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UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Volcanic Poetics: Revolutionary Myth and Affect in Managua and the Mission, 1961-2007 Permalink https://escholarship.org/uc/item/87h094jr Author Dochterman, Zen David Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Volcanic Poetics: Revolutionary Myth and Affect in Managua and the Mission, 1961-2007 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by Zen David Dochterman 2016 © Copyright by Zen David Dochterman 2016 ABSTRACT OF THE DISSERTATION Volcanic Poetics: Revolutionary Myth and Affect in Managua and the Mission, 1961-2007 by Zen David Dochterman Doctor of Philosophy in Comparative Literature University of California, Los Angeles, 2016 Professor Efrain Kristal, Chair Volcanic Poetics: Revolutionary Myth and Affect in Managua and the Mission, 1961-2007 examines the development of Nicaraguan politically engaged poetry from the initial moments of the Sandinista resistance in the seventies to the contemporary post-Cold War era, as well as its impact on Bay Area Latino/a poetry in the seventies and eighties. This dissertation argues that a critical mass of politically committed Nicaraguan writers developed an approach to poetry to articulate their revolutionary hopes not in classical Marxist terms, but as a decisive rupture with the present order that might generate social, spiritual, and natural communion. I use the term “volcanic poetics” to refer to this approach to poetry, and my dissertation explores its vicissitudes in the political and artistic engagements of writers and poets who either sympathized with, or were protagonists of, the Sandinista revolution. -
Artaud in Performance: Dissident Surrealism and the Postwar American Avantgarde
Artaud in performance: dissident surrealism and the postwar American avant-garde Article (Published Version) Pawlik, Joanna (2010) Artaud in performance: dissident surrealism and the postwar American avant-garde. Papers of Surrealism (8). pp. 1-25. ISSN 1750-1954 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/56081/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk © Joanna Pawlik, 2010 Artaud in performance: dissident surrealism and the postwar American literary avant-garde Joanna Pawlik Abstract This article seeks to give account of the influence of Antonin Artaud on the postwar American literary avant-garde, paying particular attention to the way in which his work both on and in the theatre informed the Beat and San Francisco writers’ poetics of performance. -
Poetry Planetariat No 5. PDF File
Poetry Planetariat IssueIssue 5, 2, Summer Fall 2019 2020 IstanbulIstanbul / / Medellin Medellin D. Payne PoetsPoets of ofthe the World World UniteUnite Against Against Injustice Injustice Copyright 2020 World Poetry Movement Publisher: World Poetry Movement www.wpm2011.org [email protected] Editor: Ataol Behramoğlu [email protected]/[email protected] Associate Editor: Pelin Batu [email protected] Editorial Board: Mohammed Al-Nabhan (Kuwait), Ayo Ayoola-Amalae (Nigeria), Francis Combes (France), Jack Hirschman (USA), Jidi Majia (China), Fernando Rendón (Colombia), Rati Saxena (India), Keshab Sigdel (Nepal) Paintings by Emmanuel Adekeye/Dorothy Payne Layout by Gülizar Ç. Çetinkaya [email protected] Adress: Tekin Publishing House Ankara Cad.Konak Han, No:15 Cağaloğlu-İstanbul/Turkey Tel:+(0212)527 69 69 Faks:+(0212)511 11 12 www.tekinyayinevi.com e-mail:[email protected] ISSN XXXXX Poetry Planetariat is published four times a year in Istanbul by the World Poetry Movement in cooperation with Ataol Behramoğlu-Pelin Batu and Tekin Publishing House CONTENTS WE NEED TO BREATHE/ATAOL BEHRAMOĞLU A LETTER TO MAYOR LONDON BREED AND SAN FRANCISCO BOARD OF SUPERVISORS(SARAH MENEFEE/ JACK HIRSCHMAN/ MARIA CRISTINA GUTIERREZ/ JESSICA G. AGUALLO-HURTADO) AN INTRODUCTION TO THE POETRY OF THE AFRICAN-AMERICAN POETS/JACK HIRSCHMAN I CAN’T BREATHE- MAKING HUMANITYDOOMED/ AYO AYOOLA-AMALE POETRY OPAL PALMER-ADISA/SAMAR ALİ/AYO AYOOLA-AMALE/ CHARLES BLACKWELL/ JAME CAG- NEY/ MAKETA SMITH –GROVES/ VİNCENT KOBELT/ DEVORAH MAJOR/ TONGO EISEN-MARTIN/ NGWATILO MAWIYOO/ ZOLANİ MKİVA/ NANCY MOREJON/ CHRİSTOPHER OKEMWA/ ODOH DİEGO OKONYONDO/GREG POND/ WOLE SOYİNKA/AXARO W THANİSEB/ MİCHAEL WARR/ ASHRAF ABAOUL YAZİD IN MEMORIAM LANGSTON HUGHES LEOPOLD SENGHOR JAMES BALDWIN MAYA ANGELOU AMIRI BARAKA WE NEED TO BREATHE/ATAOL BEHRAMOĞLU Choking is stay oxygen-free. -
At the Library: July 2020 SFPL.Org
July 2020 Vol. 51 No. 7 Summer Stride Virtual Programs in July he Library is excited to announce our July virtual events. Our partnership with our National Park Service friends at Alcatraz brings us two intriguing programs. The commemoration of the 50th anniversary of the Occupation of Alcatraz continues, with a panel discussion featuring original occupiers, scholars and those who helped support Tand document the occupation. Also on offer is an important talk about the identity of mass incarceration as seen through the lens of Alcatraz, featuring Troy Williams, founder and director of Restorative Media, and From left, Boswick the Clown, Linda Wright and It’s Yoga Kids formerly incarcerated. We host an author talk and presentation with Chris Clown, a beloved mainstay of family programming for San Francisco families for Carlsson, educator, historian and co-founder of Shaping decades, will surely tickle your funny bone. New just for virtual programming, San Francisco, who peels back the layers of San Francisco’s Boswick will debut his custom fun house full of magic, juggling and the silliest history to reveal a storied past in his new book Hidden antics. You won’t want to miss The Fratello Marionettes’ retelling of a classic San Francisco: A Guide to Lost Landscapes, Unsung Heroes, tale, complete with an up-close view of their puppet studio where they have and Radical Histories. handcrafted their own puppets since 1989. Linda Wright, masterful storyteller Gardening in San Francisco can be challenging but and passionate educator, will transport us to the Civil Rights Era by bringing rewarding. Attend the first in our gardening series, Edible to life the eminent Coretta Scott King. -
Poetry Planetariat No 4. PDF File
Poetry Planetariat IssueIssue 4, 2, spring Fall 2019 2020 IstanbulIstanbul / / Medellin Medellin PoetsPoets of ofthe the World World UniteUnite Against Against Injustice Injustice Copyright 2020 World Poetry Movement Publisher: World Poetry Movement www.wpm2011.org [email protected] Editor: Ataol Behramoğlu [email protected]/[email protected] Associate Editor: Pelin Batu [email protected] Editorial Board: Mohammed Al-Nabhan (Kuwait), Ayo Ayoola-Amalae (Nigeria), Francis Combes (France), Jack Hirschman (USA), Jidi Majia (China), Fernando Rendón (Colombia), Rati Saxena (India), Keshab Sigdel (Nepal) Paintings by Egon Schiele Layout by Gülizar Ç. Çetinkaya [email protected] Adress: Tekin Publishing House Ankara Cad.Konak Han, No:15 Cağaloğlu-İstanbul/Turkey Tel:+(0212)527 69 69 Faks:+(0212)511 11 12 www.tekinyayinevi.com e-mail:[email protected] ISSN XXXXX Poetry Planetariat is published four times a year in Istanbul by the World Poetry Movement in cooperation with Ataol Behramoğlu-Pelin Batu and Tekin Publishing House CONTENTS POETRY ON THE CORONA DAYS./ATAOL BEHRAMOĞLU POETRY CHRIS ABANI (NIGERIA, 1966) AYO-AYOOLA AMALE (NIGERIA,1970) IDRAN AMIRTHANAYAGAM (SRI LANKA) BALÂZS F. ATTILA (HUNGARY, 1954) SALİM BABULLAOĞLU (AZERBAYJAN, 1972) ALESSANDRA BAVA (VATICAN) DMİTRO O. TCHYİSTİAK(UKRAİNE,1987) MARCO CINQUE (ITALY) FRANCİS COMBES(FRANCE,1953) JOHN CURL (USA, 1940) AMİT DAHİYABADSHAH(INDIA) JEAN-LUC DESPAX (FRANCE, 1968) MAURO FORTISSİMO (ARGENTINA) STEVEN GRAY (SOUTH AFRICA, 1941) MARİA CRİSTİNA GUTİERREZ (COLOMBIA/USA) -
OVERTHROWING CAPITALISM Volume Five
OVERTHROWING CAPITALISM Volume Five Edited by Jack Hirschman Rosemary Manno John Curl 1 Special thanks to all who made generous contributions to this publication. 2 OVERTHROWING CAPITALISM Volume Five Revolutionary Poets Brigade 3 Copyright © 2018 by Kallatumba Press. Edited by Jack Hirschman, Rosemary Manno, and John Curl All rights reserved. No part of this book may be reproduced by any means, including information storage and retrieval or photocopying, except for short excerpts in critical articles, without written permission of the publisher. Intellectual property reverts back to the individual poets and translators upon publication. ISBN-978-0-578-12735-4 Kallatumba Press 858A Union Street San Francisco, CA 94133 http://revolutionarypoetsbrigade.org/ Cover Painting by Dorothy Payne: Freedom Printed in the United States of America. 4 CONTENTS INTRODUCTION ... 9 OPAL PALMER ADISA ... 10 ROBERT ANBIAN ... 11 LILIANA ARENA (ITALY) ... 12 HANAN AWWAD (PALESTINE) ... 14 AYO AYOOLA-AMALE (NIGERIA) ... 18 IDLIR AZIZAJ (ALBANIA) ... 20 MAHNAZ BADIHIAN (IRAN) ... 24 LISBIT BAILEY ... 26 ALESSANDRA BAVA (ITALY) ... 27 ATAOL BEHRAMOGLU (TURKEY) ... 28 LINCOLN BERGMAN ... 34 JUDITH AYN BERNHARD ... 38 CHARLES CURTIS BLACKWELL ... 40 JOHN BRANDI ... 41 KRISTINA BROWN ... 42 FERRUCCIO BRUGNARO (ITALY) ... 44 TOM BURON (FRANCE) ... 46 YOLANDA CATZALCO ... 50 NEELI CHERKOVSKI ... 52 DOMINIQUE CHRISTINA ... 53 MARCO CINQUE (ITALY) ... 56 BOBBY COLEMAN ... 62 FRANCIS COMBES (FRANCE) ... 64 JUANITA CONEJERO (CUBA) ... 66 PAULINE CRAIG ... 68 WILLIAM CROSSMAN ... 72 THOMAS RAIN CROWE ... 73 ANITA ODENA CRUZ ... 75 ROMEO ALCALA CRUZ ... 77 JOHN CURL ... 80 NAJWAN DARWISH (PALESTINE) ... 82 DIEGO DE LEO ... 85 5 CAROL DENNEY ... 86 TONGO EISEN-MARTIN ... 87 ELIAS ... 89 AGNETA FALK ... 91 MAURO FORTISSIMO .. -
City Lights Books Records, 1953-1970
http://oac.cdlib.org/findaid/ark:/13030/kt5489q50w Online items available Finding Aid to City Lights Books Records, 1953-1970 Finding Aid written by Bancroft Library staff; revised by Tanya Hollis and Holly Fox. The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2005 The Regents of the University of California. All rights reserved. Finding Aid to City Lights Books BANC MSS 72/107 c 1 Records, 1953-1970 Finding Aid to City Lights Books Records, 1953-1970 Collection number: BANC MSS 72/107 c The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Finding Aid written by Bancroft Library staff; revised by Tanya Hollis and Holly Fox. Finding Aid Encoded By: GenX © 2014 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: City Lights Books records Date (inclusive): 1953-1970 Collection Number: BANC MSS 72/107 c Creator: City Lights Books Extent: 15 boxes, 4 cartons, 1 oversize box, 1 portfolio, and 4 oversize folders(circa 13 linear feet)7 digital objects (9 images) Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: Consists of correspondence, editorial and administrative files. Correspondents include Allen Ginsberg, Gregory Corso, William S. -
The Sacramento/San Joaquin Literary Watershed": Charting the Publications of the Region's Small Presses and Regional Authors
"The Sacramento/San Joaquin Literary Watershed": Charting the Publications of the Region's Small Presses and Regional Authors. A Geographically Arranged Bibliography focused on the Publications of Regional Small Presses and Local Authors of the Sacramento and San Joaquin Valleys and Sierra Nevada. Second Edition. Revised and Expanded. John Sherlock University of California, Davis 2010 1 "The Sacramento/San Joaquin Literary Watershed": Regional Small Presses and Local Authors of the Sacramento and San Joaquin Valleys and Sierra Nevada TABLE OF CONTENTS. PUBLICATIONS OF REGIONAL SMALL PRESSES. Arranged Geographically by Place Of Publication. A. SACRAMENTO VALLEY SMALL PRESSES. 3 - 75 B. SAN JOAQUIN VALLEY SMALL PRESSES. 76 - 100 C. SIERRA NEVADA SMALL PRESSES. 101 - 127 D. SHASTA REGION SMALL PRESSES. 128 - 131 E. LITERARY MAGAZINES - CENTRAL VALLEY 132 - 145 F. LITERARY MAGAZINES - SIERRA NEVADA. 146 - 148 G. LOCAL AND REGIONAL ANTHOLOGIES. 149 - 155 PUBLICATIONS OF REGIONAL AUTHORS. Arranged Alphabetically by Author. REGIONAL AUTHORS. 156 - 253 APPENDIXES I. FICTION SET IN THE CENTRAL VALLEY. 254 - 262 II. FICTION SET IN THE SIERRA NEVADA. 263 - 272 III. SELECTED REGIONAL ANTHOLOGIES. 273 - 278 2 Part I. SACRAMENTO VALLEY SMALL LITERARY PRESSES. ANDERSON. DAVIS BUSINESS SERVICES (Anderson). BLACK, Donald J. In the Silence. [poetry] 1989 MORRIS PUB. (Anderson). ALDRICH, Linda. The Second Coming of Santa Claus and other stories. 2005 RIVER BEND BOOKS (Anderson, 1998). MADGIC, Bob. Pursuing Wilds Trout: a journey in wilderness values. 1998 SPRUCE CIRCLE PRESS (Anderson, 2002-present?). PECK, Barbara. Blue Mansion & Other Pieces of Time. 2002 PECK, Barbara. Vanishig Future: Forgotten Past. 2003 PECK, Barbara. Hot Shadows.: whispers from the vanished. -
Juan Felipe Herrera Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/kt4g5005kj No online items Guide to the Juan Felipe Herrera Papers, ca. 1970-2017M1043 Processed by Bill O'Hanlon; Malgorzata Schaefer. Department of Special Collections and University Archives 2003; republished 2019 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Juan Felipe Herrera M10431059 1 Papers, ca. 1970-2017M1043 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Juan Felipe Herrera papers Creator: Herrera, Juan Felipe Identifier/Call Number: M1043 Identifier/Call Number: 1059 Physical Description: 66 Linear Feet (156 manuscript boxes, 6 half-boxes, 7 flat boxes, 3 oversize boxes, 2 cassette boxes) Date (inclusive): circa 1970-2017 Abstract: Manuscripts and other original work, correspondence (mainly incoming), works by other writers and artists (primarily Chicano). Collection Scope and Content Summary Herrera's collection bridges nearly thirty years of his literary career, as well as memorabilia from his childhood and high school years. The collection is divided into seven series, several of which are further divided into subseries and subsubseries. The first series includes mostly incoming Correspondence from well over three hundred writers, artists, friends, and others. The second series, Manuscripts, Journals, and Other Literary Material, contains drafts, notes, sketches, and journal entries spanning the years 1972 through 1998. Arranged in three subseries, manuscript material for many of Herrera's poems, essays, and books appears in the first, while the second subseries is dedicated exclusively to the manuscript development of Mayan Drifter. The third subseries holds journals, notebooks, planners, appointment and phone books with handwritten entries dating from 1977 through 1998. -
Ii Table of Contents GENERAL INTRODUCTION to THE
Table of Contents GENERAL INTRODUCTION TO THE PROGRAM 1.0 EXECUTIVE SUMMARY 1.1 Brief History of the Program ………………………………………..1-2 1.2 Brief Synopsis of Previous Program Review Recommendations……2-5 1.3 Summary of How Program Meets the Standards…………………….6-7 1.4 Summary of Present Program Review Recommendations…………..7-8 2.0 PROFILE OF THE PROGRAMS AND DISCIPLINES 2.1 Overview of the Programs and Disciplines…………………………8-17 2.2 The Programs in the Context of the Academic Unit………………..17-22 HOW PROGRAM MEETS UNIVERSITY WIDE INDICATORS AND STANDARDS 3.0 ADMISSIONS REQUIREMENTS 3.1 Evidence of Prior Academic Success……………………………….22 3.2 Evidence of Competent Writing…………………………………….22 3.3 English Preparation of Non-Native Speakers……………………….23 3.4 Overview of Program Admissions Policy…………………………..23 4.0 PROGRAM REQUIREMENTS 4.1 Number of Course Offerings………………………………………..24 4.2 Frequency of Course Offerings…………………………………….24 4.3 Path to Graduation………………………………………………….24 4.4 Course Distribution on ATC………………………………………..25 4.5 Class Size…………………………………………………………...25 4.6 Number of Graduates……………………………………………….25 4.7 Overview of Program Quality and Sustainability Indicators……….25-26 5.0 FACULTY REQUIREMENTS 5.1 Number of Faculty in Graduate Programs…………………………..26-27 5.2 Number of Faculty per Concentration……………………………....27 6.0 PROGRAM PLANNING AND QUALITY IMPROVEMENT PROCESS…27-29 7.0 THE STUDENT EXPERIENCE 7.1 Student Statistics……………………………………………………29-31 7.2 Assessment of Student Learning……………………………………31-34 7.3 Advising…………………………………………………………….34-35 7.4 Writing Proficiency…………………………………………………35 -
The Poetry of Bob Kaufman
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 When I Die, I Won't Stay Dead: The oP etry of Bob Kaufman Mona Lisa Saloy Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Saloy, Mona Lisa, "When I Die, I Won't Stay Dead: The oeP try of Bob Kaufman" (2005). LSU Doctoral Dissertations. 3400. https://digitalcommons.lsu.edu/gradschool_dissertations/3400 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. WHEN I DIE, I WON’T STAY DEAD: THE POETRY OF BOB KAUFMAN A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Mona Lisa Saloy B.A., University of Washington, 1979 M.A., San Francisco State University, 1981 M.F.A, Louisiana State University, 1988 August, 2005 ©Copyright 2005 Mona Lisa Saloy All rights reserves ii For my sister Barbara Ann, who encouraged my educational pursuits, and for Donald Kaufman, who though dying, helped me to know his brother. iii Acknowledgments I must thank the members of my Dissertation committee who allowed my passion to find the real Kaufman to grow, encouraged me through personal trials, and brought to my work their love of African American culture and literature as well as their trust in my pursuit. -
Beatitude Magazine and the 1970S San Francisco Renaissance
Beatitude Magazine and the 1970s San Francisco Renaissance From the early 1970s through the early 1980s, for about a decade, San Francisco was often compared to Paris and the urban centers in Russia at the turn of the century. “A renaissance” some of us say, now, looking back. And even then, that word used to slip from our lips in moments of projected epiphany or outlandish optimism. Centered around City Lights Bookstore in North Beach, a fleur-de-lis had sprouted and bloomed, whose petals would eventually spread into the ethnic neighborhoods in San Francisco and out over the whole Bay Area, with leafy creative vines reaching other literary and artistic circles, further afield, in Berkeley, Bolinas, the Russian River and up along the coast and north--all the way to Mendocino and the North San Juan Ridge community in the Sierra foothills and as far south as Santa Cruz. Young poets, artists and musicians coming from all over the country, and in fact the world, were arriving almost daily to add their voices to the chorus of a growing community of younger generation bohemian brethren. The Hippie/Flower Children explosion of the 60s and early 70s was over--and the Beats were taking a back-seat to the rock bands, pop singers, cult films and new age spirituality that was getting all the attention here in America. I had returned to the U.S., from France, where I had spent an unexpectedly short stint as an ex-patriot and wannabe Rimbaud, and the timing was perfect for a handful of us in our twenties, who had migrated to San Francisco/North Beach to be near our forty and fifty-something Beat literary heroes from the 50s, who greeted us with open arms.