Animals Pathway 2 Level 5 - Languages Other Than English: Aboriginal Languages, Cultures and Reclamation in Victorian Schools
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
AUG 2008 Wurundjeri RAP Appointment Decision Pdf 43.32 KB
DECISION OF THE VICTORIAN ABORIGINAL HERITAGE COUNCIL IN RELATION TO AN APPLICATION BY WURUNDJERI TRIBE LAND AND COMPENSATION CULTURAL HERITAGE COUNCIL INC TO BE A REGISTERED ABORIGINAL PARTY DATE OF DECISION: 22 AUGUST 2008 Decision The Victorian Aboriginal Heritage Council (“the Council”) registers the Wurundjeri Tribe Land and Compensation Cultural Heritage Council Inc (“Wurundjeri Inc”) as a registered Aboriginal party (“RAP”) over part of its application area. A map showing the area for which Wurundjeri Inc has been made a RAP (“the RAP Area”) is attached (Attachment 1). The Council is still considering the remaining area for which Wurundjeri Inc has sought to be a RAP. Reasons for Decision The Council accepts that Wurundjeri Inc is an organisation that represents the Traditional Owners of the RAP Area. The members of Wurundjeri Inc are all descendants of a Woiwurrung / Wurundjeri man Bebejan, through his daughter Annie Borate (Boorat), and in turn, her son Robert Wandin (Wandoon). Bebejan was Ngurungaeta (headman) of the Wurundjeri people and was present at John Batman’s ‘treaty’ signing in 1835. Wurundjeri Inc was incorporated in 1985 and has had a long history of managing and protecting cultural heritage in its application area on behalf of Woiwurrung people. The Council was satisfied Wurundjeri Inc is capable of carrying out the functions of a RAP. RAP applications have also been made by other Traditional Owner groups in the vicinity of (and in some cases overlapping with) the Wurundjeri RAP application area. These include the Wathaurung/ Wathaurong people to the west, the Dja Dja Wurrung/ Jaara Jaara people to the north-west, the Taungurung people to the north, the Gunai/Kurnai people to the east and the Boon Wurrung/ Bunurong people to the south. -
Melbourne-Dreaming-Intro 1.Pdf (Pdf, 1.91
ABOUT THIS BOOK Melbourne Dreaming is both a guide book and social history of Melbourne, and the events and cultural traditions that have shaped local Aboriginal people’s lives. It aims to show where to look to gain a better understanding of the rich heritage and complex culture of Aboriginal people in Melbourne both before and since colonisation. It was first published in 1997. This is a completely updated and expanded edition. Melbourne Dreaming provides practical information on visiting both historical and contemporary sites located in the city centre, surrounding suburbs and outer areas. Arranged into seven precincts, Melbourne Dreaming takes you to beaches, parklands, camping places, historical sites, exhibitions, cultural displays and buildings. For Melbourne’s Aboriginal people the landscape prior to European settlement over which we travel was the face of the divine — the imprint of the ancestral creation beings that shaped the landscape on their epic journeys. Exploring Melbourne’s Aboriginal places is a way of paying respect to this sacred tradition while learning more about our shared and ancient history. Sites include locations and traces of important places before European settlement in 1835 such as shell middens, scarred trees, wells, fish traps, mounds and quarries. Other sites describe critical events that occurred because of the impact of European settlement. More recent places are the focus of contemporary life. What these places share in common is that each illustrates an important part of the overall story of the first inhabitants, the Kulin. Stories and photographs of some places of interest which have restricted access or cannot be visited have also been included. -
Learning Resource Pack
TANDERRUM LEARNING RESOURCE PACK Melbourne Festival’s free program Presenting proudly supported by the City of Melbourne Partner With support from VicHealth, Newsboys Foundation and the Helen Macpherson Smith Trust TANDERRUM LEARNING RESOURCE PACK INTRODUCTION STATEMENT FROM ILBIJERRI THEATRE COMPANY Welcome to the study guide of the 2016 Melbourne Festival production of ILBIJERRI (pronounced ‘il BIDGE er ree’) is a Woiwurrung word meaning Tanderrum. The activities included are related to the AusVELS domains ‘Coming Together for Ceremony’. as outlined below. These activities are sequential and teachers are ILBIJERRI is Australia’s leading and longest running Aboriginal and encouraged to modify them to suit their own curriculum planning and Torres Strait Islander Theatre Company. the level of their students. Lesson suggestions for teachers are given We create challenging and inspiring theatre creatively controlled by within each activity and teachers are encouraged to extend and build on Indigenous artists. Our stories are provocative and affecting and give the stimulus provided as they see fit. voice to our unique and diverse cultures. ILBIJERRI tours its work to major cities, regional and remote locations AUSVELS LINKS TO CURRICULUM across Australia, as well as internationally. We have commissioned 35 • Cross Curriculum Priorities: Aboriginal and Torres Strait Islander new Indigenous works and performed for more than 250,000 people. History and Cultures We deliver an extensive program of artist development for new and • The Arts: Creating and making, Exploring and responding emerging Indigenous writers, actors, directors and creatives. • Civics and Citizenship: Civic knowledge and Born from community, ILBIJERRI is a spearhead for the Australian understanding, Community engagement Indigenous community in telling the stories of what it means to be Indigenous in Australia today from an Indigenous perspective. -
Land Hunger: Port Phillip, 1835
Land Hunger: Port Phillip, 1835 By Glen Foster An historical game using role-play and cards for 4 players from upper Primary school to adults. © Glen Foster, 2019 1 Published by Port Fairy Historical Society 30 Gipps Street, Port Fairy. 3284. Telephone: (03) 5568 2263 Email: [email protected] Postal address: Port Fairy Historical Society P.O. Box 152, Port Fairy, Victoria, 3284 Australia Copyright © Glen Foster, 2019 Reproduction and communication for educational and private purposes Educational institutions downloading this work are able to photocopy the material for their own educational purposes. The general public downloading this work are able to photocopy the material for their own private use. Requests and enquiries for further authorisation should be addressed to Glen Foster: email: [email protected]. Disclaimers These materials are intended for education and training and private use only. The author and Port Fairy Historical Society accept no responsibility or liability for any incomplete or inaccurate information presented within these materials within the poetic license used by the author. Neither the author nor Port Fairy Historical Society accept liability or responsibility for any loss or damage whatsoever suffered as a result of direct or indirect use or application of this material. Print on front page shows members of the Kulin Nations negotiating a “treaty” with John Batman in 1835. Reproduced courtesy of National Library of Australia. George Rossi Ashton, artist. © Glen Foster, 2019 2 Table of Contents INTRODUCTION -
James Dawson's Intervention in the Naming of the Maroondah Aqueduct
91 IAN D CLARK James Dawson’s intervention in the naming of the Maroondah aqueduct In an early history of Melbourne’s water supply, EG Ritchie discussed the Maroondah aqueduct and confirmed its change of name from Watts to Maroondah when the aqueduct was brought into use in February 1891.1 Ritchie noted that in the early 1880s, authorities recognised ‘a large new supplementary scheme was a vital necessity for the rapidly growing population, and surveys for the purpose of tapping the Watts River and its tributaries near Healesville were actively prosecuted’.2 In 1886, construction started on an aqueduct for this purpose. It was completed and officially opened in February 1891, when the name of the river and system was changed to ‘Maroondah’. Likewise, Tony Dingle and Carolyn Rasmussen in their centenary history of the Melbourne and Metropolitan Board of Works discussed the completion of the Watts River works in early 1891 and noted that the ‘name of the river and the catchment was changed to Maroondah’.3 Nowhere does either history discuss the reasons for the change of name or the agency behind it. The purpose of this article is to reveal that James Dawson was, in all likelihood, responsible for the change of name from Watts to Maroondah, and to contextualise this in terms of his strident advocacy for Aboriginal interests, including Aboriginal placenames, and his association with the upper Yarra, which began in 1840 when he first arrived in Victoria and established a station on the Yarra near Anderson’s Creek. 92 The La Trobe Journal No. -
Comprehension Quiz WORKSHEET 2
Comprehension Quiz WORKSHEET 2 1. What are the Woiwurrung words used by Wurundjeri people words for ‘Elders’ and ‘visitors’? 2. What is Wurun? 3. What is Djeri? 4. What is the creator spirit of the Wurundjeri? 5. What is the language of the Wurundjeri? 6. What names are Aboriginal elders given as a mark of respect? 7. What obvious piece of clothing are many of the figures in this book wearing? 8. What area do the Wurundjeri people come from? 9. Finish this sentence: ‘But you must only take from this land...’? 10. Who illustrated Aunty Joy Murphy’s text? An imprint of Walker Books Australia Comprehension Quiz Answers WORKSHEET 2 1. What are the Woiwurrung words used by Wurundjeri people words for ‘Elders’ and ‘visitors’? Ilwks and yannibil. 2. What is Wurun? The River White Gum. 3. What is Djeri? The grub that lives in the tree. 4. What is the creator spirit of the Wurundjeri? Bunjil the eagle. 5. What is the language of the Wurundjeri? Woiwurrung Ngulu. 6. What names are Aboriginal elders given as a mark of respect? Aunty or Uncle. 7. What obvious piece of clothing are many of the figures in this book wearing? Possum skin cloaks (Walert Gurn). 8. What area do the Wurundjeri people come from? ‘Wurundjeri Country lies within the inner city of Melbourne and extends north of the Great Dividing Range, east to Mount Baw Baw, south to Mordialloc Creek and to the mouth of the Werribee River.’ Wurundjeri Tribe <http://wurundjeri.com.au> Melbourne and surrounds. 9. Finish this sentence: ‘But you must only take from this land...’? ...what you can give back.’ 10. -
The Story of Aboriginal and Torres Strait Islander Darebin
THE STORY OF ABORIGINAL AND TORRES STRAIT ISLANDER DAREBIN Acknowledgements Darebin City Council acknowledges the Wurundjeri people as the Traditional Owners and custodians of the land we now call Darebin and pays respect to their Elders past, present and future. We also acknowledge the diverse Aboriginal and Torres Strait Islander community, from across Australia, who have come to live, work and study within our municipality. Darebin City Council recognises that this is by no means a comprehensive re- telling of the Aboriginal history of the local area, nor is it the only way that even this small part of the story could be told. Council also recognises that contemporary Aboriginal and Torres Strait Islander history within our municipality, and further afield, is constantly evolving. Much of the contemporary history remains with the Aboriginal and Torres Strait Islander people to whom it belongs. This resource complements the Darebin Aboriginal and Torres Strait Islander Recognition and Discovery Map available at the following link: http://www.darebin.vic.gov.au/en/Darebin-Living/Community- support/Aboriginal-and-Torres-Strait-Islander-Darebin Aboriginal and Torres Strait Islander people should be aware that this material contains names of deceased persons. i August 2018 A4702042 In order to do justice to the story of Aboriginal and Torres Strait Islander Darebin, people need to look further afield to Aboriginal Victoria and even to Aboriginal Australia, as all are inextricably linked. Just as Aboriginal and Torres Strait Islander peoples moved through their traditional lands freely, without boundary fences and walls, so too the Aboriginal and Torres Strait Islander history of Darebin reaches far beyond our current municipal borders. -
Skin, Kin and Clan: the Dynamics of Social Categories in Indigenous
Skin, Kin and Clan THE DYNAMICS OF SOCIAL CATEGORIES IN INDIGENOUS AUSTRALIA Skin, Kin and Clan THE DYNAMICS OF SOCIAL CATEGORIES IN INDIGENOUS AUSTRALIA EDITED BY PATRICK MCCONVELL, PIERS KELLY AND SÉBASTIEN LACRAMPE Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN(s): 9781760461638 (print) 9781760461645 (eBook) This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/ legalcode Cover design and layout by ANU Press. Cover image Gija Kinship by Shirley Purdie. This edition © 2018 ANU Press Contents List of Figures . vii List of Tables . xi About the Cover . xv Contributors . xvii 1 . Introduction: Revisiting Aboriginal Social Organisation . 1 Patrick McConvell 2 . Evolving Perspectives on Aboriginal Social Organisation: From Mutual Misrecognition to the Kinship Renaissance . 21 Piers Kelly and Patrick McConvell PART I People and Place 3 . Systems in Geography or Geography of Systems? Attempts to Represent Spatial Distributions of Australian Social Organisation . .43 Laurent Dousset 4 . The Sources of Confusion over Social and Territorial Organisation in Western Victoria . .. 85 Raymond Madden 5 . Disputation, Kinship and Land Tenure in Western Arnhem Land . 107 Mark Harvey PART II Social Categories and Their History 6 . Moiety Names in South-Eastern Australia: Distribution and Reconstructed History . 139 Harold Koch, Luise Hercus and Piers Kelly 7 . -
Indigenous Geography
Yingabeal Indigenous GeographyLevels 7 and 8: Aboriginal and Torres Strait Islander Peoples at Heide and Cultures Note to Teachers This unit of work has been designed to fulfil the content requirements of the Victorian Curriculum (History) Year 7 & 8 topic entitled ‘Aboriginal and Torres Strait Islander Peoples and Cultures’. It focuses on the Scarred Tree at Heide Museum of Modern Art as a starting point for discussing concepts such as Indigenous geography and wayfinding, Indigenous customs and traditions, food and resources and the importance of preserving Indigenous artefacts and intangible heritage. This education resource will assist students to develop their knowledge of Indigenous culture and the issues that threaten contemporary Indigenous heritage. Acknowledgements Thank you to the following people for their input into this education resource: Kendrah Morgan Curator Heide Museum of Modern Art Uncle Bill Nicholson Wurundjeri Elder Wurundjeri Tribe Land Compensation and Cultural Heritage Council Dugald Noyes Head Gardener Heide Museum of Modern Art Dr Jim Poulter Local Historian Wurundjeri Tribe Land Compensation and Cultural Heritage Council Stan Yarramunua Artist and musician Art Yarramunua PAGE 2 Curriculum Links Victorian Curriculum, Level 7 & 8 Historical Knowledge Historical Concepts and Skills Aboriginal and Torres Strait Islander peoples and Chronology cultures 1. Sequence significant events in chronological 1. How physical or geographical features order to analyse the causes and effects influenced the development of Aboriginal and and identify continuities and changes Torres Strait Islander peoples’ communities, (VCHHC097) foundational stories and land management practices (VCHHK105) Historical sources as evidence 2. The significant beliefs, values and practices of Aboriginal and Torres Strait Islander peoples 1. -
FIRST CONTACT in PORT PHILLIP Within This Section, Events Are Discussed Relating to the Colonisation of Port Phillip in 1835
READINGS IN AUSTRALIAN HISTORY -The History you were never taught THEME 6: FIRST CONTACT IN PORT PHILLIP Within this section, events are discussed relating to the colonisation of Port Phillip in 1835. The names of the principal characters involved, that of William Buckley, John Batman, John Pascoe Fawkner and William Barak are well known to the public. However as the saying goes, history is written by the winners. This section therefore endeavours to lift the veil on this period of our colonial history through an understanding of the Aboriginal perspective. A little understood narrative dictated by William Barak in 1888 is examined to reveal new insights about the influence of William Buckley on Aboriginal thinking, and the location of the 1835 treaty meeting with Batman. AH 6.1 Buckley’s Adjustment to Tribal Life AH 6.2 Murrungurk’s Law AH 6.3 Barak’s meeting with Batman AH 6.4 Interpreting Barak’s story AH 6.5 Batman’s second bogus treaty AH 6.6 The Naming of the Yarra River in 1835 AH 6.7 Melbourne’s feuding founding fathers THEME 6 QUESTIONS FOR CONSIDERATION 1. If Buckley survived 32 years in Aboriginal society, was he as dumb as he was painted by some colonists? 2. If Batman had his treaties signed by eight Aboriginals, in ink, on a log, in middle of winter, how come there is not one ink blot, smudge, fingerprint or raindrop? 3. Who was the nicer person, John Batman or John Pascoe Fawkner? BUCKLEY’S ADJUSTMENT TO TRIBAL LIFE William Buckley is of course firmly entrenched in Australian history and folklore as ‘The Wild White Man’. -
Proposal to Vary Registration of Wurundjeri Woi Wurrung Cultural
STATEMENT OF BASIS ON WHICH THE VICTORIAN ABORIGINAL HERITAGE COUNCIL CONSIDERS IT WOULD BE APPROPRIATE TO VARY THE REGISTRATION AREA OF WURUNDJERI WOI WURRUNG CULTURAL HERITAGE ABORIGINAL CORPORATION DATE OF PROPOSAL: 7 June 2021 1 Council’s View The Victorian Aboriginal Heritage Council (Council) has formed the view that it would be appropriate to exercise its power pursuant to section 155 of the Aboriginal Heritage Act 2006 (Act) to vary the registration area of Wurundjeri Woi Wurrung Cultural Heritage Aboriginal Corporation (WWW). The variation Council considers appropriate relates to some, but not all, of an extension of its registration area sought by WWW.1 2 Procedural Background of Proposal The following section provides a summary of the procedural steps leading to Council’s eventual substantive consideration of whether to exercise its power to vary the area of the WWW’s RAP application area. Council received a written request to vary the registration boundary from WWW in August 2020. It is to this request that this proposal relates. However, the procedural background to consideration of this request involves earlier discussions between WWW and Bunurong Land Council Aboriginal Corporation (BLCAC) regarding their respective registration boundaries. It is therefore useful to commence by setting out the procedural background also to the BLCAC registration boundary variation request. In 2017 BLCAC applied to Council for appointment as a registered Aboriginal party (RAP) under s 150 of the Act. Council acknowledged receipt of BLCAC’s RAP application on 24 February 2017. BLCAC’s RAP application was determined for part of the area it applied for on 19 July 2017. -
Book Week Tea Ching No Te S
. CBCA SHoRTLI Ted! 2020 SHORTLIST: EVE POWNALL AWARD FOR INFORMATION BOOKS S WEEK BOOK ABOUT THE BOOK Yarra Riverkeeper Andrew Kelly joins award-winning picture book duo Aunty Joy Murphy and Lisa Kennedy to tell the Indigenous and geographical story of Melbourne’s beautiful Yarra River, from its source to its mouth, from its pre-history to the present day. For a list of Australian curriculum content able to be addressed through studying this text, see the full comprehensive set of teaching notes available online at: scholastic.com.au/teacher-corner TEACHING TEACHING WILAM: A BIRRARUNG STORY WRITTEN BY AUNTY JOY MURPHY & ANDREW KELLY ILLUSTRATED BY LISA KENNEDY AUSTRALIAN ABORIGINAL HERITAGE empowers Wurundjeri people to look • Read together the glossary of the William Barak after their river Birrarung/ Yarra. Woiwurrung words in the text and their English meanings. Allocate students The book begins with a quote from William • Research the idea of Caring for a word to illustrate as a poster using Barak, who was Aunty Joy Murphy’s great Country and its importance to Lisa’s artwork for inspiration. Label uncle. Auntie Joy is descended from indigenous Australians and role in with both English and Woiwurrung Barak’s brother Robert Wandin. Barak looking after our environment. language. was ‘Wurundjeri Ngurungaeta’ or ‘head ENGLISH LANGUAGE & LITERACY man’ for much of the time of the early VISUAL LITERACY Cyclical Structure settlement of Melbourne and the Yarra Aboriginal artists use repetitive patterns Valley. He is the ancestral figure who This is a cyclical story about the past when they are building a structure with guides the Elders in passing on culture.