It's Time for Pool-A-Thon February 16
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot. -
Eddie Who? - Eddie Harris Amerikansk Tenorsaxofonist, Født 20.10.1934 I Chicago, IL, D
Eddie Who? - Eddie Harris Amerikansk tenorsaxofonist, født 20.10.1934 i Chicago, IL, d. 5.11.1996 Sanger og pianist som barn i baptistkirker og spillede senere vibrafon og tenorsax. Debuterede som pianist med Gene Ammons før universitetsstudier i musik. Spillede med bl.a. Cedar Walton i 7. Army Symphony Orchestra. Fik i 1961 et stort hit og jazzens første guldplade med filmmelodien "Exodus", hvad der i de følgende år gav ham visse problemer med accept i jazzmiljøet. Udsendte 1965 The in Sound med bl.a. hans egen komposition Freedom Jazz Dance, som siden er indgået i jazzens standardrepertoire. Spillede fra 1966 elektrificeret saxofon og hybrider af sax og basun. Flirtede med rock på Eddie Harris In the UK (Atlantic 1969). Spillede 1969 på Montreux festivalen med Les McCann (Swiss Movement, Atlantic) og skrev 1969-71 musik til Bill Cosbys tv-shows. Spillede i 80'erne med bl.a. Tete Montoliu og Bo Stief (Steps Up, SteepleChase, 1981) og igen med Les McCann. Som sideman med bl.a. Jimmy Smith, Horace Silver, Horace Parlan og John Scofield (Hand Jive, Blue Note, 1993). Optrådte trods sygdom, så sent som maj 1996. Indspillede et stort antal plader for mange selskaber, fra 80'erne mest europæiske. Med udgangspunkt i bopmusikken udviklede Harris sine eksperimenter til en meget personlig stil med umiddelbart genkendelig, egenartet vokaliserende tone, fra 70'erne krydret med (ofte lange), humoristisk filosofisk/satiriske enetaler. Følte sig ofte underkendt som musiker og satiriserede over det i sin "Eddie Who". Kilde: Politikens Jazz Leksikon, 2003, red. Peter H. Larsen og Thorbjørn Sjøgren There's a guys (Chorus) You ought to know Eddie Harris .. -
Jazz in the Pacific Northwest Lynn Darroch
Advance Praise “Lynn Darroch has put together a great resource for musicians, listeners, and history buffs, compiling what seems to be the most comprehensive resource about the history of jazz in the Northwest. This book will do the important job of keeping the memories and stories alive of musicians and venues that, while they may be immortalized through recordings, have important history that may otherwise be lost to the murkiness of time. Darroch has done the community and the music a great service by dedicating himself to telling these stories.” —John Nastos “Lynn Darroch illuminates the rich history of jazz in the Pacific Northwest from the early twentieth century to the present. Interweaving factors of culture, economics, politics, landscape, and weather, he helps us to understand how the Northwest grew so many fine jazz artists and why the region continues to attract musicians from New Orleans, New York, California, Europe, and South America. He concentrates on the traditions of the big port cities, Seattle and Portland, and underlines the importance of musicians from places like Wenatchee, Spokane, Eugene, and Bend. Darroch has the curiosity of a journalist, the investigative skills of a historian and the language of a poet. His writing about music makes you want to hear it.” —Doug Ramsey “With the skills of a curator, Lynn Darroch brings us the inspiring history and personal stories of Northwest jazz musicians whose need for home, love of landscape, and desire to express, all culminate into the unique makeup of jazz in Portland and Seattle. Thank you Lynn for a great read and its contribution to jazz. -
BOXED SET Christy and Tony Martin
He also was an accompanist to Anita O’Day, June album. The leader is featured while accompanied by BOXED SET Christy and Tony Martin. In 1963, he and Duke started the Ray Ellis Orchestra and Voices, the Neal Hefti Clover Records. Several albums were recorded but all String Orchestra or the Neal Hefti Singers. While this that was released was 1965’s Lush Life and a few project does not seem too promising on the surface, singles. In 1966 both their relationship and the label Castro flourishes in these settings with strings and were finished. Strangely enough Castro made no voices and on a few numbers he is joined by Cannonball further recordings (although a cassette with O’Day in and Nat Adderley. The original album is augmented by 1985 later came out) despite being active for another two additional songs plus four alternate takes. The 43 years. The pianist worked in Vegas, most notably as Groove Funk Soul album returns on the fourth disc. This the musical director for the Tropicana Hotel’s Folies is a much more freewheeling session, Castro with what Bergère for quite a few years and he was happily was really the Edwards Quartet, which also includes married from 1967 until his wife’s passing in 2008. Vinnegar and drummer Billy Higgins. The original six Passion Flower (for Doris Duke) The 2019 Sunnyside six-CD set Lush Life – A numbers are joined by four previously unreleased Joe Castro (Clover-Sunnyside) Musical Journey consisted entirely of previously performances: two other songs and two alternates. by Scott Yanow unreleased performances from 1954-66, including a While Castro plays quite well, Edwards often steals the complete disc dedicated to Teddy Wilson (highlighted show with his inventive playing and big tenor sound. -
Aaron SACHS: Frank SACKENHEIM: Fats SADI: Eddie SAFRANSKI
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Fats SADI: "Ensadinado" Fats Sadi -vib; Jimmy Woode -b; Francy Boland -p; Kenny Clarke -d; recorded March 21, 1966 in Köln 16279 NIGHT LADY 4.18 Saba SB15111 16280 ENSADINADO 4.46 --- 16281 GOODBYE 3.16 --- 16282 THE SAME 5.06 --- 16283 ALL OF YOU 3.24 --- 16284 -
Scroll the 2017 Biamp PDX Jazz Festival Program
PDX JAZZ FESTIVAL FEBRUARY 16-26 01 PJF17_Cover.indd 1 1/31/17 6:01 PM C M Y CM MY CY CMY K Living Room • Bedroom • Dining Room • Rugs nwrugs.com Jantzen Beach 2100 N. Hayden Island Dr (503) 285-7847 Tanasbourne 16305 #110 NW Cornell Rd (503) 645-7847 Wilsonville 29735 SW Town Center Lp W (503) 682-7847 Sherman Oaks, CA (Los Angeles) (818) 386-7847 - Agoura Hills, CA (Los Angeles) (818) 706-3333 • Las Vegas, NV - (702) 737-7847 Monday - Saturday: 10AM to 7PM - Sunday: 11AM to 6PM NWRugs_1.indd 2 1/31/17 5:59 PM WELCOME elcome to the 14th Annual Biamp PDX Jazz Festival. Some folks have wondered why we dropped “Portland” from our W title last year, but many have also recognized our year-round commitment and expansion for presenting jazz all across the Rose City under our organization name PDX Jazz (and no one will dispute that PDX is the best airport in America—even with the new carpeting). Our tireless pursuit in offering our Citizens of Jazzlandia the finest examples of emerging, established and legacy artists continued unabated this past Fall with eleven shows: Raul Midón, Kamasi Washington, Camila Meza, Bill Frisell, McCoy Tyner, Steve Lehman, and Dave Douglas, among others. We have many great shows planned for the coming season T. S. MONK including Dave Holland, Donny McCaslin, Gerald Clayton, Billy Childs, Anat Cohen, Eliane Elias, Manuel Valera, Marquis Hill and Blacktet, Ambrose Akinmusire, and major surprises to be announced soon. The venues with whom we partner are integral in making sure we can keep bringing this high level of artistry for Portlanders to admire and discover. -
Hifi/Stereo Review November 1960
Smith arc two survivors of the New York Gildo Mahones (piano), Martin Riviera For or Harlem piano style of 50 years ago. (bass), Ron Jefferson or Jimmy Wormworth Only Smith has been on the scene continuously (drums), Sahib Shibab (baritone sax), Chino since then and has recorded numerous Pozo (bongos), Eileen Gilbert (vocalist). The tunes. Roberts has been relatively obscure." Oblong; Blue Flame; Kniftin'; Princess & 4 $495 others. Atlantic SD 1306 $5.98 How So it is that his work comes through with much more impact-probably because of Interest: Pleasant jazz the unexpectedness of its source. Both Performance: Slick players have that bright floridity that have Recording: Excellent characterized this school of jazz pianism. Stereo Directionality: OK -TRACK Stereo Depth: OK 4 is flourishes and Smith capable of embel- STEREO TAPE lishments that are almost rococo. Roberts This group gets a nice tight sound in has magnificent technical command, a its playing. Rouse's tenor is the best sharp flashing style, and a total impact solo instrument and the arrangements are that puts Smith at a disadvantage. Al- always pretty. The band sounds kind of though this piano style is relatively limited, Duke Ellington-ish, especially when the it did provide the roots for such as James voice of Eileen Gilbert is used a la Kay FROM P. Johnson and Duke Ellington, and it has Davis. The best tracks are the bluesy not lost interest today, especially in such numbers on Side 2, where a little more superior recordings as this one. R. J. G. digging resulted in some good, firm -swing- ing jazz. -
Drummerissue
APRIL 2016—ISSUE 168 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM drumMER issue BILLYBILLY COBHAMCOBHAM DRUMDRUM SPECTRUMSPECTRUM DAVE CHAD BERNARD DONALD WECKL TAYLOR PURDIE BAILEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2016—ISSUE 168 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Dave Weckl 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Chad Taylor 7 by ken waxman General Inquiries: [email protected] On The Cover : Billy Cobham 8 by john pietaro Advertising: [email protected] Encore : Bernard Purdie by russ musto Editorial: 10 [email protected] Calendar: Lest We Forget : Donald Bailey 10 by donald elfman [email protected] VOXNews: LAbel Spotlight : Amulet by mark keresman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above FESTIVAL REPORT or email [email protected] 13 Staff Writers CD Reviews 14 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Miscellany 36 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Event Calendar Tom Greenland, Anders Griffen, 38 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, As we head into spring, there is a bounce in our step. -
AES Pacific NW Section Meeting Notice
AES Pacific NW Section Meeting Notice Around the Puget Sound, Seattle, Washington, U.S.A. November Meeting Notice An Evening With Roy DuNann Presented by Pacific Northwest Section of The Audio Engineering Society 7:30pm, Tuesday, November 27th, 2007 Opus 4 Studios Bothell, WA Important: RSVP now required! Directions to Opus 4 Studios You've heard about Rudy Van Gelder. Now meet Jazz' other legendary engineer. So begins an article in Stereophile, a magazine usually devoted to the pursuit of high-end audio. In the post-WW2 1940s, Warren Birkenhead (who is probably as nameless today as he was 60 years ago) got one of his Navy buddies a job with a budding record company in Los Angeles. He started out in QC, but was eventually rescued when the record company decided to build their own studio. Warren and his friend were drafted to set up four lathes for lacquer mastering at the new studio. Eventually Warren's friend ended up as the studio manager and along the way recorded hundreds of sessions, including Nat "King" Cole, Frank Sinatra, Dean Martin (including "That's Amore"), Peggy Lee, Kay Starr, Jo Stafford, and Stan Kenton. That studio and the record company was Capitol Records. In 1956, a Dixieland label owned by Lester Koenig branched out into recording modern jazz and he decided to set up his own studio. That label was Contemporary Records. The studio was their shipping room. The control room was the office across the hall. Lester hired the studio manager away from his job at Capitol Records. By now, you've probably guessed that the engineer's name was Roy DuNann. -
Frank Rosolino
Frank Rosolino Free For All (Specialty) Free For All Frank Rosolino, trombone; Harold Land, tenor sax; Victor Feldman, piano; Leroy Vinnegar, bass; Stan Levey, drums. 1. Love For Sale (Cole Porter) 5:53 2. Twilight (Victor Feldman) 3:50 3. Don't Take Your Love From Me (Henry Nemo) 5:23 Produced by DAVID AXELROD 4. Chrisdee (Stan Levey) 4:24 Recording by GORDON SKENE 5. Stardust (Charmichael--Parish) 5:07 Recorded on December 22, 1958 6. Free For All (Frank Rosolino) 4:42 7. There Is No Greater Love (Jones--Symes) 4:34 8. Sneakyoso (Frank Rosolino) 6:51 Surprises of the kind represented by this album are as rare as they are welcome. The appearance of a hitherto undocumented album by Frank Rosolino makes a valuable addition to the discographical annals of an artist whose memory is cherished by admirers around the world. The existence of the present volume was unknown except to those who had taken part in it--and, particularly, the man who produced it, David Axelrod. "Frank and I were excited about this album," Axelrod recalls, "because it was going to be the first hard bop album recorded and released on the West Coast. We wanted to get away from that bland, stereotyped West Coast image. We worked for weeks on planning the personnel and the songs; the results were terrific. It was a great disappointment to us both that the record, for reasons we never understood, wasn't released." Rosolino confirmed this view in a letter he sent to Specialty some nine months after the session.