WDR 3 Jazz & World, 28. Januar 2019

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WDR 3 Jazz & World, 28. Januar 2019 Vor 50 Jahren – Eddie Harris und Les McCann beim Montreux Jazz Festival 1969 22:04 – 24:00 Stand: 21.01.2019 E-Mail: [email protected] | Online: jazz.wdr.de Moderation: Karsten Mützelfeldt Redaktion: Tinka Koch Laufplan 1. Compared To What K/T: Gene McDaniels 1:20 LES McCANN & EDDIE Atlantic 8122-72452-2; LC: 00121 HARRIS CD: Swiss Movement 2. Solo Improvisation K: Les McCann 3:00 LES McCANN Unlimited Media NMX 24 CD: Ben Sidran – Talkin’ Jazz 3. Cold Duck Time K: Eddie Harris 6:35 LES McCANN/ EDDIE wie Titel 1 HARRIS 4. Kathleen’s Theme K: Les McCann 5:40 LES McCANN/ EDDIE wie Titel 1 HARRIS 5. Compared To What K/T: Gene McDaniels 8:18 LES McCANN & EDDIE wie Titel 1 HARRIS 6. You Got It In Your K: Les McCann 7:05 Soulness wie Titel 1 LES McCANN/ EDDIE HARRIS 7. The Generation Gap K: Les McCann 8:40 wie Titel 1 LES McCANN/ EDDIE HARRIS Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 28. Januar 2019 Vor 50 Jahren – Eddie Harris und Les McCann beim Montreux Jazz Festival 1969 22:04 – 24:00 Stand: 21.01.2019 E-Mail: [email protected] | Online: jazz.wdr.de 8. Kaftan K: Leroy Vinnegard 8:12 LES McCANN/ EDDIE wie Titel 1 HARRIS 9. Pump It Up K: Ricky & Paul Peterson 2:40 LES McCANN ESC Records 03678-2, LC: 01263 CD: Pump It Up 10. Boo-Go-Loo K: J. Murray 2:40 LES McCANN Verve 557 351-2; LC: 003835 CD: Talkin’ Verve: les McCann 11. The Truh K: Les McCann T: Margaret Fowler 6 : 0 5 LES McCANN wie Titel 9 12. (They Call It) Stormy K: T-Bone Walker 3:40 Monday Capitol Jazz 79 8306 2, LC: 00148 LOU RAWLS CD: The Legendary 13. Goin’ Out Of My Head 1:05 LES McCANN K: Teddy Randazzo wie Titel 10 14. Guantanamera K: Jose Marti 2:50 LES McCANN wie Titel 10 15. Compared To What K/T: Gene McDaniels 2:30 LES McCANN wie Titel 10 16. Compared To What K/T: Gene McDaniels 5:00 KLAUS DOLDINGER ACT 9224-2, LC: 07644 CD: Doldinger’s Best 17. You Stole My Heart K/T: Eddie Harris 8:40 EDDIE HARRIS ACT 9249, LC: 07644 CD: The Last Concert 18. Ignominy K: Eddie Harris 3:45 LES McCANN Limelight 522 431-2, LC: 00601 CD: On The Soul Side Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 2 WDR 3 Jazz & World, 28. Januar 2019 Vor 50 Jahren – Eddie Harris und Les McCann beim Montreux Jazz Festival 1969 22:04 – 24:00 Stand: 21.01.2019 E-Mail: [email protected] | Online: jazz.wdr.de 19. Amazing Grace K/T: traditionell 4:10 LES McCANN/ JOJA Nullviernull 97001-2; LC: 03310 WENDT CD: Pacifique 20. Tryin’ to Make It Real K: John Robinson LES McCANN w i e T itel 9 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 3 .

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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
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been carefully removed. Given the differ I Harris and Suite: this time spend 50 more hours ideas that grow forward accord- ence in respective milieu in which each me, nothing creating ds, and this to an inner musical logic, anti 20 less VOCALS operates. I would group Brown with Theo minute- figuring out where the drummers dore Bikel and Harry Belafonte as being 5 >s talent "e going to sit________________ (BM) acks. Oscar Bruwit Jr. technically correct yet artistically uncon SIN AND SOUL—Columbia 1577 Work Song, vincing. done a re- But I Was Cool; Bid 'Em In Signifying Monkey. I must except from the above judgment milating the \ ariou» Artists Watermelon Man; Somebody Buy Me a Drink; THIS IS THE BLUES. VOL ONE—Pacific Raes and Old bon Dat Dere; Brown Baby; the one track Bid 'em In, where Brown z expression u„ 13: Oatmeal; Tetlin’ 'Em About It; This Is Humdrum Blues; Sleepy; Afro-Blue. the Blues: One More Hamhock, Please; Red seems entirely committed to what he is ie horns on Personnel: Brown, vocals; other personnel un Skirt; Biowin’ the Blues. doing. The bitter irony here is like a of the mod- listed. Personnel Le« McCann Trio, Quartet, Quintet: breath of fresh air—or perhaps a slap in ie one draw- Curtis Amy-Paul Bryant Quintet; Teddy Edwirda Rating: * * Vg the face—in contrast to the remaining oubtedly be Septet Harold Land Sextet. With this record, Brown is attempting, selections. (F.K.) e is no dis- Rating: ♦ * * if 1 understand correctly, to record in song A more accurate label would have been ■rformances his impressions of contemporary existence, Toni Harper ly and com This Is the Funky Blues.
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