Western Fiction Grapevine Public Library Library These Are Just a Sample of the Numerous Re- Sources We Have

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Grapevine Public Western Fiction Grapevine Public Library Library These are just a sample of the numerous re- sources we have . If you can’t find a title you are looking for, please feel free to ask a Librar- ian and we will help you. You can also request a book if we do not own it. Western Series Do you have any comments Lonesome Dove series by Larry McMurtry or suggestions? Lonesome Dove F Adult Fiction MCM Reference Desk SCS Audiocassette 813 MCM P: 817-410-3404 F: 817-410-3084 Western Street of Laredo Email [email protected] F- Adult Fiction MCM Fiction LP F Large Print - Fiction MCM www.grapevine.lib.tx.us SCS Audiocassette 813 MCM If you are interested in gun- slinging frontier adventures set Dead Man’s Walk Find us on Facebook : in the immense plains, moun- F- Adult Fiction MCM Grapevine Public Library LP F Large Print - Fiction MCM tain ranges, and rugged lands SCS Audiocassette 813 MCM of the United States, Western 1201 Municipal Way Fiction is the genre for you. Comanche Moon Grapevine, TX 76051 Here are a few suggestions for LP F Large Print - Fiction MCM your reading enjoyment. 03/11 WESTERN FICTION Biographical Westerns Classic Westerns Coming of Age in the Old West Northfield: a Western Story The Return of Little Big Man Boone's Lick by Johnny D. Boggs by Thomas Berger by Larry McMurtry WF Adult Fiction - Western BOG WF Adult Fiction - Western BER WF Adult Fiction - Western MCM LP WF Large Print - Western BER SDB - Compact Disc Book (Adult) The Stone Garden: the Epic Life of Billy the Kid 813 MCM by Bill Brooks High Lonesome LP WF Large Print - Western BRO by Louis L’Amour Gabriel's Story WF Adult Fiction - Western LAM by David Anthony Durham Shooting the Sun LP WF Large Print - Western LAM WF Adult Fiction - Western DUR by Max Byrd LP WF Large Print - Western DUR WF Adult Fiction - Western BYR The Ox-bow Incident by Walter Van Tilburg Clark Shavetail Branch and the Scaffold WF Adult Fiction - Western CLA by Thomas Cobb by Loren D. Estleman WF Adult Fiction - Western COB WF Adult Fiction - Western EST Outlaws NetLibrary LP WF Large Print - Western EST Hellfire Canyon Please note: by Max McCoy NetLibrary LP WF Large Print - Western and WF Etta Adult Fiction are shelved together in the Large Print—Western section of the Blood Duel by Gerald Kolpan, library. by David Robbins NetLibrary WF Adult Fiction - Western KOL Some western titles may be shelved in F- Adult Fiction. .

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Formulating Western Fiction in Garrett Touch of Texas
AWEJ for Translation & Literary Studies, Volume 2, Number 2, May 2018 Pp. 142 -155 DOI: http://dx.doi.org/10.24093/awejtls/vol2no2.10 Formulating Western Fiction in Garrett Touch of Texas Elisabeth Ngestirosa Endang Woro Kasih Faculty of Art and Education, Universitas Teknokrat Indonesia, Bandarlampung, Indonesia Abstract Western fiction as one of the popular novels has some common conventions such as the setting of life in frontier filled with natural ferocity and uncivilized people. This type of fiction also has a hero who is usually a ranger or cowboy. This study aims to find a Western fiction formula and look for new things that may appear in the novel Touch of Texas as a Western novel. Taking the original convention of Cooper’s Leatherstocking Tales, this study also looks for the invention and convention of Touch of Texas by using Cawelti’s formula theory. The study finds that Garrett's Touch of Texas not only features a natural malignancy against civilization, a ranger as a single hero, and a love story, but also shows an element of revenge and the other side of a neglected minority life. A hero or ranger in this story comes from a minority group, a mixture of white blood and Indians. The romance story also shows a different side. The woman in the novel is not the only one to be saved, but a Ranger is too, especially from the wounds and ridicule of the population as a ranger of mixed blood. The story ends with a romantic tale between Jake and Rachel. Further research can be done to find the development of western genre with other genres such as detective and mystery.
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Tragedy After Darwin by Manya Lempert a Dissertation Submitted In
Tragedy after Darwin by Manya Lempert A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Dorothy Hale, Chair Professor Ann Banfield Professor Catherine Gallagher Professor Barry Stroud Summer 2015 Abstract Tragedy after Darwin by Manya Lempert Doctor of Philosophy in English University of California, Berkeley Professor Dorothy Hale, Chair Tragedy after Darwin is the first study to recognize novelistic tragedy as a sub-genre of British and European modernism. I argue that in response to secularizing science, authors across Europe revive the worldview of the ancient tragedians. Hardy, Woolf, Pessoa, Camus, and Beckett picture a Darwinian natural world that has taken the gods’ place as tragic antagonist. If Greek tragic drama communicated the amorality of the cosmos via its divinities and its plots, the novel does so via its characters’ confrontations with an atheistic nature alien to redemptive narrative. While the critical consensus is that Darwinism, secularization, and modernist fiction itself spell the “death of tragedy,” I understand these writers’ oft-cited rejection of teleological form and their aesthetics of the momentary to be responses to Darwinism and expressions of their tragic philosophy: characters’ short-lived moments of being stand in insoluble conflict with the expansive time of natural and cosmological history. The fiction in this study adopts an anti-Aristotelian view of tragedy, in which character is not fate; character is instead the victim, the casualty, of fate. And just as the Greek tragedians depict externally wrought necessity that is also divorced from mercy, from justice, from theodicy, Darwin’s natural selection adapts species to their environments, preserving and destroying organisms, with no conscious volition and no further end in mind – only because of chance differences among them.
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Made in America: Exploring the Hollywood Western Red River (1948) – Introductory Lecture
MADE IN AMERICA: EXPLORING THE HOLLYWOOD WESTERN RED RIVER (1948) – INTRODUCTORY LECTURE TRANSCRIPT Introductory Lecture: Red River (1948) Welcome to the Western. I’m glad you can be here today. Red River (1948) is a 1948 Western film produced by Howard Hawks and starring John Wayne and Montgomery Clift. The film’s supporting cast features Walter Brennan, Joanne Dru, Colleen Gray, Harry Carey, John Ireland, Hank Worden, Noah Beery, Jr., Harry Carey Jr., and Paul Fix. The screenplay was based on Borden Chase’s original story which was first serialized in The Saturday Evening Post in 1946 as “Blazing Guns on the Chisholm Trail.” The movie’s ending differs from that of the original story. In Chase’s Saturday Evening Post’s story, Cherry Valance shoots Tom Dunson dead in Abilene and Matt takes his body back to Texas to be buried on the ranch. Red River cost an estimated $3 million to make it did very well at the box office. In 1948, it grossed $5 and a half million domestically and worldwide it made over $9 million. It was a very, very popular movie. The film is also an art movie. It was nominated for Academy Awards for Best Film Editing by Christian Nyby and Best Writing Motion Picture Story by Borden Chase. John Ford was so impressed with John Wayne’s performance in Red River that he is reported to have said I didn’t know the big son of a bitch could act. In June 2008, the American Film Institute listed Red River as the fifth best film in the Western genre.
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Futures Dreaming Outside and on the Margins of the Western World I
Futures 35 (2003) 493–507 www.elsevier.com/locate/futures Essay Futures dreaming outside and on the margins of the western world I. Milojevic a,1, S. Inayatullah b,∗ a The University of Queensland, 4072 Brisbane, Australia b Faculty of Arts and Social Sciences, University of the Sunshine Coast, Maroochydore DC, 4558 Queensland, Australia Abstract In this article, we challenge the hegemony of western science fiction, arguing that western science fiction is particular even as it claims universality. Its view remains based on ideas of the future as forward time. In contrast, in non-western science fiction the future is seen outside linear terms: as cyclical or spiral, or in terms of ancestors. In addition, western science fiction has focused on the good society as created by technological progress, while non-western science fiction and futures thinking has focused on the fantastic, on the spiritual, on the realiz- ation of eupsychia—the perfect self. However, most theorists assert that the non-west has no science fiction, ignoring Asian and Chinese science fiction history, and western science fiction continues to ‘other’ the non-west as well as those on the margins of the west (African–American woman, for example). Nonetheless, while most western science fiction remains trapped in binary opposites— alien/non-alien; masculine/feminine; insider/outsider—writers from the west’s margins are cre- ating texts that contradict tradition and modernity, seeking new ways to transcend difference. Given that the imagination of the future creates the reality of tomorrow, creating new science fictions is not just an issue of textual critique but of opening up possibilities for all our futures.
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Dastan-O-Goftman.Pdf
ALSO BY SEYMOUR CHATMAN Coming to Terms: The Rhetoric of Narrative in Fiction and Film Essays on the Language of Literature (edited with Samuel Levin) The Later Style of Henry James Literary Style: A Symposium (edited and translated) A Theory of Meter STORY AND DISCOURSE Narrative Structure in Fiction and Film by SEYMOUR CHATMAN Cornell University Press ITHACA AND LONDON Copyright C 1978 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the·publisher. For information, address Cornell U~ersity Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 1978 by Cornell University Press First printing, Cornell Paperbacks, 1980 Printed in the United States of America Acknowledgment is made for: Excerpts from Nausea by Jean-Paul Sartre, translated by lloyd Alexander, copyright C 1964 by New Directions Publishing Corporation. All rights reserved. First published in Great Britain in 1962 by Hamish Hamilton Ltd. Reprinted by permission of New Direc- tions Publishing Corporation and Hamish Hamilton Ltd. Excerpts from Lolita by Vladimir Nabokov, copyright C 1955 by Vladimir Nabokov; re printed by permission of G. P. Putnam's Sons and Weidenfeld &. Nicolson. A selection from The Sesma and Other Stories by Isaac Bashevis Singer, copyright C 1965, 1968 by Isaac Bashevis Singer; reprinted with the permission of Farrar, Straus &. Giroux, Inc., and Jonathan Cape Ltd. Excerpts from Mrs. DaUoway by Virginia Woolf, copyright 1925 by Harcourt Brace Jo vanovich, Inc.; renewed 1953 by Leonard Woolf. First published 1925 by The Hogarth Pre:ss.
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Re-Writing Women's Identities and Experiences in Contemporary
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Rethinking Western Readers Advisory
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Fine Books in All Fields the Winky King Collection of Oz & L. Frank
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Crossing Borders, Crossing Genres: Utilizing Genres to Explore Literary Themes Through Genre Fiction
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State English Theses English 5-2020 Crossing Borders, Crossing Genres: Utilizing Genres to Explore Literary Themes Through Genre Fiction Michael W. Rickard II Buffalo State College, [email protected] Advisor Dr. Lorna Perez First Reader Dr. Lorna Perez Second Reader Dr. Jennifer Ryan-Bryant Department Chair Dr. Ralph Wahlstrom, Chair and Professor of English To learn more about the English Department and its educational programs, research, and resources, go to https://english.buffalostate.edu/eng. Recommended Citation Rickard, Michael W. II, "Crossing Borders, Crossing Genres: Utilizing Genres to Explore Literary Themes Through Genre Fiction" (2020). English Theses. 29. https://digitalcommons.buffalostate.edu/english_theses/29 Follow this and additional works at: https://digitalcommons.buffalostate.edu/english_theses Part of the Literature in English, North America Commons Rickard 1 Buffalo State College State University of New York Department of English Crossing Borders, Crossing Genres: Utilizing Genres to Explore Literary Themes Through Genre Fiction A Thesis in English By Michael W. Rickard II Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts May 2020 Dates of Approval: ______________________ _____________________________________ Dr. Lorna Perez Associate Professor Honors Faculty Fellow Chairperson of the Committee Thesis Adviser _____________________ _____________________________________
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Western (Genre)
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