Les Mccann from the Top of the Barrel Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Les McCann From The Top Of The Barrel mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: From The Top Of The Barrel Country: US Released: 1967 Style: Space-Age MP3 version RAR size: 1119 mb FLAC version RAR size: 1267 mb WMA version RAR size: 1130 mb Rating: 4.1 Votes: 165 Other Formats: ASF RA VOC XM MP4 VOX MP3 Tracklist Hide Credits A1 Frankie And Johnny 6:10 Medley (7:47) But Beautiful A2.1 Written-By – Burke-Van Heusen* It Could Happen To You A2.2 Written-By – Burke-Van Heusen* Taking A Chance On Love A3 4:23 Written-By – Latouche*, Fetter*, Duke* Love Letters B1 4:06 Written-By – F.Heyman*, V.Young* Three Slaves B2 7:00 Written-By – Leroy Vinnegar On Green Dolphin Street B3 4:55 Written-By – B.Kaper*, N.Washington* B4 Set Call 1:45 Companies, etc. Copyright (c) – Liberty Records, Inc. Record Company – Liberty Records, Inc. Credits Art Direction – Woody Woodward Bass – Herbie Lewis (tracks: A1 to B1), Leroy Vinnegar (tracks: B2 to B4) Design, Photography By [Cover] – Bernard Yeszin Drums – Ron Jefferson Engineer – Richard Bock Liner Notes – Del Shields Photography By [Photo Les Mccann] – Woody Woodward Piano – Les McCann Producer – Richard Bock Notes Recorded "live". Pacific Jazz a Division Of Liberty Records Printed in U.S.A. Liberty Records Inc. / Los Angeles, California 90028 Label on Spine, cover & center labels (liberty version) Barcode and Other Identifiers Matrix / Runout (Runout Side A etched): ST-20120 - I RE Matrix / Runout (Runout Side B etched): ST-20120 - 2 Other versions Category Artist Title (Format) Label Category Country Year From The Top Of The Barrell Pacific Jazz PJ-10120 Les McCann PJ-10120 US 1967 (LP, Album, Mono) Records Related Music albums to From The Top Of The Barrel by Les McCann Johnny Mathis, Henry Mancini - The Hollywood Musicals Les McCann Ltd. - The Truth Les McCann Ltd. With Leroy Vinnegar, Herbie Lewis, Ron Jefferson Featuring Bobby Hutcherson And Curtis Amy - The Truth Gerry Mulligan & Jimmy Witherspoon - Gerry Mulligan & Jimmy Witherspoon Gerry Mulligan - The Genius Of Gerry Mulligan Bing Crosby - Top O' The Morning / The Emperor Waltz Fred Katz - Fred Katz And His Jammers Rosemary Clooney - Rosemary Clooney Sings The Music Of Jimmy Van Heusen.

Copy Link

Recommended publications

Richard "Groove" Holmes Groove Mp3, Flac, Wma
Richard "Groove" Holmes Groove mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Groove Country: US Released: 1990 Style: Cool Jazz, Soul-Jazz MP3 version RAR size: 1885 mb FLAC version RAR size: 1889 mb WMA version RAR size: 1780 mb Rating: 4.1 Votes: 803 Other Formats: MP1 TTA MP2 AIFF AU MP4 WAV Tracklist Hide Credits Them That's Got 1 6:20 Written-By – R. Charles*, R. Harper* That Healin' Feelin' 2 5:35 Written-By – Les McCann Seven Come Eleven 3 4:03 Written-By – Benny Goodman, Charlie Christian Deep Purple 4 9:09 Written-By – Parish*, DeRose* Good Groove 5 8:10 Written-By – Richard Holmes* Just Friends 6 5:14 Written-By – Klenner*, Lewis* Licks A Plenty 7 4:04 Written-By – Eddie Lockjaw Davis* Next Spring 8 3:22 Written-By – Marvin Jenkins Companies, etc. Phonographic Copyright (p) – Capitol Records, Inc. Copyright (c) – Capitol Records, Inc. Manufactured By – Capitol Records, Inc. Record Company – Capitol-EMI Music, Inc. Recorded At – Pacific Jazz Studios Designed At – Inkwell, Inc. Pressed By – Capitol Jax Credits Art Direction [Reissue] – Franko Caligiuri, Inkwell, Inc. Bass – Herbie Lewis (tracks: 8) Drums – Ron Jefferson Guitar – George Freeman Liner Notes – John William Hardy Organ – Richard 'Groove' Holmes* Photography By [Cover] – Woody Woodward Piano – Les McCann Producer [For Release] – Michael Cuscuna Producer, Engineer [Recording] – Richard Bock Tenor Saxophone – Ben Webster Transferred By [Digital Transfers] – Ron McMaster Trombone – Lawrence 'Tricky' Lofton* Vocals – Les McCann (tracks: 8) Notes Recorded at Pacific Jazz Studios, Los Angeles on March, 1961. Note: The original album of ST-32 contained the first five selections of this Compact Disc.
[Show full text]
Bobby Hutcherson, Vibraphonist with Coloristic Range of Sound, Dies at 75
Bobby Hutcherson, Vibraphonist With Coloristic Range of Soun... http://www.nytimes.com/2016/08/17/arts/music/bobby-hutchers... http://nyti.ms/2bdO8F9 MUSIC Bobby Hutcherson, Vibraphonist With Coloristic Range of Sound, Dies at 75 By NATE CHINEN AUG. 16, 2016 Bobby Hutcherson, one of the most admired and accomplished vibraphonists in jazz, died on Monday at his home in Montara, Calif. He was 75. Marshall Lamm, a spokesman for Mr. Hutcherson’s family, confirmed the death, saying Mr. Hutcherson had long been treated for emphysema. Mr. Hutcherson’s career took flight in the early 1960s, as jazz was slipping free of the complex harmonic and rhythmic designs of bebop. He was fluent in that language, but he was also one of the first to adapt his instrument to a freer postbop language, often playing chords with a pair of mallets in each hand. He released more than 40 albums and appeared on many more, including some regarded as classics, like “Out to Lunch,” by the alto saxophonist, flutist and bass clarinetist Eric Dolphy, and “Mode for Joe,” by the tenor saxophonist Joe Henderson. Both of those albums were a byproduct of Mr. Hutcherson’s close affiliation with Blue Note Records, from 1963 to 1977. He was part of a wave of young artists who defined the label’s forays into experimentalism, including the pianist Andrew Hill and the alto saxophonist Jackie McLean. But he also worked with hard-bop stalwarts like the tenor saxophonist Dexter Gordon, and he later delved into jazz-funk and Afro-Latin grooves. Mr. Hutcherson had a clear, ringing sound, but his style was luminescent and 1 of 4 8/17/16, 2:43 PM Bobby Hutcherson, Vibraphonist With Coloristic Range of Soun..
[Show full text]
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
[Show full text]
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
[Show full text]
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
[Show full text]
Benny Golson (* 25
JAMU 20150408-2 – Benny Golson (* 25. 1. 1929) 6 Along Came Betty 581030 6:08 9 Blues March 581030 6:13 Art Blakey and the Jazz Messengers: Lee Morgan-tp; Benny Golson-ts; Bobby Timmons-p; Jymie Merritt-b; Art Blakey-dr. Van Gelder Studio, Hackensack, New Jersey, October 30, 1958. LP Blue Note BST 84003 „Moanin’“ / CD Blue Note 7243 4 95324 2 7. 3 I Remember Clifford (1957) (138) 581122 5:36 10 Blues March 581122 5:46 1 Whisper Not (1956) (297) 581122 7:11 Art Blakey and the Jazz Messengers: Lee Morgan-tp; Benny Golson-ts; Bobby Timmons-p; Jymie Merritt-b; Art Blakey-dr. Live at the Olympia, Paris, November 22 / December 17, 1958. LP Fontana 680 202 and EP Fontana 460 642 / CD Gitanes 832 659-2. 4 I Remember Clifford 600206 3:10 11 Blues March 600206 5:17 13 Killer Joe (1959) (628) 600206 4:58 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Curtis Fuller-tb; Benny Golson-ts; McCoy Tyner-p; Addison Farmer-b; Lex Humphries-dr. New York City, February 6, 9 and 10, 1960. LP Argo 664 „Meet the Jazztet“ / CD Mosaic MD7-225. 2 Whisper Not 620302 5:20 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Grachan Moncur III-tb; Benny Golson-ts; Harold Mabern-p; Herbie Lewis-b; Roy McCurdy-dr. New York City, March 2, 1962. LP Mercury SR 60698 „Here and Now“ / CD Mosaic MD7-225. 7 Along Came Betty 620621 5:29 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Grachan Moncur III-tb; Benny Golson-ts; Harold Mabern-p; Herbie Lewis-b; Roy McCurdy-dr.
[Show full text]
Wszystkie 2012
30/12/2012 [ Radio RAM ] === MOONDOG / Bird's Lament [DJAZZ (12")] QUANTIC SOUL ORCHESTRA / Get A Move On [Ubiquity (LP)] GENE HARRIS w/ The Three Sounds / Eleanor Rigby [Blue Note/Dusty Groove (LP)] EDDIE JEFFERSON / Thank You Falletinme Be Mice Elf Again [Muse (LP)] WAR / Freight Train Jam [Far Out Productions (LP)] JESTOFUNK f/ Ce Ce Rogets & Fred Wesley / The Ghetto [Irma (EP)] ROLF KUEHN GROUP / 66 Park Avenue [Sonorama (7")] TIM, GARY & ROMEO / Sex Machine (Getting' Up And Doin' Out Thang) [777/Funk Night (7")] TIM, GARY & ROMEO / 777 [777/Funk Night (7")] DOKKERMAN & THE TURKEING FELLAZ / Broken [Budabeats/Tramp (7")] DOKKERMAN & THE TURKEING FELLAZ / Plan B [Budabeats/Tramp (7")] WISDOM & SLIME f/ Werd / Empty Handed (instrumental + vocal) [Goalgetter Austria (EP)] BIZARRE TRIBE / Tour Guide [Gummy Soul (LP)] BIZARRE TRIBE / Runnin' [Gummy Soul (LP)] BIZARRE TRIBE / Ya mama and stuff [Gummy Soul (LP)] BIZARRE TRIBE / Soul Flower (We've Got) [Gummy Soul (LP)] BIZARRE TRIBE / Bonita Keeps On Passin' Me By [Gummy Soul (LP)] BIZARRE TRIBE / Otha Otha Fish [Gummy Soul (LP)] BIZARRE TRIBE / 4 Better Or 4 Worse [Gummy Soul (LP)] BIZARRE TRIBE / Award Tour Guide [Gummy Soul (LP)] BIZARRE TRIBE / Trust, Pt. II [Gummy Soul (LP)] BIZARRE TRIBE / It Ain't Nothing Like [feat. Kriminul] [Gummy Soul (LP)] BIZARRE TRIBE / Lyrics To Let It Go [Gummy Soul (LP)] BIZARRE TRIBE / Doin' Time [feat. Sublime w/ The Pharcyde] [Gummy Soul (LP)] BIZARRE TRIBE / Pharcyde Of The Moon [feat. Bizarre Tribe w/ Black Moon] [Gummy Soul (LP)] FELA SOUL / Stakes
[Show full text]
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
[Show full text]
Eddie Who? - Eddie Harris Amerikansk Tenorsaxofonist, Født 20.10.1934 I Chicago, IL, D
Eddie Who? - Eddie Harris Amerikansk tenorsaxofonist, født 20.10.1934 i Chicago, IL, d. 5.11.1996 Sanger og pianist som barn i baptistkirker og spillede senere vibrafon og tenorsax. Debuterede som pianist med Gene Ammons før universitetsstudier i musik. Spillede med bl.a. Cedar Walton i 7. Army Symphony Orchestra. Fik i 1961 et stort hit og jazzens første guldplade med filmmelodien "Exodus", hvad der i de følgende år gav ham visse problemer med accept i jazzmiljøet. Udsendte 1965 The in Sound med bl.a. hans egen komposition Freedom Jazz Dance, som siden er indgået i jazzens standardrepertoire. Spillede fra 1966 elektrificeret saxofon og hybrider af sax og basun. Flirtede med rock på Eddie Harris In the UK (Atlantic 1969). Spillede 1969 på Montreux festivalen med Les McCann (Swiss Movement, Atlantic) og skrev 1969-71 musik til Bill Cosbys tv-shows. Spillede i 80'erne med bl.a. Tete Montoliu og Bo Stief (Steps Up, SteepleChase, 1981) og igen med Les McCann. Som sideman med bl.a. Jimmy Smith, Horace Silver, Horace Parlan og John Scofield (Hand Jive, Blue Note, 1993). Optrådte trods sygdom, så sent som maj 1996. Indspillede et stort antal plader for mange selskaber, fra 80'erne mest europæiske. Med udgangspunkt i bopmusikken udviklede Harris sine eksperimenter til en meget personlig stil med umiddelbart genkendelig, egenartet vokaliserende tone, fra 70'erne krydret med (ofte lange), humoristisk filosofisk/satiriske enetaler. Følte sig ofte underkendt som musiker og satiriserede over det i sin "Eddie Who". Kilde: Politikens Jazz Leksikon, 2003, red. Peter H. Larsen og Thorbjørn Sjøgren There's a guys (Chorus) You ought to know Eddie Harris ..
[Show full text]
BOXED SET Christy and Tony Martin
He also was an accompanist to Anita O’Day, June album. The leader is featured while accompanied by BOXED SET Christy and Tony Martin. In 1963, he and Duke started the Ray Ellis Orchestra and Voices, the Neal Hefti Clover Records. Several albums were recorded but all String Orchestra or the Neal Hefti Singers. While this that was released was 1965’s Lush Life and a few project does not seem too promising on the surface, singles. In 1966 both their relationship and the label Castro flourishes in these settings with strings and were finished. Strangely enough Castro made no voices and on a few numbers he is joined by Cannonball further recordings (although a cassette with O’Day in and Nat Adderley. The original album is augmented by 1985 later came out) despite being active for another two additional songs plus four alternate takes. The 43 years. The pianist worked in Vegas, most notably as Groove Funk Soul album returns on the fourth disc. This the musical director for the Tropicana Hotel’s Folies is a much more freewheeling session, Castro with what Bergère for quite a few years and he was happily was really the Edwards Quartet, which also includes married from 1967 until his wife’s passing in 2008. Vinnegar and drummer Billy Higgins. The original six Passion Flower (for Doris Duke) The 2019 Sunnyside six-CD set Lush Life – A numbers are joined by four previously unreleased Joe Castro (Clover-Sunnyside) Musical Journey consisted entirely of previously performances: two other songs and two alternates. by Scott Yanow unreleased performances from 1954-66, including a While Castro plays quite well, Edwards often steals the complete disc dedicated to Teddy Wilson (highlighted show with his inventive playing and big tenor sound.
[Show full text]
Aaron SACHS: Frank SACKENHEIM: Fats SADI: Eddie SAFRANSKI
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Fats SADI: "Ensadinado" Fats Sadi -vib; Jimmy Woode -b; Francy Boland -p; Kenny Clarke -d; recorded March 21, 1966 in Köln 16279 NIGHT LADY 4.18 Saba SB15111 16280 ENSADINADO 4.46 --- 16281 GOODBYE 3.16 --- 16282 THE SAME 5.06 --- 16283 ALL OF YOU 3.24 --- 16284
[Show full text]
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
[Show full text]