Gender Dichotomy in Horror Characters

Total Page:16

File Type:pdf, Size:1020Kb

Gender Dichotomy in Horror Characters Gender Dichotomy in Horror Characters Hsien-Te Kao, Carissa Tang, Anita Jain California State Polytechnic University, Pomona Abstract The United States has increased the awareness for gender fluidity through social expressions and movements. The horror community as a subspace of American society reflects the practice of gender fluidity. The horror community utilizes the diverse platforms of book, film and the internet to create horror characters and stories. Slenderman was a gender neutral horror character developed in 2009 that transformed into a gendered character through fanfictions and fan arts. We discover the gendered transformation of Slenderman from comparison analysis of original and fan-based Slenderman in addition to fanfictions text mining. We examine the history of horror characters with the analysis of Frankenstein, Freddy and Ring and text mining on the word selections between female and male author in 100 horror books and 100 horror movie scripts. We discover the existence of gender binary structure throughout the history of horror characters. The gender dichotomy in the horror community reveals the inconsistency between the practice and awareness of gender fluidity in the United States. Keywords: gender dichotomy, horror character, text mining 1. Introduction the woods and stabbed her 19 times in a blood sacrifice to earn Slenderman’s protection according to the police The horror community has successfully created fa- report [6]. One of the girls discovered Slender Man in a mous horror characters in book and film that establish Minecraft video, a sandbox game, and became engaged numerous outbreaks of fear. The Frankenstein, a crea- with Slenderman fanfictions on Creepypasta, a collec- ture of an unorthodox scientific experiment, was a clas- tion of user-generated horror fan sites [17]. She told sical horror character in 1818 that played on the fear of the police that Slenderman really exists from the evi- scientific experiment on human body and resurrection dences on Creepypasta, and the polices found more than [24]. The signature horror character was replaced in 50 drawings of Slenderman with phrases like “NEVER 1984 by Freddy Krueger of A Nightmare on Elm Street. ALONE” and “HE STILL SEES YOU” in the bedroom Freddy was known for the psychological and physical [21]. The public became concerned of the violent in- torture on his victim in their dream, and he represented fluence from the internet horror community after this the fear of a serial killer, unknown in a dream and dark- stabbing case, but they failed to recognize the gender ness [23]. In 2002, a Japanese supernatural horror char- dichotomy in the horror characters. Slenderman is one acter Ring stormed the United States with a massive of many iconic horror characters that reinforces gender fear of television [18]. A horror character Slenderman dichotomy through its story and character. emerged from the internet in 2009, and it started from the fascination of photoshopped pictures and fanfictions The original creation of Slenderman was a gender [19]. A horror character has transformed dramatically neutral monster without a story, and a new type of Slen- from a scientific creature in book or film to a darkness derman emerged from fanfictions and fan arts after the creature on the internet. We are becoming attractive original became popular in the horror community. The to the horror characters because of the contradiction of internet horror community integrates their individual pleasure caused by the interchanging emotional spark of gendered experience into their Slenderman fanfictions fear and thrill. and art works and collectively created a collective Slen- Our behaviors are affected by these horror characters derman with gender binary images and stories. This unconsciously. On May 31, 2014, two 12-year-old girls process reflects the fans subconsciously applies gender in Waukesha, Wisconsin allegedly lured their friend into binary into their stories and characters, even though the society has increased its awareness in gender fluidity. portrayed through the story. These three horror char- The analysis on the history of horror characters in terms acters reveal how horror characters have changed from of Frankenstein (1818), Freddy (1984) and Ring (2002) 1800s to 2000s except for the gender stereotypes. reveals the similar gender binary structure in charac- ter and story development compared to the Slender- 3.1. Frankenstein 1818 man. The history of horror characters since the 1800s Victor Frankenstein and the monster are two male shows the continuity of gender stereotype in the horror characters that contribute to the gender dichotomy in community. This result reflects the inconsistency be- the book. Victor is described as an intelligent, ambi- tween the practice and awareness of gender fluidity in tious and innovative scientist that challenges the bound- the United States. ary of science by creating a monster from human re- mains. Men are often associated with science and cre- 2. Methodology ativity compared to women [22]. The monster is eight- foot-tall male creature that is intelligent and sensitive, We study the gender stereotypes in horror characters and he want to integrate into society by learning hu- to reveal how gender binary is expressed visually and man social patterns. He can analyze, understand and contextually in horror book and film. We collect 100 adapt social patterns because men are cable of com- horror books and 100 horror movie scripts with equal plex thinking [16]. Victor does not admit that he cre- male and female author for both categories, and apply ated the monster even when his youngest brother, best text mining to show the existence of gender dichotomy friend and wife were murdered by the monster. Victor in horror book and film. Our text mining method is does not admit he is wrong becuase men do not believe based on unique word count in male and female author their decision is wrong [8]. The monster becomes an- written works, and we only consider a word if it exceeds gry toward Victor from being abandon, and he uses his the unique word count threshold and does not appear in massive strength to revenge Victor. Men do not accept both male and female author written works. We estab- rejection and respond negatively through aggressive be- lish the unique word count threshold at 20, since we haviors [14]. The personality and social interaction of assume roughly 80% of the gender dichotomy in horror Victor and the monster follow the gender stereotypes for book and film comes from 20% of unique word occur- men. rence based on Pareto principle. We define a male word The female characters as a whole reinforce the gen- as a word that satisfies the unique word count threshold der binary in the book through their personality and in- and appears only in male author written works, and we teraction with other characters. Caroline Beaufort is a define a female word similarly. We use text mining re- mother that dies from taking care of her adopted daugh- sult on male and female words to show the existence of ter Elizabeth Lavenza devotedly when she is sick. Caro- gender dichotomy in horror book and film. Transiting line contributes selflessly to her family because women to an internet horror character, we examine the origin of are expected to serve her family without questions [11]. Slenderman and Slenderman as a collective character. Justine Moritz is a happy grateful servant that represents We collect 100 anonymous Slenderman fanfictions and kindness in the Frankenstein family. Justine represents apply text mining to reveal the selection of words. We women are natural house workers and they enjoy these use the text mining result on Slenderman fanfictions to tasks [1]. Justine confesses for the death of William show the creation of an internet horror character corre- Frankenstein under crowd pressure, and the monster is sponds with the gender dichotomy in horror book and one that set her up. Her confession shows that women film. cannot protect themselves under pressure and stand up for themsevles against the crowd [4]. Elizabeth Lavenza waits patiently for Victor’s attention, but she is also mur- 3. Gender Stereotype in Horror Characters dered by the monster. Women are stereotyped as they need constant love and attention from men [9]. The fe- We investigate three iconic horror characters, male characters act according to the gender stereotypes Frankenstein (1818), Freddy (1984) and Ring (2002), for women. and their story to understand how gender stereotypes were integrated into horror book and film and charac- ter in various time period. We focus on the develop- 3.2. A Nightmare on Elm Street 1984 ment and social interaction of male and female charac- Freddy Krueger is the main character that creates the ters in addition to how the main horror character was gender binary in the film. Freddy brutally murdered 2 small animals at a young age. Men are often described Rachel’s role shows how gender stereotypes for women as aggressive and brutal to show their manhood [3]. are integrated in a horror film. Freddy kidnapped and murdered 23 children from 1975 Anna Morgan and her adopted daughter Samara are to 1977. Freddy is demonstrating his power through the horror characters that enhance the gender stereo- massive killing similar to how men prove their mas- types. Anna, a horse breeder, become depressed af- culinity through power control [27]. Freddy became ter being involved in the mysterious massive deaths of a demon after his death and revenge on the parents of horses. This shows women are emotional and cannot Springwood. Freddy is angry and want a violent re- get pass a failure in life [23]. She suicided due to de- venge correspond with men respond with only action pression. Anna’s death is connected to how women are not reason under anger [7].
Recommended publications
  • ESTUDOS CULTURAIS E CINEMA: GÊNERO E Sociedadei. “RINGU” E “THE RING” Claudiomar Dos Reis Gonçalvesii Resumo: Este
    1 REVISTA HISTÓRIA HOJE. SÃO PAULO, Nº 5, 2004. ISSN 1806.3993 ESTUDOS CULTURAIS E CINEMA: GÊNERO E SOCIEDADEi. “RINGU” E “THE RING” Claudiomar dos Reis Gonçalvesii Resumo: Este artigo visa iniciar uma abordagem multireferencial a partir dos Estudos Culturais sobre o Cinema denominado “de terror”, discutindo as relações de Gênero e o como estas são representadas nas sociedades japonesa e americana, principalmente no que diz respeito a diversos subtextos existentes em duas versões de um mesmo filme. Palavras-chave: Estudos Culturais; Relações de Gênero; Cinema ; Terror. Abstract: This article aims at presenting a multi-referential approach - based on Cultural Studies on Horror Films- by discussing gender relations and how these are represented in American and Japanese societies, especially regarding the diverse subtexts underlying two versions of the same film. Keywords: cultural studies, gender relations, cinema, Horror films. “(...) o discurso escrito, assim como a fotografia, o cinema, a reportagem, o esporte, os espetáculos, a publicidade, tudo isto pode servir de suporte à fala mítica.(....) a imagem é certamente mais imperativa do que a escrita, impõe a significação de uma só vez, sem analisá-la, sem dispersa-la”. Roland Barthes. Mitologias. Este artigo, na verdade, é parte de um estudo muito maior e que está, ainda, em seu início. Por sugestão de colegas e dos pareceristas, partes inteiras foram retiradas, inúmeras imagens, notas, comentários e alusões a uma vasta filmografia 2 também. Esperamos que o leitor tenha paciência e que tenha em conta seu caráter ensaísta, bem como uma certa “desfiguração” causada pelas contingências descritas acima. De qualquer forma, o texto apresenta algumas premissas e noções com as quais trabalharemos em texto posterior, e sobre o quais desenvolveremos uma futura ampliação do campo de debate.
    [Show full text]
  • Tracking the Research Trope in Supernatural Horror Film Franchises
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2020 Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises Deirdre M. Flood The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3574 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LEGEND HAS IT: TRACKING THE RESEARCH TROPE IN SUPERNATURAL HORROR FILM FRANCHISES by DEIRDRE FLOOD A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2020 © 2020 DEIRDRE FLOOD All Rights Reserved ii Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises by Deirdre Flood This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date Leah Anderst Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises by Deirdre Flood Advisor: Leah Anderst This study will analyze how information about monsters is conveyed in three horror franchises: Poltergeist (1982-2015), A Nightmare on Elm Street (1984-2010), and The Ring (2002- 2018). My analysis centers on the changing role of libraries and research, and how this affects the ways that monsters are portrayed differently across the time periods represented in these films.
    [Show full text]
  • Man Pleads to Distributing Child Porn
    LOCAL Free domestic violence seminar is on April 14 TUESDAY, APRIL 3, 2018 | Serving South Carolina since October 15, 1894 75 cents A2 Man pleads to distributing child porn It was determined that Derk had Assistant U.S. Attorney William Sumter resident faces 5 to 20 years in prison been uploading and downloading E. Day II, of the Columbia office, is child pornography via his cell- prosecuting the case, and U.S. Dis- BY ADRIENNE SARVIS and internationally. phone and computers after the de- trict Judge Mary Geiger Lewis will [email protected] U.S. Immigration and Customs vices were seized during the inves- impose sentence after reviewing Enforcement noticed that Marlin tigation. the pre-sentence report. A 46-year-old Sumter man plead- Russell Derk posted child pornogra- Derk could face five to 20 years in This case was brought as part of ed guilty on Monday to distributing phy in a chatroom on June 11, 2015, prison with supervised release for Project Safe Childhood, a nationwide child pornography images that according to a news release from five years to life and/or a fine of were shared online between states United States Attorney Beth Drake. $250,000. SEE PLEA, PAGE A7 A hoppin’ good time Swan Lake hosts Easter egg hunt, family fun BY BRUCE MILLS [email protected] t was a day for kids, families and firsts on Saturday morning at Swan Lake-Iris Gardens with Sumter Coun- Ity Recreation Department’s annual Easter egg hunt. About 200 people attended the “It’s a beautiful day.” event, which featured plenty of Five-year-old Kaymond sunshine despite temperatures Hamiln of Sumter was also tak- in the low 50s.
    [Show full text]
  • Laurel Canyon
    INSIDE THIS ISSUE Horoscopes ........................................................... 2 Now Streaming ...................................................... 2 Puzzles ................................................................... 4 TV Schedules ......................................................... 5 “Morning Glory” “Dirty John” is Time’s up for Top 10 ................................................................... 6 6 shines bright 7 back on television 7 HBO’s “Watchmen” Home Video .......................................................... 7 May 30 - June 5, 2020 ‘Laurel Canyon’- How it became the epicenter of musical creativity BY GEORGE DICKIE “Artists from the New York scene were just coming “Obviously, the Troubadour was a huge Grand They may have come for the cheap living but they out west to a change of pace,” explains Alison Central place for all of these artists,” Ellwood says. stayed for the creative musical atmosphere of “Laurel Ellwood (“Story of the Eagles”), the film’s director, “You know, Glenn would hang out there just to meet Canyon.” “and then they all started coming and they all started people and learn about the business. ... And he was Airing consecutive Sundays beginning May 31, the gathering there. And they would say, ‘Where are you not just a great musician and singer/songwriter but so-named two-part EPIX documentary uses archival living?’ and next thing you know, people were just he was a very savvy business guy, which a lot of them interviews and footage to tell how the rural enclave – you know, I think David Crosby says it first: ‘There were not at that time. ... But you know, Glenn had a in the Hollywood Hills outside Los Angeles became were just a few of us. Next thing you knew, there were vision and a dream and set about making it happen home to a laundry list of some of the most influential like 30 or 50 and it became a real scene then.’ ..
    [Show full text]
  • ​Reviews of the Ring Series the Ring Series, Also Known As “Ringu
    Reviews of The Ring Series ​ The Ring series, also known as “Ringu” or just “Ring”, is considered the founding factor in the west’s interest in Japanese horror and helped bridge the gap between international films. Based on a series of novels written by Koji Suzuki, the films revolve around a cursed videotape that kills anyone who watches it after seven days. Though the first book is a horror­mystery, its two sequels Spiral and Loop are a medical mystery and a science fiction mystery respectively, all having intriguing storylines and plot twists that explore the sinister virus that originates from the videotape rather than a haunting curse. The Ring series has spawned a TV movie, two TV series, a fantastic Japanese film series, a crumby Korean film, and a respectible American movies too. And we’re gonna review all of them in this mega­review. The franchise reflects a lot of modern fears in society – a fear of technology, urban legends, deadly illnesses (the AIDS scare in the 1980s and 1990s), unexpected pregnancy (as seen in Spiral), and the more traditional scares of evil and monsters. The main antagonist, Sadako Yamamura, takes a lot of inspiration from Japanese mythology and traditions. She is an “onryō”, or a vengeful female spirit, sporting the traditional long stringy hair and wears a white dress. Her origin is based on several folktales, most notably about a woman who is chucked down a well, where she dies and rises as a ghost. Obviously, there will be spoilers for the books and films throughout these mini­reviews, so be weary.
    [Show full text]
  • Forging a New Path Forward
    CMU’S NEWS SOURCE FOR FACULTY & STAFF 9/16 ISSUE Forging a New Path Forward Orientation Week set the stage for a new beginning at CMU, as freshmen got acquainted with campus and each other during Playfair (above) and speakers at Convocation encouraged students to be themselves and live with a purpose. Read the story on page three. We Need Your Input Hybrid Program Made the Perfect Match n Katelyn Howard “Tepper also made an effort to make advantage of an education from a When Julie Sfanos and John Surma en- sure we didn’t miss out on experiences top-ranked program delivered through In order to better provide rolled in the Tepper School’s Part-Time that might typically be considered ‘on- a flexible format that emphasizes rigor- you with relevant and timely Online Hybrid MBA Program three campus’ activities,” John Surma added. ous curriculum, team-based projects, Carnegie Mellon news, years ago, they hoped they’d be able to The Part-Time Online Hybrid MBA and exceptional leadership and career through the Tepper School of Business preparation. Students in the program we would like to hear from form bonds with their classmates despite the primarily online delivery mode. provides working professionals with the C ONTINUED ON PAGE ELEVEN you through a very brief And they did. Sfanos and Surma, online survey. who met during their class’ first in-per- Please go to bit.ly/CMUPiper son Access Weekend on campus, were married on July 16 — two months after and tell us what you think. John graduated, and one month before Thank you, and have Julie would.
    [Show full text]
  • Star Channels, June 23-29
    JUNE 23 - 29, 2019 staradvertiser.com MIND- BENDING Dan Stevens returns as powerful mutant David Haller, who teams up with another mutant to try to repair the damage he’s caused in the new season of Legion. The series is based on the Marvel Comics character known as Legion, who is the son of Prof. Charles Xavier, leader of the X-Men. Rachel Keller, Aubrey Plaza and Navid Negahban also star. Premiering Monday, June 24, on FX. JUST FOR STUDENTS! ¶ŌLELO’S JUNIOR ACADEMY FOR MEDIA SUMMER MEDIA CAMP | JULY 8 JULY 26 ¶Ōlelo’s Junior Academy for Media (JAM) is a fun and interactive yearlong media program that engages youth through hands-on learning and media training. There’s even room to advance to Graduate and Master classes once basic courses olelo.org are complete! For more information, visit olelo.org/JAM ON THE COVER | LEGION Mutants in wonderland ‘Legion’ travels through time explained why it made sense to end the show, cause of their introduction of an iconic X-Men despite its popularity and acclaim. character. “Game of Thrones” alum Harry Lloyd, in Season 3 “I feel like where we left him at the end of best known for his role as Viserys Targaryen the second season, again at his lowest point, in the HBO hit, has been cast as Prof. Xavier, By Kyla Brewer there’s only two ways that he can go — he can whom viewers see in flashbacks in “Legion’s” TV Media either get back to a healthy place, or he can early Season 3 teasers.
    [Show full text]
  • J-Horror: a Discourse in Cross-Cultural Communication and Cinematic Hybridity
    Copyright Warning & Restrictions The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a, user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of “fair use” that user may be liable for copyright infringement, This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. Please Note: The author retains the copyright while the New Jersey Institute of Technology reserves the right to distribute this thesis or dissertation Printing note: If you do not wish to print this page, then select “Pages from: first page # to: last page #” on the print dialog screen The Van Houten library has removed some of the personal information and all signatures from the approval page and biographical sketches of theses and dissertations in order to protect the identity of NJIT graduates and faculty. ABSTRACT J-HORROR: A DISCOURSE IN CROSS-CULTURAL COMMUNICATION AND CINEMATIC HYBRIDITY by MaryLou Quillen Film visually communicates the idea of culture, leaving interpretation open to an impressionable audience. Though a genre's recognizable iconography can transcend boundaries, understanding a film's intended message still requires a certain amount of foreknowledge.
    [Show full text]
  • FX Series Prepares to Part from Its 'Legion' of Fans
    June 21 - 27, 2019 2 x 2" ad 2 x 2" ad Dan Stevens stars in Buy 1 S A G E H P D I K P E A V A H Your Key the third and final 2 x 3" ad Y T C N E G A H B A N M E L E To Buying Super Tostada A R E D R B V J D Z L E S H A season of “Legion” and Selling! @ Reg. Price Q I V C M E I A L K H H T Y S starting Monday get any size drink 2 x 3.5" ad U C J A C U D U D E S I R G D on FX. FREE A K I V K R T C P L A Z A V A One coupon per customer, per visit. Cannot be combined with any other offer. R S L E N N Y A R N E F N U T -00110590 Exp. 6/30/19 WA M T L Y I D A Z N U R W G R A P E F M C I G L Q T O N E G N O R S T E V E N S H O L D Z S Z A L N W I N I P B L S U A Y A M Z X O S N P R E Y L P R O P A R A S I T E K W U T A E L B H C F B O D F A X I C X N Y E L U M A N E W G V D N I N D Place your classified ad in the Waxahachie Daily “Legion” on FX Light, Midlothian Mirror and Bargain Box (Words in parentheses not in puzzle) Ellis County Trading Post! Classified Merchandise Specials David (Haller) (Dan) Stevens (Powerful) Mutant Call (972) 937-3310 Solution on page 13 FX series Syd (Barrett) (Rachel) Keller Parasite Merchandise High-End 2 x 3" ad Lenny (Busker) (Aubrey) Plaza Estranged 1 x 4" ad Deal Merchandise Cary (Loudermilk) (Bill) Irwin Word Search Division (3) Amahl (Farouk) (Navid) Negahban Trickster prepares to Run a single item Run a single item priced at $50-$300 priced at $301-$600 for only $7.50 per week for only $15 per week part from its 6 lines runs in The Waxahachie Daily Light, Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com All specials are pre-paid.
    [Show full text]
  • Mind- Bending TV
    FINAL-1 Sat, Jun 15, 2019 6:52:09 PM tvupdateYour Weekly Guide to TV Entertainment For the week of June 23 - 29, 2019 Mind- bending TV Dan Stevens stars in “Legion” INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 Dan Stevens (“Downton Abbey”) returns as powerful mutant David Haller, who teams up with another mutant to try to repair the damage he’s caused in the new season of “Legion,” premiering Monday, June 24, on FX. The series is based on the Marvel Comics character known as Legion, who is the son of Prof. Charles Xavier, leader of the X-Men. Rachel Keller (“Fargo”), Aubrey Plaza (“Parks and Recreation”) and Navid Negahban (“24”) also star. WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS To advertise here GOLD/DIAMONDS ✦ 40 years in business; A+ rating with the BBB. please call ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 Group Page Shell PARTS & ACCESSORIES We Need: SALESMotorsports & SERVICE (978) 946-2375 5 x 3” Gold • Silver • Coins • Diamonds MASS. 1 x 3” MOTORCYCLEWANTED We are the ORIGINAL and only AUTHENTIC SELLBUYTRADEINSPECTIONS CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 1615 SHAWSHEEN ST., TEWKSBURY, MA Open 7 Days A Week ~ www.cashforgoldinc.com 978-851-3777 WWW.BAY4MS.COM FINAL-1 Sat, Jun 15, 2019 6:52:10 PM COMCAST ADELPHIA 2 Kingston Sports Highlights CHANNEL Atkinson Salem Londonderry Division I Tournament National 2:30 p.m.
    [Show full text]
  • ABSTRACT BALL, SARAH KELLY VIRGINIA MCKAY. the Uncanny in Japanese and American Horror Film: Hideo Nakata’S Ringu and Gore Verbinski’S Ring
    ABSTRACT BALL, SARAH KELLY VIRGINIA MCKAY. The Uncanny in Japanese and American Horror Film: Hideo Nakata’s Ringu and Gore Verbinski’s Ring. (Under the direction of Maria Pramaggiore.) In the last few decades, interest in the uncanny in the body of literary theory has surged. The uncanny is a ubiquitous presence 21st century American and abroad, and it provides a useful metaphor for understanding the implications of some of the conventions of post-modernism. This thesis explores a contemporary definition of the uncanny as manifested through two film interpretations (Ringu and Ring) of the same source material, a novel titled Ringu by Koji Suzuki. Through a brief exploration of the historical evolution of the idea of the uncanny and the various critical cruxes surrounding it, I have developed six working characteristics of the uncanny as a base for my analysis of Ringu and Ring. Furthermore, I have explored the social, historical, and cultural underpinnings of Suzuki’s original novel and its path to Japanese and eventually American theatres. Within the narrative of both films, the uncanny is manifested through extended use of the doppelganger and repetition. There is no significant difference in the films’ rendering of the uncanny through narrative. The films differ slightly in their presentation of uncanny sound and visual elements: Ringu relies primarily on sound and characters’ internal experience to produce the uncanny, whereas Ring focuses on the visual and characters’ external experience. The films unify their internal rendering of the uncanny with their metatextual (and commercial) behavior with the gaze, an aspect of both films that implicates the viewer in their propagation of the uncanny and the film franchise.
    [Show full text]
  • Conestogan (1951-Present) College Yearbooks
    Elizabethtown College JayScholar Conestogan (1951-present) College Yearbooks 1956 Conestogan - 1956 Elizabethtown College Follow this and additional works at: https://jayscholar.etown.edu/conestogan Recommended Citation College, Elizabethtown, "Conestogan - 1956" (1956). Conestogan (1951-present). 16. https://jayscholar.etown.edu/conestogan/16 This Book is brought to you for free and open access by the College Yearbooks at JayScholar. It has been accepted for inclusion in Conestogan (1951-present) by an authorized administrator of JayScholar. For more information, please contact [email protected]. ZUG MEMORIAL LIBRARY ELIZAEETHTOWN COLLEGE Digitized by the Internet Archive in 2011 with funding from LYRASIS members and Sloan Foundation http://www.archive.org/details/conestogan1956eliz NESTO Published by the Student Association Elizabethtown College Elizabethtown, Pennsylvania Contents •' 'foreWora'./ .. 3 • • • • • .-. '•••!_.••. 4 : .P.etJjcation College Expansion 6 Academic 13 Student Life 31 Organizations 32 Activities 43 Sports 53 Classes 69 Advertisements 119 Index 141 Foreword What is a college? Primarily, a college is a society of scholars incorporated for study or instruction, especially in the higher branches of knowledge. But college is more than this. For us it is our way of life. Forrest Kirkpatrick captures the true spirit of a college in these words: A college goes on forever — Not in microscopes or maps. Not on playing fields or in seminars, Or even in the hush of tall elms and fragrant dogwood .... But in the still reaches of the hearts That have loved it, and afterwards understood it And now bear its mark and ideals forever .... The 1956 Conestogan attempts to record the college year as a memory for the "still reaches of the hearts that have loved it .
    [Show full text]