Yusef Lateef Yusef Lateef Mp3, Flac, Wma

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Yusef Lateef Yusef Lateef mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Yusef Lateef Country: US Released: 1972 Style: Hard Bop, Modal MP3 version RAR size: 1566 mb FLAC version RAR size: 1524 mb WMA version RAR size: 1456 mb Rating: 4.2 Votes: 484 Other Formats: TTA VOC WMA AU AAC APE AC3 Tracklist Hide Credits Taboo A1 9:00 Written-By – Stillman*, Lecuona* Mahaba A2 3:09 Written-By – Lateef* Ecaps A3 6:26 Written-By – Lateef* All Alone B1 3:58 Written-By – Berlin* Anastasia B2 4:07 Written-By – Newman*, Webster* Minor Mood B3 9:22 Written-By – Lateef* Rasheed C1 4:17 Written-By – Lateef* I'l Remember April C2 6:39 Written-By – Raye*, DePaul*, Johnson* Koko's Tune C3 6:18 Written-By – Lateef* Sea Breeze D1 3:06 Written-By – Hoffman*, Manning* Dopolous D2 3:12 Written-By – Lateef* Cry! Tender D3 5:52 Written-By – Lateef* Yesterdays D4 4:15 Written-By – Kern*, Harbach* Credits Liner Notes – Ira Gitler Remastered By – Rudy Van Gelder Notes 24007 on spine, PR 24007 on front cover, PRST 24007 on labels. Van Gelder stamped on vinyl Other versions Category Artist Title (Format) Label Category Country Year PR 24007 Yusef Lateef Yusef Lateef (2xLP, Comp) Prestige PR 24007 US 1972 PR 24007 Yusef Lateef Yusef Lateef (2xLP, Comp) Prestige PR 24007 UK 1972 PR 24007 Yusef Lateef Yusef Lateef (2xLP, Comp, M/Print) Prestige PR 24007 US 1972 PR 24007 Yusef Lateef Yusef Lateef (2xLP, Comp, RE) Prestige PR 24007 US Unknown PR 24007 Yusef Lateef Yusef Lateef (2xLP, Comp, Gat) Prestige PR 24007 France 1972 Related Music albums to Yusef Lateef by Yusef Lateef Yusef Lateef - Eastern Sounds Yusef Lateef - Robot Man / Look On The Right Side Latyrx [Lateef & Lyrics Born] - The Album Yusef Lateef - The Blue Yusef Lateef Yusef Lateef - Greatest Hits Yusef Lateef - Psychicemotus Yusef Lateef - Other Sounds Yusef Lateef - The Golden Flute Yusef Lateef With Art Farmer - Autophysiopsychic Abdul Lateef Khan - Sukoon.

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Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67
Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 Marc Howard Medwin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2008 Approved by: David Garcia Allen Anderson Mark Katz Philip Vandermeer Stefan Litwin ©2008 Marc Howard Medwin ALL RIGHTS RESERVED ii ABSTRACT MARC MEDWIN: Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 (Under the direction of David F. Garcia). The music of John Coltrane’s last group—his 1965-67 quintet—has been misrepresented, ignored and reviled by critics, scholars and fans, primarily because it is a music built on a fundamental and very audible disunity that renders a new kind of structural unity. Many of those who study Coltrane’s music have thus far attempted to approach all elements in his last works comparatively, using harmonic and melodic models as is customary regarding more conventional jazz structures. This approach is incomplete and misleading, given the music’s conceptual underpinnings. The present study is meant to provide an analytical model with which listeners and scholars might come to terms with this music’s more radical elements. I use Coltrane’s own observations concerning his final music, Jonathan Kramer’s temporal perception theory, and Evan Parker’s perspectives on atomism and laminarity in mid 1960s British improvised music to analyze and contextualize the symbiotically related temporal disunity and resultant structural unity that typify Coltrane’s 1965-67 works.
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