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A High School Tradition for 84 Years Volume 84, Number 6 Salem Senior High School March 14,1997
A High School Tradition for 84 Years Volume 84, Number 6 Salem Senior High School March 14,1997 In this issue Erica Godfrey, Connie Morris, and Stephanie Schmid look at the dangers ofsmoking. Smoke and choke Pay for your crime by Stephanie Schmid Smoking at Salem McShane, have asked juve hard-core smokers has also High School is a continu nile court judge Ashley decreased in contrast to the ing problem. The Pike to support them in al increasing number of stu restrooms have become a lowing them to cite smok dents sharing cigarettes. haven for smokers; the ers to court. This would The first time a most popular being in Se then become a legal matter student is caught smoking nior Hall. Even though vari in which smokers would be or possessing a tobacco ous staff members monitor punished with fines for un product, the punishment is the restrooms between derage possession of a to three days of in- school classes, it is still possible bacco product and smoking suspension. The second for students to ·smoke dur in a public building. time is five days and the ing classes. The rate of SHS third time is ten days of in Some public smokers fluctuates. The school suspension. If two buildings are fining smok overall number of smokers or more students are ers $50 if they are caught has decreased in the men's caught in the same stall, all smoking in places such as restrooms whereas in the are punished with four the restrooms. The princi women's restrooms it is on night detention. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
College Voice Vol. 27 No. 8
Connecticut College Digital Commons @ Connecticut College 2003-2004 Student Newspapers 10-31-2003 College Voice Vol. 27 No. 8 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2003_2004 Recommended Citation Connecticut College, "College Voice Vol. 27 No. 8" (2003). 2003-2004. 1. https://digitalcommons.conncoll.edu/ccnews_2003_2004/1 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2003-2004 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. -~~----..--...,..,,,,""-~ INSIDE: NEWS A&E SPORTS Annual Camelympics festivites conjure Meet film studies majors Brian Newell Conn's rowers recently traveled to enthusiasm among Conn students. Get and Ross Morin. founders of the new Boston and Saratoga Springs, NY to the full scoop of tills year's events. Student Filmmakers Organization. compete in major regattas. See page 12. First Class U.S. Postage PAID Permit #35 New London, CT PUBLlSHE:D WEEKLY BY THE STUDENTS OF CONNECT/CUT COLLEGE VOLUME XXVI! • NUMBER 8 FRIDAY, OCTOBER 31, 2003 CONNECTICUT COLLEGE, NEW LONDON, CT Conn Students' Cars Vandalized By SARAH CEGLARSKI SrAFFWBlTE, Student vehicles have recently Senior Gil Rivera shares become targets of random acts of the Same sentiments towards the vandalism on the Connecticut people that poured coffee over his College campus. Emily Jobnson, Lexus SC430 last Thursday night. "I class of 2004, found her car covered feel that whoever did tills blatantly with pizza and scratches. -
KREVISS Cargo Records Thanks WW DISCORDER and All Our Retail Accounts Across the Greater Vancouver Area
FLAMING LIPS DOWN BY LWN GIRL TROUBLE BOMB ATOMIC 61 KREVISS Cargo Records thanks WW DISCORDER and all our retail accounts across the greater Vancouver area. 1992 was a good year but you wouldn't dare start 1993 without having heard: JESUS LIZARD g| SEBADOH Liar Smash Your Head IJESUS LIZARD CS/CD On The Punk Rock CS/CD On Sebadoh's songwriter Lou Barlow:"... (his) songwriting sticks to your gullet like Delve into some raw cookie dough, uncharted musical and if he ever territory. overcomes his fascination with the The holiday season sound of his own being the perfect nonsense, his time for this baby Sebadoh could be from Jesus Lizard! the next greatest band on this Hallelujah! planet". -- Spin ROCKET FROM THE CRYPT Circa: Now! CS/CD/LP San Diego's saviour of Rock'n'Roll. Forthe ones who Riff-driven monster prefer the Grinch tunes that are to Santa Claus. catchier than the common cold and The most brutal, loud enough to turn unsympathetic and your speakers into a sickeningly repulsive smoldering heap of band ever. wood and wires. A must! Wl Other titles from these fine labels fjWMMgtlllli (roue/a-GO/ are available through JANUARY 1993 "I have a responsibility to young people. They're OFFICE USE ONLY the ones who helped me get where I am today!" ISSUE #120 - Erik Estrada, former CHiPs star, now celebrity monster truck commentator and Anthony Robbins supporter. IRREGULARS REGULARS A RETROSPECT ON 1992 AIRHEAD 4 BOMB vs. THE FLAMING LIPS COWSHEAD 5 SHINDIG 9 GIRL TROUBLE SUBTEXT 11 You Don't Go To Hilltop, You VIDEOPHILTER 21 7" T\ REAL LIVE ACTION 25 MOFO'S PSYCHOSONIC PIX 26 UNDER REVIEW 26 SPINLIST. -
Cash Box Takes a Look at the Artists, Music and Trends That Will Make Their GREGORY S
9 VOL. LV, NO. 36, MAY 2, 1992 STAFF BOX GEORGE ALBERT President and Publisher KEITH ALBERT Vice President/General Manager FRED L GOODMAN Editor In Chief CAMILLE GOMPASIO Director, Coin Machine Operations LEEJESKE New York Editor MARKETING LEON BELL Director, Los Angeles MARK WAGNER Director, Nashville KEN PIOTROWSKI (LA) EDITORIAL INSIDE THE BOX RANDY CLARK, Assoc. Ed. (LA) COVER STORY f BRYAN DeVANEY, Assoc. Ed. (LA) BERNETTA GREEN (New York) New For ’92 STEVE GIUFFRIDA (Nashville) CORY CHESHIRE, Nashville Editor Cash Box takes a look at the artists, music and trends that will make their GREGORY S. COOPER—Gspel,(Na^vfe) CHART RESEARCH marks on the industry this year. From the worlds of pop, rock, r&b, rap, CHERRY URESTI (LA) JIMMY PASCHAL (LA) jazz, country, gospel and others, we provide our readers with a look into RAYMOND BALLARD (LA) MIA TROY (LA) the near future and discover who the next stars will be. There's also a special COREY BELL (LA) JOHN COSSIBOOM (Nash) section on the new technologies that will affect the products and services CHRIS BERKEY (Nash) PRODUCTION that both industry insiders and consumers will be using soon. JIM GONZALEZ Ad Director —see page 11 CIRCULAVON NINATREGUB, Manager CYNTHIA BANTA Madonna + Millions = Maverick PUBLICATION OFFICES Superstar Madonna, her longtime manager Freddy DeMann and Time NEW YORK 157 W.57th Street (Suite 503) New Warner Inc., have formed Maverick, a multi -media entertainment company. York, NY 10019 Phone:(212)586-2640 Maverick will encompass many facets of entertainment including records, Fax: (212) 582-2571 HOLLYWOOD music publishing, film, merchandising and book publishing. -
Shannon Mcmahon
Meeting Virginia: Feminist Analysis and Implications of Late- and Post-1990s Pop/Rock Music A Senior Honors Thesis Presented in Partial Fulfillment of the Requirements for graduation with research distinction in English in the undergraduate colleges of The Ohio State University By Shannon McMahon The Ohio State University June 2010 Project Advisor: Dr. Sara Crosby, Department of English McMahon 2 Introduction Music and feminism grew together throughout the 1990s as two forces of popular culture that helped to define and clarify the roles and representations of bold, bad, and individualistic women of the third wave. Feminism was undergoing a generational wave change, and the new third wave’s close interaction with popular culture led to accusations of disorder from second wave feminists and those outside the movement, as well. Third wavers began to use popular culture products, including music, as means to self-understanding, and they overturned dated notions of power in order to assert their own interpretations and use pop music in constructive ways. The ‘90s was also a locus of change for music and, in particular, third wavers’ roles in the industry. The Riot Grrrls of the early 1990s expressed their anger through the punk alternative, and the female singer/songwriters of the later Lilith Fair made feminist music more mainstream and individualized. Although feminist music had made many strides, mass media outlets and feminists alike pinpointed the era after Lilith Fair ended in 1999 as a new low point for feminist music: over-commercialized, over-exposed teen pop stars of the era had become popular, and their lyrics did not initiate constructive feminist discussions. -
Rock & Roll's War Against
Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429 -
BUTCH VIG the Pioneering Platinum Producer Continues to Explore New Sonic Landscapes by Michael Gallant
ISSUE #37 MMUSICMAG.COM PRODUCER BUTCH VIG The pioneering platinum producer continues to explore new sonic landscapes By Michael Gallant WHEN BUTCH VIG HELPED CREATE NIRVANA’S 1991 and “I Think I’m Paranoid”—also sold 4 million and garnered another masterpiece Nevermind, little did he know the project would pair of Grammy nominations. fundamentally transform the rock world. Though the Grammy-winning, “When the first Garbage record came out, it surprised people,” multiplatinum producer had been toiling behind the glass for nearly a says Vig. “Everyone expected this alternative grunge record, but we decade, that iconic album marked the beginning of a singular career. ended up with something that was more experimental-sounding pop.” Following Nevermind, Vig helmed groundbreaking albums like As the band’s popularity grew, so did the sonic clones. “It’s totally Gish and Siamese Dream for Smashing Pumpkins, Dirty for Sonic cool,” he says. “I’m more flattered than not when I hear bands that Youth, and Bricks Are Heavy for L7. His resume includes Green sound like Garbage or Smashing Pumpkins or Nirvana.” Day’s 21st Century Breakdown and Foo Fighters’ Wasting Light, Most recently, Vig released the self-titled debut of his new band, as well as production and remix credits with U2, Korn, Nine Inch the Emperors of Wyoming, a project that reunites him with three Nails and many more. friends—Phil Davis and brothers Frank and Peter Anderson—from In the mid-1990s, Vig formed Garbage, ushering in a now- his days growing up in Wisconsin. The rootsy, haunting album is ubiquitous paradigm of dark, electronic-flavored pop-rock by a departure for Vig. -
Grunge Riot Grrrl and the Forgetting of Women
1 This article is downloaded from http://researchoutput.csu.edu.au It is the paper published as: Author: Strong, C.L. Title: Grunge, Riot Grrrl and the forgetting of women on popular culture Journal Title: Journal of Popular Culture ISSN: 0022-3840 Year: 2011 Volume: 44 Issue: 2 Pages: 398-416 Abstract: Nil URL: http://dx.doi.org/10.1111/j.1540-5931.2011.00839.x http://primo.unilinc.edu.au/primo_library/libweb/action/dlDisplay.do?vid=CSU&docId=aleph002052257 Author Address: [email protected] CRO Number: 26666 Grunge, Riot Grrrl and the forgetting of women in popular culture 2 Grunge, Riot Grrrl and the forgetting of women in popular culture Dr Catherine Strong Charles Sturt University During the early 1990s, the musical genre of ‘grunge’ (with its associated cultural trappings such as clothing and certain attitudinal/ political elements) first came to prominence on a large scale when Nirvana’s album Nevermind unexpectedly became a huge hit. Prior to this, the grunge ‘scene’ had been centred on Seattle and the Sub Pop record label. Often described as a cross between punk and heavy metal (Mazullo 719), musically grunge had a ‘dark’, guitar-based sound based around a traditional rock line up (guitar, bass and drums). An unusual feature of the grunge scene was the relatively high proportion of female performers and bands, and this, combined with explicit anti-sexism stances taken by prominent male grunge musicians such as Kurt Cobain, and its close proximity to the feminist Riot Grrrl movement, served to position it as a more gender-neutral scene than many others in ‘rock’. -
Rock”N”Roll Cinema
Rock’n’Roll Cinema Adam Trainer Bachelor of Arts With First Class Honours in Media Studies This thesis is submitted for the degree of Doctor of Philosophy School of Media, Communication and Culture Murdoch University 2005 I declare that this thesis is my own account of my research and contains, as its main content, work which has not previously been submitted for a degree at any tertiary educational institution. Adam Trainer Refereed Publications Adam Trainer. ‘“Well I Wouldn’t Buy the Merchandise”: David Bowie as Post -Auteur’ in Senses of Cinema 28. September/October, 2003. http://www.sensesofcinema.com/contents/03/28/bowie_postmodern_auteur.html This journal article was derived from Chapter Five Adam Trainer. ‘The Business of Living: Secrets & Lies’ in Australian Screen Education 36. September, 2004. pp. 127-129. This journal article was written in association with research on cinematic realism, as featured in Chapter Four. Adam Trainer. ‘“They Made Me Do It”: The Mad World of Donnie Darko’ in Australian Screen Education 37. January, 2005. pp. 138-142. This journal article was derived from Chapter Three. Adam Trainer. ‘“It’s Not My Fault You Hate My Band”: Perth Art Rock’ in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon ed. Crawley: University of Western Australia Press, 2005. pp. 127-135. This chapter was written in association with research on experimental music, as presented in Chapter Six. Adam Trainer. ‘A Crooked Crooked Reign’ in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon ed. Crawley: University of Western Australia Press, 2005. pp. -
Malcolm X Eric Mareckl Ward Discussed Director Month Leading up to the Presen- Charismatic Impact on People Trary Storytelling Method
Insider I' Sag writing seminar Iu shining on the college community for'more than 55 years I* DEC. 14,1992 • WILLIAM PATERSON COLLEGE :'M Bd. Trusteesneet to discuss biiget, f other concens By Walter EHit STAFFWRTTER President Arnold )eert's announcement of ttlatest bugetary shortfall andiscus- displ sion over a controveal Stu- Center] of dent Center display (sffelated Fnenc1 , story) highlighted the 3ard of on campus SJ^weqic Tjfuj dis- Trustees meeting lesday pkymc, located at )he bottom ^ht. of the stausin th* Studeot Cen- In his budgetarreport, ter contorted piuur&s of two Speert disclosed a 1)3 per- ,»long cent decrease ia tlfo SB's sup- . port in operating funcfor fis* cal year 1993. Thedreaseis the fifth straight undfunding and single largest by t state. "We are seeir, the *7A effects of the continued Tau Epsilon Phi fraternity printed an apology (white sheet of paper in the center) for showing a shortfalls"-Svert picture viewed as offensive. f ••/. "The College quested $35,574 million to thstate for Objections raised at frat's decision the 1993 fiscal yeabut will receive $30,406 mion after 'if,* the state made its mtear cor- to showcase questionable photo ( '/ picture on Wednesday.. the State Attorney General's of- rection," noted Speer By Waller Elliott t from what "In past years v used to STAFFWRTTER Petrozzino's office made a call fice. The action was approved by the Board with the sugges- opera* and wait until April 15 scie state's to a TEP representative. How- eterosoxual Office of Manageme & Bud- A photograph in last week's ever, the news also reached the tion of asking whether "gang get can get an indfcan of tax Tau Epsilon Phi (TEP) fraterni- Feminist Collective and Presi- bang" constitutes fighting revenues," said Spee explain- ty display in the Student Center dent Arnold Speert's office. -
Alternative 12748 Titel, 301:03:01:24 Gesamtlaufzeit, 55,38 GB
Alternative 12748 Titel, 301:03:01:24 Gesamtlaufzeit, 55,38 GB Interpret Album # Objekte Gesamtzeit A.F.I. Decemberunderground 13 48:34 Sing The Sorrow 14 1:03:37 Afro Celt Sound System Volume 2: Release 11 1:04:04 Albert King with Stevie Ray Vaughan In Session 11 1:03:54 Alice In Chains Alice In Chains 12 1:04:53 Dirt 13 57:35 Facelift 12 54:08 Jar Of Flies 7 30:52 The Allman Brothers Band A Decade Of Hits 1969-1979 16 1:15:52 Idlewild South 7 30:45 Shades Of Two Worlds 8 52:36 Alter Bridge Blackbird 13 59:16 One Day Remains 11 55:24 Amplifier Amplifier 14 1:21:50 Insider 12 59:05 Amy Winehouse Back To Black 11 34:58 Anarchy & Rapture The Lovers Enchained 1 5:27 Annwn Anarchy & Rapture 11 53:56 A Barroom Bransle 16 1:02:33 Come away to the Hills 14 1:07:20 The Lovers Enchained 13 1:02:39 Antichrisis Cantara Anachoreta 8 1:10:28 A Legacy of Love 10 1:10:10 Perfume 10 1:06:43 Antimatter Leaving Eden 9 47:45 Arena Contagion 16 58:49 Ark Burn the Sun 11 56:47 Army Of Anyone Army Of Anyone 9 38:32 Ascension Of The Watchers Numinosum 11 1:12:26 Audioslave Audioslave 14 1:05:27 Out Of Exile 12 53:44 Audiovent Dirty Sexy Knights In Paris 12 45:23 Automaniac Automaniac 10 47:13 Avril Lavigne Let Go 13 48:27 Aynsley Lister Everything I Need 10 52:26 Ayreon Actual Fantasy 9 1:02:21 The Human Equation 31 1:42:22 Into the Electric Castle 17 1:45:11 The Universal Migrator Part 1: The Dream Sequencer 11 1:10:35 The Universal Migrator Part 2: Flight Of The Migrator 8 57:20 B.R.M.C.