Wellesley Gets AEC Grant
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Ich Ican Op Ra Th Ea Re 76-7
Copyright 2010, Michigan Opera Theatre ICH ICAN OP RA TH EA RE 76-7 . " " ". ", .. Compliments.of .... INTERNATIONAL "" . "TELEPHONE ·· . " . .. and . .. " "TELEGRAPH · "" " .. CORPORATION Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre 2 Del ail f ro m on Assyria n r elief cou rt es y o f Delr oit In sti tute o f A rts tt A trustee is held to something stricter than the morals of the market place. Not honesty alone, but the punctilio of an honor-the most sensitive-is then the standard of behavior." "" Benjamin Nathan Cardozo "" TRU ST DEPARTMENTCopyright 2010, Michigan Opera Theatre 3 ew . Cnevrolet The handwriting was on the wall. makes it easi~r to climb intoan.d out of. It clearly said that the time had More trunk room come for a new kind of 6-passenger . Thetrunkistrulyenormous,morethan. car. One that would use fuel and space a cubic foot bigger than last year. with more sparingly, yet still provide the a nice flat floor that makes it easy to . kind of room and ride you've found so arrange things. comfortable and comforting in our Irs one of many pleasant surprises popular full-size Chevys of the past. awaiting you in The NewCheVrolet. The car is here. Irs called The New Chevrolet. More efficient . The New Chevrolet is, by design, a More head room very lean but very strong automobile. The New Chevrolet stands a We eliminated excess inches and little taller than last year's full-size ounces everywhere we coul<;j. Chevy, which perhaps explains why it And it pays off at the gas pump. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
Boston Symphony Orchestra Concert Programs, Season 80, 1960-1961, Subscription
V^ V \ ^h- >J r B OSTON SYMPHONY ORCH E STRA FOUNDED IN 1881 BY A -^_7^ EIGHTIETH SEASON 1 960 - 1961 I •aNnuA Ante BAYARD TUCKERMAN, JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE We blueprint the basic structure for the insurance of our clients and build their protection on a sound foundation. Only by a complete survey of needs, followed by intelligent counsel, can a proper insur- ance program be constructed. Without obligation on your part, we would be happy to act as your insurance architects. Please call us at any time. CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. When You Think of Insurance . Think of us! 141 Milk Street Boston 6, Massachusetts HU bbard 2-6200 EIGHTIETH SEASON, 1960-1961 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, I960, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot • President Talcott M. Banks • Vice-President Richard C. Paine • Treasurer Theodore P. Ferris John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Sidney R. Rabb C. D. Jackson Charles H. Stockton E. Morton Jennings, Jr. John L. Thorndike Henry A. Laughlin Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager S. Shirk Norman James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 15 [259] . -
Microfilms International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has -been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
The Tangle of It
Reid MacDonald 109,300 words 553 Valim Way Author’s personal draft Sacramento, CA 95831 Printed on 11/5/14 (626) 354-0679 [email protected] THE TANGLE OF IT by Reid McFarland THE TANGLE of IT by Reid McFarland ⁂ For Vickie We’ve been apart for some time now I don’t know how to navigate these waters I love you and hope we can find some calm harbor ⁂ Herein tells a story where not all times and places match Forgive me those who are in the know So goes the way of memory and invention ⁂ McFarland / The Tangle of It Chapter 1. FRANNY'S CANDIES “I roll the Kettledrum candy in my mouth.” Franny pictures herself chewing on Boston Fruit Slices and her jaw flexes automatically. “Chewy wedges taste lemon and lime and go BOOM-bah-BOOM when I bite into one.” She adds, “When I unwrap a second Kettledrum out of its tight parchment, I examine the sour and sugar-copper rind. They are better enjoyed in pairs. Tomás, why aren’t Kettledrum candies hard? Like Lifesavers or Butterscotches? When they clink against your teeth, they could sound like a snare or a top hat. I can hear a soft bass rumble a tympani symphony deep within me. I swear, the Kettledrums make my voice go baritone when I sing BOOM-bah-BOOM after eating one. It’s true: I’ve tried it!” Franny confesses this to me under her gummy-bear breath and I agree unconditionally the way a best friend must. We come here because most of her schoolmates do not make their way down the block to Doña Dolce. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
4655 TCM Mar Programming
S THURSDAYS WEEKLY SHOWCASES ) 4 THIS MONTH ON TCM 6 9 1 ( 1 P Biopics Cinematography by 17 Directed by George Stevens 25 S Henry Fonda THE ESSENTIALS® e f a 9 Harry Stradling S - l Spiritual Leaders i The Greatest Story Ever Told (1965) Comedies Must-See Classics a F Gandhi (1982) Hello, Dolly! (1969)3TCM Premiere Shane (1953) Yours, Mine and Ours (1968) King of Kings (1961) How to Murder Your Wife (1965) A Place in the Sun (1951) Spencer’s Mountain (1963)3TCM Premiere Saturdays at 8:00pm(ET) 5:00pm(PT) Becket (1964) Suspicion (1941) The Diary of Anne Frank (1959) On Golden Pond (1981) The Producers (1968) The Picture of Dorian Gray (1945) A Big Hand for the Little Lady (1966) 2 Gone Fishing The Pirate (1948) 18 S Henry Fonda The Male Animal (1942) The African Queen (1951) Captains Courageous (1937) 10 Bob’s Picks War Movies The Big Street (1942) My Fair Lady (1964) A River Runs Through It (1992) The Mad Miss Manton (1938) Too Late the Hero (1970) Fear Strikes Out (1957) Hook, Line and Sinker (1969)3TCM Premiere Broadway Melody of 1940 (1940) In Harm’s Way (1965) I Dream Too Much (1935) Moby Dick (1956) The Mating of Millie (1948)3TCM Premiere With John Ford You Belong to Me (1941) Hero’s Island (1962) The Thrill of Brazil (1946)3TCM Premiere The Fugitive (1947) SILENT SUNDAY NIGHTS Over 21 (1945) TCM Premiere How the West Was Won (1962) 26 Classic Horror Directors Guest Programmer: 3 Silent Treasures 3 James Mangold 11 S Henry Fonda Roger Corman 19 Classic Horror Directors A Bucket of Blood (1959) Sundays at Midnight(ET) 9:00pm(PT) -
Phase Ii Rebuttal Case of the American Society of Composers, Authors and Publishers
Before the COPYRIGHT ROYALTY TRIBUNAL Washington, D.C. ) ) In the Matter of: ) Docket No. ) CRT 89-2-87CD 1987 CABLE ROYALTY ) Phase II DISTRIBUTION PROCEEDING ) ) PHASE II REBUTTAL CASE OF THE AMERICAN SOCIETY OF COMPOSERS. AUTHORS AND PUBLISHERS Bernard Korman ASCAP One Lincoln Plaza New York, NY 10023 (212) 870-7510 Of counsel: Bennett M. Lincoff I. Fred Koenigsberg White 6 Case 1155 Avenue of the Americas New York, NY 10036-2787 (212) 819-8806 Attorneys for American Society of Composers, Authors and Publishers Dated: January 10, 1990 Before the COPYRIGHT ROYALTY TRIBUNAL Washington, D.C. ) ) In the Matter of: ) Docket No. ) CRT 89-2-87CD 1987 CABLE ROYALTY ) Phase II DISTRIBUTION PROCEEDING ) ) ) PHASE II REBUTTAL CASE OF THE AMERICAN SOCIETY OF COMPOSERS AUTHORS AND PUBLISHERS The American Society of Composers, Authors and Publish- ers submits its Phase II Rebuttal Case in accordance with the Copyright Royalty Tribunal's procedural Order of December 5, 1989. Attached is the rebuttal testimony (including exhibits) of all witnesses. We have prepared such testimony in the form of witnesses'tatements which will be summarized, highlighted, or read into the record in whole or in part. We have included tables of contents to that testimony and those exhibits for the Tribunal's convenience. Respectfully submitted, AMERICAN SOCIETY OF COMPOSERS, AUTHORS AND PUBLISHERS Bernard Korman ASCAP One Lincoln Plaza New York, NY 10023 Of counsel: Bennett M. Lincoff F. ed Koen'gsberg White & Cas 1155 Avenu of the Americas New York, Y 10036-2787 Dated: January 10, 1990 TABLE OF CONTENTS Testimony Witness Tab Gloria Messinger Dr. -
6/13/2010 Dvdsiv Page 1 TITLE * = in a Large Case, Or Multiple Movies On
DVDsIV 6/13/2010 TITLE * = In a large case, or multiple movies on 1 disc * Treasures Of Black:Devils Daughter,Gang Wars,Bronze Buck,UpInAir *And then there were none: Classic Mystery Movie * *Angel One Five / King & Country * *At War With The Army: Dean Martin: Stage And Screen *Aztec Temple Of Blood: Unsolved History *BangBros / Playboy Sizzlers / Ancient Secrets of Kama Sutra * *Battler, The/Bang The Drum Slowly (Paul Newman) * *Birth of a Nation *Black :Pacific Inferno,Death Of Prophet,TNT Jackson,Black Fist * *Body And Soul: Paul Robeson 2 * *Borderline: Paul Robeson 2 * *Caesar And Claretta / The Apple Cart ( Helen Mirren ) * *Carole Lombard 1: Man Of The World - We're Not Dressing *Carole Lombard 2: Hands Across The Table *Carole Lombard 3: Love Before Breakfast, Princess Comes Across * *Carole Lombard 4: True Confession *Classic Disaster Movies: Virus; Hurricane; Deadly Harvest * *Cry Panic: Classic Mystery Movie *Death Defying Acts / Houdini's Death Defying Acts *Emperor Jones: Paul Robeson 1 * *Empire of The Air, Ken Burns' America *Five Million Years To Earth (Quatermass And The Pit) *Giant Of Marathon / War Of The Trojans * *Go For Broke / Beyond Barbed Wire * *Great Bank Hoax / Great Bank Robbery * *HammerIcons: StopMe;Cash Demand;Snorkel;Maniac;NeverCandy;Damned *Huey Long: Ken Burns' America *Human Beast (The La Bete Humaine) *In Search of Cezanne/The Bolero * *Japan At War: Black Rain,Father Kamikaze,Japan's Longest,Okinawa *Jeopardy / To Please A Lady * *Jerico: Paul Robeson 3 * *Kill Da Wabbit (part of Looney Tunes Collection) -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
VAI 2005 Fall Catalog.Pmd
2005 FALL CATALOGUE THE LEADER IN RECORDINGS OF HISTORIC PERFORMANCES AND RARE REPERTOIRE A-18 GEN TWO NEW DVDS IN ALICIA ALONSO ON VVVAI’sss BROADWAAAY SERIES Listing on page 2 Listings on page 3 New Compact Disc Releases on Page 22 These and other recent VAI DVD releases pp. 2-8! New Hardy & Kicco Classics DVDs on Page 21 A Tribute to the “Voice of an Angel” Listing on page 3 Listing on page 3 February 1, 1922 ••• December 20, 2004 Details of this 2-DVD retrospective on page 3 Listing on page 7 Listing on page 6 From the President of VAI Recently Released Dance & Orchestral DVDs from VAI Dear Friends, Our current listings feature some of HARDY CLASSICS DVD Broadway’s brightest stars. Most of this material derives from the rich archives of the Bell Telephone Hour which has provided us with performances by some of the greatest artists from the worlds of opera, dance and the concert stage. The Broadway offerings were no less luminous with star turns from such legendary greats as Ethel Merman, Barbara Cook, Robert Goulet, Alfred Drake, Carol Lawrence, Larry Kert, Dolores Gray John Raitt, Howard Keel and Gretchen Wyler. Highlighting our new releases are TWO NEW DANCE DVDS FROM VAI DVDs devoted to the art of Barbara Cook and Carol Lawrence. Both ladies ALICIA ALONSO – PRIMA BALLERINA ASSOLUTA This GISELLE are still very much in the public eye. compilation from 1958 to 1985 includes extracts from many of Alicia Miss Cook, a cabaret favorite, is about NUREYEV • FRACCI Alonso’s most celebrated roles. -
Index of Film Titles
Cambridge University Press 978-0-521-81173-6 - A History of Film Music Mervyn Cooke Index More information Index of film titles A bout de souffle 222, 321–2 American Werewolf in London, An 456 A double tour 319 Am´erique insolite, L’ 284 Anouslalibert´e 63–4, 311 Amistad 464 A quoi rˆevent les jeunes films? 33 Amour a` mort, L’ 328 AboutaBoy411 Amour d’une femme, L’ 318 Above the Rim 403 Anatomy of a Murder 220 Adventures of Prince Achmed, The 304 And God Created Woman: see Et Dieu cr´ea la Adventures of Robin Hood, The 94, 96 femme Ae Fond Kiss 263 Anderson Tapes, The 223 African Lion, The 285 Andrei Rublev 352–3 Agantuk 361 Angela’s Ashes 464, 506 Age d’or, L’ 423 Animal Farm 306 Age of Innocence, The 142, 456, 494 Anmol Ghadi 356 Agony and the Ecstasy, The 193 Anna and the King of Siam 205, 207 Aguirre, Wrath of God 469 Ann´ee derni`ere a` Marienbad, L’ 329–30 A.I. Artificial Intelligence 483 Annie Get Your Gun 154 Ai no borei 391 Anthony Adverse 96 Ai no corrida 391 Antz 307 Air Force One 458 Anuradha 360 Airplane! 107, 119, 307, 456 Aparajito 360 Airport 107 Apocalypse Now 412, 427–8 Akira 394 Apollo 13 495, 497 Aladdin 163 Applause 60, 150 Alam Ara 355 Apur Sansar 360 Aleko 138 Arabesque 423 Alexander 498, 505 Aranyer din ratri 361 Alexander Nevsky 144, 170, 193, 347–50, 440, Argent de poche, L’ 327 494 Aria 141 Alexander the Great 379 Arrah-Na-Pogue 17 Alice in Wonderland 293 As You Like It 169–70, 248 Alien 458, 459, 509 Ascenseurpourl’´echafaud 222 Aliens 494 Ashanti sanket 361 Alien3 483 Asoka¯ 364 All About Eve 105 Asphalt Jungle,