Central Florida Future, Vol. 26 No. 39, July 13, 1994
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Wesst Arceen Named As the Sole Contingent Beneficiary
Texas High School Mock Trial Competition 2017 Case Materials State of Texoma v. Houston Whit Cause No. 16-908 § STATE OF TEXOMA § IN THE CRIMINAL COURT § v. § § OF HOUSTON WHIT, § LANDRY COUNTY, TEXOMA § Defendant § § § § CASE MATERIALS PREPARED BY: Stephen W. Gwinn, Esq. Chair, Mock Trial Committee Fred Moss, Esq. Mock Trial Committee Sarah Flournoy, Esq. Co-Vice Chair, Mock Trial Committee Tasha James, Esq. Co-Vice Chair, Mock Trial Committee Brad Johnson, Esq. Co-Vice Chair, Mock Trial Committee James D. Blume, Esq. Spencer Bryson, Esq. Jacquelyn Clark, Esq. Jaclyn Kerbow, Esq. Cari LaSala, Esq. Scott Seelhoff, Esq. Stephen Stapleton, Esq. Cover Design, Cari LaSala, Esq. COPYRIGHT 2016-2017 TEXAS HIGH SCHOOL MOCK TRIAL COMPETITION. ALL RIGHTS RESERVED. Cause No. 16-908 § STATE OF TEXOMA § § IN THE CRIMINAL DISTRICT COURT v. § § OF HOUSTON WHIT, § § LANDRY COUNTY, TEXOMA Defendant. § § STIPULATIONS OF THE PARTIES The parties agree and stipulate as to the following: I. This is a criminal trial that will be tried before a jury. The Prosecution is being made by and in the name of the State of Texoma. Houston Whit is the Defendant. The Defendant has been charged by information with the criminal offense of murder. This will be a bifurcated trial. The parties will only try the issue of guilt or innocence. Should the Defendant be found guilty, there will be a separate trial on the issue of punishment at some future date. An appropriate punishment or the range of punishment is, therefore, not at issue in this trial and is not to be argued. Each person who is a witness has been properly advised of their constitutional rights. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
As We Forgive Those
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2013 As We Forgive Those Therese O'Neil CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/401 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] As We Forgive Those By Tracy O’Neill Mentor: Salar Abdoh April 30, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at the City College of the City University of New York. 1 CUT HIM Most all the stories Ted tells are quoting movies, and some of the movies are even movies we’ve seen together, but I don’t let on that I know. Problems are intrepid to all of us. Like last month, we’re at the Silver Dollar Stack pancake house, when bang! We’ve reared right back into this guy’s minivan. Guy gets out real steamed, saying he’s going to call 911 and get the police over. My mind is spinning like bicycle pedals on a downhill. I’ve got a D‐Dub from driving home from a high school party nine months back, and here we are in the parking lot not having learned our lesson, Ted drinking rum in his orange juice. I can see the whole scenario in cop eyes. “Dump it,” I told Ted. -
Imperial Celebrates Inaugural Liberation & Community Week
FR IDAY, 25 TH JANUARY, 2019 – Keep the Cat Free – ISSUE 1711 Felix The Student Newspaper of Imperial College London NEWS Cancer Awareness in Young People Week PAGE 4 COMMENT Who should vote on what? PAGE 6 SUSTAINABILITY Inclusivity starts here // Imperial College Union Imperial celebrates inaugural Liberation & Imperial Green Community Week being represented, go out spoke about how they 2019 Calendar and make those events have advocated for change and start those projects and championed diversity. PAGE 19 NEWS College Union’s first of microaggressions, yourself” - the importance Final year Biochemistry Liberation & Commu- which are unconscious of remembering that “the student and Student Andy Djaba nity Week, with a panel expressions of racism or burden of making sure Trustee, Hafiza Irshad, Editor-in-Chief discussion hosted by the sexism. Attendees at the we’re all represented talked about her work SPORT Deputy President (Wel- event heard more about shouldn’t be left on those with the outreach depart- fare), Becky Neil. why diversity is important of us that are unrepresent- ment, working to fully The launch event, and how every member ed” was also emphasised. include Muslim students The week involved a which was titled, “Inclu- of the Imperial commu- Panel members, includ- attending the summer panel event and social sivity Starts Here” and nity can be involved in ing Richard Carruthers camp by accommodating media campaign took place in the Union making the university (Deputy Director [Careers their prayer times, which Concert Hall, featured a more inclusive. Although Service]), Dr. Rahma had a positive impact on panel of seven speakers underrepresented stu- Elmahdi (Senior Teaching the students’ experience. -
Future No Shame Free Mp3 Download Future No Shame Free Mp3 Download
future no shame free mp3 download Future no shame free mp3 download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 668824185a520b69 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. SUPERFLY (Original Motion Picture Soundtrack) Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $16.49. SUPERFLY (Original Motion Picture Soundtrack) Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then $14.99/ month. Patrick Brown, Composer, Lyricist - Marvin Parkman, Composer, Lyricist - Terrence Smith, Composer, Lyricist - Preston Crump, Composer, Lyricist - Sleepy Brown, MainArtist, AssociatedPerformer, Vocal - Scar, FeaturedArtist, AssociatedPerformer, Vocal - DJ Burn One, Producer - The Five Points Bakery, Producer - Siraaj Rhett, Composer, Lyricist - Sleepy Brown feat. Scar, AssociatedPerformer - Richard A. -
Preparation and Investigation of Hexagonal-Tetragonal Batio3 Powders
Journal of the Ceramic Society of Japan 129 [2] 91-96 2021 -Japan DOI http://doi.org/10.2109/jcersj2.20186 JCS FULL PAPER Preparation and investigation of hexagonal-tetragonal BaTiO3 powders Hari Shankar MALLIK1, Ichiro FUJII1, Yoshio MATSUI2, Gopal Prasad KHANAL1,3, Sangwook KIM4, Shintaro UENO1, Tohru S. SUZUKI2 and Satoshi WADA1,³ 1 Gradute Faculty of Interdisciplinary Research, University of Yamanashi, 4–4–37 Takeda, Kofu 400–8510, Japan 2 National Institute for Materials Science (NIMS), 1–2–1 Sengen, Tsukuba, Ibaraki 305–0047, Japan 3 Materials Research Center for Element Strategy, Tokyo Institute of Technology, 4259-SE-6 Nagatsuta-cho, Midori-ku, Yokohama 226–8501, Japan 4 Graduate School of Advanced Science and Engineering, Hiroshima University, Higashihiroshima, Hiroshima 739–8526, Japan Hexagonal-tetragonal co-existing barium titanate powders were prepared by reducing commercial barium titanate powders with their particle size of about 100 nm in a hydrogen atmosphere for 1 h at several tempera- tures, and the microstructures were observed. It was found that the hexagonal-tetragonal barium titanate powder had a co-existing hexagonal and tetragonal phase in a particle rather than a mixture of two phases in the powder. The hexagonal contents of about 0, 25, 50, 70, 85, and 100 wt % were obtained at temperatures of 1310, 1315, 1320, 1324, 1330, and 1333 °C, respectively. The hexagonal phase was returned to the tetragonal phase by annealing at 1200 °C in air. A model for the mechanism of a complete transformation of barium titanate polymorph from tetragonal/cubic to hexagonal phases is proposed. ©2021 The Ceramic Society of Japan. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption. -
Bubble "Escape" V.3 MORRIS
BUBBLE EP. 4A "ESCAPE (THE PINA COLADA SONG)" Written by Jordan Morris Bubble, episode 4A: Escape (The Pina Colada Song) written by: Jordan Morris. SFX: COFFEE SHOP STUFF We’re inside “Literati,” a busy coffee shop serving up alternative milk lattes and cold brew so strong it will make you feel like your body is covered in tiny bugs that are all talking shit about you. It’s one of the roughly 1,000 coffee houses in Fairhaven, a hip urban paradise where young professionals go to brunch and work at jobs where people talk about “disrupting” and maybe wait till they’re in their late 30s to settle down and have kids because they’re still figuring themselves out, you know? Oh, it’s also on a hostile alien planet and shielded by a high tech dome, but more on that later. Spoiler alert: There’s going to be a big evil spider-guy. Our heroes enter the shop. There’s Morgan, a highly-competent killing machine, raised on the planet’s surface. Despite being able to dismember giant carnivorous insects with her teeth, mainly talks about the golden age of Must-See-TV. MORGAN Everyone still talks about Seinfeld, but there are some killer seasons of WINGS. I’ll take your word for it. There’s Mitch, a former Postmates driver who now slays monsters with Morgan on account of his strange new powers. He’s the kind of man who owns three video game consoles, but no pans. MITCH Sorry I don’t want to waste money on pans when I PREFER grilled cheese sandwiches toasted with a lighter. -
The Informal City Reader the Informal City Reader
The Informal City Reader The Informal City Reader Introduction 4 Accra, Ghana 6 Bangkok, Thailand 60 Chennai, India 108 The Informal City Reader Lima, Peru 152 © 2013 NEXT CITY Created with support from the Rockefeller Foundaton Manila, Philippines 192 Next City. 1315 Walnut St. Nairobi, Kenya 232 Philadelphia, PA 19107 Scenario Summaries 278 For additional information, please visit www.nextcity.org. Commentary 292 Design: Paperwhite, NY Illustrations: Daniel Horowitz Credits 318 Informal City Dialogues Reader 4 Informal City Dialogues Reader 5 Introduction Let’s not romanticize poverty. We live in an unprecedented accounts for up to 40 percent of GDP. the informal city will mean finding ways age of urbanization that has consigned large segments of Informal settlements are home to as much to support the informal street vendor so as 25 percent of the urban population, and her table of wares on the sidewalk can the population to slums that have no water or electricity or informal transport provides mobility for become a stall in the market, which can then sanitation. Life in these places is hard. Health is precarious, upwards of 60 percent of the populace. The grow into a network of stores. It will mean children are at risk and violence is a daily event. Gangs rule OECD estimates that half the workers in the understanding that the roadside vulcanizing world—close to 1.8 billion people—hail from operation is the stepping stone to the auto many of these neighborhoods, with the authorities and the the informal sector, making and selling and repair shop, and that pulling a pedicab could police entering only when armed to the teeth. -
Columbia Chronicle (01/10/2000) Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 1-10-2000 Columbia Chronicle (01/10/2000) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (01/10/2000)" (January 10, 2000). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/470 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. V O L UME 33,NUMB ER 13 COLUMBIA COLLEGE C HICAGO MONDAY, JANUARY 10,2000 C AMJ •t J':• V!T At.rry SPORTS Hc,·crcnd Horton Head Studeut debt up j;uu at the Nktro PAGE2 PAGE 15 COLUMBIA Dance Center prepares to move to the South ~ LIBRAR'~ College moves ahead with its plans to bring the Center closer to campus JAMES BOOZER As a major presenter of contemporary dance in the Editor-in-Chief Mid west. the Dance Center has an attendance of more than 35,000 people each year presenting som~ of the After announcing last March to postpone plans to best international, national and Chicago-based artists. move the college's Dance Center to the South Loop, Since 1991 , the Center has presented Dance/ Africa school officials have decided to move ahead with its Chicago, the largest festival of African and African plans for the Center. -
Aldora Britain Records
Aldora Britain Records Issue 16 (2020) Interview with THUNDER AND RAIN! We catch up with the Colorado Americana quartet fresh from releasing their Passing in The Night album; a masterpiece! (Pages 2-5) A track-by-track guide to our ROCK AND ROLL SONG compilation album! A write-up of the album with each track reviewed! (Pages 6-11) Interview with THE LONESOME WILDERNESS! Arizona’s favourite indie psychedelic rockers tell us all about their desert-influenced sound and what music means to them! (Pages 13-16) Interview with THE BREED! Frontman, Wayne Crisp, returns to our pages to delve into The Breed’s back catalogue! We discuss their 2016 long player, Play My Game, and 60s pop culture! (Pages 20-23) Interview with the BLACK MOON BOYS! Our very first feature with an artist signed to Rebel Music Records, here are the Canadian neo-rockabilly men, the Black Moon Boys! (Pages 26-29) Interview with THE HIGH AND WIDES! Get to know this Maryland based Billboard charting bluegrass group and hear all about their not so difficult second album! (Pages 34-37) Reviews of JOHN DONEGAN (page 17), JENNY WREN & HER BORROWED WINGS (page 24), RYAN CHRYS & THE ROUGH CUTS (pages 30-31), and THE SMART FOLK (page 37)! Aldora Britain Records Est. 2013 | “Tomorrow’s Music Today” | AB15 | Page 1 Passing in The Night This issue’s cover feature comes from the brilliant Colorado Americana quartet, Thunder and Rain. These guys have already featured their brilliant track, ‘No Darlin’, on our 20/20 Hindsight compilation and with good cause.