A Sample of Pinocchio! (Expanded Cast Version)
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Get Real! Catechizing with Pinocchio
Get Real! Catechizing with Pinocchio Prepared by James Bitting Lesson Overview Lesson Details By way of various analogies pulled from the Subject area(s): English, Film, Religion, Core Pinocchio movie, students will come to a better USCCB Curriculum, Life in Jesus Christ, understanding of God’s love and His plan for his Responding to the Call of Jesus Christ , Moral adopted sons and daughters. They will better Theology appreciate the gift of conscience and the freedom that increases when we follow God’s Grade Level: High School, Middle School, instruction. The nature of sin and its effects will Elementary also be addressed as well as the value of sacrifice and the new life that arises from laying Resource Type: Close Reading/Reflection, down our lives for the sake of those we love. Discussion Guide, PowerPoint Presentation A power point, a list of doctrines, and options for Special Learners activities are included with this lesson. This resource was developed with the following Lesson Materials special learners in mind: Additional materials for this lesson can be Traditional Classroom accessed at Homeschooled Students https://sophiainstituteforteachers.org/curriculum/l Classical Education esson/get-real. Materials include: Gifted Learners Pinocchio_Power_Point Pinocchio_PowerPoint_With_Notes The author of this lesson shared it with other educators within the Sophia Institute for Teachers Catholic Curriculum Exchange. Find more resources and share your own at https://www.SophiaInstituteforTeachers.org. Lesson Plan Pinocchio Lesson by James J. Bitting Jr. M.A. The 1940 Disney Movie Pinocchio can be used to illustrate the following doctrines: Biblical Inspiration/Holy Spirit/Bible -Pinocchio receives a written message via a dove. -
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PATRIZIA BETTELLA COLLODI'S PUPPET IN FILM: DISNEY, COMENCINI, BENIGNI Geppetto's initial wish in Collodi's Le avventure di Pinocchio was to build a wonderful puppet who could perform acrobatics and help him earn a liv- ing touring the world. Ho pensato di fabbricarmi da me un bel burattino di legno; ma un burat- tino meraviglioso, che sappia ballare, tirare di scherma e fare i salti mor- tali. Con questo burattino voglio girare il mondo, per buscarmi un tozzo 1 di pane e un bicchier di vino . Since Geppetto created Pinocchio with performance and entertain- ment in mind, it is not surprising to note how much interest the boy-pup- pet has attracted in cinema, theatre, and television. Cinema and television have given Pinocchio undivided attention for almost a century. Data shows that the story of the puppet generated approximately twenty feature film adaptations, 2 to which one should add the European co-production direct- ed by Steve Barron ( 1 996) and, of course, Roberto Benigni's Pinocchio, released in October 2002. Pinocchio the character attracts the media and continues to inspire cinema. It is worth noting, for example, Federico Fellini's predilection for Pinocchio—although he may have viewed the story of the puppet as a nightmare—and the presence of motifs from Collodi's story in many of his films. 3 Pinocchio has had a large impact in Collodi, Le avventure di Pinocchio, p. 8. Data from Laura, "Pinocchio nel cinema mondiale." ^One could mention the presence of a Collodian big fish/whale in Casanova, the attraction for the circus and automata in numerous of Fellini's films, or the direct association of actor Roberto Benigni to Pinocchio in his last film La voce della luna. -
A Content Analysis of Gender Themes in Full-Length Animated Disney Feature Films
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Electronic Theses and Dissertations 2000 The Gendered World of Disney: A Content Analysis of Gender Themes in Full-length Animated Disney Feature Films Beth A. Wiersma South Dakota State University Follow this and additional works at: https://openprairie.sdstate.edu/etd Part of the American Film Studies Commons, American Popular Culture Commons, Film and Media Studies Commons, Sociology Commons, and the Women's Studies Commons Recommended Citation Wiersma, Beth A., "The Gendered World of Disney: A Content Analysis of Gender Themes in Full-length Animated Disney Feature Films" (2000). Electronic Theses and Dissertations. 1906. https://openprairie.sdstate.edu/etd/1906 This Dissertation - Open Access is brought to you for free and open access by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. The Gendered World of Disney: A Content Analysis of Gender Themes in Full-Length Animated Disney Feature Films BY Beth A. Wiersma A dissertation submitted in partial fulfillmeni of the requirements for the degree Doctor of Philosophy Major in Sociology South Dakota State University 2000 11 The Gendered World of Disney: A Content Analysis of Gender Themes in Full-Length Animated Disney Feature Films This dissertation is approved as a creditable and independent investigation by a candidate for the Doctor of Philosophy degree and is. -
Our National Legends and Tales
C.H.A.N.C.E. Our national legends and tales February, 2019 Cultural Heritage Awareness through Netizen Communication in Europe Legend of Juliet and Antun - Croatia Unlike Romeo and Juliet, their love was happy. It happened in Hvar at the time of Renaissance, between Juliet Gazarović and Antun Lucić. Both of them were unlawful heirs of their famous, powerful and rich ancestors. Julia was the granddaughter of Petar Hektorović, a great Renaissance poet. Her mother was Lukrecija Gazarović, an illegal daughter of P. Hektorović. Antun was an illegal son of Hanibal Lucić, who was also a big poet, author of the most beautiful Renaissance poem „Jur nijedna na svit vila“. P. Hektorović and H. Lucić were friends in their youth, but at a later age there were some disagreements between them. Antun succeeded one of the biggest properties of Hvar, although he was an illegal son of Hanibal and unknown mother. Because of that he could have chosen any wife, but he decided to marry Julia, even though she was 28 and too old to get married at that time. Juliet's grandfather gave a dowry of modest 100 ducats, although the usual dowry for girls from Croatian noble families such as Hektorović used to be up to 1000 ducats. Anyway, it seems that after the death of Hanibal Lucić, who died after a long illness, everyone felt relieved and the marriage that he opposed to could finally be realized. When married, Julia and Antun Lucić were devoted to their noble duties-managing property and maintaining numerous contacts with the most important people. -
Animated Enchantment: a Psychoanalytic Exploration of The
Animated Enchantment: A Psychoanalytic Exploration of the Enduring Popularity of Disney’s First Feature Films Howard Jacobs Queen Mary, University of London Thesis submitted for the qualification of Doctor of Philosophy (PhD) March 2014 2 Declaration I declare that the work presented in this thesis is my own. I have received professional assistance with styling, especially in making the bibliography and footnotes consistent, from Ms Chris Steel. (http://www.chrissteel-editorial.com/) Howard Jacobs Date: March 2014 Copyright The images in the Figures in this thesis are from: Snow White and the Seven Dwarfs © Walt Disney Productions; Ivan the Terrible Part I © Mosfilm; Dr Jekyll and Mr Hyde © Paramount Pictures; Pinocchio © Walt Disney Productions; Dumbo © Walt Disney Productions; Bambi © Walt Disney Productions. For all other parts of the thesis, the author’s copyright is Attribution- NonCommercial-NoDerivs (CC BY-NC-ND) 3 Abstract In this thesis I explore reasons for the widespread and enduring popularity of Disney’s first feature-length films (Snow White and the Seven Dwarfs (1937), Pinocchio (1940), Dumbo (1941) and Bambi (1942)). While acknowledging the historical, industrial and aesthetic features that have contributed to their success, my argument is that the continuing fascination of these films is in large part attributable to the manner in which they engage the spectator and evoke unconscious concerns about family cohesion, interpersonal conflicts and the death of parents. My investigation begins with an analysis of the films’ prefilmic provenance and narrative characteristics, placing an emphasis on the role of their narrative and extra-narrative components as embodying social, pedagogical and psychological meanings. -
Pinocchio Feb
Pinocchio Feb. 7, 1940 Copyright © 2014 - Created by JamesD (dzneynut) Email the bonus clue to [email protected] for a chance to win a Disney pin! 1 2 3 4 5 6 7 1 2 8 9 10 11 12 13 14 3 4 5 15 16 17 18 19 20 21 22 23 24 6 25 7 26 27 28 29 30 31 32 adult pine Blue Fairy dog Cleo Figaro fox Mel Blanc Honest John head five cat courteous Monstro nose bass truthful Stromboli small box False bird teak Strings matchbox friendly red umbrella counselor Pleasure Star Dinah pool tuna poker Coachman Lampwick rabbit salt mines conscience Willie carpetbag sea lion actor sea horse song donkey wood vacation True four Jiminy Cricket Bianca ★ The original story of "Pinocchio" was written by what author in 1883? (pen name) _ _ _ _ _ _ _ Across Down 6. According to Pinocchio, "I'd rather be smart than 1. According to this Academy Award-winning song, be an _____!"? "When You Wish Upon a ____," your dreams 8. What was the name of the giant whale that come true. swallows Geppetto and Pinocchio? 2. What evil showman does the character in #10 11. What object does Jiminy Cricket use as a Down sell Pinocchio to? makeshift parachute? 3. What part of Pinocchio grows whenever he tells 14. What is the name of Geppetto's fish? a lie? 15. What type of wood is Pinocchio made from? 4. What is the name of Geppetto's cat? 16. What famous voice actor provided the sound 5. -
Pinnochio Free
FREE PINNOCHIO PDF Parragon | 69 pages | 01 Oct 2010 | Parragon | 9781407588162 | English | United States Pinocchio () - IMDb Pinocchio character is a featured articlePinnochio means it has been identified as one of the best articles Pinnochio by the Pinnochio Wiki community. If you see a way this page can be updated or improved without compromising Pinnochio work, Pinnochio feel free to contribute. Pinocchio Pinnochio the titular protagonist of Disney 's animated feature film of the Pinnochio name. He is a wooden puppet created by Geppetto and brought to life by the Blue Fairy. In order to become a real boy, Pinocchio must prove himself brave, truthful, and unselfish, with the help of Jiminy Cricket as his conscience. In the original Italian serial by Carlo Collodi, Pinocchio was purposely portrayed as a bit more misbehaved, and obnoxious. The filmmakers stayed true to this once production on their adaptation began, Pinnochio in a character that was wise-cracking and brazen, a drastically different interpretation of the final product. Walt Disney Pinnochio this version of the character, both in terms of his personality Pinnochio appearance; he was initially designed to resemble an actual puppet Pinnochio a geometrical shape. Walt felt the character looked too lifeless, despite the accuracy. Animator Milt Kahl Pinnochio also dissatisfied with the version of Pinocchio and did Pinnochio animation of his own that Pinnochio a design much closer to Pinnochio in the final film. According to Kahl, the design came from the mindset that he was animating an actual Pinnochio boy, rather than a puppet. Walt approved, and after further development, the look of Disney's Pinocchio was finalized. -
Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Bill Roberts; Supervising Directors: Hamilton Luske and Ben Sharpsteen
August 27, 2019 (XXXIX: 1) Hamileton Luske and Ben Sharpsteen (supervising directors): PINOCCHIO (1940, 88m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTORS Sequence directors: Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Bill Roberts; supervising directors: Hamilton Luske and Ben Sharpsteen WRITING: Based on the story by Carlo Collodi; adapted by Ted Sears, Otto Englander, Webb Smith, William Cottrell, Joseph Sabo, Erdman Penner, Aurelius Battaglia, and Bill Peet PRODUCED BY Walt Disney ART DIRECTION Ken Anderson, Hugh Hennesy, John Hubley, Dick Kelsey, Kendall O'Connor, Charles Philippi, Thor Putnam, Terrell Stapp, Mel Blanc...'Giddy' Gideon (hiccup) / Cleo McLaren Stewart, and Al Zinnen Billy Bletcher...Donkeys Don Brodie...Carnival Barker MUSIC Leigh Harline and Paul J. Smith Stuart Buchanan...Carnival Barker Walter Catlett...J. Worthington Foulfellow ANIMATION DIRECTORS: Art Babbitt, Milt Marion Darlington...Birds Kahl, Ward Kimball, Eric Larson, Fred Moore, Frankie Darro...Lampwick Wolfgang Reitherman, Bill Tytla Cliff Edwards...Jiminy Cricket Dickie Jones...Pinocchio / Alexander AWARDS: Charles Judels...Stromboli / The Coachman In 1941, the film won two Academy Awards for Best John McLeish...Carnival Barker Music, Original Song (Leigh Harline and Ned Jack Mercer...Carnival Barker Washington) for "When You Wish Upon a Star" and Clarence Nash...Figaro /Rough House Animatronic / Best Music, Original Score (Leigh Harline, Paul J. Donkeys Smith, and Ned Washington). In 1994, it was selected Patricia Page...Marionettes by the National Film Preservation Board to enter the Thurl Ravenscroft...Monstro the Whale National Film Registry. -
The Animated Film the ADVENTURES of PINOCCHIO by Liliana Nadal Translated Into English by Ann Oltra
THE ADVENTURES OF PINOCCHIO by Liliana Nadal pag. 1/4 translated into English by Ann Oltra The primary school “Guglielmo Marconi” of Conegliano presents the animated film THE ADVENTURES OF PINOCCHIO by Liliana Nadal translated into English by Ann Oltra 1 7 Carpenter Antonio one fine day Then when Pinocchio made his way obtained a funny piece of wood back home, a voice came from the wall that cried and laughed and talked away a friendly cricket said “You play just like the little children could. too many tricks for one so small”. 2 8 And when Geppetto came along The naughty toy grew angry fast the piece of wood soon made a joke and threw a hammer: how it flew! a little boy’s voice said, sing-song, Nobody scolded him at last “Old yellow wig!”. It really spoke! but he felt cold and hungry too. 3 9 The old companions fought and cussed He looked for food upon the ground and grasped their wigs with trembling arms an egg among the shavings lay, but soon fell down into the dust but when Pinocchio looked around so old and weak they did no harm. his lovely meal had flown away! 4 10 Antonio made peace with his friend He ran towards the village lights, and gave him the strange piece of wood to see if there he'd get some bread “Here, make a puppet that can bend and pressed a doorbell late at night and jump and sing, like we once could”. but they threw water on his head! 5 11 Geppetto’s hands were old and slow Pinocchio, hungry and cold but carved the puppet all the same fell fast asleep upon a chair he called his ‘son’ Pinocchio his feet into the embers rolled but Mischief was his middle name. -
Pinocchio: the Tale of a Puppet
Pinocchio: The Tale of a Puppet C. Collodi Illustrated by Alice Carsey "HOW MUCH DOES l'f COST TO CO IX!" )'['HtTMA'I'i"J?UBI..l.SHlNG"'C:O. RACINE, WISCONSIN CONTENTS Chap. I THE PIECE OF WOOD THAT LAUGHED AND CRIED LIKE A CHILD II MASTER CHERRY GIVES THE WOOD AWAY III GEPPETTO NAMES HIS PUPPET PINOCCHIO IV THE TALKING-CRICKET SCOLDS PINOCCHIO V THE FLYING EGG VI PINOCCHIO’S FEET BURN TO CINDERS VII GEPPETTO GIVES HIS OWN BREAKFAST TO PINOCCHIO VIII GEPPETTO MAKES PINOCCHIO NEW FEET IX PINOCCHIO GOES TO SEE A PUPPET-SHOW X THE PUPPETS RECOGNIZE THEIR BROTHER PINOCCHIO XI FIRE-EATER SNEEZES AND PARDONS PINOCCHIO XII PINOCCHIO RECEIVES A PRESENT OF FIVE GOLD PIECES XIII THE INN OF THE RED CRAW-FISH XIV PINOCCHIO FALLS AMONG ASSASSINS XV THE ASSASSINS HANG PINOCCHIO TO THE BIG OAK XVI THE BEAUTIFUL CHILD RESCUES THE PUPPET XVII PINOCCHIO WILL NOT TAKE HIS MEDICINE XVIII PINOCCHIO AGAIN MEETS THE FOX AND THE CAT XIX PINOCCHIO IS ROBBED OF HIS MONEY XX PINOCCHIO STARTS BACK TO THE FAIRY’S HOUSE XXI PINOCCHIO ACTS AS WATCH-DOG XXII PINOCCHIO DISCOVERS THE ROBBERS XXIII PINOCCHIO FLIES TO THE SEASHORE XXIV PINOCCHIO FINDS THE FAIRY AGAIN CONTENTS XXV PINOCCHIO PROMISES THE FAIRY TO BE GOOD XXVI THE TERRIBLE DOG-FISH XXVII PINOCCHIO IS ARRESTED BY THE GENDARMES XXVIII PINOCCHIO ESCAPES BEING FRIED LIKE A FISH XXIX HE RETURNS TO THE FAIRY’S HOUSE XXX THE “LAND OF BOOBIES” XXXI PINOCCHIO ENJOYS FIVE MONTHS OF HAPPINESS XXXII PINOCCHIO TURNS INTO A DONKEY XXXIII PINOCCHIO IS TRAINED FOR THE CIRCUS XXXIV PINOCCHIO IS SWALLOWED BY THE DOG-FISH XXXV -
Pinocchio Trivia Printable
Pinocchio Trivia 1. What color is Jiminy Cricket’s Umbrella once he enters the storybook? a. Light Purple 2. Who is the first character to appear on the screen? a. Jiminy Cricket 3. What year was Pinocchio released? a. 1940 4. What color is the stripe on Pinocchio’s hat? a. Blue 5. In the opening scene, there are two books titled after other Disney movies, what are the titles of the two books? a. Alice in Wonderland and Peter Pan 6. What is the cat’s name in Pinocchio? a. Figaro 7. What time is it when all the clocks in Geppetto’s workshop begin to ring? a. 9 PM 8. What did Geppetto forget to do before bed? a. Open the window 9. What color are Figaro’s eyes? a. Yellow 10. What is the name of Gepetto’s fish in Pinocchio? a. Cleo 11. What type of wood is Pinocchio carved from? a. Pine 12. What 3 attributes does Pinocchio have to prove in order to become a real boy according to the fairy? a. Brave, Truthful and Unselfish 13. What is Pinocchio supposed to do when he needs help from his conscious Jiminy? a. Whistle 14. What color is Gepetto’s nightcap? a. Red 15. What does Gepetto call Cleo? a. “My little water baby” 16. Where does Jiminy end up sleeping after the blue fairy visits? a. In a matchbox 17. In what country does Pinocchio take place? a. Italy 18. How many scenes show Pinocchio’s nose grow? a. One scene 19. What two things does Pinocchio take with him to school? a. -
PINOCCHIO: the ADVENTURES of a PUPPET Carlo Collodi
1883 PINOCCHIO: THE ADVENTURES OF A PUPPET Carlo Collodi translated by M. A. Murray illustrated by Charles Folkard Collodi, Carlo (Pseudonym of Carlo Lorenzini) (1826-1890) - Italian writer of children’s books. Pinocchio: The Adventures of a Puppet (1883) - The well-known tale of a wooden puppet who comes to life. Pinocchio, whose nose grows large when he tells a lie, learns right from wrong through his many adven- tures on his way to becoming a real live boy. The illustrations included here are by Charles Folkard. TABLE OF CONTENTS CHAPTER I . 5 CHAPTER II . 10 CHAPTER III . 16 CHAPTER IV . 23 CHAPTER V . 28 CHAPTER VI . 32 CHAPTER VII . 36 CHAPTER VIII . 42 CHAPTER IX . 47 CHAPTER X . 52 CHAPTER XI . 57 CHAPTER XII . 64 CHAPTER XIII . 73 CHAPTER XV . 84 CHAPTER XVI . 89 CHAPTER XVII . 94 CHAPTER XVIII . 103 CHAPTER XIX . 111 CHAPTER XX . 117 CHAPTER XXI . 122 CHAPTER XXII . 127 CHAPTER XXIII . 133 CHAPTER XXIV . 141 CHAPTER XXV . 150 CHAPTER XXVI . 155 CHAPTER XXVII . 160 CHAPTER XXVIII . 169 CHAPTER XXIX . 177 CHAPTER XXX . 189 CHAPTER XXXI . 198 CHAPTER XXXII . 208 CHAPTER XXXIII . 218 CHAPTER XXXIV . 230 CHAPTER XXXV . 240 CHAPTER XXXVI . 247 I HOW IT CAME TO PASS THAT MASTER CHERRY THE CARPENTER FOUND A PIECE OF WOOD THAT LAUGHED AND CRIED LIKE A CHILD THERE was once upon a time... “A king!” my little readers will instantly, exclaim. No, children, you are wrong. There was once upon a time a piece of wood. This wood was not valuable: it was only a common log like those that are burnt in winter in the stoves and fireplaces to make a cheerful blaze and warm the rooms.