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[email protected] YUJA WANG to Repla
FOR IMMEDIATE RELEASE ARTIST CHANGE March 21, 2019 Contact: Deirdre Roddin (212) 875-5700; [email protected] YUJA WANG To Replace Maurizio Pollini In One-Night-Only Performance of SCHUMANN’s Piano Concerto Conducted by MUSIC DIRECTOR JAAP VAN ZWEDEN Program Also To Include J. WAGENAAR’s Cyrano de Bergerac Overture BEETHOVEN’s Symphony No. 7 March 27, 2019 Yuja Wang will replace Maurizio Pollini, who has cancelled in order to fully recover from a brief illness, in the one-night-only performance of Schumann’s Piano Concerto with the New York Philharmonic led by Music Director Jaap van Zweden, Wednesday, March 27, 2019, at 7:30 p.m. The program will also include Johan Wagenaar’s Cyrano de Bergerac Overture and Beethoven’s Symphony No. 7. The performance will mark Yuja Wang’s 24th with the New York Philharmonic; she most recently appeared with the Orchestra and Jaap van Zweden in February–March 2018, both in New York and on tour to Asia. She will return next season for performances of Shostakovich’s Concerto No. 1 for Piano, Trumpet, and Strings, June 11–13, 2020, also conducted by Jaap van Zweden and featuring Principal Trumpet Christopher Martin. The Boston Globe wrote of her performance of Schumann’s Piano Concerto last month with the Boston Symphony Orchestra: “Not just a vehicle for virtuosic fireworks, the concerto calls for a keen listening ear and attunement to the larger ensemble… Wang demonstrated all that in spades. Like an elite figure skater or gymnast, the athletic effort she expended was palpable, but if the physical feats took any toll, the audience never saw it.” Biographies Beijing-born pianist Yuja Wang is set to achieve new heights in critical superlatives and audience ovations during the 2018–19 season, through recitals, concert series, season residencies, and extensive tours with some of the world’s most venerated ensembles and conductors. -
Lisa Batiashvili, Violin and Paul Lewis, Piano Wednesday, March 25, 2015 – 8:00 PM Perelman Theater, Kimmel Center
PREVIEW NOTES Lisa Batiashvili, violin and Paul Lewis, piano Wednesday, March 25, 2015 – 8:00 PM Perelman Theater, Kimmel Center Program Violin Sonata in A Major, D. 574, Grand Duo following year as Opus 70 it was given the title "Rondo Franz Schubert brillant" by the publisher. Born: January 31, 1797 in Vienna, Austria Died: November 19, 1828 in Vienna, Austria Violin Sonata in E Minor, BWV 1023 Composed: 1817 Johann Sebastian Bach Last PCMS performance: Jaime Laredo in 2005 Born: March 21, 1685 in Eisenach, Germany Duration: 17 minutes Died: July 28, 1750 in Leipzig, Germany Composed: 1714‐17 Not published until 1851, this work of Schubert's early Last PCMS performance: Jaime Laredo in 2005 maturity fully deserves the designation "duo" appended Duration: 10 minutes by the publisher; unlike Schubert's earlier works for violin and piano, this sonata makes the keyboard a full Most of Bach's accompanied violin sonatas pair the partner and displays the composer's increasing instrument with harpsichord alone, and cast the violin in confidence in writing for piano. The first of the four a supporting role. BWV 1023, however, puts the violin movements begins with a few bars of amiable piano front and center with support from a continuo. introduction that become the accompaniment to a low‐ key, songful violin theme. The second movement is a Violin Sonata in G Major, Op. 96 rollicking piece in which a little piano fanfare launches a Ludwig van Beethoven scurrying violin figure. The music lurches through some Born: December 16, 1770 in Bonn, Germany surprising key changes, often coming to a full stop Died: March 26, 1827 in Vienna, Austria before continuing with quite different material, and Composed: 1812 features highly chromatic writing for the violin. -
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious. -
ANNOUNCING the 2013-2014 SEASON of the OSM the Orchestre Symphonique De Montréal Celebrates Its 80Th Season
ANNOUNCING THE 2013-2014 SEASON OF THE OSM The Orchestre symphonique de Montréal celebrates its 80th season Great works conducted by Kent Nagano: Opening the season: Berlioz’s La Damnation de Faust and Symphony fantastique Mahler’s Symphony No. 7, Bruckner’s Symphony No. 3, Beethoven’s Symphonies Nos. 2 and 4, Bach’s Mass in B Minor, Brahms’s Symphony No. 3 Concluding the season: three concerts, including Saint-Saëns’s Symphony No. 3, and an open-door day to inaugurate the Grand Orgue Pierre Béique Premiere of eight new works: Arcuri, Bertrand, Gilbert, Good, Hatzis, Hefti, Ryan, Saariaho Groundbreaking programs: OSM artist in residence: James Ehnes Introduction of the series OSM Express OSM Éclaté: focusing on Beethoven and Frank Zappa Second edition of Fréquence OSM Mussorgsky’s Pictures at an Exhibition in collaboration with the Montreal Museum of Fine Arts Two programs with the OSM Chamber Choir conducted by Andrew Megill Prestigious guest conductors and soloists, including conductors Jean-Claude Casadesus, James Conlon, Sir Andrew Davis and Michel Plasson, pianists Yuja Wang, Radu Lupu, Stephen Hough, Marc-André Hamelin and Jan Lisiecki cellists Truls Mørk, Gautier Capuçon and Jian Wang violinists Gidon Kremer and Midori, violist Pinchas Zukerman soprano Anna Caterina Antonacci, mezzo-soprano Ann Hallenberg, tenor Michael Schade and bass-baritone Philippe Sly A new Christmas story recounted by Fred Pellerin Music & Imagery: Beethoven’s Fifth OSM Pops: Hats off to Les Belles-sœurs and La Symphonie rapaillée Symphonic Duo: Adam Cohen -
2020-21 Season Brochure
2020 SEA- This year. This season. This orchestra. This music director. Our This performance. This artist. World This moment. This breath. This breath. 2021 SON This breath. Don’t blink. ThePhiladelphiaOrchestra MUSIC DIRECTOR YANNICK NÉZET-SÉGUIN our world Ours is a world divided. And yet, night after night, live music brings audiences together, gifting them with a shared experience. This season, Music Director Yannick Nézet-Séguin and The Philadelphia Orchestra invite you to experience the transformative power of fellowship through a bold exploration of sound. 2 2020–21 Season 3 “For me, music is more than an art form. It’s an artistic force connecting us to each other and to the world around us. I love that our concerts create a space for people to gather as a community—to explore and experience an incredible spectrum of music. Sometimes, we spend an evening in the concert hall together, and it’s simply some hours of joy and beauty. Other times there may be an additional purpose, music in dialogue with an issue or an idea, maybe historic or current, or even a thought that is still not fully formed in our minds and hearts. What’s wonderful is that music gives voice to ideas and feelings that words alone do not; it touches all aspects of our being. Music inspires us to reflect deeply, and music brings us great joy, and so much more. In the end, music connects us more deeply to Our World NOW.” —Yannick Nézet-Séguin 4 2020–21 Season 5 philorch.org / 215.893.1955 6A Thursday Yannick Leads Return to Brahms and Ravel Favorites the Academy Garrick Ohlsson Thursday, October 1 / 7:30 PM Thursday, January 21 / 7:30 PM Thursday, March 25 / 7:30 PM Academy of Music, Philadelphia Yannick Nézet-Séguin Conductor Michael Tilson Thomas Conductor Lisa Batiashvili Violin Yannick Nézet-Séguin Conductor Garrick Ohlsson Piano Hai-Ye Ni Cello Westminster Symphonic Choir Ravel Le Tombeau de Couperin Joe Miller Director Szymanowski Violin Concerto No. -
Kammerorchester Des Symphonieorchesters Des BR
Kammerorchester des Symphonieorchesters des BR The Chamber Orchestra of the Bavarian Radio Symphony Orchestra was founded by Radoslaw Szulc and Karl Wagner in 2000 to mark the 50th anniversary of the symphony orchestra. Thus emerged a flexible collective of virtuosic players dedicated to cultivating the chamber music ideal. As primus inter pares Radoslaw Szulc oversees the ensemble’s artistic direction. The ensemble has been hailed by the Sueddeutsche Zeitung ”…from the start a first-rate orchestra with its own character. Their sophisticated playing has differentiated structures of communication as well as musical verve…they give special attention to a full sound and achieve the aspired ideal with utmost instrumental precision.” TV and CD productions quickly followed, starting with Tchaikovsky´s works for string orchestra. The chamber orchestra became known early on for its homogenous and lush string sound. They appear frequently in the major musical centers of Europe as well as at international festivals. The chamber orchestra developed a close friendship with Hélène Grimaud and Frank Peter Zimmermann. In 2011 Mozart´s piano concertos in F Major KV 459 and in A Major KV 488 featuring Hélène Grimaud were released by Deutsche Grammophon and became number one on the US Classic Charts. In 2014 the chamber orchestra began recording all of the Mozart violin concertos with Frank Peter Zimmermann; even before completion of the project in 2015 the first part of the recordings appeared in the Classic Charts. The orchestra has also recorded several Bach violin concertos featuring Lisa Batiashvili for Deutsche Grammophon. The chamber orchestra frequently collaborates with other famous soloists such as Lang Lang, Julia Fischer, Mischa Maisky, Sabine Meyer, Pinchas Zukerman, Diana Damrau, Igor Levit, Vadim Repin, Janine Jansen und Maxim Vengerov. -
Indianapolis Symphony Orchestra Announces 2016-2017 Season
Tuesday, March 1, 2016 Contact: Lisa Vielee, [email protected] Indianapolis Symphony Orchestra announces 2016-2017 season Music Director Krzysztof Urbański programs major works by Beethoven, Brahms, Mozart, Bartók plus a midwinter ”Music of the Earth” festival Distinguished guest conductors include Bernard Labadie, Edo de Waart, Roberto Abbado, Jun Märkl and Matthias Pintscher; renowned soloists include Hilary Hahn, André Watts, the Labèque Sisters and Gil Shaham ISO commissions and premieres Dejan Lazić’s symphonic poem, Mozart and Salieri, in a concert devoted to the one of the greatest rivalries in classical music Former ISO music directors John Nelson and Raymond Leppard make return appearances ISO Principal Pops Conductor Jack Everly’s Pops Series includes Indiana Jones: Raiders of the Lost Ark Film + Orchestra, trumpeter Chris Botti and the world premiere of The Doo Wop Project Jack Everly conducts the ISO’s Opening Night Gala and pays tribute to the Hilbert Circle Theatre’s 100th anniversary and Indiana’s bicentennial INDIANAPOLIS – The Indianapolis Symphony Orchestra today announced its 87th season of classical and pops concerts at the ISO’s historic home venue, the Hilbert Circle Theatre. The 2016-2017 season runs from September 15-June 10 and features an array of repertoire, programs, world premieres and a special tribute to the theater’s 100th anniversary. In his sixth season with the ISO, Music Director Krzysztof Urbański has programmed large-scale masterworks, including Beethoven’s Seventh Symphony, Brahms’ German Requiem, Mahler’s First Symphony (“Titan”) and Bartók’s Concerto for Orchestra, and will collaborate with several admired soloists, including violinist Hilary Hahn and pianist André Watts. -
Zu Anderen Gipfeln
Musikfreunde | Magazin der Gesellschaft der Musikfreunde in Wien Mai/Juni 2017 Zu anderen Gipfeln Lionel Bringuier Lionel Bringuier, 31, der nun mit den Wiener Symphonikern im Musikverein debütiert, wurde schon als 28-Jährger Chef des Tonhalle-Orchesters Zürich. Die Schweiz wird er bald hinter sich lassen. Sein Weg führt zu anderen Gipfeln. Es war ein Sieg der Jugend. Und ein Abschied von den alten, allerdings äußerst verdienten Männern. Zu Ende der Saison 2013/14 trat David Zinman als Chefdirigent des Tonhalle-Orchesters Zürich zurück; neunzehn Jahre lang hatte er das Orchester geleitet, geprägt, geformt. Mit ihm zusammen zogen sich Elmar Weingarten als Intendant des Orchesters sowie der Präsident der Trägergesellschaft zurück. Die Trias hatte Bedeutendes geleistet und war in Ehren ergraut. Darum war da und dort ein Seufzer der Erleichterung zu vernehmen; die Zeichen standen klar auf Generationenwechsel. Als Präsident gewonnen wurde ein mit allen Wassern gewaschener, bestens vernetzter Vollblutpolitiker aus der Stadt Zürich. Und für die Nachfolge in der Intendanz war Ilona Schmiel geholt worden, die in ihren neun Jahren beim Beethovenfest Bonn ebenfalls manches in Bewegung gesetzt hatte. Von Paris nach Los Angeles Schwieriger gestaltete sich die Wahl eines neuen Chefdirigenten. Das Orchester hatte nach Verjüngung auch auf dem Dirigentenpodium gerufen – was verständlich war, hatten dort doch neben Zinman Großmeister wie Bernard Haitink, Herbert Blomstedt oder Kurt Sanderling den Ton angegeben. Der Blick des Wahlgremiums fiel daher auf Andrís Nelsons, der sich jedoch lange zierte und dann in letzter Minute der Umarmung entzog. So war guter Rat teuer. Just in diesem Augenblick fiel der Name von Lionel Bringuier, dem 1986 geborenen Franzosen, der zur Gruppe jener sehr jungen Dirigenten gehört, die in unseren Tagen so viel Aufmerksamkeit auf sich zieht. -
Ode to Joy Your Philadelphia Orchestra SPRING 2020 IMPACT REPORT
Ode to Joy Your Philadelphia Orchestra SPRING 2020 IMPACT REPORT “We want to share the joy of music, the impact and the power of music, the music that we believe in. This is a journey, and we are the grateful caretakers of this magnificent orchestra.” —Yannick Nézet-Séguin, Music Director Walter and Leonore Annenberg Chair We were inspired to give this issue of your Impact Report a theme: Ode to Joy. Of course, the famous theme from Beethoven’s Ninth Symphony was an inspiration, but more broadly we want this issue to demonstrate how your generous support helps The Philadelphia Orchestra bring the joy of music to people around the world. Thank you! Music that Transforms A Philadelphia Orchestra season features performances of hundreds of musical works, ranging from beloved classics to new commissions. What ties this vast array of pieces together is their shared power to transform audience members and the musicians on stage. Every season includes several monumental works that demand something special from the Orchestra. They are symphonies, operas, and choral works that, in some cases, are rarely performed because of the special preparation required. This season’s transformative works include Richard Strauss’s highly charged opera Elektra, Gershwin’s beloved classic Porgy and Bess, Ravel’s enchanting fairy tale opera L’Enfant et les sortilèges, Bach’s epic Mass in B minor, and Mahler’s ever-popular Symphony No. 5. “There is this sense of awe,” said Yannick about the Mass in B minor, “and yet it’s about our own relationship with the divine or anything that is spiritual—the harmony of the world. -
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24 go symphonyorchestra chica symphony centerpresent BALL SYMPHONY anne-sophie mutter muti riccardo orchestra symphony chicago 22 september friday, highlight season tchaikovsky mozart 7:00 6:00 Mozart’s fiery undisputed queen ofviolin-playing” ( and Tchaikovsky’s in beloved masterpieces, including Rossini’s followed by Riccardo Muti leading the Chicago SymphonyOrchestra season. Enjoy afestive opento the preconcert 2017/18 reception, proudly presents aprestigious gala evening ofmusic and celebration The Board Women’s ofthe Chicago Symphony Orchestra Association Gala package guests will enjoy postconcert dinner and dancing. rossini Suite from Suite 5 No. Concerto Violin to Overture C P s oncert reconcert Reception Turkish The Sleeping Beauty Concerto. The SleepingBeauty William Tell conducto The Times . Anne-Sophie Mutter, “the (Turkish) William Tell , London), performs London), , media sponsor: r violin Overture 10 Concerts 10 Concerts A B C A B 5 Concerts 5 Concerts D E F G H I 8 Concerts 5 Concerts E F G H 5 Concerts 6 Conc. 5 Concerts THU FRI FRI SAT SAT SUN TUE 8:00 1:30 8:00 2017/18 8:00 8:00 3:00 7:30 ABCABCD ABCDAAB Riccardo Muti conductor penderecki The Awakening of Jacob 9/23 9/26 Anne-Sophie Mutter violin tchaikovsky Violin Concerto schumann Symphony No. 2 C A 9/28 9/29 Riccardo Muti conductor rossini Overture to William Tell 10/1 ogonek New Work world premiere, cso commission A • F A bruckner Symphony No. 4 (Romantic) A Alain Altinoglu conductor prokoFIEV Suite from The Love for Three Oranges Sandrine Piau soprano poulenc Gloria Michael Schade tenor gounod Saint Cecilia Mass 10/5 10/6 Andrew Foster-Williams 10/7 C • E B bass-baritone B • G Chicago Symphony Chorus Duain Wolfe chorus director 10/26 10/27 James Gaffigan conductor bernstein Symphonic Suite from On the Waterfront James Ehnes violin barber Violin Concerto B • I A rachmaninov Symphonic Dances Sir András Schiff conductor mozart Serenade for Winds in C Minor 11/2 11/3 and piano bartók Divertimento for String Orchestra 11/4 11/5 A • G C bach Keyboard Concerto No. -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P. -
The Mary and James G. Wallach Artist-In-Residence Lisa Batiashvili 2014–15 Season
THE MARY AND JAMES G. WALLACH ARTIST-IN-RESIDENCE LISA BATIASHVILI 2014–15 SEASON The New York Philharmonic has named violinist Lisa Batiashvili The Mary and James G. Wallach Artist-in-Residence for the 2014–15 season. Her residency will include three orchestral appearances featuring concertos by Brahms, Barber, and Bach as well as a U.S. Premiere–New York Philharmonic Co-Commission written for her by Thierry Escaich, and a recital with pianist Paul Lewis presented in collaboration with Lincoln Center’s Great Performers series. Lisa Batiashvili’s 2013–14 season includes concerts in New York, Tokyo, and Taipei with the New York Philharmonic, led by Music Director Alan Gilbert, and a European tour with the Rotterdam Philharmonic Orchestra, conducted by Yannick Nézet-Séguin. She performs with The Philadelphia Orchestra, also with Mr. Nézet-Séguin; Bavarian Radio Symphony Orchestra, led by David Zinman; Amsterdam’s Royal Concertgebouw Orchestra, with Mariss Jansons; London Philharmonic Orchestra with Vladimir Jurowski; and London’s Philharmonia Orchestra, conducted by Esa-Pekka Salonen. She continues her collaboration with pianist Paul Lewis in a series of recitals in Paris, Brussels, and Hamburg, and presents a new Bach ensemble project with oboist François Leleux. During the 2012–13 season she held the position of capell-virtuosin with the Dresden Staatskapelle, performing a wide range of concerts (including on a North American tour) led by its principal conductor, Christian Thielemann. She was also artist-in-residence with Cologne’s WDR Symphony Orchestra, and appeared with the Berlin Staatskapelle, conducted by Daniel Barenboim, at its annual outdoor concert before an audience of 38,000.