Anti-Apartheid News, April 1983
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Life & Times of Magda A: Telling a Story of Violence in South Africa
Life & Times of Magda A: Telling a Story of Violence in South Africa Author(s): Didier Fassin, Frédéric Le Marcis, and Todd Lethata Reviewed work(s): Source: Current Anthropology, Vol. 49, No. 2 (April 2008), pp. 225-246 Published by: The University of Chicago Press on behalf of Wenner-Gren Foundation for Anthropological Research Stable URL: http://www.jstor.org/stable/10.1086/526096 . Accessed: 08/06/2012 11:42 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and Wenner-Gren Foundation for Anthropological Research are collaborating with JSTOR to digitize, preserve and extend access to Current Anthropology. http://www.jstor.org Current Anthropology Volume 49, Number 2, April 2008 225 Life & Times of Magda A Telling a Story of Violence in South Africa by Didier Fassin, Fre´de´ric Le Marcis, and Todd Lethata How to write about violence? Most recent anthropological works have dealt with this question in terms of either political economy, narratives, or performance. Using J. M. Coetzee’s Life & Times of Michael K as a pre-text, an ethnological inquiry into violence is proposed through the biography of a young South African woman. -
Afrindian Fictions
Afrindian Fictions Diaspora, Race, and National Desire in South Africa Pallavi Rastogi T H E O H I O S TAT E U N I V E R S I T Y P R E ss C O L U MB us Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Rastogi, Pallavi. Afrindian fictions : diaspora, race, and national desire in South Africa / Pallavi Rastogi. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-0319-4 (alk. paper) ISBN-10: 0-8142-0319-1 (alk. paper) 1. South African fiction (English)—21st century—History and criticism. 2. South African fiction (English)—20th century—History and criticism. 3. South African fic- tion (English)—East Indian authors—History and criticism. 4. East Indians—Foreign countries—Intellectual life. 5. East Indian diaspora in literature. 6. Identity (Psychol- ogy) in literature. 7. Group identity in literature. I. Title. PR9358.2.I54R37 2008 823'.91409352991411—dc22 2008006183 This book is available in the following editions: Cloth (ISBN 978–08142–0319–4) CD-ROM (ISBN 978–08142–9099–6) Cover design by Laurence J. Nozik Typeset in Adobe Fairfield by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the Ameri- can National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Contents Acknowledgments v Introduction Are Indians Africans Too, or: When Does a Subcontinental Become a Citizen? 1 Chapter 1 Indians in Short: Collectivity -
SOUTH AFRICAN POLITICAL EXILE in the UNITED KINGDOM Al50by Mark Israel
SOUTH AFRICAN POLITICAL EXILE IN THE UNITED KINGDOM Al50by Mark Israel INTERNATIONAL VICTIMOLOGY (co-editor) South African Political Exile in the United Kingdom Mark Israel SeniorLecturer School of Law TheFlinders University ofSouth Australia First published in Great Britain 1999 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world A catalogue record for this book is available from the British Library. ISBN 978-1-349-14925-4 ISBN 978-1-349-14923-0 (eBook) DOI 10.1007/978-1-349-14923-0 First published in the United States of Ameri ca 1999 by ST. MARTIN'S PRESS, INC., Scholarly and Reference Division. 175 Fifth Avenue. New York. N.Y. 10010 ISBN 978-0-312-22025-9 Library of Congre ss Cataloging-in-Publication Data Israel. Mark. 1965- South African political exile in the United Kingdom / Mark Israel. p. cm. Include s bibliographical references and index . ISBN 978-0-312-22025-9 (cloth) I. Political refugees-Great Britain-History-20th century. 2. Great Britain-Exiles-History-20th century. 3. South Africans -Great Britain-History-20th century. I. Title . HV640.5.S6I87 1999 362.87'0941-dc21 98-32038 CIP © Mark Israel 1999 Softcover reprint of the hardcover Ist edition 1999 All rights reserved . No reprodu ction. copy or transmission of this publication may be made without written permission. No paragraph of this publicat ion may be reproduced. copied or transmitted save with written permission or in accordance with the provision s of the Copyright. Design s and Patents Act 1988. or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency . -
Blood on the Page
Blood on the Page Blood on the Page: Interviews with African Authors writing about HIV/AIDS By Lizzy Attree Blood on the Page: Interviews with African Authors writing about HIV/AIDS, by Lizzy Attree This book first published 2010 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2010 by Lizzy Attree All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-2077-6, ISBN (13): 978-1-4438-2077-6 TABLE OF CONTENTS Acknowledgements ................................................................................... vii Introduction ................................................................................................. 1 Interview with Phaswane Mpe................................................................... 21 Interview with Sindiwe Magona................................................................ 33 Interview with Kgafela oa Magogodi ........................................................ 77 Interview with Alexander Kanengoni........................................................ 99 Interview with Vivienne Kernohan aka Violet Kala................................ 111 Interview with Charles Mungoshi .......................................................... -
Echoes of an African Drum: the Lost Literary Journalism of 1950S South Africa
DRUM 7 Writer/philosopher Can Themba, 1952. Photo by Jürgen Schadeberg, www.jurgenshadeberg.com. Themba studied at Fort Hare University and then moved to the Johannesburg suburb of Sophiatown. He joined the staff of Drum magazine after winning a short-story competition and quickly became the most admired of all Drum writers. 8 Literary Journalism Studies, Vol. 8, No. 1, Spring 2016 The Drum office, 1954. Photo by Jürgen Schadeberg, www.jurgenshadeberg.com. The overcrowded Johannesburg office housed most of Drum’s journalists and photographers. Schadeberg took the picture while Anthony Sampson directed it, showing (from left to right) Henry Nxumalo, Casey Motsitsi, Ezekiel Mphalele, Can Themba, Jerry Ntsipe, Arthur Maimane (wearing hat, drooping cigerette), Kenneth Mtetwa (on floor), Victor Xashimba, Dan Chocho (with hat), Benson Dyanti (with stick) and Robert Gosani (right with camera). Todd Matshikiza was away. 9 Echoes of an African Drum: The Lost Literary Journalism of 1950s South Africa Lesley Cowling University of the Witwatersrand, South Africa (or Johannesburg) Abstract: In post-apartheid South Africa, the 1950s era has been romanti- cized through posters, photographs, a feature film, and television commer- cials. Much of the visual iconography and the stories come from the pages of Drum, a black readership magazine that became the largest circulation publication in South Africa, and reached readers in many other parts of the continent. Despite the visibility of the magazine as a cultural icon and an extensive scholarly literature on Drum of the 1950s, the lively journalism of the magazine’s writers is unfamiliar to most South Africans. Writers rather than journalists, the early Drum generation employed writing strategies and literary tactics that drew from popular fiction rather than from reporterly or literary essay styles. -
Final Recommendations on the Future Electoral Arrangements for Southampton in Hampshire
Final recommendations on the future electoral arrangements for Southampton in Hampshire Report to the Secretary of State for the Environment, Transport and the Regions July 2000 LOCAL GOVERNMENT COMMISSION FOR ENGLAND LOCAL GOVERNMENT COMMISSION FOR ENGLAND This report sets out the Commission’s final recommendations on the electoral arrangements for the city of Southampton in Hampshire. Members of the Commission are: Professor Malcolm Grant (Chairman) Professor Michael Clarke CBE (Deputy Chairman) Peter Brokenshire Kru Desai Pamela Gordon Robin Gray Robert Hughes CBE Barbara Stephens (Chief Executive) © Crown Copyright 2000 Applications for reproduction should be made to: Her Majesty’s Stationery Office Copyright Unit. The mapping in this report is reproduced from OS mapping by the Local Government Commission for England with the permission of the Controller of Her Majesty’s Stationery Office, © Crown Copyright. Unauthorised reproduction infringes Crown Copyright and may lead to prosecution or civil proceedings. Licence Number: GD 03114G. This report is printed on recycled paper. Report no: 165 ii LOCAL GOVERNMENT COMMISSION FOR ENGLAND CONTENTS page LETTER TO THE SECRETARY OF STATE v SUMMARY vii 1 INTRODUCTION 1 2 CURRENT ELECTORAL ARRANGEMENTS 5 3 DRAFT RECOMMENDATIONS 9 4 RESPONSES TO CONSULTATION 11 5 ANALYSIS AND FINAL RECOMMENDATIONS 13 6 NEXT STEPS 29 APPENDIX A Draft Recommendations for Southampton (January 2000) 31 A large map illustrating the proposed ward boundaries for Southampton is inserted inside the back cover of this report. LOCAL GOVERNMENT COMMISSION FOR ENGLAND iii iv LOCAL GOVERNMENT COMMISSION FOR ENGLAND Local Government Commission for England 25 July 2000 Dear Secretary of State On 20 July 1999 the Commission began a periodic electoral review of Southampton under the Local Government Act 1992. -
Non-Racial Casting in African Theatre and Cinema
NON-RACIAL CASTING IN AFRICAN THEATRE AND CINEMA Connie Rapoo & David Kerr1 Abstract Racial and non-racial casting in theatre and cinema has become a widely, and sometimes hotly discussed issue in European and North American performance. The debates are fuelled by the increasing popularity of experimental, post-colonial and inter-cultural performance. However, there has been little such debate in Africa, even though there are many examples of performances which play with cross-racial conventions and stereotyping. This paper interrogates indigenous traditions of non–racial casting, the influence of popular European forms such as minstrelsy, and problems of casting in the realistic tradition of African theatre and cinema. The dialectic of all these traditions impacts on identities in post-colonial and post-apartheid performance. The article uses analytic tools of theatre and performance theory to interrogate the casting practices and principles. Keywords: non-racial casting, creative resistance, blackface, African theatre, stylized performance. 1. Introduction When American actor, Ted Danson appeared at a New York Friars Club Roast in 1993 in blackface, a huge controversy arose, mainly because Danson’s appearance evoked a history that resonates with the offensive and derogatory representations that minstrel performances evoke in the United States. In comparison, an all too familiar act appears in Leon Schuster’s There is a Zulu on My Stoop, (Gray Hofmeyr, 1993) featuring the White-classified Schuster as a Black man [in blackface] and Black actor John Matshikiza as a White man [wearing whiteface]. Similarly, the Afrikaner-Jewish satirist Pieter-Dirk Uys has featured prominently in Black roles, such as his characteristic drag act and impersonation of Winnie Madikizela-Mandela, clad in cultural paraphernalia and a t-shirt imprinted with Nelson Mandela’s portrait in Truth Ommissions (Uys, 1996). -
Copyright by Tyler David Fleming 2009
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UT Digital Repository Copyright by Tyler David Fleming 2009 The Dissertation Committee for Tyler David Fleming Certifies that this is the approved version of the following dissertation: “King Kong, Bigger Than Cape Town”: A History of a South African Musical Committee: Toyin Falola, Supervisor Barbara Harlow Karl Hagstrom Miller Juliet E. K. Walker Steven J. Salm “King Kong, Bigger than Cape Town”: A History of a South African Musical by Tyler David Fleming, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2009 Dedication For my parents because without them, I literally would not be here. “King Kong, Bigger Than Cape Town”: A History of a South African Musical Publication No._____________ Tyler David Fleming, Ph.D. The University of Texas at Austin, 2009 Supervisor: Oloruntoyin Falola This dissertation analyzes the South African musical, King Kong , and its resounding impact on South African society throughout the latter half of the twentieth century. A “jazz opera” based on the life of a local African boxer (and not the overgrown gorilla from American cinema), King Kong featured an African composer and all-black cast, including many of the most prominent local musicians and singers of the era. The rest of the play’s management, including director, music director, lyricist, writer and choreographer, were overwhelmingly white South Africans. -
Michael Chapman, Ed. E Drum Decade
Book Reviews Michael Chapman, ed. e Drum Decade: Stories from the 1950s. Introduction by John Matshikiza. Pietermaritzburg: U of Natal P, 2001. 241 pp. $54 cloth. Lindy Stiebel and Liz Gunner, eds. Still Beating the Drum: Critical Perspectives on Lewis Nkosi. Amsterdam: Rodopi, 2005. 375 pp. $103 cloth. e negritude movement had Présence Africaine; the Harlem Renaissance had Crisis and Opportunity; South African writers of the 1950s had Drum maga- zine. Paul Gready has written that Drum’s “flashy muck-raking journalistic style attempted to capture the vivid life of the townships. Drum became a symbol of a new urban South Africa” (146); for Rob Nixon, it “amplified the voices of a defiantly impure cosmopolitanism, projecting an urban look and ethos” (28). Lewis Nkosi, who went to work for the magazine in 1957, said that Drum “wasn’t so much a magazine as it was a symbol of the new African cut adrift from the tribal reserve—urbanised, eager, fast-talking and brash” (Home and Exile 8). e magazine serialized novels by Alan Paton and Peter Abrahams, and occasionally published the work of black American writers like Langston Hughes. Perhaps the most important function Drum played, though, was to serve as a launching pad for the careers of a whole generation of young black and mixed-race fiction writers and journalists: Bloke Modisane, Can emba, James Matthews, Peter Clarke, Arthur Maimane, and Richard Rive, among others, published their earliest work in the pages of Drum, and Ezekiel Mphahlele reached a wider audience through the magazine’s readership. Michael Chapman pays tribute to this remarkable legacy in his invaluable little collection e Drum Decade. -
By-Election Results: 29 MARCH 2001 1997-2000
RESEARCH PAPER 01/36 By-election results: 29 MARCH 2001 1997-2000 This paper gives the results of by-elections held since the 1997 general election. It updates and replaces Research Paper 99/95. Similar information for earlier by-elections is available in House of Commons Information Office Factsheets M8 (1979 to 1983), M10 (1983 to 1987), M12 (1987 to 1992) and M14 (1992 to 1997). In the past this paper was updated after each by- election. Future by-election results will be published on the House of Commons Information Office’s internet pages and a Research Paper will be published in this format periodically. Bryn Morgan SOCIAL & GENERAL STATISTICS SECTION HOUSE OF COMMONS LIBRARY Recent Library Research Papers include: 01/21 The 2001 Census of Population 09.03.01 01/22 The Christmas Day (Trading) Bill [Bill 14 of 2000-2001] 13.03.01 01/23 The Transplant of Human Organs Bill [Bill 17 of 2000-2001] 14.03.01 01/24 Direct taxes: rates & allowances 2001-02 14.03.01 01/25 Unemployment by constituency, February 2001 14.03.01 01/26 The Regulatory Reform Bill: Background to Red tape issues 14.03.01 01/27 The Regulatory Reform Bill: order-making power & parliamentary aspects 14.03.01 01/28 Police Service Strength: England & Wales (31 March 1977 to 30 September 2000) 16.03.01 01/29 The Special Needs and Disability Bill [HL] [Bill 55 of 2000-2001] 16.03.01 01/30 Election of a Commons Speaker (2nd Edition) 19.03.01 01/31 The National Lottery (Amendment) Bill [Bill 15 of 2000-2001] 22.03.01 01/32 The Social Security Fraud Bill [Bill 60 of 2000-2001] 21.03.01 01/33 The Adoption and Children Bill [Bill 66 of 2000-2001] 23.03.01 01/34 The Private Security Industry Bill [Bill 67 of 2000-2001] 26.03.01 01/35 Foot and Mouth Disease 27.03.01 Research Papers are available as PDF files: • to members of the general public on the Parliamentary web site, URL: http://www.parliament.uk • within Parliament to users of the Parliamentary Intranet, URL: http://hcl1.hclibrary.parliament.uk Library Research Papers are compiled for the benefit of Members of Parliament and their personal staff. -
Paradise-Blue-Programme.Pdf
MARKET THEATRE STAFF HONORARY PATRONS: Jules Feiffer, Athol Fugard, Dr John Kani, Janet Suzman, Prof Zakes Mda SPECIAL AMBASSADOR: Dr John Kani COUNCIL: Mr Gerald Dumas (Chairperson), Ms Nalini Maharaj (Deputy Chairperson), Ms Shado Twala, Mr Kopano Xaba, Mr Sershan Naidoo, Mr Kaizer Nyatsumba, Ms Phyllis Klotz, Mr Andre le Roux MARKET THEATRE FOUNDATION SENIOR MANAGEMENT: Chief Executive Officer: Ismail Mahomed, Artistic Director: James Ngcobo, Chief Financial Officer: Christine McDonald MARKET THEATRE STAFF: Accountant: Fazel Mayet, Assistant Producer: Phodiso Matloga, Audience Development: Anthony Ezeoke, Audience Development Interns: Magret Charova, Jabulisile Mofolo, Box Office: Siwe Hashe, Sonia Teme, Brand and Communications Manager: Zama Sweetness Buthelezi, Bookkeeper: Seipati Ncube, Cleaning: Samson Vilakazi, Client Liaison Officer: Tebogo Konopi, Simphiwe Boya, Digital Communications Officer: Thato Kobile, Graphic Designer: Ryan Lloyd, Fundraiser: Penny Morris, Handyman: Bismarck Hungwe, Head of Lighting and Technical Services: Nomvula Molepo, Human Resource Manager: Perpetua Mathsa, Human Resource Assistant: Ntolo Pooe, PA to CEO: Portia Muvirimi, Producer: Zodwa Shongwe, Head of Technical and Stage Services: Thapelo Peter Mokgosi, Project Administrators: Mvuzo Mfobo, Project Administrator Intern: Khaya Masipa, Project Co-ordinator: Sipho Mwale, wReception: Busi Letwaba, Front of House Manager: Mavis Nengovhela, Senior Front of House Manager: Thuli Hlaneke, Senior Publicist: Lusanda Zokufa-Kathilu, Senior Stage Manager: Motlalepule -
~Ngston University
... 111111 APEX Race and the British Right, 1978 - 1992: An Introductory Research Guide Steve Woodbridge ~NGSTON UNIVERSITY ------- ----- ----------- Steve Woodbridge, Kingston University Race and the British Right, 1978-1992: An Introductory Research Guide First Edition © Steve Woodbridge, Kingston University, 1993 ISBN 1 873152 20 5 Published by The APEX Centre, Holmwood House, Kingston University, Penrhyn Road Kingston upon Thames, Surrey KTl 2EE Tel 081-547 7287 Fax 081-547 7292 Contents Page Introduction 1 1. Race and Racism: General 11 2. Anti-semitism 19 3. Race and British Politics 23 4. Enoch Powell and Powellism 29 5. The Conservative Party and Race 33 6. The New Right and Race 39 7. Writings by the New Right on Race and Related Themes 43 8. The National Front and Race 47 9. The British Extreme Right and Race 51 10. The Asylum Bill and Asylum 55 11. Europe, the Right and Race 61 Race and the British Right, 1978-1992: An Introductory Research Guide Introduction Purpose of the Guide This guide has been compiled in the belief that a great deal more research is required on the subject of race and in particular on the racial discourse of the British Right. As Solomos ( 1988) has put it, as a discipline political science has done little to take account of the fact that a 'racialisation' of British politics has taken place during the post-war period. Although a number of new and badly needed studies have appeared in recent years, there is still much to be covered. The rationale behind this introductory research guide is to assist and encourage this worlc.