Abolition Apostles Hospitality House Press Release — Draft 2.25.21
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Stærke Melodier Og Rumsterende Guitar-Feedback Fra Respekteret
2014-06-26 10:13 CEST Stærke melodier og rumsterende guitar- feedback fra respekteret americana- sangerinde VEGA præsenterer Stærke melodier og rumsterende guitar-feedback fra respekteret americana- sangerinde Jolie Holland er en Texas-født americana-sangerinde, der har fans blandt anerkendte kunstnere fra flere forskellige genrer. Den 26. september tager hun sit nye, lovpriste album, Wine Dark Sea, med i Lille VEGA til en nærværende koncert. Ros fra prominente musikere Både rockmusikeren Tom Waits og rapperen Sage Francis er store fans af Jolie Holland. Waits nominerede hende til Shortlist Music Prize, mens Francis har udtalt, at Hollands album, Escondida, var det album, han havde lyttet mest til i 2005. Holland har faktisk samarbejdet med netop Francis på to numre, på hans album Human the Death Dance fra 2007. Stjerneregn over nyt album Jolie Holland var et af de stiftende medlemmer af det eksperimenterende canadiske folk-band The Be Good Tanyas, men valgte at forlade bandet for at fokusere på solokarrieren, som hun indledte med debutalbummet Catalpa (2003). Den 19. maj 2014 udgav hun sit seneste album, Wine Dark Sea, der har høstet rosende gloser og en sand stjerneregn fra anmelderne. GAFFA giver fem flotte stjerner og skriver, at “Wine Dark Sea er ren opvisning i skæv og støvet americana fra start til slut med Jolie Holland, der viser, hvor skabet skal stå.” Allmusic.com giver hele 4,5 stjerner ud af 5 og forklarer; ”Holland not only delivers her most intuitively crafted and realized collection to date, but she expands the boundaries and possibilities for American roots music in the process”. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Complete Band and Panel Listings Inside!
THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple. -
Concert & Dance Listings • Cd Reviews • Free Events
CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 4 Number 6 Nov-Dec 2004 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers Music and Poetry Quench the Thirst of Our Soul FESTIVAL IN THE DESERT BY ENRICO DEL ZOTTO usic and poetry rarely cross paths with war. For desert dwellers, poetry has long been another way of making war, just as their sword dances are a choreographic represen- M tation of real conflict. Just as the mastery of insideinside thisthis issue:issue: space and territory has always depended on the control of wells and water resources, words have been constantly fed and nourished with metaphors SomeThe Thoughts Cradle onof and elegies. It’s as if life in this desolate immensity forces you to quench two thirsts rather than one; that of the body and that KoreanCante Folk Flamenco Music of the soul. The Annual Festival in the Desert quenches our thirst of the spirit…Francis Dordor The Los Angeles The annual Festival in the Desert has been held on the edge Put On Your of the Sahara in Mali since January 2001. Based on the tradi- tional gatherings of the Touareg (or Tuareg) people of Mali, KlezmerDancing SceneShoes this 3-day event brings together participants from not only the Tuareg tradition, but from throughout Africa and the world. Past performers have included Habib Koité, Manu Chao, Robert Plant, Ali Farka Toure, and Blackfire, a Navajo band PLUS:PLUS: from Arizona. -
Song Name Artist
Sheet1 Song Name Artist Somethin' Hot The Afghan Whigs Crazy The Afghan Whigs Uptown Again The Afghan Whigs Sweet Son Of A Bitch The Afghan Whigs 66 The Afghan Whigs Cito Soleil The Afghan Whigs John The Baptist The Afghan Whigs The Slide Song The Afghan Whigs Neglekted The Afghan Whigs Omerta The Afghan Whigs The Vampire Lanois The Afghan Whigs Saor/Free/News from Nowhere Afro Celt Sound System Whirl-Y-Reel 1 Afro Celt Sound System Inion/Daughter Afro Celt Sound System Sure-As-Not/Sure-As-Knot Afro Celt Sound System Nu Cead Againn Dul Abhaile/We Cannot Go... Afro Celt Sound System Dark Moon, High Tide Afro Celt Sound System Whirl-Y-Reel 2 Afro Celt Sound System House Of The Ancestors Afro Celt Sound System Eistigh Liomsa Sealad/Listen To Me/Saor Reprise Afro Celt Sound System Amor Verdadero Afro-Cuban All Stars Alto Songo Afro-Cuban All Stars Habana del Este Afro-Cuban All Stars A Toda Cuba le Gusta Afro-Cuban All Stars Fiesta de la Rumba Afro-Cuban All Stars Los Sitio' Asere Afro-Cuban All Stars Pío Mentiroso Afro-Cuban All Stars Maria Caracoles Afro-Cuban All Stars Clasiqueando con Rubén Afro-Cuban All Stars Elube Chango Afro-Cuban All Stars Two of Us Aimee Mann & Michael Penn Tired of Being Alone Al Green Call Me (Come Back Home) Al Green I'm Still in Love With You Al Green Here I Am (Come and Take Me) Al Green Love and Happiness Al Green Let's Stay Together Al Green I Can't Get Next to You Al Green You Ought to Be With Me Al Green Look What You Done for Me Al Green Let's Get Married Al Green Livin' for You [*] Al Green Sha-La-La -
Jolie Holland and the Quiet Orkestra
Jolie Holland and The Quiet Orkestra The album includes tracks that subsequently appeared on Jolie Holland's Catalpa, Escondida, and Springtime Can Kill You albums. Alternatively, the album may be referred to as "Euphoria Jackson and the Quiet Orchestra." For faster navigation, this Iframe is preloading the Wikiwand page for Jolie Holland and The Quiet Orkestra. Home. News. The album includes tracks that subsequently appeared on Jolie Holland's Catalpa, Escondida, and Springtime Can Kill You albums. Alternatively, the album may be referred to as "Euphoria Jackson and the Quiet Orchestra." Jolie Holland and the Quiet Orkestra Live. Live album by Jolie Holland and the Quiet Orkestra. Recorded. November 2002. "Lay your black hand down" ⓠ4:57. Personnel. Musicians - Enzo Garcia, Brian Miller, Kate Klaire, Sean Hayes, and Jolie Holland. Recorded by Simon DeGeorge. Producer - Jolie Holland. Mixing - Chris Arnold. Album photographer - Mary Beth Coyne. Album designer - Adam Wolf. This page is based on a Wikipedia article written by authors (here). Text is available under the CC BY-SA 3.0 license; additional terms may apply. Jolie Holland and the Quiet Orkestra Live is a live album recorded in November 2002 at the Birdhouse. The album includes tracks that subsequently appeared on Jolie Holland's Catalpa, Escondida, and Springtime Can Kill You albums. Alternatively, the album may be referred to as "Euphoria Jackson and the Quiet Orchestra.". "Don't get trouble on your mind" ⓠ3:44. "Spooky Pony Blues" ⓠ4:06. "Do You . ?" ⓠ4:28. "Sascha" ⓠ3:58. "Catalpa Waltz" ⓠ4:59. -
“Covering” the Bluesman from a Distance
Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago. -
WOW Hall Notes 2012-11.Indd
NOVEMBER 2012 WOW HALL NOTES g VOL. 24 #11 ★ WOWHALL.ORG and hasn’t let up since. freeform improvisation. The Motet is usually found Eleven Eyes has become a performing complex original musical institution throughout the compositions written and arranged West Coast. A brand new lineup by Watts himself. The group’s which includes Merlin Showalter unique sound has roots in jazz, (drums) and Dorian Crow (upright Afrobeat, funk, salsa and samba. bass) has helped move the Eyes The Motet keeps their audiences in in a completely new direction a dancing frenzy by layering House and sound. A heavy focus on and Techno rhythms into a style groove and dance music from that is uniquely their own. many different genres defi ne their With its sixth release, Dig Funkadelic Afrobeat Dub Nu-Jazz Deep, The Motet proved that it sound! is a group committed to exploring The Eyes have performed and pushing the sonic envelope, at the Oregon Country Fair, while still remaining dedicated to Emerg+N+See Music Fest, the musical traditions that have Summer Meltdown, Reggae on defi ned their sound. From years the Mountain Music Festival, of incessant touring and with a Gene Harris Jazz Fest, Eugene rich legacy under their belt, The Celebration, Jazz at Newport, Bite Motet’s “resolve to evolve” has of Seattle, Fremont Fair, Corvallis made them indispensable in the Fall Festival and the Salem Art East and West Coast groove Fair. circuits. Eleven Eyes has gained Writes Dave Kirby of Boulder recognition, winning the 2005, Magazine: “Watts’ dedication and 2006, 2007 and -
1 a Conversation with Jolie Holland by Frank Goodman (Puremusic
A Conversation with Jolie Holland by Frank Goodman (Puremusic.com, 9/2004) Texan by birth, gypsy by nature, Jolie Holland is quietly carving a niche for herself in the musical landscape. She and Samantha Parton crossed paths some years back, a meeting that ultimately culminated in the forming of The Be Good Tanyas. She bugged out after the first record was done, but her co-write “The Littlest Birds” remains one of their most memorable and radio worthy songs. There were any number of old-timey artists and outfits percolating under the radar as Gillian Welch & David Rawlings and then the whole O Brother phenomenon unpredictably captured the ears of millions of people. Some of those artists like Jolie and the BGT also had a lot of Jazz and Blues influences in their sound, and less Bluegrass per se. But in both of these cases at least, it’s a more primitive and sound texture approach to the music that prevails, rather than the flashy or chops type approach that either jazz or bluegrass tends to incorporate. In the case of Jolie Holland’s music, there are some very good players in the mix who take a decidedly textural and ambient approach to the material, creating a very unique and appealing atmosphere. Dave Mihaly’s touches on the drums, percussion, and marimba, Enzo Garcia’s musical saw and banjo, and Bruce Miller’s tremoloed guitar lines interweave and coalesce with the sound of Jolie Holland spectrally. And well they might, since the artist seems to channel the singing and playing of another time herself. -
(Gently) Claws Their Way to MOSTADDED
REVIEWS PIEBALD • SONIC YOUTH • AUF DER MAUR • GOMEZ • LOLA RAY • MARITIME • METAPHYSICS • RHYMEFEST ISSUE NO. 864 • MAY 17, 2004 • WWW.CMJ.COM NEW MUSIC REPORT® CMJSPOTLIGHT REVIEW PEDRO THE MORRISSEY YOU ARE THE QUARRY OF MONTREAL #1 RECORD (THAT’S NOT LION MODEST MOUSE) (Gently) Claws REGISTER NOW Their Way To CMJ MUSIC MARATHON MOSTADDED NEWS TO US Bowie Co-Opts Trend! MODEST MOUSE RADIO 200 + CORE #1 COUNTER CULTURE: INDEPENDENT RECORDS (MUCH BETTER SINCE CMJ’S KORY GROW LEFT) REGISTER BY MAY 14! www.cmj.com/marathon Photo of the Mars Volta at CMJ 2003 by Kevin Scanlon Volta Photo of the Mars CMJ New Music Report® EDITORIAL Editor Steve Ciabattoni Retail Editor NEWS TO US Gerry Hart Associate Editors ISSUE 864 The last studio Money/Alice doubleshot. The ever- Nicole Keiper album from the late Elliott Smith Tom Mallon slaphappy Les Claypool is also Christopher R. Weingarten may soon see the light of day. From adding some low end (let’s hope Loud Rock Editor The Basement On The Hill was Waits and co-producer/wife Kathleen Amy Sciarretto reportedly delivered to his last label Brennan can rein in Claypool’s 17- RPM Editor home, DreamWorks, but it is minute long fretless solos and inces- Justin Kleinfeld unclear whether they’ll be the one sant need to write every song about Retail Marketing Director to release it. In a message on sweet his high-school friends) and ex- Vanessa Bolger adeline.net, Elliott’s father, Gary, Retail Assistant Editor Primus/G’NR drum assassin Brian Kory Grow said that final mixing and produc- “Brain” Mantia (we assume Contributing Writer tion on the record is in progress Buckethead had some pressing Brad Filicky and that the album would be out engagement). -