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Rejuvenations and Satyricons of Yesterday
REJUVENATIONS AND SATYRICONS OF YESTERDAY By PAN. S. CODELLAS, M.D. SAN FRANCISCO Whence and Whithe r ? and hard labour and exhausting diseases, HEN the grey matter in which the Fates give to men; they lived the human cortex began to like Gods with a soul not touched by sorrow, far away from labour and grief; develop and establish sen- there was no miserable senility; for always sation, perception, emo- the arms and legs were strong and inde- tions, instinctive, purposefulfatigable, or ra - enjoying merry feasts beyond tionalW reactions towards a desired the reach of all evils. They died as if they objective, association, memory, gen- were subdued into sleep.” [Hesiod’s eral intelligence, judgment, then man “Works and Days,” 90 seq.] began to realize environment and attempt to control it. The early man Impos ition of Death in his later intellectual infancy prob- ably was imbued with the curiosity Death was the subject of numerous to answer the question of the origin speculations as to its origin. Among of his earthly appearance and dis- the earliest primitive theories we appearance, of Life and Death. find it commonly thought to be a To primitive intellect human in- trick. At a later period it appears itium and exitus were not two op- to be due to the malevolence of posing ends as they are to maturing demons craving human flesh and for more advanced mind. this inflicting death to men. To some The earliest men thought of life death was the separation of the soul as a natural, normal condition, be- from the body, which was the result cause they realized by it in the male of sorcery. -
Special Operations Executive - Wikipedia
12/23/2018 Special Operations Executive - Wikipedia Special Operations Executive The Special Operations Executive (SOE) was a British World War II Special Operations Executive organisation. It was officially formed on 22 July 1940 under Minister of Economic Warfare Hugh Dalton, from the amalgamation of three existing Active 22 July 1940 – 15 secret organisations. Its purpose was to conduct espionage, sabotage and January 1946 reconnaissance in occupied Europe (and later, also in occupied Southeast Asia) Country United against the Axis powers, and to aid local resistance movements. Kingdom Allegiance Allies One of the organisations from which SOE was created was also involved in the formation of the Auxiliary Units, a top secret "stay-behind" resistance Role Espionage; organisation, which would have been activated in the event of a German irregular warfare invasion of Britain. (especially sabotage and Few people were aware of SOE's existence. Those who were part of it or liaised raiding operations); with it are sometimes referred to as the "Baker Street Irregulars", after the special location of its London headquarters. It was also known as "Churchill's Secret reconnaissance. Army" or the "Ministry of Ungentlemanly Warfare". Its various branches, and Size Approximately sometimes the organisation as a whole, were concealed for security purposes 13,000 behind names such as the "Joint Technical Board" or the "Inter-Service Nickname(s) The Baker Street Research Bureau", or fictitious branches of the Air Ministry, Admiralty or War Irregulars Office. Churchill's Secret SOE operated in all territories occupied or attacked by the Axis forces, except Army where demarcation lines were agreed with Britain's principal Allies (the United Ministry of States and the Soviet Union). -
Aeschylus' Libation Bearers
Libation Bearers By Aeschylus Translated by Jim Erdman Further Revised by Gregory Nagy At the tomb of Agamemnon. Orestes and Pylades enter. Orestes Hermes of the nether world, you who guard the powers [kratos] of the ancestors, prove yourself my savior [sōtēr] and ally, I entreat you, now that I have come to this land and returned from exile. On this mounded grave I cry out to my father to hearken, 5 to hear me... [There is a gap in the text.] [Look, I bring] a lock of hair to Inakhos1 in compensation for his care, and here, a second, in token of my grief [penthos]. For I was not present, father, to lament your death, nor did I stretch forth my hand to bear your corpse. 10 What is this I see? What is this throng of women that advances, marked by their sable cloaks? To what calamity should I set this down? Is it some new sorrow that befalls our house? Or am I right to suppose that for my father’s sake they bear 15 these libations to appease the powers below? It can only be for this cause: for indeed I think my own sister Electra is approaching, distinguished by her bitter grief [penthos]. Oh grant me, Zeus, to avenge my father’s death, and may you be my willing ally! 20 Pylades, let us stand apart, that I may know clearly what this band of suppliant women intends. They exit. Electra enters accompanied by women carrying libations. Chorus strophe 1 Sent forth from the palace I have come to convey libations to the sound of sharp blows of my hands. -
Lucan's Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek a Dissertation Submitted in Partial Fulf
Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Catherine Connors, Chair Alain Gowing Stephen Hinds Program Authorized to Offer Degree: Classics © Copyright 2014 Laura Zientek University of Washington Abstract Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek Chair of the Supervisory Committee: Professor Catherine Connors Department of Classics This dissertation is an analysis of the role of landscape and the natural world in Lucan’s Bellum Civile. I investigate digressions and excurses on mountains, rivers, and certain myths associated aetiologically with the land, and demonstrate how Stoic physics and cosmology – in particular the concepts of cosmic (dis)order, collapse, and conflagration – play a role in the way Lucan writes about the landscape in the context of a civil war poem. Building on previous analyses of the Bellum Civile that provide background on its literary context (Ahl, 1976), on Lucan’s poetic technique (Masters, 1992), and on landscape in Roman literature (Spencer, 2010), I approach Lucan’s depiction of the natural world by focusing on the mutual effect of humanity and landscape on each other. Thus, hardships posed by the land against characters like Caesar and Cato, gloomy and threatening atmospheres, and dangerous or unusual weather phenomena all have places in my study. I also explore how Lucan’s landscapes engage with the tropes of the locus amoenus or horridus (Schiesaro, 2006) and elements of the sublime (Day, 2013). -
Late Sophocles: the Hero's Evolution in Electra, Philoctetes, and Oedipus
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Late Sophocles Late Sophocles The Hero’s Evolution in Electra, Philoctetes, and Oedipus at Colonus Thomas Van Nortwick University of Michigan Press Ann Arbor Copyright © Thomas Van Nortwick 2015 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and ex- cept by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2018 2017 2016 2015 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Van Nortwick, Thomas, 1946– . Late Sophocles : the hero’s evolution in Electra, Philoctetes, and Oedipus at Colonus / Thomas Van Nortwick. pages cm Includes bibliographical references and index. ISBN 978- 0- 472- 11956- 1 (hardcover : alk. paper) — ISBN 978- 0- 472- 12108- 3 (ebook) 1. Sophocles— Criticism and interpretation. 2. Sophocles. Electra. 3. Sophocles. Oedipus at Colonus. 4. Sophocles. Philoctetes. I. Title. PA4417.V36 2015 882'.01— dc23 2014049364 For Nathan Greenberg colleague, mentor, and friend Preface Oh children, follow me. I am your new leader, as once you were for me. (Sophocles, Oedipus at Colonus 1542– 431) Sophocles’s Oedipus at Colonus ends with his most famous character walking serenely through the central doors of the stage building (skēnē) in the Theater of Dionysus and into the grove of the Eumenides. -
Kriegsverbrechen Der Nazis
Kriegsverbrechen der Nazis Verbrechen der Wehrmacht (aus Wikipedia) Als Verbrechen der Wehrmacht werden Verbrechen bezeichnet, die Angehörige der Wehrmacht im Zweiten Weltkrieg begangen haben. Zu ihnen gehören Planung und Durchführung von Angriffs- und Vernichtungskrieg, Massenmorde an Zivilisten und als Partisanen Verdächtigten, Misshandlung und Ermordung von Kriegsgefangenen, Besatzungsverbrechen sowie die direkte und indirekte Teilnahme an Völkermorden, darunter dem Holocaust und dem Porajmos. Die Wehrmachtführung erliess verbrecherische Befehle, die gegen Normen des Kriegsvölkerrechts (Genfer Konventionen, Haager Landkriegsordnung und Gepflogenheiten des Krieges) verstiessen. Die juristische und politische Aufarbeitung dieser Verbrechen ist bis heute nicht abgeschlossen. In NS-Prozessen seit 1945 wurden nur wenige Verbrechen der Wehrmacht verhandelt. Sie wurden in der Bundesrepublik Deutschland lange öffentlich bestritten oder verharmlost, ihre Strafverfolgung verschleppt und behindert. Wie viele einfache Soldaten an ihnen beteiligt waren, die Opferzahlen und die Motive der Täter sind bis heute umstritten. Verbrechensbereiche Verbrechen der Wehrmacht verteilen sich auf die Vorbereitung eines Angriffskriegs, der auf Vernichtung zielte, und tödliche Begleiterscheinungen und Folgen der Kriegführung. Ersteres geschah vor allem in Bezug auf Osteuropa, Letzteres geschah in und nach allen Eroberungskriegen der Wehrmacht, zuletzt auch beim Rückzug deutscher Truppen im "Altreich". Die Verbrechen erfolgten hauptsächlich in folgenden Bereichen: -
The Oresteia of Aeschylus
The Oresteia of Aeschylus The Libation Bearers Translated in verse by Robin Bond (2014) University of Canterbury, Christchurch, New Zealand The Oresteia of Aeschylus : The Libation Bearers by Robin Bond (Trans) is licensed under a Creative Commons Attribution 4.0 International License. Available at: http://hdl.handle.net/10092/10503 The Libation Bearers Dramatis Personae Orestes, son of Agamemnon and Clytemnestra Pylades, his friend Electra, his sister Chorus of foreign serving women A servant (doorkeeper) Clytemnestra, now wife of Aegisthus Cilissa the Nurse Aegisthus A follower of Aegisthus Various attendants (all silent) The Oresteia of Aeschylus : The Libation Bearers Page 2 Orestes Lord Hermes, guide to the dead and guardian of my father's realm be now my safeguard and companion in answer to my prayers. For I have come back home, returned to this land of mine Here at the mound of my father's tomb I speak aloud to him, that he may hear and mark my words... one lock of hair I dedicate to Inachus who reared me, and here a second lock to mark my grief... I was not here to grieve your fate in person, father, nor did I stretch out my hand to carry out your corpse. But what is this I see? What is this group of women 10 that hurries along all dressed in robes of black? What chance event should I imagine to have taken place? Or does some fresh disaster tyrannize the house? Perhaps these women bring my father gifts and offerings to pour for him as please the dead? That is the truth and nothing else; for there I do believe I see Electra. -
Why Are There Seven Sisters?
Why are there Seven Sisters? Ray P. Norris1,2 & Barnaby R. M. Norris3,4,5 1 Western Sydney University, Locked Bag 1797, Penrith South, NSW 1797, Australia 2 CSIRO Astronomy & Space Science, PO Box 76, Epping, NSW 1710, Australia 3 Sydney Institute for Astronomy, School of Physics, Physics Road, University of Sydney, NSW 2006, Australia 4 Sydney Astrophotonic Instrumentation Laboratories, Physics Road, University of Sydney, NSW 2006, Australia 5 AAO-USyd, School of Physics, University of Sydney, NSW 2006, Australia Abstract of six stars arranged symmetrically around a seventh, and is There are two puzzles surrounding the therefore probably symbolic rather than a literal picture of Pleiades, or Seven Sisters. First, why are the Pleiades. the mythological stories surrounding them, In Greek mythology, the Seven Sisters are named after typically involving seven young girls be- the Pleiades, who were the daughters of Atlas and Pleione. ing chased by a man associated with the Their father, Atlas, was forced to hold up the sky, and was constellation Orion, so similar in vastly sep- therefore unable to protect his daughters. But to save them arated cultures, such as the Australian Abo- from being raped by Orion the hunter, Zeus transformed them riginal cultures and Greek mythology? Sec- into stars. Orion was the son of Poseidon, the King of the sea, ond, why do most cultures call them “Seven and a Cretan princess. Orion first appears in ancient Greek Sisters" even though most people with good calendars (e.g. Planeaux , 2006), but by the late eighth to eyesight see only six stars? Here we show that both these puzzles may be explained by early seventh centuries BC, he is said to be making unwanted a combination of the great antiquity of the advances on the Pleiades (Hesiod, Works and Days, 618-623). -
Patrick Leigh Fermor DSO, Intelligence Corps & Special Operations Executive
FOREWORD Major Patrick Leigh Fermor DSO, Intelligence Corps & Special Operations Executive Patrick Leigh Fermor From Wikipedia, the free encyclopedia Patrick Leigh Fermor in 1966 Born Patrick Michael Leigh Fermor 11 February 1915 London, England Died 10 June 2011 (aged 96) Dumbleton, England Occupation Author, scholar and soldier Nationality British Genre Travel Notable A Time of Gifts Works Notable Knight Bachelor; Distinguished Service Order; Awards Officer of the Order of the BritishEmpire Spouse Hon. Joan Elizabeth Rayner Sir Patrick Michael Leigh Fermor, DSO, OBE (11 February 1915 – 10 June 2011), also known as Paddy Fermor, was a British author, scholar and soldier who played a prominent role behind the lines in the Cretan resistance during the Second World War. He was widely regarded as "Britain's greatest living travel writer" during his lifetime, based on books such as A Time of Gifts (1977). A BBC journalist once described him as "a cross between Indiana Jones, James Bond and Graham Greene. 1 Early life and education He was born in London, the son of Sir Lewis Leigh Fermor, a distinguished geologist, and Muriel Aeyleen, daughter of Charles Taafe Ambler. Shortly after his birth, his mother and sister left to join his father in India, leaving the infant Patrick in England with a family in Northamptonshire. He did not meet his family in person until he was four years old. As a child, Leigh Fermor had problems with academic structure and limitations. As a result, he was sent to a school for "difficult children". He was later expelled from The King’s School, Canterbury, when he was caught holding hands with a green-grocer's daughter. -
Classical Mythology in the Victorian Popular Theatre Edith Hall
Pre-print of Hall, E. in International Journal of the Classical Tradition, (1998). Classical Mythology in the Victorian Popular Theatre Edith Hall Introduction: Classics and Class Several important books published over the last few decades have illuminated the diversity of ways in which educated nineteenth-century Britons used ancient Greece and Rome in their art, architecture, philosophy, political theory, poetry, and fiction. The picture has been augmented by Christopher Stray’s study of the history of classical education in Britain, in which he systematically demonstrates that however diverse the elite’s responses to the Greeks and Romans during this period, knowledge of the classical languages served to create and maintain class divisions and effectively to exclude women and working-class men from access to the professions and the upper levels of the civil service. This opens up the question of the extent to which people with little or no education in the classical languages knew about the cultures of ancient Greece and Rome. One of the most important aspects of the burlesques of Greek drama to which the argument turned towards the end of the previous chapter is their evidential value in terms of the access to classical culture available in the mid-nineteenth century to working- and lower- middle-class people, of both sexes, who had little or no formal training in Latin or Greek. For the burlesque theatre offered an exciting medium through which Londoners—and the large proportion of the audiences at London theatres who travelled in from the provinces—could appreciate classical material. Burlesque was a distinctive theatrical genre which provided entertaining semi-musical travesties of well-known texts and stories, from Greek tragedy and Ovid to Shakespeare and the Arabian Nights, between approximately the 1830s and the 1870s. -
WELCOME to MUSIC CITY! Come Early and Stay Late! Experience for Yourself What Makes Nashville Special During the Summer Months
WELCOME TO MUSIC CITY! Come early and stay late! Experience for yourself what makes Nashville special during the summer months. It’s a city that resonates with life and vibrates to the beat of every kind of song. It’s a wonderland of American music, Southern hospitality, unbelievable cuisine, and a boundless spectrum of nightlife. Come join us and together we will keep the music playing! SAVE THE DATE | AUGUST 10-12, 2021 | HTTPS://CONVENTION.NCBA.ORG/ GAYLORD OPRYLAND RESORT & CONVENTION CENTER TOP TEN THINGS TO DO IN NASHVILLE SUMMER Hit The Hall — Kick off your Nashville Take A Timeless Journey — The Ryman experience with a day at the Country Music Auditorium, also called the “Mother Church of Hall of Fame® and Museum. The world’s Country Music,” has had artists as diverse as largest popular music museum offers ever- Elvis Costello and Patsy Cline perform on its changing exhibits featuring the legends of legendary stage since 1892. You can take a country music past and today’s hottest stars. backstage tour and record your own song in Grab a bite to eat inside the museum at 222 the Ryman studio. The stars of the Grand Ole Eatery, a full-service restaurant serving Southern favorites, or at Bajo Opry take the stage every Tuesday, Friday, and Saturday night (at the Sexto, an authentic Mexican taqueria. Then take some time to explore Ryman Auditorium November-January; at the Grand Ole Opry House the museum’s retail stores offering locally-made gifts, clothing, and a February-October) with guest appearances by the biggest names in comprehensive selection of books and music. -
Bentley + ADR Et Al.Pdf
The Brief Wondrous Tournament of WAO - Málà Yousufzai, served extra spicy Editors: Will Alston, Joey Goldman, James Lasker, Jason Cheng, Naveed Chowdhury, and Jonathan Luck, with writing assistance from Athena Kern and Shan Kothari. Packet by Bentley and ADR et al TOSSUPS 1. An aria for this character begins with the two phrases B-flat-D-F-low A, C-E-flat-D-B-flat; that aria for this character includes a lamentful G-minor Andante middle section and involves a dramatic appearance after three characters sing “Sie kommt! Sie kommt!” A rhythmic pattern repeated by this character consists of a grace note into four legato sixteenth notes, eight staccato eighth notes, and a half note. This character makes This character sings the highest part in the quintet “Nur Stille Stille” with the (*) Three Ladies. This operatic character sets the plot in action by showing Tamino a picture of her daughter which Tamino then must save. In one appearance by this character, she tells her daughter that she will disown her unless she kills Sarastro. This character must hit a high F6 note in both of her arias, “O Zittre Nicht” and “Der Holle Rache.” For 10 points, name this primary villain of The Magic Flute. ANSWER: Queen of the Night or [Königin der Nacht] <Edited> 2. Some facilities built to perform this task would be improved via the squeezed light called for in the A+ proposals. A shack on the University of Maryland golf course with some three thousand pound bells was built to perform this task. A calculated value of inflationary r of 0.2 claimed to indirectly accomplish this task but was disproved upon the release of the Planck dust maps.