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Worlds Apart: Bosnian Lessons for Global Security
Worlds Apart Swanee Hunt Worlds Apart Bosnian Lessons for GLoBaL security Duke university Press Durham anD LonDon 2011 © 2011 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Designed by C. H. Westmoreland Typeset in Charis by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. To my partners c harLes ansBacher: “Of course you can.” and VaLerie GiLLen: “Of course we can.” and Mirsad JaceVic: “Of course you must.” Contents Author’s Note xi Map of Yugoslavia xii Prologue xiii Acknowledgments xix Context xxi Part i: War Section 1: Officialdom 3 1. insiDe: “Esteemed Mr. Carrington” 3 2. outsiDe: A Convenient Euphemism 4 3. insiDe: Angels and Animals 8 4. outsiDe: Carter and Conscience 10 5. insiDe: “If I Left, Everyone Would Flee” 12 6. outsiDe: None of Our Business 15 7. insiDe: Silajdžić 17 8. outsiDe: Unintended Consequences 18 9. insiDe: The Bread Factory 19 10. outsiDe: Elegant Tables 21 Section 2: Victims or Agents? 24 11. insiDe: The Unspeakable 24 12. outsiDe: The Politics of Rape 26 13. insiDe: An Unlikely Soldier 28 14. outsiDe: Happy Fourth of July 30 15. insiDe: Women on the Side 33 16. outsiDe: Contact Sport 35 Section 3: Deadly Stereotypes 37 17. insiDe: An Artificial War 37 18. outsiDe: Clashes 38 19. insiDe: Crossing the Fault Line 39 20. outsiDe: “The Truth about Goražde” 41 21. insiDe: Loyal 43 22. outsiDe: Pentagon Sympathies 46 23. insiDe: Family Friends 48 24. outsiDe: Extremists 50 Section 4: Fissures and Connections 55 25. -
Literary, Subsidiary, and Foreign Rights Agents
Literary, Subsidiary, and Foreign Rights Agents A Mini-Guide by John Kremer Copyright © 2011 by John Kremer All rights reserved. Open Horizons P. O. Box 2887 Taos NM 87571 575-751-3398 Fax: 575-751-3100 Email: [email protected] Web: http://www.bookmarket.com Introduction Below are the names and contact information for more than 1,450+ literary agents who sell rights for books. For additional lists, see the end of this report. The agents highlighted with a bigger indent are known to work with self-publishers or publishers in helping them to sell subsidiary, film, foreign, and reprint rights for books. All 325+ foreign literary agents (highlighted in bold green) listed here are known to work with one or more independent publishers or authors in selling foreign rights. Some of the major literary agencies are highlighted in bold red. To locate the 260 agents that deal with first-time novelists, look for the agents highlighted with bigger type. You can also locate them by searching for: “first novel” by using the search function in your web browser or word processing program. Unknown author Jennifer Weiner was turned down by 23 agents before finding one who thought a novel about a plus-size heroine would sell. Her book, Good in Bed, became a bestseller. The lesson? Don't take 23 agents word for it. Find the 24th that believes in you and your book. When querying agents, be selective. Don't send to everyone. Send to those that really look like they might be interested in what you have to offer. -
When Cultures Collide: LEADING ACROSS CULTURES
When Cultures Collide: LEADING ACROSS CULTURES Richard D. Lewis Nicholas Brealey International 31573 01 i-xxiv 1-176 r13rm 8/18/05 2:56 PM Page i # bli d f li 31573 01 i-xxiv 1-176 r13rm 8/18/05 2:56 PM Page ii page # blind folio 31573 01 i-xxiv 1-176 r13rm 8/18/05 2:56 PM Page iii ✦ When Cultures Collide ✦ LEADING ACROSS CULTURES # bli d f li 31573 01 i-xxiv 1-176 r13rm 8/18/05 2:56 PM Page iv page # blind folio 31573 01 i-xxiv 1-176 r13rm 8/18/05 2:56 PM Page v ✦ When Cultures Collide ✦ LEADING ACROSS CULTURES A Major New Edition of the Global Guide Richard D. Lewis # bli d f li 31573 01 i-xxiv 1-176 r13rm 8/18/05 2:56 PM Page vi First published in hardback by Nicholas Brealey Publishing in 1996. This revised edition first published in 2006. 100 City Hall Plaza, Suite 501 3-5 Spafield Street, Clerkenwell Boston, MA 02108, USA London, EC1R 4QB, UK Information: 617-523-3801 Tel: +44-(0)-207-239-0360 Fax: 617-523-3708 Fax: +44-(0)-207-239-0370 www.nicholasbrealey.com www.nbrealey-books.com © 2006, 1999, 1996 by Richard D. Lewis All rights reserved. No part of this publication may be reproduced in any manner whatsoever without written permission from the publisher, except in the case of brief quotations embodied in critical articles or reviews. Printed in Finland by WS Bookwell. 10 09 08 07 06 12345 ISBN-13: 978-1-904838-02-9 ISBN-10: 1-904838-02-2 Library of Congress Cataloging-in-Publication Data Lewis, Richard D. -
Brad Pitt from Wikipedia, the Free Encyclopedia
Brad Pitt From Wikipedia, the free encyclopedia For the Australian boxer, see Brad Pitt (boxer). Brad Pitt Pitt at Sydney's red carpet for World War Zpremiere in 2013 Born William Bradley Pitt December 18, 1963 (age 50) Shawnee, Oklahoma, U.S. Occupation Actor, film producer Years active 1987–present Religion None Spouse(s) Jennifer Aniston (m. 2000–05) Partner(s) Angelina Jolie (2005–present; engaged) Children 6 William Bradley "Brad" Pitt (born December 18, 1963) is an American actor and film producer. He has received a Golden Globe Award, a Screen Actors Guild Award, and three Academy Award nominations in acting categories, and received two further Academy Award nominations, winning one, for productions of his film production company Plan B Entertainment. He has been described as one of the world's most attractive men, a label for which he has received substantial media attention.[1][2] Pitt first gained recognition as a cowboy hitchhiker in the road movie Thelma & Louise (1991). His first leading roles in big-budget productions came with A River Runs Through It (1992), Interview with the Vampire (1994), and Legends of the Fall (1994). He gave critically acclaimed performances in the crime thriller Seven and the science fiction film 12 Monkeys (both 1995), the latter earning him a Golden Globe Award for Best Supporting Actor and an Academy Award nomination. Pitt starred in the cult filmFight Club (1999) and the major international hit Ocean's Eleven (2001) and its sequels, Ocean's Twelve (2004) and Ocean's Thirteen (2007). His greatest commercial successes have been Troy (2004), Mr. -
Reform Now, for Day of Reckoning Coming
2 • February 5, 2017 CROSSROADS FOR AMERICA INTRODUCTION A closer look at the state of our Union By William S. Morris III Total federal spending Accumulated gross federal debt Trillions of dollars America is at a crossroads. From fiscal year 1792 to fiscal year 2020 We face as many fundamen- 2000 $1.79 tal and fateful decisions as we 120 2001 $1.86 have in more than a century. 2002 $2.01 What kind of country are 100 we? What kind of government 2003 $2.16 should we have – and how 2004 $2.29 much should it do for us? What 80 is the nature of our relationship 2005 $2.47 to our government, and to each 2006 $2.66 other? What is America’s role 60 2007 $2.73 in the world? An alarming number of 2008 $2.98 Americans have become 40 2009 $3.52 ominously dependent on the Percent of gross domestic product domestic gross of Percent 2010 government financially. It’s $3.46 20 unfortunate for those trapped 2011 $3.60 by hardship – making it dif- 2012 $3.54 ficult for them to realize their 0 potential as human beings – 1800 1820 1840 1860 1880 1900 1920 1940 1960 1980 2000 2020 2013 $3.46 and wholly unsustainable for Source: usgovernmentspending.com 2014 $3.51 the country. rorism inadequate to achieve tunes, and our sacred Honor.” 2015 These are some of the many Shares of total victory. It is that spirit with which we $3.69 profound challenges we ad- federal spending, 2016 How did we get here? must come together as Ameri- 2016 $3.95 dress in this special publication Somewhere along the way, cans to renew our republic. -
Download Guidelines and Role Descriptions For
Book of Projects 2012 ProectsBook12ofScript&Pitch Audience Design Writer’s Room The Pixel Lab FrameWork AdaptLab 1 Book of Projects 2012 ProectsBook12ofScript&Pitch Audience Design Writer’s Room The Pixel Lab FrameWork AdaptLab TorinoFilmLab has reached its fifth edition this year, Now that we are 5 years old, I must think of and it is a pleasure to celebrate together with those what I hope we can achieve for our 10th birthday. who have supported us since the very beginning: TorinoFilmLab is on the map now, but what is most Regione Piemonte, Comune di Torino and Ministero important is that we become, more and more, a per i Beni e le Attività culturali. community of filmmakers from all around the world, sharing experiences, knowledge, successes, failures, In these years, TorinoFilmLab has grown steadily, friendships, collaborations, projects, ideas…. adding programmes, activities and partners from all TorinoFilmLab works to offer opportunities, to create over Europe and the world. What in 2008 started a space were professionals in the cinema and media with 2 training activities, a co-production market and world can - if not find all they need, at least find a production fund, now runs 6 training activities that useful directions. We have worked hard and will try still all come together (except Interchange, that finds even harder in the next years. I say we, not because I a dedicated platform at the DFC during the Dubai deserve pluralis maiestatis, but because TorinoFilmLab International Film Festival) for the TFL Meeting Event is already a community, where staff, tutors and in Torino, during the Torino Film Festival. -
MADE in HOLLYWOOD, CENSORED by BEIJING the U.S
MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence 1 MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence TABLE OF CONTENTS EXECUTIVE SUMMARY I. INTRODUCTION 1 REPORT METHODOLOGY 5 PART I: HOW (AND WHY) BEIJING IS 6 ABLE TO INFLUENCE HOLLYWOOD PART II: THE WAY THIS INFLUENCE PLAYS OUT 20 PART III: ENTERING THE CHINESE MARKET 33 PART IV: LOOKING TOWARD SOLUTIONS 43 RECOMMENDATIONS 47 ACKNOWLEDGEMENTS 53 ENDNOTES 54 Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence MADE IN HOLLYWOOD, CENSORED BY BEIJING EXECUTIVE SUMMARY ade in Hollywood, Censored by Beijing system is inconsistent with international norms of Mdescribes the ways in which the Chinese artistic freedom. government and its ruling Chinese Communist There are countless stories to be told about China, Party successfully influence Hollywood films, and those that are non-controversial from Beijing’s warns how this type of influence has increasingly perspective are no less valid. But there are also become normalized in Hollywood, and explains stories to be told about the ongoing crimes against the implications of this influence on freedom of humanity in Xinjiang, the ongoing struggle of Tibetans expression and on the types of stories that global to maintain their language and culture in the face of audiences are exposed to on the big screen. both societal changes and government policy, the Hollywood is one of the world’s most significant prodemocracy movement in Hong Kong, and honest, storytelling centers, a cinematic powerhouse whose everyday stories about how government policies movies are watched by millions across the globe. -
In the Rind Regina Lynn Withnell Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1994 In the rind Regina Lynn Withnell Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Withnell, Regina Lynn, "In the rind" (1994). Retrospective Theses and Dissertations. 16204. https://lib.dr.iastate.edu/rtd/16204 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. In the rind by Regina Lynn Withnell A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: English Major: English (Creative Writing) Approved: Members of the Camilli ttee: In Charge of Major Work For the Major Department For the Graduate College Iowa State UnIversity Ames, Iowa 1994 Copyright ©Regina Lynn Withnell, 1994. All rights rcscrved. ii TABLE OF CONTENTS FEARING NOTHING 1 FELDSPAR'S ROCK SHOP 3 NORMAN MITCHELL, THE IMMORTAL 8 THE INCORRUPTIBLES 18 DUMB 22 THE PRINCESS AND HER CHILD 27 THE CORRECTED ACCOUNT OF PLAKIDA 32 PROFESSOR CHAVEZ'S DIVERSION 36 A WALACHIAN LEXICON 46 Lukharyen, Azaralia 46 Matroshka 50 Metal 51 Salt 53 2Vampire 54 THE KEEPER OF THE STREETS AND WHAT HE FOUND 58 THE BEAUTY PAGEANT 63 THE TIGHTROPE ARTIST 68 KOVALSKY'S ELECTRIC CIRCUS 75 ACKNOWLEDGEMENTS 78 1 FEARING NOTHING 'The eternal silence of those infinite spaces terrifies me." --Pascal My Grandma Grace kept lima beans in a tiny glass jar that she carried in her black vinyl purse. -
Baffert's Bodemeister Works out Isn't He Clever out of Contention
B4 Friday, April 27, 2012 | TV/SPORTS | www.kentuckynewera.com FRIDAY PRIMETIME APRIL 27, 2012 N - NEW WAVE M - MEDIACOM S1 - DISH NETWORK S2 - DIRECTV N M 4 PM 4:30 5 PM 5:30 6 PM 6:30 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 12 AM 12:30 1 AM 1:30 S1 S2 :35 :05 :35 :35 (2) (2) WKRN [2] Nashville's Nashville's Nashville's ABC World Nashville's Wheel of Shark Tank Primetime: What 20/20 Nashville's News Jimmy Kimmel Live Extra Law & Order: C.I. Paid ABC News 2 News 2 News 2 News News 2 Fortune Would You Do? News 2 "Ten Count" Program 2 2 :35 :35 :35 :05 (4) WSMV [4] Channel 4 Channel 4 Channel 4 NBC News Channel 4 Channel 4 Think You Are "Rob Grimm "Leave It to Dateline NBC Channel 4 J. Leno Mel Gibson, LateNight Fallon Carson Today Show NBC News News News 5 News Lowe" (N) Beavers" (N) News The Wanted (N) Matthew Broderick Daly 4 4 :35 :35 :35 :05 (5) (5) WTVF [5] News 5 Inside News 5 CBSNews News Channel 5 Under Boss "Philly CSI: NY "Slainte" (N) Blue Bloods "Working News 5 David Letterman The Late, Late Frasier Law & Order CBS Edition Pretzel Company" (N) Girls" (N) Show "Computer Virus" 5 5 :35 :35 :35 :05 (6) (6) WPSD Dr. Phil Local 6 at NBC News Local 6 at Wheel of Think You Are "Rob Grimm "Leave It to Dateline NBC Local 6 at J. -
Worlds Apart: How the Distance Between Science and Journalism Threatens America's Future
Worlds Apart Worlds Apart HOW THE DISTANCE BETWEEN SCIENCE AND JOURNALISM THREATENS AMERICA’S FUTURE JIM HARTZ AND RICK CHAPPELL, PH.D. iv Worlds Apart: How the Distance Between Science and Journalism Threatens America’s Future By Jim Hartz and Rick Chappell, Ph.D. ©1997 First Amendment Center 1207 18th Avenue South Nashville, TN 37212 (615) 321-9588 www.freedomforum.org Editor: Natilee Duning Designer: David Smith Publication: #98-F02 To order: 1-800-830-3733 Contents Foreword vii Scientists Needn’t Take Themselves Seriously To Do Serious Science 39 Introduction ix Concise writing 40 Talk to the customers 41 Overview xi An end to infighting 42 The incremental nature of science 43 The Unscientific Americans 1 Scientific Publishing 44 Serious omissions 2 Science and the Fourth Estate 47 The U.S. science establishment 4 Public disillusionment 48 Looking ahead at falling behind 5 Spreading tabloidization 48 Out of sight, out of money 7 v Is anybody there? 8 Unprepared but interested 50 The regional press 50 The 7 Percent Solution 10 The good science reporter 51 Common Denominators 13 Hooked on science 52 Gauging the Importance of Science 53 Unfriendly assessments 13 When tortoise meets hare 14 Media Gatekeepers 55 Language barriers 15 Margin of error 16 The current agenda 55 Objective vs. subjective 17 Not enough interest 57 Gatekeepers as obstacles 58 Changing times, concurrent threats 17 What does the public want? 19 Nothing Succeeds Like Substance 60 A new interest in interaction 20 Running Scared 61 Dams, Diversions & Bottlenecks 21 Meanwhile, -
FRINGE (September 2008 – January 2013) 5 Seasons, 100 Episodes
FRINGE (September 2008 – January 2013) 5 Seasons, 100 Episodes 1. 1-1 09 Sep 08 Pilot 2. 1-2 16 Sep 08 The Same Old Story 3. 1-3 23 Sep 08 The Ghost Network 4. 1-4 30 Sep 08 The Arrival 5. 1-5 14 Oct 08 Power Hungry 6. 1-6 21 Oct 08 The Cure 7. 1-7 11 Nov 08 In Which We Meet Mr. Jones 8. 1-8 18 Nov 08 The Equation 9. 1-9 25 Nov 08 The Dreamscape 10. 1-10 02 Dec 08 Safe 11. 1-11 20 Jan 09 Bound 12. 1-12 27 Jan 09 The No-Brainer 13. 1-13 03 Feb 09 The Transformation 14. 1-14 10 Feb 09 Ability 15. 1-15 07 Apr 09 Inner Child 16. 1-16 14 Apr 09 Unleashed 17. 1-17 21 Apr 09 Bad Dreams 18. 1-18 28 Apr 09 Midnight 19. 1-19 05 May 09 The Road Not Taken There's More than One of 20. 1-20 12 May 09 Everything 21. 2-1 17 Sep 09 A New Day in the Old Town 22. 2-2 24 Sep 09 Night of Desirable Objects 23. 2-3 01 Oct 09 Fracture 24. 2-4 08 Oct 09 Momentum Deferred 25. 2-5 15 Oct 09 Dream Logic 26. 2-6 05 Nov 09 Earthling 27. 2-7 12 Nov 09 Of Human Action 28. 2-8 19 Nov 09 August 29. 2-9 03 Dec 09 Snakehead 30. 2-10 10 Dec 09 Grey Matters 31. -
Rental Housing Policy in the United States Volume 13, Number 2 • 2011
A Journal of Policy Development and Research reNtal HousiNg Policy iN tHe uNited states Volume 13, Number 2 • 2011 U.S. Department of Housing and Urban Development | Office of Policy Development and Research Managing Editor: Mark D. Shroder Associate Editor: Michelle P. Matuga Advisory Board Peter Dreier Occidental College Richard K. Green University of Southern California Keith R. Ihlanfeldt The Florida State University Annette M. Kim Massachusetts Institute of Technology Carlos E. Martín Abt Associates Inc. Douglas S. Massey Princeton University Sandra J. Newman Johns Hopkins University Marybeth Shinn Vanderbilt University Raymond J. Struyk National Opinion Research Center Paul Waddell University of California, Berkeley John C. Weicher Hudson Institute, Inc. Cityscape A Journal of Policy Development and Research Rental Housing Policy in tHe united states Volume 13, numbeR 2 • 2011 U.S. Department of Housing and Urban Development Office of Policy Development and Research The goal of Cityscape is to bring high-quality original research on housing and community development issues to scholars, government officials, and practitioners.Cityscape is open to all relevant disciplines, including architecture, consumer research, demography, economics, engineering, ethnography, finance, geography, law, planning, political science, public policy, regional science, sociology, statistics, and urban studies. Cityscape is published three times a year by the Office of Policy Development and Research (PD&R) of the U.S. Department of Housing and Urban Development. Subscriptions are available at no charge and single copies at a nominal fee. The journal is also available on line at http://www. huduser.org/periodicals/cityscape.html. PD&R welcomes submissions to the Refereed Papers section of the journal.