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[email protected] YUJA WANG to Repla
FOR IMMEDIATE RELEASE ARTIST CHANGE March 21, 2019 Contact: Deirdre Roddin (212) 875-5700; [email protected] YUJA WANG To Replace Maurizio Pollini In One-Night-Only Performance of SCHUMANN’s Piano Concerto Conducted by MUSIC DIRECTOR JAAP VAN ZWEDEN Program Also To Include J. WAGENAAR’s Cyrano de Bergerac Overture BEETHOVEN’s Symphony No. 7 March 27, 2019 Yuja Wang will replace Maurizio Pollini, who has cancelled in order to fully recover from a brief illness, in the one-night-only performance of Schumann’s Piano Concerto with the New York Philharmonic led by Music Director Jaap van Zweden, Wednesday, March 27, 2019, at 7:30 p.m. The program will also include Johan Wagenaar’s Cyrano de Bergerac Overture and Beethoven’s Symphony No. 7. The performance will mark Yuja Wang’s 24th with the New York Philharmonic; she most recently appeared with the Orchestra and Jaap van Zweden in February–March 2018, both in New York and on tour to Asia. She will return next season for performances of Shostakovich’s Concerto No. 1 for Piano, Trumpet, and Strings, June 11–13, 2020, also conducted by Jaap van Zweden and featuring Principal Trumpet Christopher Martin. The Boston Globe wrote of her performance of Schumann’s Piano Concerto last month with the Boston Symphony Orchestra: “Not just a vehicle for virtuosic fireworks, the concerto calls for a keen listening ear and attunement to the larger ensemble… Wang demonstrated all that in spades. Like an elite figure skater or gymnast, the athletic effort she expended was palpable, but if the physical feats took any toll, the audience never saw it.” Biographies Beijing-born pianist Yuja Wang is set to achieve new heights in critical superlatives and audience ovations during the 2018–19 season, through recitals, concert series, season residencies, and extensive tours with some of the world’s most venerated ensembles and conductors. -
Rr Chris Martin & Hansen
Nominations for ASCIT Prez, famous, renowned, Veep, and the most sought af ter, respected, esteemed, ho nored, influential, notable, cherished, reputable, presti gious, worthy, • I Swanson and Cathy Hafer. The kids were all thrilled that I was float was roped off, but thousands waving especially to them! We're ofpeople fIled by to see it. Ourjob some serious time in thera was to run around the float, wave py later in life. Then there were the at the masses, and to shake hands. bigger kids that will Especially to shake hands. "I must spend some time in have shook hands with every These kids were in Pasadena!" said John Krowas. and face and We also had to answer all sorts real beaver!" of annoying questions like "What's lot of time the float supposed to do?", "Why But once day was didn't you guys have a prank?" and was worth it. We had a lot of "Newton? Where's the city of New and some more will ton?" That's why I preferred to recogrrize the name \..-<UclCI,;Jl1. stand up on the float, wave to the won't associate it kids, and pose for The beavers. Crime Is there a in Pasadena? Read the first and about and to avoid these JlUHU" I.n cidents. 12/7 A student to CarnplJS from Jack in the Box 'C do was harrassed on Hill three persons a ~ When the student he was r.r. pus by one ofthe persons who had been in £ 12/7 Another student was on HoIhston with three persons, between 15 and 18 in the vehicle of the persons dent was a " A Sh0l1 time later a person, aploarently Caltech's entry, "For Every Action...A Reaction" is a popular float in the Pasadena Rose Parade. -
ANNOUNCING the 2013-2014 SEASON of the OSM the Orchestre Symphonique De Montréal Celebrates Its 80Th Season
ANNOUNCING THE 2013-2014 SEASON OF THE OSM The Orchestre symphonique de Montréal celebrates its 80th season Great works conducted by Kent Nagano: Opening the season: Berlioz’s La Damnation de Faust and Symphony fantastique Mahler’s Symphony No. 7, Bruckner’s Symphony No. 3, Beethoven’s Symphonies Nos. 2 and 4, Bach’s Mass in B Minor, Brahms’s Symphony No. 3 Concluding the season: three concerts, including Saint-Saëns’s Symphony No. 3, and an open-door day to inaugurate the Grand Orgue Pierre Béique Premiere of eight new works: Arcuri, Bertrand, Gilbert, Good, Hatzis, Hefti, Ryan, Saariaho Groundbreaking programs: OSM artist in residence: James Ehnes Introduction of the series OSM Express OSM Éclaté: focusing on Beethoven and Frank Zappa Second edition of Fréquence OSM Mussorgsky’s Pictures at an Exhibition in collaboration with the Montreal Museum of Fine Arts Two programs with the OSM Chamber Choir conducted by Andrew Megill Prestigious guest conductors and soloists, including conductors Jean-Claude Casadesus, James Conlon, Sir Andrew Davis and Michel Plasson, pianists Yuja Wang, Radu Lupu, Stephen Hough, Marc-André Hamelin and Jan Lisiecki cellists Truls Mørk, Gautier Capuçon and Jian Wang violinists Gidon Kremer and Midori, violist Pinchas Zukerman soprano Anna Caterina Antonacci, mezzo-soprano Ann Hallenberg, tenor Michael Schade and bass-baritone Philippe Sly A new Christmas story recounted by Fred Pellerin Music & Imagery: Beethoven’s Fifth OSM Pops: Hats off to Les Belles-sœurs and La Symphonie rapaillée Symphonic Duo: Adam Cohen -
Lionel Bringuier
Lionel Bringuier Conductor French conductor Lionel Bringuier is one of the most engaging conductors of his generation, heralded for his artistic maturity, emotional insight, and insightful programming. He appears frequently with the world’s preeminent orchestras, and regularly collaborates with top solo artists both in concert and on critically lauded recordings. During the 2017/2018 season, Mr. Bringuier will make two appearances with the Orchestre National de Lyon, in November 2017 and May 2018. The season also includes engagements with the Leipzig Gewandhaus Orchestra, Chicago Symphony Orchestra, Orchestre Philharmonique de Radio France, Montreal Symphony Orchestra, Finnish & Swedish Radio Symphony Orchestras, Gothenburg Symphony Orchestra, Orquesta Sinfonica de Castilla y León, Gulbenkian Symphony Orchestra, and Malaysian Philharmonic, among others. Bringuier makes his seasonal return to the Los Angeles Philharmonic in March 2018, with a programme featuring Dvorak, Symphony No.8. Mr. Bringuier’s other programmes this season feature a vast range of repertoire; additional highlights include Dutilleux’ Symphony No. 1, Lutosławski’s Les espaces de sommeil, and Brett Dean’s Amphitheatre, alongside works by Shostakovich, Ravel, Salonen, Gruber, Varèse, Berlioz, and more. Bringuier has appeared as a guest conductor with the New York Philharmonic, Cleveland Orchestra, Munich Philharmonic, Simón Bolívar Symphony Orchestra of Venezuela, Philharmonia Orchestra, and Israel Philharmonic Orchestra. Named Chief Conductor and Music Director of the Tonhalle Orchestra Zurich in 2012, he now enters his seventh season working with the ensemble. Mr. Bringuier and the TOZ will embark on a multi- city tour throughout Europe in April 2018, with pianist Igor Levit as soloist. Following the landmark inauguration of the Creative Chair Initiative for the Tonhalle Orchestra Zurich in his first season, Lionel Bringuier will collaborate with the composer Brett Dean this year. -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P. -
San Francisco Symphony April–June 2020 Concert Calendar
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / MARCH 5, 2020 SAN FRANCISCO SYMPHONY APRIL–JUNE 2020 CONCERT CALENDAR PLEASE NOTE: Single tickets and subscription packages for the San Francisco Symphony’s 2019–20 season are available at https://www.sfsymphony.org/Calendar, (415) 864-6000, and at the Davies Symphony Hall Box Office, located on Grove Street between Franklin and Van Ness. All concerts are at Davies Symphony Hall, 201 Van Ness Avenue, San Francisco, unless otherwise noted. MUSIC FOR FAMILIES: MEET THE ORCHESTRA Saturday, April 4, 2020 at 2 pm Daniel Stewart conductor Daniel Stewart viola Nigel Armstrong violin San Francisco Symphony Youth Orchestra TCHAIKOVSKY Russian Dance from Nutcracker Suite, Opus 71a John WILLIAMS Nimbus 2000 from Harry Potter and the Sorcerer’s Stone DUKAS Fanfare to La Péri Owen Clayton CONDON Fractalia MOZART Excerpts from Presto from Sinfonia concertante in E-flat major for Violin and Viola, K.364(320d) Nigel Armstrong violin Daniel Stewart viola SMETANA Excerpt from Vltava from Má Vlast BRITTEN The Young Person’s Guide to the Orchestra MICHAEL TILSON THOMAS, MUSIC DIRECTOR Do you ever wonder how a composer strings together so many different instruments to create one big symphonic sound? Or what a contrabassoon sounds like? Then get ready to meet your orchestra! You’ll get t know the different instruments, their roles, and how they join forces to make the symphony sound amazing! Want more to explore? Then join us early for a scavenger hunt adventure throughout Davies Symphony Hall and win a prize, play an instrument, and take part in more pre-concert fun! Let’s go! Tickets: $10–65. -
Print-At-Home Programme
Wednesday 26 May 2021 Thursday 27 May 2021 Barbican GRIEG, RACHMANINOFF & BEETHOVEN Edvard Grieg The Last Spring Serge Rachmaninoff Piano Concerto No 2 Ludwig van Beethoven Symphony No 5 Michael Tilson Thomas conductor Yuja Wang piano London Symphony Orchestra Welcome A warm welcome to these LSO concerts. After 14 months away, it was wonderful last week to make our long-awaited return to our Barbican home, and to be able to reunite with audiences in person, sharing once again in the joy of live music. Sincere thanks to all of our supporters: your generosity has enabled us to continue sharing music with audiences across the globe through these challenging times, and now continues to assist our return to live performance and our recovery from the pandemic. With these concerts we welcome back LSO Conductor Laureate Michael Tilson Thomas, who has been sorely missed over the past year. Across four concerts at the Barbican and LSO St Luke’s, he conducts music by Grieg and Copland, piano concertos by Rachmaninoff and Shostakovich, and symphonies by Beethoven and Tchaikovsky. It is a pleasure to be joined also by soloist Yuja Wang, who has performed with the Orchestra and Michael Tilson Thomas regularly over the years, most recently in 2017 when she joined the Orchestra on tour in Europe. Following these London performances of Rachmaninoff’s and Shostakovich’s Second Piano Concertos, we look forward to Yuja Wang – and Michael Tilson Thomas – joining us for further concerts at Snape Maltings next week. I hope you enjoy these performances. Our thanks to all of you, our audience members, for your support. -
Perspectives: Yuja Wang
18|19 Perspectives: Yuja Wang Kirk Edwards An artist with breathtaking talent and charismatic stage presence, Grammy Award–nominated pianist Yuja Wang curates a five- concert Perspectives series during Carnegie Hall’s 2018–2019 season, demonstrating the singular blend of technical prowess, keen musical insight, and quicksilver versatility that has established her as one of the world’s finest performers. Ms. Wang’s series offers creative collaborations, reunions with recital partners and artists who have influenced her career, and a night of classical music comedy—all displaying the pianist’s eclectic interests and versatility. Ms. Wang kicks off her Perspectives series in October, performing with a quartet of percussionists headlined by Austrian star Martin Grubinger for a program to include the New York premieres of arrangements of Bartók’s Sonata for Two Pianos and Percussion and Stravinsky’s Le sacre du printemps by Grubinger’s father (who is also performing on the program). She returns in February for two concerts, first reuniting with violinist and frequent recital partner Leonidas Kavakos following widespread acclaim for the duo’s exceptional musical chemistry. Ms. Wang returns the following week for a night of lighthearted musical comedy with virtuoso instrumentalists and jokesters Igudesman & Joo. In April, Ms. Wang joins another esteemed colleague, cellist Gautier Capuçon, for a recital of works by Franck and Rachmaninoff. Ms. Wang’s series concludes in May with a performance of Prokofiev’s Piano Concerto No. 5 with fellow Perspectives artist and mentor Michael Tilson Thomas and the New World Symphony, America’s Orchestral Academy. Born in Beijing, Yuja Wang was encouraged to pursue music at an early age, starting piano lessons at the age of six and studying at Beijing’s Central Conservatory of Music. -
Women's Double Scull – GOLD Anna Watkins, Katherine Grainger Women's
2010: Lake Karapiro, New Zealand Olympic classes: Women’s Double Scull – GOLD Anna Watkins, Katherine Grainger Women’s Quadruple Scull – GOLD Debbie Flood, Beth Rodford, Frances Houghton, Annabel Vernon Lightweight Men’s Four – GOLD Richard Chambers, Paul Mattick, Rob Williams, Chris Bartley Lightweight Men’s Double Scull – GOLD Zac Purchase, Mark Hunter Men’s Pair – SILVER Peter Reed, Andrew Triggs Hodge Men’s Eight – SILVER Tom Broadway, James Clarke, Cameron Nichol, James Foad, Mohammed Sbihi, Greg Searle, Tom Ransley, Daniel Ritchie, Phelan Hill (cox) Men’s Double Scull – SILVER Matthew Wells, Marcus Bateman Women’s Pair – SILVER Helen Glover, Heather Stanning Men’s Single Scull – BRONZE Alan Campbell Paralympic classes: Adaptive Arms and Shoulders Single Scull – GOLD Tom Aggar Legs Trunks and Arms Mixed Coxed Four – SILVER Kelsie Gibson, Ryan Chamberlain, James Roe, Katherine Jones, Rhiannon Jones (cox) 2009: Poznan, Poland Olympic classes: Men’s Four – GOLD Alex Partridge, Richard Egington, Alex Gregory, Matthew Langridge Men’s Pair – SILVER Peter Reed, Andrew Triggs Hodge Men’s Single Scull – SILVER Alan Campbell Women’s Single Scull – SILVER Katherine Grainger Women’s Double Scull – SILVER Anna Bebington, Annabel Vernon Lightweight Women’s Double Scull – BRONZE Hester Goodsell, Sophie Hosking Paralympic classes: Adaptive Arms and Shoulders Single Scull – GOLD Tom Aggar Legs Trunk and Arms Mixed Coxed Four – GOLD Vicki Hansford, James Roe, David Smith, Naomi Riches, Rhiannon Jones (cox) International classes: Women’s Lightweight -
Chris Martin
CHRIS MARTIN born 1954, Washington, D.C. lives and works in Brooklyn, NY EDUCATION 1992 BFA, Certificate of Art Therapy, School of Visual Arts, New York, NY 1972-1975 Yale University, New Haven, CT SELECTED SOLO / TWO PERSON EXHIBITIONS (*indicates a publication) 2021 Talking All Morning, with Tamara Gonzales, The Pit, Los Angeles, CA Be Natural: Joe Light and Chris Martin, curated by Jay Gorney, Parts & Labor, Beacon, NY 2019 The Eighties, David Kordansky Gallery, Los Angeles, CA Sonia Gomes and Chris Martin, organized by VNH Gallery and Mendes Wood DM, Château de Fernelmont, Fernelmont, Belgium 1979-1994, Anton Kern Gallery, New York, NY WINDOW, Anton Kern Gallery, New York, NY 2018 Anton Kern Gallery, New York, NY 2017 Paris TAZ, VNH Gallery, Paris, France Sommer Gallery, Tel Aviv, Israel 2016 Chris Martin: works on paper, Galerie Rodolphe Janssen, Brussels, Belgium Chris Martin, Studio Rondinone, New York, NY Saturn Returns, David Kordansky Gallery, Los Angeles, CA 2015 *Douglas Hyde Gallery, Dublin, Ireland Rectangle, Brussels, Belgium *Galerie Rodolphe Janssen, Brussels, Belgium Three Black Paintings (1992-1996), Anton Kern Gallery, New York, NY 2014 Pirate Utopias, Half Gallery, New York, NY *Anton Kern Gallery, New York, NY [email protected] www.davidkordanskygallery.com T: 323.935.3030 F: 323.935.3031 KOW, Berlin, Germany 2013 *Yellow, Green, Red (& Blue), Karma, New York, NY David Kordansky Gallery, Los Angeles, CA 2012 Rodolphe Janssen, Brussels, Belgium Mitchell-Innes & Nash, New York, NY Chris Martin, organized by Mary Grace Wright, Shoot the Lobster, Martos Gallery, New York, NY 2011 *Staring into the Sun, Kunsthalle Düsseldorf, Düsseldorf, Germany Chris Martin: Painting Big, curated by Sarah Newman, Corcoran Gallery of Art, Washington, D.C. -
Medici.Tv Offers Since 2008 the Best of Classical Music to Institutions Across the Globe
INSTITUTIONS THE BEST EDUCATIONAL OFFER IN CLASSICAL MUSIC VIDEOS INSTITUTIONS The best educational offer ABOUT US in classical music videos Described as “the closest thing to a classical Netflix” by The New York Times, medici.tv offers since 2008 the best of classical music to institutions across the globe. What is medici.tv online platform? The largest online catalogue of classical music, opera and dance videos: [] 3,000 musical works filmed from the 1940’s to our days [] 1,700 films including concerts, documentaries and master classes [] Over 100 live events broadcast every year from the most prestigious concert halls and classical music festivals The ideal tool for learning and teaching: [] Powerful search engine and customized recommendation [] User-friendly browsing system [] Refined design [] MARC records powered by OCLC A resource available anytime, anywhere: [] Unlimited simultaneous access [] Remote access [] On all digital devices medici.tv has already been selected IN EUROPE… by prestigious University of Music and Performing Arts Graz (Austria) universities, schools Charles University (Czech Republic) of music and public Bibliothèque Nationale de France (France) libraries in over 20 Liszt Academy of Music (Hungary) countries. Norwegian Academy of Music (Norway) Escola Superior de Música de Catalunya (Spain) Bibliothèque Universitaire de Lausanne (Switzerland) University of Edinburgh (United Kingdom) Royal College of Music (United Kingdom) Royal Northern College of Music (United Kingdom)… IN NORTH AMERICA… IN ASIA & OCEANIA… -
Simón Bolívar Symphony Orchestra of Venezuela Gustavo Dudamel Direction Yuja Wang Piano Cynthia Millar Ondes Martenot
2016 20:00 10.01.Grand Auditorium Dimanche / Sonntag / Sunday Grands chefs Simón Bolívar Symphony Orchestra of Venezuela Gustavo Dudamel direction Yuja Wang piano Cynthia Millar ondes Martenot Backstage 17:15 Salon d’honneur Film: El Sistema de Paul Smaczny et Maria Stodtmeier (2009, VO en & es / ST fr) – 109‘ Ce concert sera enregistré par ARTE. La date de diffusion sera communiquée ultérieurement. Olivier Messiaen (1908–1992) Turangalîla-Symphonie (1946–1948) Introduction: Modéré, un peu vif Chant d’amour 1: Modéré, lourd Turangalîla: Presque lent, rêveur Chant d’amour 2: Bien modéré Joie du sang des étoiles: Vif, passionné, avec joie Jardin du sommeil d’amour: Très modéré, très tendre Turangalîla 2: Un peu vif - Bien modéré Développement de l’amour: Bien modéré Turangalîla 3: Bien modéré Final: Modéré, presque vif, avec une grande joie 70’ 2 Simón Bolívar Symphony Orchestra of Venezuela Orchestre en résidence à la Philharmonie (10.–12.01.2016) «La musique a sauvé ma vie et la vie de milliers d’enfants de mon pays», reconnaît l’actuel directeur musical de l’Orchestre Philharmonique de Los Angeles Gustavo Dudamel, passé par El Sistema et dont la notoriété a contribué à faire connaître le programme éducatif dans le monde entier. Il fait en effet partie de ces milliers de jeu- nes Vénézuéliens à avoir bénéficié de cette initiative hors du com- mun initiée en 1975 par José Antonio Abreu. Passionné de musique, celui-ci forme à l’époque un orchestre dont il entend avant tout exploiter le facteur de cohésion sociale afin de permettre aux enfants défavorisés d’échapper à la pauvreté, à la criminalité ou encore à la prostitution qui souvent les atten- dent.