DOCSLIB.ORG

1946-02-13 [P

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1946-02-13 [P fjKin'l_ liane, W. W. Bell and J. G. Thorn- list. Its 8:30 pm riv.V6r On Skates on. All Legionnaires, Legion aux- WMFD, tonight. ‘‘atij, Swing AND liary and service people are in- w Reporter r ji^k & « Round-The-Town Remember for STATE POPULATION With cited to attend the show snot Radio which Wilmington Programs and vic^utv 'l? % ben McDonald vill eminate from the ballroom the STAR-NEWS R« KC >f the Home. This unusual pro- at SHOWS INCREASE WMFD Wilmington—1400 Reporter 1:25 and T«n gram is a must on the listeners **° The Readers Write: daily. p ft WASHINGTON, Feb. 12 .—(IP)— WEDNESDAY, FEBRUARY IS 9:05—Spotlight on Rhythm Ben: I have series on “Do you Re- of Faith—TN Dear enjoyed your Nine shewed a “natural in- 7:30 AM—Family Altar. 9:15—Hymns GET relief states Clock Valley Folks—MBS over 25 I have been a “ham” in every quick with kret * I whch 7:45—Musical 9-30—Shady member.” For years modem, crease” in civilian population 8:00—News with Martin 9:45—In the Woman’s World. last-acting reired, , 1 Agror.sky word and it has brought me no finan- coughs due to colds. 1 exceeded their contributions to the 8:15—NBC Musical Clock. 10:00—UP News sense of the though KKFY ■? Clock. for last nature to heal sore 1, 1940 8:30—Musical 10:05—Music Listening it has been a wonderful hobby. During the I armed forces between April 8:55—UP News 10:15—Blue Ridge Quartet—TN cial returns *meni,^ Bureau ether waves I and July 1, 1945, the Census 9:00—1The Breakfast Club with Don Mc- 10:30—Your Hit Parade four I have missed fooling around the ^a'PVprTnsth<'°* Neil 10:45—Vocal Varieties years dW. am for- tday! imported today. 10:00—My True Story 11:00—Cecil Brown—MBS “ham” friends In other states. 1 looking defined as with my | Natural increase was 10:25—Betty Crocker 11:15—1240 Club in someone) call deaths. of all Churches ward to a resumption of that C-Q (come ASK the excess of births over 10:30—Hymns 11:55—Billy Arthur FOR f 10:45—The Listening Post. 12:00—Lyle Van—MBS lo! these any years. cover due to has been “70-threed’ still) It does not changes in Hollywood — 12:15—Morton Downey—MBS which (all 11:00—Breakfast Tom been up migration. Brenamen 12:30—The Best Sellers A number of the amateur wave bands have opened Home The described by the bureau 11:30—Kellogg’s Edition 12:45—The Band of the Day for some time. nine, Malone 1:00—UP News of the bands will not be allocated of natural 11:45—'Ted but many as states with high rates 12:00 N—Glamour Manor. 1:05—Melodic Moods. in order to pro- Matinee. All bands are in the process of reallocation increase,” were listed as North 12 30—PM—Club 1:15—Tropical Tempo Time Talking Lane I started out to say Georgia, 1:00—Baukhage 1:30—Melody vide the fairest distribution. But what Carolina, South Carolina, --- 1-15—Musical Interlude 1:45—John J. Anthony—MBS 1_1 •__ 1-+ Mississippi, Arkansas, 1:25—News—Wilmington News. 2:00—Cedric Foster—MBS w ao, — ~— Alabama, for the New Mexico and Utah. 1:30—But Not Forgotten 2:15—Smile Time—MBS days of radio is more than a thrill He is now a feature writer Louisiana, Dance 2:30—Queen for a 1:45—Let’s Day—MBS we had chain F. M. con- — when one remembers what For most states, however, 2:00—John B. Kennedy News 3:00—News—Wilmington News Scripps-Howard to the tributions to the armed forces ex- 2:15—Ethel and Albert 3:05—The Music Box to work with in comparison Sutherland is really burning Groom. 4:00—Erskine Johnson—MBS The ratio 2:30—Bride and facilities. Who can ever mid-night oil on a new project ceeded natural increase. Pearce Show 4:15—The Johnson Family—MBS present 3:00—A1 the of the “cat whis- Willie Rosenmann drops by with an was given as more than two to one 3:30—Ladies be Seated 4:30—Atlantic Beach Melody Hour forget days 4:00—Jack Berch and Boys 4:45—Glee Club Serenade ker” when every one in the house invite to the Plantation opening for Pennsylvania, New York, Cali- 4:55—UP News 4:15—The Fitzgeralds had to around for fear they tonight Nester Baruch fornia and the District of Columbia. for Women 5:00—Here’s Howe—MBS L~__ tip-toe party 4:30—Time the sensitive If climbing over the U. S. Harrigan 5:15—Superman—MBS down would jar crystal. got his first experience Total population 4:45—Hop 5:30—Captain Bob Fitzgerald comes 5:00—Terry and the Pirates Midnight—MBS it was even moved a smidgen the vertical radiator yesterday and not armed — of July 1, 1945, including Serenade H. W. Lee 5:45—Tom Mix—MBS stretch after fashion jitter- 5:15—Organ 6:00—News five-mile. bong went the program. If you were the wind right strong up forces overseas, was estimated by 5:30—Lone Ranger Roundup bug to be second in reports News Comer 6:15—Twilight Serenade in the station the of the WMFD tower the bureau as Nc 6:00—Kieman’s Minneapolis flash’s victories lucky you might bring on top 131.975,774. Bank 6:30—Sports Parade 6:15—Security 6:45—Musical all him senior men’s back within an hour or of course Mel Howard has finally bought figure was given for overseas Parade Cocktails sprints give 6:20—Sports 7:00—Fulton Jr.—MBS National Skating take the rest of the night. hat Clarence “Bud- actual census 6:25—News—Wilmington Star. Lewis, title in Speed it might that new forces. The figures 7:15—Blue Ribbon Revue We Forget in St. And the among the still holds the city hand- total for 194C 6:30—Lest 7:30—Frank Singiser—MBS Championships Paul._ competition dy” Davis of population April 1, Sam 6:45—Happy 7:45—Inside of Sports—MBS boys in building the home sets. ball Charlie were 131,669,275. 7:00—Headline Edition championship 8:00—What’s the Name of that Song— I wonder how many cereal boxes back at the office after that 7:15—Raymond Swing MBS Foard Program and how miles Hel- PATCH KIN DIES 7:30—Evening Request 8:30—Fresh Up Show—MBS I collected, many slight automobile mishap 8:00—Choral Glee Club THREE STUDENTS cereal 9:00—Gabriel Heatter—MBS of wire I wrapped around en Banks on her way — News stopped by ATLANTA, Feb. 12—(IP)—Alexan- 8:16—Elmer Davis 9:15—The Bandwagon will on the Air boxes to make coils. And I to Charlotte where she is go ng to Patch IV, three-year- 8:30—Wilmington Legion 9:30—Spotlight Bands—MBS der McCarrell on the Golden Gate I was 9:00—Swinging 10:00—Fenie’s Radio Auction—MBS never forget how pleased take over a production assistant of the late Gen. Alex- 9:30—So You Want to Lead a Band RIOTS old grandson 10:30—McGune’s Orch.—MBS. KILLED IN I first “store- ask 9:55—Chester Morrison when purchased my position For a real laugh ander M. Patch, died here today. 11:00—All the News—MBS the 10:05—American Iron and Steel Corp. 4 4 4 4* eiT/SV lit LI boughten” coil. I remember A1 Wenberg about his experiences Norman and Music m 10:15—Ralph least of radio here in Wil- Es- j m m mm mm CAIRO, Feb. 12.—(TP)—At early days years ago at Chonchies store. 10:30—Treasury Salute and like I 10:45—String Ensemble three students were killed mington but, many others, pecially about the grapes and the OLD OVER THE NETWORK battles with had in my “take it for of ice cream ; BRING US YOUR ; scores were injured in forgotten extra large scoops WEDNESDAY, FEBRUARY 13 in Alexandria and Cairo to- manner of today the A hello from E. C. Dixon as we W JNC Standard Time P.M. — Subtract police granted” Eastern “Do You Remem- ! PHOTOGRAPHS FOR Hour for 2 Hours for MST. as anti-British spread early struggles. barber chairs Watch for \ JACKSONVILLE N. C. One CST., day rioting swap in as listed are due a lot of interest- 1210 ON YOUR DIAL Changes programs for the fourth ber” brings back that new program starting next networks made through Egypt AND REPRO- WEDNESDAY, FEBRUARY 18 to corrections by memories. Lets have more oi It is \ COPIES to straight day. ing week over WMFD. stacking j 6:43—SIGN ON too late incorporate. Farrell Serial — NBC them. be a local 6:45—Agricultural Revue—TN 5:45—Front Page The three fatalities were report- up to top production and the Serial — CBS DUCTION. \ 7:00—Morning Headline, — Wilmington Sparrow Hawk, Best regards The female voice on the spot I Drama Skit — ABC-eas1 ed from Alexandria, where police Star Tennessee Jed, BOB FOX Ma- — broadcast the other was 7:05—Mujical Clock Hop Harrigan in Repeat other ABC surrounded the Karmouz quarter night Tom Mix, a Serial Series—MBS-basic Joe Sewell is off 7:30—Sunrise Salute a of ble Rodgers for 15 Mins.
Load more

Recommended publications
  • Jim,My Lucas Marjorie Macgregor Michele Morgan Patty Orr Bela Lugosi Frank Mchugh Ralph Morgan William Orr Keye Luke Robert Mcji
    Jim,my Lucas Marjorie MacGregor Michele Morgan Patty Orr Bela Lugosi Frank McHugh Ralph Morgan William Orr Keye Luke Robert McJimcy Patricia Morison Orv ilia Lum &Abner Silvia McKay Maro and Yocanella Maureen O'Sullivan Bill Lundigan Fay McKenzie Amarillo Morris Madame Ouspenskaya The Luther Twins Victor McLaglen Chester Morris Lynne Overman Diana Lynn Barton MacLane Ella May Morris Charles Overman Jeffrey Lynn Fred MacMurray Lili Morris Charles Owens Mary Lynn Haven MacQuarrie Zero Mostel Gene Owens Dorothy McQuire Alan Mowbray Jack Owens Eve McVeigh Paul Muni Rita Owin Jeanette MacDonald Martha Mears Ethel Madison Ona Munson Jane Melardy Corinna Mura Marjorie Main P-38's (Dancers) Melody Girls George Murphy Sally Paine Jerry Mann Harry Mendosa Rose Murphy John Pallett Marjorie Manners Adolphe Menjou Senator Murphy Cecilia Parker Martha Manners Johnny Mercer Ken Murray Eleanor Parker Philip Merivale Irene Manning Clarence Muse Hats Parker Virginia Maples Lynn Merrick Music Maids Lou Merrill Jean Parker Adele Mara Carmel Myers Jetsy Parker Frederic March Merry Macs Mary Ellen Myron • Murray Parker Dorie Marie Ray Middleton Odette Myrtil Parkyakarkus Mona Marris Ray Milland Patsy Lee Parsons June Marlowe Ann Miller Anne Nagel Gail1Patrick Nancy Marlowe Miller & Barlow Conrad Nagel Vera Marsh Edwin Miller Richard Paxton Cliff Nasarro John Payne Herbert Marshall Glenn Miller (·Orch.) Nasimova Mary Martin Jimmie Miller Al Pearce Charles Neff Neva Peoples Tony Martin Lorraine Miller Ossie Nelson Barbara Pepper Johnny Marvin Sidney Miller John Nesbit Buddy Pepper Chico Marx Mills Brothers Nicholas Brothers Tommy Perry Groucho Marx Minne & Billy Nicodemus Susan Peters Harpo Marx Carmen Miranda Gertrude Niessen Mrs.
    [Show full text]
  • MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
    The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953).
    [Show full text]
  • Cine Kodak News; Vol. 14, No 3;
    CINE-KODAK NEWS VOL. FOURTEEN MAY-JUNE 1938 NO. THREE Published by Eastman Kodak Company, Rochester, N.Y. this page are On s the .tour moVie 16 On the taken by Mr. page you his Still camera IN YOUR KNAPSACK is finds that "stills" work By Mr. M.A. Linton of Philadelphia together. HE sport of mountain climb- T ing can be fully appreciated only by the mountain climber. To many people it appears simply as a manifestation of abnormality. From experience alone can one appreciate the ever-expanding view that accompanies the up- ward climb, culminating in the panorama from the top; the soli- tude in the midst of beautiful sur- roundings; the sense of being away from the hustle and bustle of a feverish civilization; the satisfaction in overcoming difficul- ties and solving problems that vary with each glacier and each stretch of rock climbing. Of course there are all kinds of mountain climbing-from the wooded mountains such as we have in the Eastern United States, to the cruel, unsealed heights of Mount Everest. Many of us who enjoy mountains up to 15,000 feet in altitude, find it difficult to understand the enthusiasm of those who are willing to endure weeks and weeks of the most extreme hardship and danger in order to reach the top of the world. So we aren't very different after all from those to whom a climb of a few thousand feet under their own power would be anathema. Where every ounce counts Last summer in Switzerland we climbed several mountains of varying heights and difficulties.
    [Show full text]
  • Rod, Gun Club on Guard to Prevent Fish Theft
    News—Editorials A Vigilant Voicfc for Facts—Opinions D emocr acy VOLH; FMDAY, JUNE 14, lfM TWO CElfll Mkutrel Show to Be Presented Red Cross Plans Rod, Gun Club on Guard For Monmooth Junction P.T.A. Going Forward Results are already being achiev- With their laugh-provoking jokes HUGE ROCK TOPPLES FROM ed by members of the committee To Prevent Fish Theft dressed up to give them local flavor TRUCK ON KINGSTON STREET making arrangements for the game the cast of Kingston's hit minstrel and card party to be held in the SCHOOL BOARD TEAM With preparations completed for Monmouth Junction Fire House on its fishing contest for school chil- show will give a repeat performance Kingston.—A rock weighing sev- TRIMS DEANS PLAYERS Tuesday evening, June 25,' for the dren this Saturday morning, the in Tne Dayton School Auditorium eral tons which was being trans- benefit of the Red Cross, according Dayton.—A team composed of Monmouth Junction Rod and Gum next Friday evening, June 21, for ported by a quarry truck, toppled to Mrs. Alfred Van Duyn, chair- members of the Board of Education Club is taking steps to thwart theft the benefit of the Monmouth Junc- from the vehicle at the corner of man. and others associated with the of the trout by "one of the world's tion Parent-Teacher Association. Main and Academy Streets Wed' meanest crooks." The committee will meet at Mrs. school system defeated the Deans Tickets for the event, recently nesday and snapped an electric After Lawrence Brook, scene of Van Duyn's home this Tuesday softball team in a match here Tues- placed on sale, are rinding many pole.
    [Show full text]
  • A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952. Carol Isaacs Pratt Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952. Carol Isaacs Pratt Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Pratt, Carol Isaacs, "A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952." (1976). LSU Historical Dissertations and Theses. 3043. https://digitalcommons.lsu.edu/gradschool_disstheses/3043 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image.
    [Show full text]
  • The Lantern Vol. 23, No. 2, March 1955 Roland Dedekind Ursinus College
    Ursinus College Digital Commons @ Ursinus College The Lantern Literary Magazines Ursinusiana Collection 3-1955 The Lantern Vol. 23, No. 2, March 1955 Roland Dedekind Ursinus College Harold Smith Ursinus College Maury Hoberman Ursinus College Bert Wendel Ursinus College Ismar Schorsch Ursinus College See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/lantern Part of the Fiction Commons, Illustration Commons, Nonfiction Commons, and the Poetry Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Dedekind, Roland; Smith, Harold; Hoberman, Maury; Wendel, Bert; Schorsch, Ismar; Shumaker, Nance; Hudnut, Charles; Marsella, Loretta; Billman, Karl; and Leger, Ann, "The Lantern Vol. 23, No. 2, March 1955" (1955). The Lantern Literary Magazines. 57. https://digitalcommons.ursinus.edu/lantern/57 This Book is brought to you for free and open access by the Ursinusiana Collection at Digital Commons @ Ursinus College. It has been accepted for inclusion in The Lantern Literary Magazines by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Roland Dedekind, Harold Smith, Maury Hoberman, Bert Wendel, Ismar Schorsch, Nance Shumaker, Charles Hudnut, Loretta Marsella, Karl Billman, and Ann Leger This book is available at Digital Commons @ Ursinus College: https://digitalcommons.ursinus.edu/lantern/57 u C R 0 5 L I : L N --.." E I U G 5 , E Sprinf} 1955 r COLLEGE CUT -RA TE I 5th and Main Street (OLLEGE DINER Collegeville Excellent Food - Efficient Service FAMOUS Open Around 1he Clock FOR COLLEGEVILLE, PA, POPULAR BRANDS PAUL N.
    [Show full text]
  • 16 SAG Press Kit 122809
    Present A TNT and TBS Special Simulcast Saturday, Jan. 23, 2010 Premiere Times 8 p.m. ET/PT 7 p.m. Central 6 p.m. Mountain (Replay on TNT at 11 pm ET/PT, 10 pm Central, 9 pm Mountain) Satellite and HD viewers should check their local listings for times. TV Rating: TV-PG CONTACTS: Eileen Quast TNT/TBS Los Angeles 310-788-6797 [email protected] Susan Ievoli TNT/TBS New York 212-275-8016 [email protected] Heather Sautter TNT/TBS Atlanta 404-885-0746 [email protected] Rosalind Jarrett Screen Actors Guild Awards® 310-235-1030 [email protected] WEBSITES: http://www.sagawards.org tnt.tv tbs.com America Online Keyword: SAG Awards Table of Contents 16th Annual Screen Actors Guild Awards® to be Simulcast Live on TNT and TBS ..........................2 Nominations Announcement .................................................................................................................4 Nominations ............................................................................................................................................5 The Actor® Statuette and the Voting Process ....................................................................................23 Screen Actors Guild Awards Nomenclature .......................................................................................23 Betty White to be Honored with SAG’s 46th Life Achievement Award..............................................24 Q & A with Betty White.........................................................................................................................27
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood's Feature Films to Television Before 1955 Permalink https://escholarship.org/uc/item/14h0461n Author Porst, Jennifer Anne Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood’s Feature Films to Television Before 1955 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Film and Television by Jennifer Anne Porst 2014 © Copyright by Jennifer Anne Porst 2014 ABSTRACT OF THE DISSERTATION Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood’s Feature Films to Television Before 1955 by Jennifer Anne Porst Doctor of Philosophy in Film and Television University of California, Los Angeles, 2014 Professor John T. Caldwell, Chair This project is located at the intersection of television and film studies and examines the causes and effects of disruption and convergence in the media industries through a case study of the struggle over Hollywood’s feature films on television before 1955. Since television began broadcasting in earnest in 1948, two years after Hollywood saw its box-office revenues decline precipitously from their all-time high in 1946, the important question to ask becomes: why did it take seven years for Hollywood’s features to make their way to television? Through an investigation of the efforts made by the film and television industries in the 1940s and 1950s to work towards feature films appearing on television, this project concludes that Hollywood’s feature films did not appear on television until 1956, not because of the long held assumptions that the film industry was either apathetic or hostile to the nascent television industry, but rather ii as a result of a complex combination of industrial, social, legal, and governmental forces.
    [Show full text]
  • UCLA FESTIVAL of PRESERVATION
    UCLA FESTIVAL of PRESERVATION 2017 UCLA FESTIVAL of PRESERVATION 03.03.17–03.27.17 1 FROM THE DIRECTOR Putting on this year’s Festival of Preservation was unexpectedly challenging due, ences was found in Prague then repatriated to UCLA for this restoration. This in part, to UCLA Film & Television Archive’s move to a new preservation facility may be the first public screening of this film in this country, probably since its in Santa Clarita at the end of 2015. Our Festival nevertheless still represents the original release. Archive's efforts to preserve and restore our national moving image heritage. As in past years, we have put together a mix of classic Hollywood and independent As in past years, we are proud to present new restorations of a number of film features, documentaries, and television work, reflecting the Archive’s many stel- noirs, not just from Hollywood, but also from Latin America. The Argentine lar collections of film and video material. film, Los tallos amargos (Fernando Ayala, 1956), features noirish cinematography and a surrealistic dream sequence straight out of German expressionism, while We open the Festival with Ernst Lubitsch’s Trouble in Paradise (1932), one of the John Alton, the master cameraman of Hollywood noir, shot He Walked by Night most sophisticated and complex adult comedies ever made in the old studio sys- (Alfred L. Werker, Anthony Mann, 1948), a crime drama shot on the streets of Los tem. Lubitsch is, in fact, a master of the double entendre, nowhere more clearly Angeles. John Reinhardt, whose low budget noirs are masterpieces of narrative than in this pre-Code romantic comedy that parodies every other romantic economy, directed another classic, Open Secret (1948).
    [Show full text]
  • 1932-08-21 [P
    Progresses. “Set Is Rare “Rasputin”" Visiting” PHOTOPLAYS AT WASHINGTON THEATERS THIS WEEK _ __ 'PHE advent of the most flame. Another great scene is the setting fat Privilege family of the theater In the tallies the revel staged by Prince Paul, played Hollywood ---i Monday Tuesday Wednesday Thursday Saturday has brought with it a return of the by John Barrymore in the amazing pro- Sunday _Friday elaborate and spectacular that duction. A gorgeous Russian ballet, girls T Jack Holt and Jack Holt and Jack Holt and Lionel Barrymore and Lionel Barrymore and Edmund Lowe in “The Doomed Bet- settings in Attorney for the talion dazzled the in as over a AmnflSMfinr Ralph Graves Ralph Graves Ralph Graves Karen Morley in Karen Morley eye farmer silent pic- flying by wings great dining /TJllUdSitcUJvJI jn “Washington Masque- Washington Masque- Defense. Cartoon. tures. and which, in the table, and ether spectacular details will in the Mak a ’’ Souvenir. Comedy. Short subj't. Comedvv average talking Chosen Few See "Rasputin ing, 18th A Columbia Rd. “War Correspondent."- “War Correspondent." “War Correspondent rade." Souvenir._rade." been mark the ~ have Bat- production, rather avoided setting. Warren Wlfilim In Warren william In James Cagney In James Cagney in Lew Avres and Adolphe MenJou and "The Doomed Joan Marsh talion because of sound problems and the ada- Authentic details of the Winter Palace in “Skvcraper Souls.” "Skyscraper Souls.” "Winner Take All." "Winner Take All. Mae Clarke in In With Three Arv"v||/-» Bachelor s Cartoon. Great Spectacle, Barrymores Mills Brothers Mills Brothers Comedy. Comedy. Night World Affairs. mantine laws of microphone technique, will include the gun room, with its /ApOllO Riplev 624 H St.
    [Show full text]
  • L! West Coast 1Orodtrcttons Co-Ntinued
    Productions, 1932 Standard Casting Directory December, 1932-Ja nuary, 1933 l! west coast 1orodtrcttons co-ntinued-- "SO BIG"-Warners F. N. Marsh, ,Vade Boteler, Georgie Ern­ son, Russell Gleason, Cora Sue Col­ Directed by William W ellman. est, Robert Ellis, Wheeler Oakman, lins , Florence Britton, Louise Car­ Novel by Edna F erber. Ed L e Saint, Fra nk Sheridan, Ethan ter, Clara Blandick, Davidson lCark, Screen play by J. Grubb Alexander, Laidlaw, Fuzzy Knight, Harry Ten­ Edwin Maxwell , Reginald Barlow, RolJert Lord. brook, Alan Roscoe, Ralph Ernest. Irving Bacon, Scott Seaton, 2\fay Cast: Barbara Stanwyck, Geor~e Foster. Brent, Dickie Moore, Bette Davis, "SPEED MADNESS"-Richard Tal­ Guy Kibbee, Donald Cook, Arthur madge. " STRANGE LOVE OF MOLLY LOU­ Stone Robert Warwick, Earle Foxe, Directed by George Crone. VAIN, THE"-Warners F. N. Mae 'Madison, Dick Winslow, Alan Cast: Rich a rd Talmadge, Nancy Directed by Michael C urtis. H a le, Blanche Friderici, Harry Ho - Dr exel, Lucien Little fi eld, Pat O'­ Story by Maurine Watkins. man, Noel Francrn. Malley, Donald K e ith. Adaptation by S. Gelsey, Brown Holmes. "SOCIETY GIRL"-Fox. 'SPIRIT OF THE WEST, THE"­ Cast: L ee Tracy, Ann Dvorak, Les­ Dir ected by Sidney Lanfield. Allied. lie Fenton, Richard Cromwell, Frank Play by J ohn Larkin. o11· 0 · crl by Otto Bro•ver. McHugh, Guy Kibbee, J. Farrell Screen play by Elmer Harris. Screen play by Jack Natteford. MacDonald. Cast: James Dunn, Peggy Shan­ Cast: Hoot Gibson, Doris Hill, non Spencer Tracy, Bert Hanlon, Hooper Atchley, Al Bridge, Lafe "STRANGERS IN LOVE"-Para.
    [Show full text]
  • Official Ballot
    OFFICIAL BALLOT AFI is a trademark of the American Film Institute. Copyright 2005 American Film Institute. All Rights Reserved. AFI’s 100 Years…100 CHEERS America's Most Inspiring Movies AFI has compiled this ballot of 300 inspiring movies to aid your selection process. Due to the extraordinarily subjective nature of this process, you will no doubt find that AFI's scholars and historians have been unable to include some of your favorite movies in this ballot, so AFI encourages you to utilize the spaces it has included for write-in votes. AFI asks jurors to consider the following in their selection process: CRITERIA FEATURE-LENGTH FICTION FILM Narrative format, typically over 60 minutes in length. AMERICAN FILM English language film with significant creative and/or production elements from the United States. Additionally, only feature-length American films released before January 1, 2005 will be considered. CHEERS Movies that inspire with characters of vision and conviction who face adversity and often make a personal sacrifice for the greater good. Whether these movies end happily or not, they are ultimately triumphant – both filling audiences with hope and empowering them with the spirit of human potential. LEGACY Films whose "cheers" continue to echo across a century of American cinema. 1 ABE LINCOLN IN ILLINOIS RKO, 1940 PRINCIPAL CAST Raymond Massey, Gene Lockhart, Ruth Gordon DIRECTOR John Cromwell PRODUCER Max Gordon SCREENWRITER Robert E. Sherwood Young Abe Lincoln, on a mission for his father, meets Ann Rutledge and finds himself in New Salem, Illinois, where he becomes a member of the legislature. Ann’s death nearly destroys the young man, but he meets the ambitious Mary Todd, who makes him take a stand on slavery.
    [Show full text]