The Odd Amalgam: John L. Spivak's 1932 Photographs, Undercover Reporting, and Fiction in Georgia Nigger Ronald E. Ostman Depa
The Odd Amalgam: John L. Spivak’s 1932 Photographs, Undercover Reporting, and Fiction in Georgia Nigger Ronald E. Ostman Department of Communication Cornell University and Berkley Hudson School of Journalism University of Missouri-Columbia Paper presented to the Visual Studies Division International Communication Association Dresden, Germany June 20, 2006 Lincoln Steffens (1866-1936), who generally is cited as the first muckraking journalist, called John L. Spivak (1897-1981) “the best of us.” Spivak, among many progressive and muckraking writers of America’s early 20th century who might have competed for the honor, was labeled by some of his contemporaries as “the best reporter … in the whole United States at the present moment,” “America’s greatest newspaper man,” “one of the alertest reporters alive,” and “greatest reporter since Lincoln Steffens” (Florinsky, 1936). Spivak, Who? Yet today Spivak is almost unknown among journalism and communication historians and scholars. Perhaps this neglect is due to his ideology. He began as a socialist, was quickly disillusioned, and became a thinly disguised communist (Goode, 1997; Gross, 1935). He was blacklisted during the McCarthy era of suppression and was imprisoned several times for his alleged libelous writings. Or, perhaps his current neglect is due to his many violations of ethical standards (by today’s standards) in the ways he went about investigating and reporting. Or maybe he’s been forgotten because he did not report exclusively for the “objective” mainstream newspapers of the era, often preferring instead such outlets as the communistic Daily Worker, the leftist New Masses, the short-lived exposé magazine Ken, the New Haven Union (CT), the socialistic Call, the Charleston Gazette (WV), trashy pulp magazines like True Strange Stories, and the like (North, 1969).
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