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Wesst Arceen Named As the Sole Contingent Beneficiary
Texas High School Mock Trial Competition 2017 Case Materials State of Texoma v. Houston Whit Cause No. 16-908 § STATE OF TEXOMA § IN THE CRIMINAL COURT § v. § § OF HOUSTON WHIT, § LANDRY COUNTY, TEXOMA § Defendant § § § § CASE MATERIALS PREPARED BY: Stephen W. Gwinn, Esq. Chair, Mock Trial Committee Fred Moss, Esq. Mock Trial Committee Sarah Flournoy, Esq. Co-Vice Chair, Mock Trial Committee Tasha James, Esq. Co-Vice Chair, Mock Trial Committee Brad Johnson, Esq. Co-Vice Chair, Mock Trial Committee James D. Blume, Esq. Spencer Bryson, Esq. Jacquelyn Clark, Esq. Jaclyn Kerbow, Esq. Cari LaSala, Esq. Scott Seelhoff, Esq. Stephen Stapleton, Esq. Cover Design, Cari LaSala, Esq. COPYRIGHT 2016-2017 TEXAS HIGH SCHOOL MOCK TRIAL COMPETITION. ALL RIGHTS RESERVED. Cause No. 16-908 § STATE OF TEXOMA § § IN THE CRIMINAL DISTRICT COURT v. § § OF HOUSTON WHIT, § § LANDRY COUNTY, TEXOMA Defendant. § § STIPULATIONS OF THE PARTIES The parties agree and stipulate as to the following: I. This is a criminal trial that will be tried before a jury. The Prosecution is being made by and in the name of the State of Texoma. Houston Whit is the Defendant. The Defendant has been charged by information with the criminal offense of murder. This will be a bifurcated trial. The parties will only try the issue of guilt or innocence. Should the Defendant be found guilty, there will be a separate trial on the issue of punishment at some future date. An appropriate punishment or the range of punishment is, therefore, not at issue in this trial and is not to be argued. Each person who is a witness has been properly advised of their constitutional rights. -
Press Release a Tribute To... Award to German Director Tom Tykwer One
Press Release A Tribute to... Award to German Director Tom Tykwer One of Europe’s Most Versatile Directors August 24, 2012 This year’s A Tribute to... award goes to author, director and producer Tom Tykwer. This is the first time that a German filmmaker has ever received one of the Zurich Film Festival’s honorary awards. Tykwer will collect his award in person during the Award Night at the Zurich Opera House. The ZFF will screen his most important films in a retrospective held at the Filmpodium. The ZFF is delighted that one of Europe’s most versatile directors is coming to Zurich. “Tom Tykwer has ensured that German film has once more gained in renown, significance and innovation, both on a national and international level,” said the festival management. Born 1965 in Wuppertal, Tom Tykwer shot his first feature DEADLY MARIA in 1993. He founded the X Filme Creative Pool in 1994 together with Stefan Arndt and the directors Wolfgang Becker and Dani Levy. It is currently one of Germany’s most successful production and distribution companies. RUN LOLA RUN Tykwer’s second cinema feature WINTER SLEEPERS (1997) was screened in competition at the Locarno Film Festival. RUN LOLA RUN followed in 1998, with Franka Potente and Moritz Bleibtreu finding themselves as the protagonists in a huge international success. The film won numerous awards, including the Deutscher Filmpreis in Gold for best directing. Next came THE PRINCESS AND THE WARRIOR (2000), also with Frank Potente, followed by Tykwer’s fist English language production HEAVEN (2002), which is based on a screenplay by the Polish director Krzysztof Kieslowski and stars Cate Blanchett and Giovanni Ribisi. -
The Dynamic African Consumer Market: Exploring Growth Opportunities in Sub-Saharan Africa Grant Hatch, Pieter Becker and Michelle Van Zyl Contents
The Dynamic African Consumer Market: Exploring Growth Opportunities in Sub-Saharan Africa Grant Hatch, Pieter Becker and Michelle van Zyl Contents Introduction 4 Why is the African consumer an attractive 7 proposition? Where should companies focus? 15 1 Basic Survivors 19 2 Working Families 21 3 Rising Strivers 23 4 Cosmopolitan Professionals 25 5 The Affluent 27 How can companies unlock the potential in 31 Sub-Saharan Africa? Conclusion 41 Appendix 42 2 Africa consumer key facts • Africa is a diverse continent, • Consumer expenditure in SSA with an estimated 1,500 languages equaled nearly $600 billion in grouped into six linguistic families. 2010, accounting for almost eight percent of all emerging-market • In 2010, sub-Saharan Africa spending, and is expected to reach (SSA) was populated by more nearly $1 trillion by 2020. than 856 million consumers. The region will have more than 1.3 • Consumer spending in South billion consumers by 2030. Africa and Nigeria accounts for 51 percent of SSA's total expenditure. • The most populous country in SSA is Nigeria, with a population • Poverty in SSA is decreasing of 151 million, while the smallest, rapidly—from 40 percent in 1980 to Seychelles, has just 100,000 people. less than 30 percent in 2008—and is expected to fall to 20 percent by 2020. • While the global economy is predicted to grow by two percent to • By 2050, almost 60 percent of three percent between 2011 and 2020, people in SSA will live in cities, SSA is poised to grow by five percent compared with 40 percent in 2010. -
A Study on How the North Madras Films Are Portrayed in Tamil Cinema and Its Impact on Common Audience
International Journal of Research in Engineering, Science and Management 500 Volume-2, Issue-10, October-2019 www.ijresm.com | ISSN (Online): 2581-5792 A Study on how the North Madras Films are Portrayed in Tamil Cinema and its Impact on Common Audience J. John Felix Student, Department of Visual Communication, Loyola College, Chennai, India Abstract: The original home town of labours where they are settled in north madras (royaburam) during the Chennai floods accommodated the most. in the late 70s and 80s most of the places (2015) royaburam is one of the places in north madras which in north madras are slums. then government announced the slum was not affected by Chennai floods, there was no water logging clearance board act at the year 1971. After many years unemployment became a very rare condition because 9 out of 10 or stagnation, because of the well-constructed and executed people were employed and the education level has been drastically infrastructure of the area and also there was uninterrupted improved in the past 20 years. in Tamil cinema north madras and electricity, water & milk facility. this area is also home to one north madras peoples are portrayed in darker way like gangster, of the cities oldest railway stations. as the Chennai city uneducated, drug dealer. thus the film ends up to the audience that continues to expand its boundaries north madras continues to and makes them believe and assume that north madras it is the the place where the city began. same way shown in the film. the researcher in this study aims to find what is the audience impact on the films. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
As We Forgive Those
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2013 As We Forgive Those Therese O'Neil CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/401 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] As We Forgive Those By Tracy O’Neill Mentor: Salar Abdoh April 30, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at the City College of the City University of New York. 1 CUT HIM Most all the stories Ted tells are quoting movies, and some of the movies are even movies we’ve seen together, but I don’t let on that I know. Problems are intrepid to all of us. Like last month, we’re at the Silver Dollar Stack pancake house, when bang! We’ve reared right back into this guy’s minivan. Guy gets out real steamed, saying he’s going to call 911 and get the police over. My mind is spinning like bicycle pedals on a downhill. I’ve got a D‐Dub from driving home from a high school party nine months back, and here we are in the parking lot not having learned our lesson, Ted drinking rum in his orange juice. I can see the whole scenario in cop eyes. “Dump it,” I told Ted. -
Imperial Celebrates Inaugural Liberation & Community Week
FR IDAY, 25 TH JANUARY, 2019 – Keep the Cat Free – ISSUE 1711 Felix The Student Newspaper of Imperial College London NEWS Cancer Awareness in Young People Week PAGE 4 COMMENT Who should vote on what? PAGE 6 SUSTAINABILITY Inclusivity starts here // Imperial College Union Imperial celebrates inaugural Liberation & Imperial Green Community Week being represented, go out spoke about how they 2019 Calendar and make those events have advocated for change and start those projects and championed diversity. PAGE 19 NEWS College Union’s first of microaggressions, yourself” - the importance Final year Biochemistry Liberation & Commu- which are unconscious of remembering that “the student and Student Andy Djaba nity Week, with a panel expressions of racism or burden of making sure Trustee, Hafiza Irshad, Editor-in-Chief discussion hosted by the sexism. Attendees at the we’re all represented talked about her work SPORT Deputy President (Wel- event heard more about shouldn’t be left on those with the outreach depart- fare), Becky Neil. why diversity is important of us that are unrepresent- ment, working to fully The launch event, and how every member ed” was also emphasised. include Muslim students The week involved a which was titled, “Inclu- of the Imperial commu- Panel members, includ- attending the summer panel event and social sivity Starts Here” and nity can be involved in ing Richard Carruthers camp by accommodating media campaign took place in the Union making the university (Deputy Director [Careers their prayer times, which Concert Hall, featured a more inclusive. Although Service]), Dr. Rahma had a positive impact on panel of seven speakers underrepresented stu- Elmahdi (Senior Teaching the students’ experience. -
DVD Piracy As Alternative Media: the Scandal of Piracy, and the Piracy of “Scandal” in the Philippines, 2005–2009
MARIA F. MANGAHAS 109 Kasarinlan: Philippine Journal of Third World Studies 2014 29 (1): 109–139 DVD Piracy as Alternative Media: The Scandal of Piracy, and the Piracy of “Scandal” in the Philippines, 2005–2009 MARIA F. MANGAHAS ABSTRACT. Some digital materials which are documentary of specific forms of social transgression comprise an apparent “market niche” for piracy. “Scandals” as unique commodities in the Philippines’s informal market for pirated disks are quite distinct from other digital entertainment, being originally candid/unstaged or “stolen”/taken without their subject’s knowledge and usually made to non-professional standards/ equipment. Enterprisingly put on the market by pirate-entrepreneurs because of apparent consumer-audience interest in the content, such unique “reality” goods became conveniently available through networks of digital piracy outlets. In the context of consumption of pirated goods, the article reads “scandals” as expressive of everyday critique and resistance. The niche market for “scandals” functions as alternative media as these digital goods inherently evade government and (formal) corporate control as sources of news and entertainment. Indicators of the significance of “scandal” in the informal economy and the meaningful convergence between its piracy and consumer- audience demand are examined ethnographically: their translation into commodities through packaging, the range of sites for consumers to access “scandals,” pirate- entrepreneurs’ sales strategies and standards, and how the market behavior of these “scandals” apparently responded to the unfolding of the social scandals in real time as current events—events that themselves were influenced by the popular circulation and piracy of these commodities. Three cases that took place between 2005–2009—“Hello Garci,” the “Kat/Kho sex scandals,” and the “Maguindanao massacre” DVD—serve as diverse examples, each with their own issues of authenticity, morality, and social effects consequent to piracy and consumption. -
North Chennai Thermal Power Station – Ii (2 X 600 Mw)
NORTH CHENNAI THERMAL POWER STATION – II (2 X 600 MW) Location: • NCTPS-II has a total installed capacity of 1200 MW( 2 X 600 MW units) has been located adjacent to the existing 3 x 210 MW North Chennai Thermal Power Station (NCTPS) complex on northern side. Located in Ennore – Puzhudivakkam village, Ponneri Taluk, Thiruvallur District, Tamil Nadu, India. • Both the Units are coal based. Raw Materials Used: (i) Raw Water (ii) High speed diesel (iii) Heavy furnace oil (iv) Coal Source of Raw Material: (i) Coal : From Mahanadhi coal fields Limited (Talchar & IB Valley), Orissa, Eastern coal fields Limited. (ii) Raw Water : Desalination plant (iii) Cooling water: From the sea at the Ennore port area. The construction of North Chennai Thermal Power Project Stage – II was started for Unit-I on 18-02-2008 and Unit-II on 16-08-2008 and the Unit-I was first Synchronized with Grid on 30-06-2013 and Unit-II on 17-12-2012. The Commercial Operation Date (COD) for NCTPS –II (2x600 MW) was declared on Unit-I : 20.03.2014, Unit-II : 08.05.2014. Maximum Generation and Plant load factor (PLF) for the year 2015-16 is 6498.46 MU and 61.65 % respectively. ACHIEVEMENTS: • The Maximum number of continuous running days for NCTPS –II is : Unit- I : 130 Days (11.06.2015 to 18.10.2015) Unit- II : 101 Days (16.01.2015 to 04.05.2015) Station : 40 Days (09.09.2015 to 18.10.2015) • NCTPS –II Unit-I achieved the CEA Generation Target of 3500 MU for the year 2015 – 2016 as on 23.03.2016 itself and the total actual Generation for the year 2015-2016 for Unit-I is 3514.918 MU. -
Nairobi-Based Middle Class Filmmakers and the Production and Circulation of Transnational Cinema
This is a repository copy of Nairobi-based middle class filmmakers and the production and circulation of transnational cinema. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/139627/ Version: Accepted Version Article: Steedman, R. orcid.org/0000-0003-1033-9318 (2018) Nairobi-based middle class filmmakers and the production and circulation of transnational cinema. Poetics. ISSN 0304-422X https://doi.org/10.1016/j.poetic.2018.11.002 Article available under the terms of the CC-BY-NC-ND licence (https://creativecommons.org/licenses/by-nc-nd/4.0/). Reuse This article is distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) licence. This licence only allows you to download this work and share it with others as long as you credit the authors, but you can’t change the article in any way or use it commercially. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Nairobi-based Middle Class Filmmakers and the Production and Circulation of Transnational Cinema Abstract: Filmmakers in Nairobi are embedded within transnational circuits of cinematic production and distribution. Many make use of Euro-American funding to make their films and seek to show their films in prestigious festivals outside Africa, but in so doing they are critiqued by scholars and critics who worry that the involvement of This sort of criticism does not account for the fact that Euro-American audiences and filmmakers from elsewhereoutsiders in might African share cinema a common curtails taste filmmakers’ in stories. -
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UP School of Economics Discussion Papers Discussion Paper No. 2021-02 July 2021 Don’t let a “good” crisis go to waste: One-upmanship in local responses to the COVID-19 pandemic by Julian Thomas B. Alvareza, Jahm Mae E. Guintoa,b, Joseph J. Capunob a Asian Development Bank b University of the Philippines School of Economics, Diliman, Quezon City UPSE Discussion Papers are preliminary versions circulated privately to elicit critical comments. They are protected by Republic Act No. 8293 and are not for quotation or reprinting without prior approval. Don’t let a “good” crisis go to waste: One-upmanship in local responses to the COVID-19 pandemic Julian Thomas B. Alvareza, Jahm Mae E. Guintoa,b, Joseph J. Capunob† aAsian Development Bank bUniversity of the Philippines Abstract Unlike in previous crises, the COVID-19 pandemic has wrought a crisis affecting all population groups, all economic sectors and all jurisdictions in the Philippines, as elsewhere. The impact of the COVID-19 vary across localities, however, partly due to differences in local government responses to the pandemic. Our objective is to examine the patterns in the types and timing of local responses among neighboring local government units (cities) for evidence of one- upmanship among their incumbent leaders (mayors). We assembled data for 25 selected cities and then grouped them into 28 neighborhood clusters. Using three indicators, we measure the immediacy, primacy and distinctiveness of the local responses within each cluster over the period March 2020-March 2021. Of the 28 clusters, we find in 19 (67.9 percent) evidence of one- upmanship consistent with the view that the type and timing of local responses are driven by mayors who wish to signal their talents and abilities. -
CHAPTER 1: the Envisioned City of Quezon
CHAPTER 1: The Envisioned City of Quezon 1.1 THE ENVISIONED CITY OF QUEZON Quezon City was conceived in a vision of a man incomparable - the late President Manuel Luis Quezon – who dreamt of a central place that will house the country’s highest governing body and will provide low-cost and decent housing for the less privileged sector of the society. He envisioned the growth and development of a city where the common man can live with dignity “I dream of a capital city that, politically shall be the seat of the national government; aesthetically the showplace of the nation--- a place that thousands of people will come and visit as the epitome of culture and spirit of the country; socially a dignified concentration of human life, aspirations and endeavors and achievements; and economically as a productive, self-contained community.” --- President Manuel L. Quezon Equally inspired by this noble quest for a new metropolis, the National Assembly moved for the creation of this new city. The first bill was filed by Assemblyman Ramon P. Mitra with the new city proposed to be named as “Balintawak City”. The proposed name was later amended on the motion of Assemblymen Narciso Ramos and Eugenio Perez, both of Pangasinan to “Quezon City”. 1.2 THE CREATION OF QUEZON CITY On September 28, 1939 the National Assembly approved Bill No. 1206 as Commonwealth Act No. 502, otherwise known as the Charter of Quezon City. Signed by President Quezon on October 12, 1939, the law defined the boundaries of the city and gave it an area of 7,000 hectares carved out of the towns of Caloocan, San Juan, Marikina, Pasig, and Mandaluyong, all in Rizal Province.