Richmond Upon Thames Arts Council November 2011
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February 2018
£2 WHEN Prospect SOLD Charity Reg No. 1156379 Barnes Community Association Newsletter FEBRUARY 2018 Was that real snow... ...blowing down BCA Easter the High Street on the evening of Duck Race the BCA Christmas Festival? It was cold enough! Do make a note in your diary to come Barnes’s own White Rabbit with along on Easter Saturday, 31st March, to fur so thick wasn’t worried it took the bridge over Beverley Brook, Barnes ages to walk from one end to the Green for the BCA annual Duck Race. other, there were so many people You can buy ducks prior to the race from wanting to say hello. Laurent Residential at Essex Lodge, Barnes Father Christmas waved and High Street – our sponsors for this year’s caused a stir, and a few children fun family event – at Natsons and at Rose did a double-take, as his comfy House.They will also be on sale on the car slid past, bringing him morning of the race. All proceeds go to from the Castelnau Community Centre to the OSO via a walkabout at the new local charities. BCA Christmas Fair in the Sun Inn yard. His reindeer, originally left to graze on Ducks cost £5 each and they can be the common, somehow found their way to a ready supply of food outside James customised on the morning by Torchlight Anderson. Arriving at the OSO, Santa discovered a score of children and their parents Tuition so you can recognise your duck as waiting patiently to tell him what they would like for Christmas. -
Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
Henry V Booklet
William Shakespeare Henry V with Samuel West • Timothy West • Cathy Sara and full cast CLASSIC DRAMA NA320512D 1 Prologue Enter Chorus CHORUS: O for a muse of fire… 3:09 2 Act I Scene 1 An antechamber in King Henry’s palace Enter the two Bishops of Canterbury and Ely CANTERBURY: My lord, I’ll tell you, that self bill is urged… 4:48 3 Act I Scene 2 The council chamber in King Henry’s palace Enter the King, Gloucester, Bedford, Clarence, Westmorland and Exeter and attendants KING: Where is my gracious lord of Canterbury? 8:59 4 Act I Scene 2 (cont.) CANTERBURY: Therefore doth heaven divide… 2:41 5 Act I Scene 2 (cont.) Enter Ambassador of France (with attendants) KING: Now are we well prepared to know the pleasure 5:08 6 Act II Enter Chorus CHORUS: Now all the youth of England are on fire… 2:04 2 7 Act II Scene 1 London. The Boar’s Head tavern Enter Corporal Nym and Lieutenant Bardolph BARDOLPH: Well met, Corporal Nym6:42 8 Act II Scene 2 Southampton Enter Exeter, Bedford and Westmorland BEDFORD: ‘Fore God, his grace is bold to trust these traitors. 3:47 9 Act II Scene 2 (cont.) KING: The mercy that was quick in us… 7:00 10 Act II Scene 3 London. The Boar’s Head tavern Enter Pistol, Nym, Bardolph, Boy and Hostess HOSTESS: Prithee, honey-sweet husband, let me bring thee to Staines. 0:33 11 Act II Scene 3 HOSTESS: Nay he’s not in hell. He’s in Arthur’s bosom… 3:21 12 Act II Scene 4 France. -
The French Lieutenant's Woman
1993/ /2014 Whose Story?: The Screen Adaptation of John Fowles’s The French Lieutenant’s Woman Sara Martín Alegre Tesina/(MA) Dissertation Programa de Doctorat en Filologia Anglesa Departament de Filologia Anglesa i de Germanística Universitat Autònoma de Barcelona Contents Abstract ........................................................................................................................ 1 1. Introduction: Establishing the Ownership of Stories ................................................... 1 1.1. Reconsidering the Role of the Screen Playwright ................................................ 4 1.2. Reconsidering Screen Adaptations .................................................................... 13 2.The Novel and the Novelist: Obsessive Authorial Control ......................................... 19 2.1. Vindicating the Victorian Author: The Problem of Controlling the Female Protagonist .............................................................................................................. 19 2.2. The French Lieutenant’s Woman in Conversation with Other Texts: Overcoming the Need for a Husband ........................................................................................... 30 3. The Novel and the Screenwriter: Rewriting from Scratch......................................... 41 3.1. Between Stage and Screen: Harold Pinter ......................................................... 41 3.2. From Project to Film: Selling The French Lieutenant’s Woman to American Audiences ............................................................................................................... -
Create Design Perform Learn 2021 Prospectus
create perform design learn 2021 Prospectus The Royal Central School of Speech and Drama University of London Eton Avenue At Central, we believe that our world-leading training London NW3 3HY should be accessible to everyone who wishes to develop UK their creativity and positively impact the industry. Telephone: +44 (0)20 7722 8183 Email: [email protected] www.cssd.ac.uk We are a unique and special community and treat all members and visitors with dignity and respect. @CSSDLondon By celebrating and respecting our different cultures, abilities and identities we aim to shape a better future for the arts and society. Excellence requires diversity, which brings richness, knowledge, innovation, new understanding and skills. Our differences enrich our learning, insight and wisdom. CBP002372 Printed on 100% recycled paper. World Land Trust is an international conservation charity, which protects the world’s most biologically important and threatened habitats. Madeline Samuel Malone MFA Voice Studies: Teaching Charlemagne and Coaching BA (Hons) Acting Musical Theatre ‘I found I had an early affinity for ‘I applied for Central through Open singing and theatre. However, I took Door, who offer a package of support the path well-travelled, obtaining to young people from low income a Bachelor of Commerce degree, backgrounds, which includes free followed by a Master’s in Adult auditions to drama schools, as well Education. I began a corporate career, as practical tutoring, workshops and but I never managed to shake off travel bursaries. my desire to work in theatre and to educate. At the time, I knew almost nothing about Central but it turned out to be I struggled with my identity for years, the perfect fit for me; a course centred specifically my voice, for which I had in acting that also develops my singing been bullied. -
Arts Events in Richmond Upon Thames December 2013
Arts events in Richmond upon Thames December 2013 A carillon of Christmas music nce again, the local concert the Wurlitzer on Saturday 7 December societies, orchestras and at 2.30 pm). Omusic groups have a musicalmuseum.co.uk spectacular programme of music in The Mayor of RuT, Cllr. Meena Bond, the weeks leading up to Christmas. is hosting an Evening of Festive Music featuring the Band of the Royal Christmas music Military School of Music (Kneller Hall). Tuesday 3 December at 7.30 pm at Clarendon Hall, York House, Cantanti Camerati has its Christmas Twickenham. Dame Jackie: carol concert at St richmond.gov.uk/mayors_charity_events artsrichmond President Mary Magdalene The Landmark Arts Centre at for 2014 Church, Richmond Teddington’s Carols by Candlelight is on Saturday 21 on Saturday 21 December at 7.30 pm. We are delighted to announce that December at 7.30 landmarkartscentre.org Dame Jacqueline Wilson FRS has pm with Carols for accepted our invitation to be The Rainbow Fund for South Africa Choir and Audience artsrichmond’s Honorary President for has The Spirit of Christmas with local (020 8898 8020); 2014, in succession to biographer and young people supporting their peers in Teddington Choral Society gives a former foreign correspondent Anne Guguletu on Saturday 30 November Christmas concert with jazz singer Sebba, our President for 2013. Becki Biggins on Saturday 14 from 3.00 to 4.00 pm in St Mary December at 7.30 pm at St James’s Magdalene Church, Richmond. Dame Jacqueline is the immensely Church, Hampton Hill [email protected] -
Nasledje12.Pdf
12 Nasle|e Nasle|e ^ASOPIS ZA KWI@EVNOST, JEZIK, UMETNOST I KULTURU Journal of Language, Literature, Art and Culture12 GODINA VI / BROJ / 12 / 2009 Year VI / Volume / 12 / 2009 Темат Наслеђа / Thematic issue ХАРОЛД ПИНТЕР / HAROLD PINTER Приредила / Editor проф. др Радмила Настић / prof. Dr Radmila Nastić Filolo{ko-umetni~ki fakultet Kragujevac Faculty of Philology and Arts Kragujevac САДРЖАЈ Харолд Пинтер (1930-2008) Смрт лепог сневача 7 Harold Pinter (1930-2008) The Death of a Beautiful Dreamer 13 Додела почасног доктората Харолду Пинтеру на Универзитету у Крагујевцу 6. јун 2008. 19 Honorary Degree Award to Harold Pinter at the University of Kragujevac june 6, 2008. 25 НАУЧНИ РАДОВИ Ljiljana Bogoeva Sedlar THe 21ST cenTUry: THe Age of consenT, or concern? THe rise of DemocrATic imPeriAlism AnD ‘fAll’ of WilliAm sHAKesPeAre 31 Александар Петровић ЧОВЕК КОЈИ ЈЕ РАЗБИО ОГЛЕДАЛО (ИСТИНА И КУЛТУРА) 53 Ann C. Hall “i’ll HAve To Hoover THAT in THe morning”: moving lenny AroUnD in THE HOMECOMING 67 Radmila Nastic symBolism of celeBrATion in PinTer’s BIRTHDAY PARTY, PARTY TIME, COUNTERBLAST AnD CELEBRATION 73 Rush Rehm PinTer AnD PoliTics 81 Томислав Павловић ПИНТЕРОВ ПОЕТСКИ ТЕАТАР 85 Ifeta Čirić PinTerov „TeATAr jeziKA“ 107 Naoko Yagi collecTions, PRESS CONFERENCE, AnD PinTer 121 Владимир Перић ПИНТЕРОВСКЕ СТРАТЕГИЈЕ МАРГИНЕ У ПОЕТСКОМ И ПОЛИТИЧКОМ ПОЉУ 133 Јована Павићевић СУЂЕЊЕ ХАРОЛДУ ПИНТЕРУ 143 Susan Hollis Merritt PUrsUing PinTer 151 КРИТИКЕ Часлав Николић НОВО ЧИТАЊЕ ДОМАНОВИћА 173 Аутори Наслеђа 183 5 Харолд Пинтер УДК 821.111:929 Пинтер Х. ХАРОЛД ПИНТЕР (1930-2008) СМРТ ЛЕПОГ СНЕВАЧА Харолд Пинтер преминуо је 24. децембра 2008. -
Parent Guide to Music Education Andrew Stewart and Christopher Walters 2018–19
PARENT GUIDE TO MUSIC EDUCATION 2018–19 622681 ISBN 9781910622681 781910 9> PGME1819_001_Cover.indd 1 26/07/2018 17:27 Junior Academy Beginners’ courses (ages 4–6) Junior Academy (ages 13–18) Primary Academy (ages 8–12) Junior Jazz (ages 14–18) We offer outstanding opportunities for The Director, Howard Ionascu, is always happy talented and committed young musicians. to meet and discuss Junior Academy with Our Saturday programme includes individual prospective students and parents. tuition, chamber music, orchestras, choirs, theory, aural, composition classes and many performance opportunities. www.ram.ac.uk/juniors PGME1819 NEW.indd 2 01/08/2018 16:36:23 CONTENTS GETTING STARTED 6 FURTHER & HIGHER EDUCATION 71 Introduction to music learning 6 Higher education choices 72 Contents Contents Buying an instrument 8 LISTINGS Supporting instrument learning 10 Conservatoires 75 Questions for private teachers 11 Universities 88 Questions for open days 12 Universities without Scholarships for 11+ 14 Degree Courses in Music 93 A guide to music hubs 17 Further and Higher Education Colleges 94 Top music departments 18 Teacher Training Courses 98 INSET Courses 100 SPECIALIST SCHOOLS 21 Specialist Courses 101 Specialist schools 22 Summer Schools and Short Courses 108 LISTINGS Scholarships, Grants and Specialist music schools 25 Private Funding Bodies 115 Specialist choir schools 27 EXTRACURRICULAR 121 INDEPENDENT SCHOOLS 31 Junior conservatoires 123 Independent schools round up 32 Extracurricular activities 126 LISTINGS LISTINGS Independent Secondary, Preparatory Extracurricular 129 and Junior Schools 35 First published in 2012 in Great Britain by Rhinegold Publishing Ltd, 20 Rugby Street, London, WC1N 3QZ Tel: 020 7333 1733 © Rhinegold Publishing 2018 Editor Alex Stevens ISBN: 978-1-910622-68-1 Designer/Head of Design & Production Beck Ward Murphy All rights reserved. -
Artsrichmond Great Authors at Book Picnic
arts richmond Newsletter of Richmond upon Thames Arts Council April 2009 Great authors at Book Picnic This year’s artsrichmond May Fair Book Picnic features two the ideas involved in the play, is a highly entertaining authors: Lee Langley (this year’s joint marvellous opportunity. For the President of artsrichmond) and Gyles Brandreth – plus the audience, it is a chance to see some chairman’s suitably ‘mystery guest’. It’s on Sunday 10 May in the talented new writers testing out their marquee on Richmond Green from 12.00 pm skills, and some of our best local actors putting their all into making Gyles Brandreth has created a new murder-solving detective, none other than the play successful. Oscar Wilde, and Lee Langley’s next novel has, intriguingly, the heroine of a Puccini opera and an American President among her characters. Previous New Writing competitions have been won by highly talented Oscar Wilde – Christopher Columbus – Sherlock Holmes – Arthur Conan plays which were capable of building Doyle – Napoleon Bonaparte – Walter Sickert – Voltaire – Franklin D new careers for their writers, so the Roosevelt are all among the famous characters summoned up by our eminent standard to be maintained this year is writers, who will be talking about the perils and joys of using real people in high. their fiction. You can follow them on a detective trail between history and fiction, truth and lies, at the picnic when they discuss researching and writing Tickets for the limited seats in the their books – Gyles with the scintillating world of Oscar Wilde, set in the audience for the competition are London of his time, and Lee with 18 th century France, Venice, Egypt and available from The Orange Tree Japan. -
Full Dramatisation with Samuel West As Faust and Toby Jones As
CLASSIC DRAMA Full dramatisation with Samuel West as Faust and Toby Jones as Mephistopheles Part 1 1 Prologue in Heaven 6:56 2 The First Part of the Tragedy – Scene 1: Night 5:38 3 Enter the Spirit 5:19 4 Exit Wagner. Faust alone 6:46 5 Scene 2: Outside the City Gate 4:50 6 Scene 3: Faust’s Study 3:24 7 Enter Mephistopheles 7:34 8 Scene 4: Faust’s Study 5:29 9 Mephistopheles: ‘It’s done!’ 5:13 10 Scene 5: A Witch’s Kitchen 7:40 11 Scene 6: A Street 2:45 12 Scene 6a 0:29 13 Scene 7: Gretchen’s Room 4:05 2 14 Scene 9: The Neighbour’s House 5:26 15 Scene 10: A Garden 4:44 16 Scene 11: A Summerhouse 0:54 17 Scene 12: Forest and Cavern 3:47 18 Scene 12a: Gretchen’s Song 3:39 19 Scene 13: Martha’s Garden 3:34 20 Scene 14: At the Well 2:16 21 Scene 16: The Street in Front of Gretchen’s House 5:03 22 Scene 17: Cathedral 1:47 23 Scene 18: Walpurgis Night 10:37 24 Scene 19: Gloomy Day. A Field 1:14 25 Scene 20: A Dungeon 9:23 3 Part 2 26 Scene 1: A Pleasant Landscape 3:24 27 Scene 2: Throne Room of the Imperial Palace 6:16 28 Scene 3: A Pleasure Garden 3:53 29 Scene 4: A Gloomy Gallery 4:23 30 Scene 6: Great Hall 7:27 31 Act II Scene 1: High-vaulted Narrow Gothic Room… 4:36 32 Scene 2: Laboratory 7:34 33 Scene 3: Classical Walpurgis Night 1:51 34 Scene 3b: On the Upper Peneus 3:25 35 Scene 3c: On the Lower Peneus 4:16 36 Scene 3d: On the Upper Peneus, as before 4:35 37 Scene 3e: Mephistopheles Climbing 3:53 4 38 Scene 4: Rocky Bays of the Aegean Sea 9:19 39 Act III Scene 1: Before the Palace of Menelaus… 5:39 40 Phorkyas (Mephistopheles) appears 8:04 41 Scene 2: Inner Courtyard of a Castle 5:33 42 Scene 2a: In Front of a Series of Rocky Caves 4:22 43 Act IV Scene 1: High Mountains 4:56 44 Act V Scene 1: A Palace 3:22 45 Scene 2: Dead of Night 3:49 46 Scene 3a: Midnight 0:44 47 Scene 3b: Faust’s Room 5:11 48 Scene 4: Great Forecourt of the Palace 13:37 Total time: 3:59:13 5 Johann Wolfgang von Goethe (1749–1832) Though Goethe’s Faust is considered compromising Goethe’s original. -
Plays in Translation on the London Stage: Visibility, Celebrity, Agency and Collaboration
Plays in Translation on the London Stage: Visibility, Celebrity, Agency and Collaboration Geraldine Susan Brodie University College London PhD Thesis in Translation Studies 2 DECLARATION I, Geraldine Susan Brodie, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 ABSTRACT The theatrical practice of prominently attaching a well-known theatre practitioner’s name to a staged playtext, which may have been composed using an expert’s literal translation, raises issues of visibility and agency in translation theory. How does the ‘celebrity’ translator contribute to the eventual performance and the collaborative process of production? This thesis conducts an empirical study on a time-based sample of eight translated plays performed on the mainstream London stage during a three-month period in 2005. The sample comprises direct, indirect and literal translators from a variety of professional backgrounds, and the plays range from Ancient Greek to contemporary Danish. Methodologies include archival investigations and oral histories. Firstly, I scrutinise the physical and economic contexts of the productions, analysing the sites of commission and performance, including a review of funding and management practices. Secondly, I examine the translation procedures of the eight plays, the collaboration of the translation and theatre practitioners and the relation of the translated playtext to the source-language play and earlier translations, where relevant. I consider the terminology presented to the prospective audience as translation, version or adaptation, and review reception. Thirdly, based on my interview research, I discuss the approaches adopted by the practitioners involved in the translation project, from inception to public performance, including producers, directors, literary managers, translators and writers. -
Commemorating the First World War in Richmond Upon Thames EVENTS PROGRAMME: July - December 2014 Foreword Contents
COMMEMORATING THE FIRST WORLD WAR IN RICHMOND UPON THAMES EVENTS PROGRAMME: JULY - DECEMBER 2014 FOREWORD CONTENTS This year, a rich programme of events and activities takes place across Richmond Exhibitions 3 upon Thames to commemorate the 100th anniversary of the outbreak of the First World War in 1914. Events July 7 The next four years will be a unique period for the borough as it refl ects upon its August 10 local history and wartime experience, alongside wider commemorations of the September 12 First World War nationally and internationally. We look forward to seeing many of you over the course of these events and hope they will leave their own legacy. October 15 We are delighted to be working in partnership with a variety of arts, cultural and community groups across Richmond. Through working together, we hope our November 18 commemorative events will bring the community together and raise awareness of the sacrifi ces made by so many local families in the war. This brochure includes December 21 information about the range of events that will take place throughout 2014. Learning Programmes 23 The programme aims to provide something for everyone; from arts engagement projects, talks, tours and theatre performances to a range of exhibitions. 2014-18 Key Highlights 25 You are invited to contribute your own stories about Richmond’s First World War Further Information Local and National 27 in our ‘Village Stories’ commemorations. This will explore family history and the way Richmond’s communities changed as a result of the Great War. We will Funding Opportunities for First World War Projects 28 collect stories from local groups and individuals within the 14 villages of our borough and First World War Partners 29 the project will culminate in an exhibition at Orleans House Gallery in 2018.