committee Member _________________________ Ricardo Navarro Committee Member Approved: ______________________________________ Eric Wiedegreen, Chair, Department of Interior Design ______________________________________ Sally Mcrorie, Dean, School of Visual Arts & Dance The Office of Graduate Studies has verified and approved the above named committee members. ii To Pepe, te amo y gracias. iii ACKNOWLEDGMENTS I want to express my gratitude to Lisa Waxman for her unflagging enthusiasm and sharp attention to detail. I also wish to thank the other members of my committee, Peter Munton and Rick Navarro for taking the time to read my thesis and offer a very helpful critique. I want to acknowledge the support received from my Mom and Dad, whose faith in me helped me get through this. Finally, I want to thank my son Jack, who despite being born as my thesis was nearing completion, saw fit to spit up on the manuscript only once. -
Stanley Kubrick's 18Th Century
Stanley Kubrick’s 18th Century: Painting in Motion and Barry Lyndon as an Enlightenment Gallery Alysse Peery Abstract The only period piece by famed Stanley Kubrick, Barry Lyndon, was a 1975 box office flop, as well as the director’s magnum opus. Perhaps one of the most sumptuous and exquisite examples of cinematography to date, this picaresque film effectively recreates the Age of the Enlightenment not merely through facts or events, but in visual aesthetics. Like exploring the past in a museum exhibit, the film has a painterly quality harkening back to the old masters. The major artistic movements that reigned throughout the setting of the story dominate the manner in which Barry Lyndon tells its tale with Kubrick’s legendary eye for detail. Through visual understanding, the once obscure novel by William Makepeace Thackeray becomes a captivating window into the past in a manner similar to the paintings it emulates. In 1975, the famed and monumental director Stanley Kubrick released his one and only box-office flop. A film described as a “coffee table film”, it was his only period piece, based on an obscure novel by William Makepeace Thackeray (Patterson). Ironically, his most forgotten work is now considered his magnum opus by critics, and a complete masterwork of cinematography (BFI, “Art”). A remarkable example of the historical costume drama, it enchants the viewer in a meticulously crafted vision of the Georgian Era. Stanley Kubrick’s film Barry Lyndon encapsulates the painting, aesthetics, and overall feel of the 18th century in such a manner to transform the film into a sort of gallery of period art and society. -
Edrs Price Descriptors
DOCUMENT RESUME ED 088 224 EA 005 958 AUTHOR Kohl, Mary TITLE Guide to Selected Art Prints. Using Art Prints in Classrooms. INSTITUTION Oregon Association for Supervision and Curriculum Development, Salem. PUB DATE Mar 74 NOTE 43p.; Oregon'ASCD Curriculum Bulletin v28 n322 AVAILABLE FROMOregon Association for Supervision and Curriculum Development, P.O. Box 421, Salem, Oregon 9730A, ($2.00) EDRS PRICE MF-$0.75 HC-$1.85 DESCRIPTORS *Art Appreciation; *Art Education; *Art Expression; Color Presentation; Elementary Schools; *Painting; Space; *Teaching Guides IDENTIFIERS Texture ABSTRACT A sequential framework of study, that can be individually and creatively expanded, is provided for the purpose of developing in children understanding of and enjoyment in art. .The guide indicates routes of approach to certain kinds of major art, provides historical and biographical information, clarifies certain fundamentals of art, offers some activities related to the various ,elements, and conveys some continuing enthusiasm for the yonder of art creation. The elements of art--color, line, texture, shape, space, and forms of expression--provide the structure of pictorial organization. All of the pictures recomme ded are accessible tc teachers through illustrations in famil'a art books listed in the bibliography. (Author/MLF) US DEPARTMENT OF HE/ EDUCATION & WELFAS NATIONAL INSTITUTE I EOW:AT ION THIS DOCUMENT HAS BEEF DUCED EXACTLY AS RECEIV e THE PERSON OR ORGANIZATIO ATING IT POINTS OF VIEW OR STATED DO NOT NECESSAR IL SENT OFFICIAL NATIONAL INS1 EDUCATION POSIT100. OR POL Li Vi CD CO I IP GUIDE TO SELECTED ART PRINTS by Mary Kohl 1 INTRODUCTION TO GUIDE broaden and deepen his understanding and appreciation of art. -
L1013 Wolf, Goya's Red Boy, 144-173, FINALFINAL
REVA WOLF Goya’s “Red Boy” The Making of a Celebrity R W Reva Wolf came to study with Jonathan Brown when, as a student in his seminar on Francisco Goya, she discovered the topic of her Ph.D. dissertation. Brown served as co-advisor with Robert Rosenblum for the dissertation, entitled “Francisco Goya and the Interest in British Art and Aesthetics in Late Eighteenth-Century Spain”, which Wolf defended in . Growing directly out of this Ph.D. work was Wolf’s book and exhibition, Goya and the Satirical Print (). She also wrote one of her two Master’s degree qualifying papers, The Hall of Battles at El Escorial, under Brown’s guidance. Her first professional writing assignment, the essay “Onlooker, Witness and Judge in Goya’s Disasters of War,” for the catalogue of the exhibition Fatal Consequences: Callot, Goya, and the Horrors of War (), was due to Brown’s recommendation. Wolf has n , Harry B. Wehle, a curator at the Metropolitan Museum of Art in New contributed several catalogue entries to the forthcoming publication IYork, proclaimed that Francisco Goya’s portrait of Don Manuel Osorio de accompanying an exhibition of Spanish drawings at The Frick Collection for Zúñiga (fig. ) “is so popular among American art lovers as to require no com- which Brown is co-curator ( ). ment.” Indeed, Goya’s painting of the strikingly delicate young boy had enjoyed Wolf holds the position of Professor of Art History at the State University of an enthusiastic audience since shortly after its arrival in the United States nearly New York at New Paltz. -
Unconventionality in Thomas Gainsborough's Portrait Of
UNCONVENTIONALITY IN THOMAS GAINSBOROUGH’S PORTRAIT OF HENRY SCOTT: RETHINKING THE REPRESENTATION OF DOGS AS RATIONAL SUBJECTS IN EIGHTEENTH-CENTURY BRITISH PORTRAITURE A Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts in Interdisciplinary Studies University of Regina By Luba Stephania Kozak Regina, Saskatchewan April 2019 © 2019: Luba Stephania Kozak UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE Luba Stephania Kozak, candidate for the degree of Master of Arts in Interdisciplinary Studies, has presented a thesis titled, Unconventionality in Thomas Gainsborough’s Portrait of Henry Scott: Rethinking The Representation of Dogs as Rational Subjects in Eighteenth-Century British Portraiture, in an oral examination held on April 25, 2019. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: *Dr. Lianne McTavish, University of Alberta Co-Supervisor: Dr. Randal Rogers, Department of Visual Arts Co-Supervisor: Dr. Francesco Freddolini, Department of Visual Arts Committee Member: Dr. Darlene Juschka, Department of Religious Studies Committee Member: Dr. Sherry Farrell-Racette, Visual Arts Chair of Defense: Dr. Philip Charrier, Department of History *via Video Conferencing Abstract This thesis reconsiders the perception and status of pets in eighteenth-century Britain through an analysis of the unconventional modes of representation in Thomas Gainsborough’s portrait of Henry Scott, Third Duke of Buccleuch. By examining the social attitudes towards pets in eighteenth-century Britain, this thesis discusses the elevated status of dogs in Britain’s early modern visual culture, which offers new possibilities for understanding the complex and sympathetic relationship between owners and their pets. -
Thomas Gainsborough (1727-88)
18/03/2007 Thomas Gainsborough (1727-88) Mr. and Mrs. Andrews, detail, 1750, oil on canvas, National Gallery at London. jamp'07 1 jamp'07 2 The Painter's Daughters Chasing a Butterfly, 1755-56, The National Gallery, London. Study of a Sheep, 1757-59, black and white chalks on grey paper, Staatliche Museen, Berlin. jamp'07 3 jamp'07 4 The Painter's Daughters with a Cat, unfinished, 1758-60, The National Mrs. Philip Thicknesse, 1759-60, Gallery, London. Cincinnati Art Museum, Ohio. jamp'07 5 jamp'07 6 1 18/03/2007 Mary, Countess Howe, approx. 1760, Lady Alston, 1760-65, canvas, oil on canvas, Iveagh Bequest Musée du Louvre, Paris. Kenwood. jamp'07 7 jamp'07 8 Portrait of Henrietta Vernon (Lady Grosvenor, wife of Richard, first Earl Grosvenor), 1766-67, oil on canvas, Collection of His Grace, The Duke of Westminster. Studies of a Cat, 1765-69, black chalk, stump and white chalk on paper. Rijksmuseum, Amsterdam. jamp'07 9 jamp'07 10 Portrait of Jonathan Buttall (The Blue Boy), 1770, oil on canvas, The Huntington Art Collections, San Marino. The Harvest Wagon, 1767, oil on canvas, Barber Institute of Fine-Arts at Birmingham. jamp'07 11 jamp'07 12 2 18/03/2007 Portrait of a Lady in Blue, late 1770s, oil on canvas, The Hermitage at St. The Linley Sisters (Mrs. Sheridan and Petersburg. Mrs. Tickell), 1772, Dulwich Picture Gallery, London. jamp'07 13 jamp'07 14 Johann Christian Bach, 1776, oil on canvas, Civico Museo Bibliografico The Honorable Mrs. Graham, 1775-77, Musicale, Bologna. -
Feedback: Let 'The Blue Boy' Have His Safe Sojourn to London
Feedback: Let ‘The Blue Boy’ have his safe sojourn to London Thomas Gainsborough’s 1770 painting “Blue Boy.” (Huntington Library) JULY 9, 2021 8:16 AM PT Regarding Christopher Knight’s commentary [“Why experts fear return of ‘The Blue Boy’ to London” [July 6]: In fact, experts don’t. Knight’s story is deeply one-sided and misleading. After several years of considerable examination and discussion, and after instituting a rigorous set of protocols, the Huntington has decided to lend Thomas Gainsborough’s “The Blue Boy” to the National Gallery, London — but only upon expert advice and only under very specific, restrictive conditions. The long-term well-being of this iconic work has always been the Huntington’s guiding principle for any discussion about the possibility of a loan. Knight’s piece failed to capture the degree to which we have studied the matter that eventually led us to this important decision. The 2018 panel of conservators he cites met to study the painting’s condition and to recommend a course of conservation treatment for it. They were not charged with advising on possible travel, but rather on the best plan of work to stabilize and respect the historic integrity of the work. We followed all of their recommendations regarding treatment. In 2019 once most of the conservation work was complete, the Huntington convened a second panel of conservators and curators, specifically to advise us about possible travel. These were individuals from pre-eminent North American museums, all having similar collections and extensive experience with Old Master paintings. These professionals are all well-versed in best practices and the latest thinking around fine art transport for masterpieces of “The Blue Boy” caliber. -
HOME of Dawson Creek Boatworks | Gatlin Marine Services
How often to see the doctor PCC’s Medical Routine health checkups are a key part of staying healthy. Older adults may feel like they’re always visiting one doctor or another. But what is an acceptable frequency for doctor appointments? Assisting Program Read about it on Page A8 Article on Page A3 Vol. 53 No.07, 8 Pages The Pamlico News Wednesday, February 17, 2021 Your County News Source Since 1968 www.thepamliconews.com | 50 Cents “The Blue Boy” Florence-Whortonsville Vfd Names Porter Oriental Elementary School Treasure Returns Home... by Dennis Delamar Firefighter Of The Year Dan“Contemporary Beck Impressionist” The Village Gallery in Oriental welcomes Dan Beck as its March Artist of the Month. Dan was recognized by the Oil Painters of America 2020 Virtual Juried Salon with the Impressionist Award of Excellence. Dan is also the Gold Medal recip- ient of the 2017 Oil Painters of America Eastern Regional Exhibition. In 2016, he received three national awards: Oil Painters of America National Exhibition, American Impressionist Society National Exhibition and Oil Painters of America If you were a student at Oriental Eastern Reginal Exhibition. He is also the Gold Elementary School on Church Street in the 1950s or 1960s, this strik- ing print of Thomas Gainsborough’s “The Blue Boy” framed in gold would At the end of every year the members of the Florence-Whortonsville Volunteer Fire Department likely bring back a fond memory of select a member who they feel has made significant contributions to the organization. This year your childhood in Oriental. First they selected Janet Porter. -
Genius and Ambition: the Royal Academy of Arts, London 1768-1918 2 March - 9 June 2014 TEACHER NOTES
Genius and Ambition: The Royal Academy of Arts, London 1768-1918 2 March - 9 June 2014 TEACHER NOTES Frank Cadogan Cowper, R.A. Vanity 1907 Oil on panel Photo credit: © Royal Academy of Arts, London; Photographer: John Hammond Exhibition Overview Founded in 1768, the Royal Academy was the primary art institution in the United Kingdom until at least the beginning of the 20th century. Its position as a national institution ensured that it was the leading venue for the study and display of art, the maker of reputation and renown, and the arbiter on national aesthetic matters. Genius and Ambition: The Royal Academy of Arts, London will draw on the wealth of the Royal Academy’s holdings, ranging from paintings and sculpture to works on paper (drawings and prints) and historic books. The exhibition will focus on what is often referred to as ‘the long 19th century’, from 1768 to 1918. This allows for the inclusion of such stellar artists as Reynolds, Gainsborough, Constable, Turner, Leighton, Millais, Waterhouse and Singer Sargent. To complement this international exhibition, Bendigo Art Gallery has curated a second exhibition, Australians at the Royal Academy, featuring more than 30 significant works by Australian artists whose works were displayed at the Royal Academy including Tom Roberts, Arthur Streeton, Rupert Bunny, George Coates, George Lambert, Agnes Goodsir, and E Phillips Fox. Genius and Ambition is an ideal exhibition for students to learn about many of the important painting genres from the 18th and 19th centuries that lead into 20th century art. The exhibition provides a unique opportunity for students to experience the viewing of major international artworks first hand, in Bendigo. -
A WORLD of ART, RESEARCH, CONSERVATION, and PHILANTHROPY | Winter 2019 PRESIDENT’S MESSAGE
A WORLD OF ART, RESEARCH, CONSERVATION, AND PHILANTHROPY | Winter 2019 PRESIDENT’S MESSAGE theGETTY Winter 2019 TABLE OF President’s Message 3 n November 4, 1922, British archaeologist Howard CONTENTS Carter started his workday at a cluster of ancient New and Noteworthy 4 Ostone huts in Egypt’s Valley of the Kings, the principal burial place of New Kingdom pharaohs. Although most other Conserving and Managing the Tomb of Tutankhamen 8 archaeologists considered the site exhausted, Carter dis- agreed and had ordered his crew to examine the soil beneath Conserving Canvas 12 the huts; plus his financial backer, amateur Egyptologist Lord Carnarvon, had given him one last season to find something Rediscovering a Renaissance Masterpiece: 16 really spectacular. Carter soon did: his crew had just discov- Pontormo’s Visitation ered a step cut into bedrock, the first of 16 leading down to the sealed, treasure-filled Tomb of Tutankhamen. A West Coast Center for African American 20 The tomb is now one of the most popular tourist sites in Art History the world, even though its constant flow of visitors has cre- ated numerous conservation concerns. Visitors damage the Book Excerpt 25 walls where they can reach them. Their breath raises humid- ity and carbon dioxide levels, thereby increasing the pos- New from Getty Publications 26 sibility of microbiological growth. Dust and lint from their clothing settles on the walls, obscuring the wall paintings From The Iris 28 and requiring cleaning that leads to cumulative loss. In 2009 officials at Egypt’s Supreme Council of Antiquities became New Acquisition 29 so alarmed that they reached out to the Getty Conservation Institute (GCI) for help with conservation and ongoing man- Getty Events 30 agement. -
Project Blue Boy Activity Guide School Programs and Partnerships
Project Blue Boy Activity Guide School Programs and Partnerships What is conservation? Why are there so many blues? What is Project Blue Boy? Explore the intersections of art, primary sources, and science. The resources in this Activity Guide packet provide teachers and students with an understanding of the technical examination and conservation treatment of Thomas Gainsborough’s The Blue Boy at The Huntington Library, Art Museum, and Botanical Gardens. Christina O’Connell, senior paintings conservator, is using a medical microscope used for eye surgery, the Haag-Streit Hi-R NEO 900 surgical microscope, in addition to other conservation tools such as optivisors, silicone-tipped tools, cotton swabs, brushes, and a palette. During this two-year project, there are four main steps: 1) surface cleaning and removal of non-original varnish (finished) 2) structural work on the canvas (off view) 3) the in-painting process (in the gallery) 4) preparing The Blue Boy for re-installation The following resources highlight aspects of conservation through activities such as: examining color through chromatography, exploring tint, tone, and shade, studying the impact of sunlight with sun paper, and sculpture assessment. While the activities are designed for elementary students, they can be adapted for middle and high school students. All activities align with… The Huntington Framework • Observe & Describe – What do you see? • Explain & Interpret – What does it mean to you? • Reason with Evidence – What makes you think that? • Wonder & Question – What questions do you still have? Science & Arts Standards - NGSS: 3-ESS3-1 Science affects everyday life - NCAS:VA: Cr 3.1.3a Elaborate visual information by adding details in an artwork to enhance emerging meaning. -
64997 Frontier Loriann
SPRING/SUMMER 2011 The Library’s Conservation Lab Preserves a Profession NOVELIST SUSAN STRAIGHT FINDS CONSTABLE COUNTRY CLOSE TO HOME CERAMIST HARRISON MCINTOSH CRAFTS COMMUNITY The Huntington Library, Art Collections, and Botanical Gardens S ummer atTheL angham The Langham is offering a number of exciting events and specials this summer! Family Stay & Play Package New Poolside BBQ Menu Spa Specials to Relax and Refresh Saturday afternoon Wine Tasting Classes in The Royce Thursday evening Live Music in The Courtyard We invite you to join us at The Langham for a truly spectacular summer! The Huntington Library, Art Collections, and Botanical Gardens SENIOR STAFF OF THE HUNTINGTON STEVEN S. KOBLIK FROM THE EDITOR President GEORGE ABDO Vice President for Advancement A FORMATIVE EXPERIENCE IN THE MAKING JAMES P. FOLSOM Marge and Sherm Telleen/Marion and Earle Jorgensen Director of the Botanical Gardens KATHY HACKER Executive Assistant to the President STEVE HINDLE N 2004, THE HUNTINGTON’S BOOK AND PAPER CONSERVATORS W. M. Keck Foundation Director of Research moved into a new work space on the second floor of the Munger SUSAN LAFFERTY Nadine and Robert A. Skotheim Director of Education Research Center. Much bigger, brighter, and better equipped than the SUZY MOSER old one, the Conservation Lab heralded a new era for staff members Associate Vice President for Advancement Icharged with preserving the 8 million plus books, manuscripts, and ephemera JOHN MURDOCH Hannah and Russel Kully Director of Art Collections from the Library collection. RANDY SHULMAN “Good Chemistry” (page 10) describes what happened when students from Assistant Vice President for Advancement Scripps College and UCLA gained access to the lab as part of two new intern - LAURIE SOWD Vice President for Operations ship programs.