DOCSLIB.ORG

Monty Python’S Flying Circus “The Argument Clinic” Cast: John Cleese Michael Palin

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Monty Python’S Flying Circus “The Argument Clinic” Cast: John Cleese Michael Palin Transcript for: Monty Python’s Flying Circus “The Argument Clinic” Cast: John Cleese Michael Palin [00:00:01] Monty Python’s The Argument Clinic (edited) [00:00:06] What is an argument? [00:00:09 – opens with Palin in a hallway, standing in front of a door] [00:00:10 – laugh track] (Palin) [knocks on door four times] (Cleese) [muffled behind the door] Come in! [00:00:13 – Palin opens door; scene cuts to room with Cleese sitting at a desk] (Palin) Is this the right room for an argument? (Cleese) I told you once. (Palin) No you haven’t. (Cleese) Yes I have. (Palin) When? (Cleese) Just now. (Palin) No you didn’t. (Cleese) Yes I did. (Palin) You didn't (Cleese) I did! (Palin) You didn't! (Cleese) I'm telling you I did! (Palin) You did not! (Cleese) I'm sorry, is this a five minute argument or the full half hour? (Palin) Oh…oh, just the five minute one. (Cleese) Fine…Alright, thank you…Anyway, I did. (Palin) You most certainly did not. (Cleese) Look, let's get this thing clear; I most definitely told you. (Palin) You did not. (Cleese) Yes I did. (Palin) You did not. (Cleese) Yes I did. (Palin) Didn't. (Cleese) Yes I did. (Palin) Didn't. (Cleese) Yes I did. (Palin) Look, this isn't an argument. (Cleese) Yes it is. (Palin) No it isn't. It's just contradiction. (Cleese) No it isn't. (Palin) Yes it is! (Cleese) It is not. (Palin) It is! You just contradicted me. (Cleese) No I didn’t. (Palin) Oh you did! (Cleese) No-no, no-no, no-no. (Palin) You did, just then. (Cleese) Nonsense! (Palin) Oh, well this is futile! (Cleese) No it isn't. (Palin) I came here for a good argument. (Cleese) No you didn't; no, you came here for an argument. (Palin) An argument’s not the same as contradiction. (Cleese) It can be. (Palin) No it can't! An argument is a connected series of statements intended to establish a definite proposition. (Cleese) No it isn't. (Palin) Yes it is! It isn’t just contradiction. (Cleese) Look, if I argue with you, I must take up a contrary position. (Palin) It isn’t just saying, “No it isn't.” (Cleese) Yes it is. (Palin) No it isn't! [laugh track – short pause] Argument’s an intellectual process. Contradiction is just the automatic gainsaying of anything the other person says. (Cleese) No it isn't. (Palin) It is. (Cleese) Not at all. (Palin) Now look, I’m… [Cleese rings a bell, interrupting and befuddling Palin] (Cleese) Thank you! Good morning. [erupting laugh track – Cleese turns away from Palin and tends to himself] [crowd applauses] (Palin) What? (Cleese) That's it. Good morning. (Palin) I was just getting interested. (Cleese) Sorry, the five minutes is up. [00:01:40] – Video Ends .
Load more

Recommended publications
  • John Cleese & Eric Idle
    JOHN CLEESE & ERIC IDLE TOGETHER AGAIN AT LAST…FOR THE VERY FIRST TIME Mesa, AZ • November 21 Tickets On-Sale Friday, June 17 at 10 a.m. June 15, 2016 (Mesa, AZ) – Still together again, Britain’s living legends of comedy, John Cleese and Eric Idle, announce their must see show John Cleese & Eric Idle: Together Again At Last…For The Very First Time in Mesa at Mesa Arts Center on November 21 at 7:30 p.m.! Tickets go on-sale to the public Friday, June 17 at 10 a.m. In Together Again At Last…For The Very First Time, Cleese and Idle will blend scripted and improvised bits with storytelling, musical numbers, exclusive footage and aquatic juggling to create a unique comedic experience with every performance. No two shows will be quite the same, thus ensuring that every audience feels like they’re seeing Together Again At Last… For The Very First Time, for the very first time. And now you know why the show is called that, don’t you? Following a successful run last fall in the Eastern US as well as a sold-out run in Australia and New Zealand this past February, their tour, John Cleese & Eric Idle: Together Again At Last…For The Very First Time will once again embark on some of the warmest (and driest) territories the US (and Canada) has to offer. The tour will take place from October 16 to November 26 and will see the British icons perform unforgettable sit-down comedy at premier venues in Victoria, Vancouver, Seattle, Spokane, Salem, Santa Rosa, San Francisco, San Jose, Thousand Oaks, Santa Barbara, Escondido, San Diego, Las Vegas, Mesa, Tucson, Albuquerque, El Paso with additional markets to be announced soon.
    [Show full text]
  • The Rutles: All You Need Is Cash
    SPOOFS The Rutles: All You Need Is Cash In the 1970s, Eric Idle, a former member of the legendary British com- edy team Monty Python, featured a Beatles parody song called “It Must Be Love” on Rutland Weekend Television, his own television show on BBC-2. The song had been written by Neil Innes, who had previously worked with Monty Python and the Bonzo Dog Doo-Dah Band. The song was performed by ‘The Rutles’, a Beatles look-alike band featuring Neil Innes as the John Lennon character, and Eric Idle as the Paul McCartney character (vgl. Harry 1985: 69). In October 1976, the parody was shown on America’s NBC TV’s show Saturday Night Live as a se- quel to the running gag of a Beatles reunion for $3,000. The parody went down so well that Eric Idle and Neil Innes decided to produce a feature program about The Rutles for television. Idle, who was a close friend of George Harrison, was allowed to watch Neil Aspinall’s unreleased do- cumentary about The Beatles, called The Long and Winding Road. Aspi- nall’s film featured a bulk of famous footage of The Beatles, from their first televised performance at the Cavern Club in Liverpool to their last group performance on the roof of their Apple business building. Idle u- sed The Long and Winding Road as a model for his fake-documentary about The Rutles and basically re-told the history of The Beatles pro- jected upon this imaginary rock band, adding essential elements of par- ody and the Pythonesque sense of surreal humor.
    [Show full text]
  • Monty Python's SPAMALOT
    Monty Python’s Spamalot CHARACTERS Please note that the ages listed just serve as a guide. All roles are available and casting is open, and newcomers are welcome and encouraged. Also, character doublings are only suggested here and may be changed based on audition results and production needs. KING ARTHUR (Baritone, Late 30s-60s) – The King of England, who sets out on a quest to form the Knights of the Round Table and find the Holy Grail. Great humor. Good singer. THE LADY OF THE LAKE (Alto with large range, 20s-40s) – A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice is essential, as she must be able to sing effortlessly in many styles and vocal registers. Sings everything from opera to pop to scatting. Gets angry easily. SIR ROBIN (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. Ironically called "Sir Robin the Brave," though he couldn't be more cowardly. Joins the Knights for the singing and dancing. Also plays GUARD 1 and BROTHER MAYNARD, a long-winded monk. A good mover. SIR LANCELOT (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. He is fearless to a bloody fault but through a twist of fate discovers his "softer side." This actor MUST be great with character voices and accents, as he also plays THE FRENCH TAUNTER, an arrogant, condescending, over-the-top Frenchman; the KNIGHT OF NI, an absurd, cartoonish leader of a peculiar group of Knights; and TIM THE ENCHANTER, a ghostly being with a Scottish accent.
    [Show full text]
  • King Mob Echo: from Gordon Riots to Situationists & Sex Pistols
    KING MOB ECHO FROM 1780 GORDON RIOTS TO SITUATIONISTS SEX PISTOLS AND BEYOND BY TOM VAGUE INCOMPLETE WORKS OF KING MOB WITH ILLUSTRATIONS IN TWO VOLUMES DARK STAR LONDON ·- - � --- Printed by Polestar AUP Aberdeen Limited, Rareness Rd., Altens Industrial Estate, Aberdeen AB12 3LE § 11JJJDJJDILIEJMIIENf1r 1f(Q) KIINCGr JMI(Q)IB3 JECCIHI(Q) ENGLISH SECTION OF THE SITUATIONIST INTERNATIONAL IF([J)IF ffiIE V ([J) IL lUilII ([J) W §IFIEIEIIJ) IHIII§il([J) ffiY ADDITIONAL RESEARCH BY DEREK HARRIS AND MALCOLM HOPKINS Illustrations: 'The Riots in Moorfields' (cover), 'The London Riots', 'at Langdale's' by 'Phiz' Hablot K. Browne, Horwood's 1792-9 'Plan of London', 'The Great Rock'n'Roll Swindle', 'Oliver Twist Manifesto' by Malcolm McLaren. Vagrants and historical shout outs: Sandra Belgrave, Stewart Home, Mark Jackson, Mark Saunders, Joe D. Stevens at NDTC, Boz & Phiz, J. Paul de Castro, Blue Bredren, Cockney Visionaries, Dempsey, Boss Goodman, Lord George Gordon, Chris Gray, Jonathon Green, Jefferson Hack, Christopher Hibbert, Hoppy, Ian Gilmour, Ish, Dzifa & Simone at The Grape, Barry Jennings, Joe Jones, Shaun Kerr, Layla, Lucas, Malcolm McLaren, John Mead, Simon Morrissey, Don Nicholson-Smith, Michel Prigent (pre-publicity), Charlie Radcliffe, Jamie Reid, George Robertson & Melinda Mash, Dragan Rad, George Rude, Naveen Saleh, Jon Savage, Valerie Solanas, Carolyn Starren & co at Kensington Library, Mark Stewart, Toko, Alex Trocchi, Fred & Judy Vermorel, Warren, Dr. Watson, Viv Westwood, Jack Wilkes, Dave & Stuart Wise Soundtrack: 'It's a London Thing' Scott Garcia, 'Going Mobile' The Who, 'Living for the City' Stevie Wonder, 'Boston Tea Party' Alex Harvey, 'Catholic Day' Adam and the Ants, 'Do the Strand' Roxy Music', 'Rev.
    [Show full text]
  • MONTY PYTHON at 50 , a Month-Long Season Celebra
    Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness.
    [Show full text]
  • Monty Python's Spamalot Farmington Players
    MONTY PYTHON’S SPAMALOT FARMINGTON PLAYERS AUDITION NOTICE Location: The BARN, 32332 West 12 Mile Road, Farmington Hills 48334 Director: Tony Targan Email: [email protected] Producer: Amy Lauter Assistant Director: Kandi Krumins Music Director: Steve Woznicki Choreographer: Mary Murphy Stage Manager: David Reinke Show Dates: April 28, 29, 30, May 5, 6, 7, 12, 13, 14, 19, 20, ending Sunday May 21, 2017 Mandatory Rehearsal Dates: Apr 16 Tech; Apr 23 Tech; April 24, 25, 26 Dress Rehearsals will begin 3X per week in late January but may be 4X by April. Mondays – Thursdays are likely days (with some dance rehearsals on weekends) but the schedule will be finalized after casting and conflicts are factored in. There will be a full cast read-through and a viewing oF the Film Monty Python and the Holy Grail shortly after casting. SATURDAY JANUARY 21, 2017 Lady of the Lake vocals by appointment: 10:00AM – noon Send an email to [email protected] with your name, age, vocal range, and indicate your willingness to be considered For the ensemble iF you are not cast as the Lady. Female ensemBle vocal/dance auditions: Registration at 12:30; Auditions begin at 1:00 SUNDAY JANUARY 22, 2017 Male principal and ensemBle roles: vocal, dance and acting auditions. Acting cuts are not provided ahead oF time and will be cold readings From the script. (See casting notes at end.) Registration at 12:30; Auditions begin at 1:00 Lady of the Lake callbacks, if necessary: tentatively 3:00 NOTE: IF you have questions about the musical cuts, Feel Free to contact music director Steve Woznicki at [email protected].
    [Show full text]
  • The Rutles and the Use of Specific Models in Musical Satire John R
    The Rutles and the Use of Specific Models in Musical Satire John R. Covach On March 22, 1978, NBC aired a 90-minute "docudrama" entitled, "The Rutles: All You Need is Cash."l The focus of this satirical film is the fictitious 1960's musical group, "The Rutles." As the title of the film already suggests, the Rutles are modeled on the Beatles, and the densely packed references to the "Fab Four" which occur throughout "All You Need is Cash" will be immediately detected by any viewer familiar with the Beatles' careers. The idea of making the film arose after Monty Python comedian and writer Eric Idle presented a film clip of the Rutles performing "I Must Be In Love" on NBC's "Saturday Night Live" 1This date is given by Kim "Howard" Johnson in The First 200 Years of Monty fYthon (New YorK: St. Martin's Press, 1989),235. According to George Perry, BBC-2 fIrst aired the Rrogram on March 27, 1978. Perry, Life of Python (Boston and Toronto: Little, Brown and Company, 1983), 188. The film is available on home video as "I Love The Rutles," Pacific Arts Video Records P A VR-540. All the Rutles musical examples can be found on the recent CD release, The Rutles, Rhino R2 75760. The Beafles songs cited in the text can be found on the following albums: "She Loves You, " The Beatles' Second Album, Capitol ST2080; "Please Please Me" and "P.S. I Love You, The Earlv Beatles, Capitol ST2309; "All My Loving," "I Want To Hold Your Hand/, and "It Won't Be Long," Meet The Beatle.s, Capitol ST2047; and.
    [Show full text]
  • Monty Python's SPAMALOT
    Audition Packet Monty Python’s SPAMALOT Book & Lyrics by Eric Idle | Music by John Du Prez & Eric Idle From the original screenplay by Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin Performing at the NorShor Theatre: September 16 – October 3, 2021 Director: Justin Peck | Choreographer: Matthew Wagner | Music Director: Kyle Picha Lovingly ripped off from the classic film comedy Monty Python and the Holy Grail, MONTY PYTHON’S SPAMALOT retells the legend of King Arthur and his Knights of the Round Table and features a bevy of hilariously memorable characters and classic bits, not to mention great songs, high-energy dances, and killer rabbits. The 2005 Broadway production won three Tony® Awards, including Best Musical, and was followed by two successful West End runs. The outrageous, uproarious, and gloriously entertaining story of King Arthur and the Lady of the Lake will delight audiences as they learn to “always look on the bright side of life.” SPAMALOT CHARACTER BREAKDOWN: This production was fully cast and ready to open when the pandemic struck. Some of that cast can return, but others cannot. We are seeking a diverse cast of singers and dancers (18+) to fill the following vacated roles. • Sir Lancelot: A Knight of the Round Table. He is fearless to a bloody fault but discovers something surprising about himself. Also plays multiple supporting characters. Needs comic timing and musical ability. Preference given to performers with strong character voice and accent abilities. • Sir Bedevere: A Knight of the Round Table. A strangely flatulent, inept scholar. Also plays multiple supporting characters.
    [Show full text]
  • The Terrorism Novel in a Surrealist Mode
    Northumbria Research Link Citation: Schoneboom, John Raymond (2018) The terrorism novel in a surrealist mode. Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/42790/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html THE TERRORISM NOVEL IN A SURREALIST MODE J R SCHONEBOOM PhD 2018 ` THE TERRORISM NOVEL IN A SURREALIST MODE JOHN RAYMOND SCHONEBOOM A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy Research undertaKen in the Faculty of Arts, Design and Social Sciences Department of Humanities, English and Creative Writing April 2018 Abstract The Terrorism Novel in a Surrealist Mode is a practice-led research project comprising a novel (The Science of a Single Cabbage) and an accompanying reflective commentary.
    [Show full text]
  • Das Abschlussbuch Schauspiel Dortmund 2010-2020 Zum Download
    1 2010 — 2020 3 Der Dortmunder Sprechchor in Das schweigende Mädchen 4 Vorwort 5 Erinnern #1 7 Der vielleicht schönste Komplettverriss aus zehn Jahren 8 Theater in und für Dortmund 12 Henrik Ibsen im Schauspiel 18 Erinnern #2 22 Diese irre Idee, Menschen zuzusehen, die aus Rollen Leben machen. Martin Kaysh über zehn Jahre Schauspiel Dortmund 24 Völlig unzensiert. Jörg Buttgereit und Susanne Priebs im Interview 28 Von Crazy Carts bis Theatertreffen. Best of MEGAPEDIA 40 Eine Welt zwischen den Dimensionen. Die Geburt des Live Animation Cinemas am Schauspiel Dortmund 44 Ein Kosmos aus Emotionen, Fragen und Sehnsüchten. Theaterfotografin Birigt Hupfeld über Dortmunder Bilder und Menschen 50 Dogma 20_13. Das Dortmunder Manifest 60 Irgendwann war die Guckkastenbühne zu klein. Über die Inszenierung eines Theaterstücks, in dem die Wirklichkeit explodiert 64 Man tanzt einen Abend mit. Tobias Hoeft, Mario Simon und Laura Urbach von der Medienabteilung des Schauspiel Dortmund im Gespräch 76 Digitale Dystopien. Theaterkritikerin Dorothea Marcus über 10 Jahre Schauspiel Dortmund 82 hell | ein Augenblick 86 The Times are a-Changin‘ – Ereignisse 2010-2020 94 Wohltuend wahr. Anne-Kathrin Schulz über Theater und Recherche, Gegenwartsgeschichten und Gegenwartsgeschichte 100 Gegenwart als Inhalt. Ein Interview mit Anne-Kathrin Schulz, Kay Voges und Andreas Beck zu „Die Schwarze Flotte” 104 Frechheit! Die zehn größten Aufreger aus zehn Jahren Schauspiel Dortmund 109 Neue Allianzen. Über das Zusammenspiel von Darstellender Kunst, Aktivismus, Journalismus und Bildender Kunst am Schauspiel Dortmund 114 Burn, baby, Burn! Ein Brief von Christian Römer ans Schauspiel Dortmund 120 Don’t You forget about Me – Wie auch? Zuschauer Hartmut Formeseyn zu zehn Jahren Schauspiel Dortmund 124 O Augenblick.
    [Show full text]
  • Absurdity and Irony in the Work of Monty Python
    Univerzita Hradec Králové Pedagogická fakulta Katedra anglického jazyka a literatury Absurdity and Irony in the Work of Monty Python Bakalářská práce Autor: Barbora Štěpánová Studijní program: B 7310 Filologie Studijní obor: P-AJCRB Cizí jazyky pro cestovní ruch – anglický jazyk P-NJCRB Cizí jazyky pro cestovní ruch – německý jazyk Vedoucí práce: Mgr. Jan Suk Hradec Králové 2016 Prohlášení Prohlašuji, že jsem tuto bakalářskou práci vypracovala (pod vedením vedoucího bakalářské práce) samostatně a uvedla jsem všechny pouţité prameny a literaturu. V Hradci Králové dne … Poděkování Ráda bych touto cestou vyjádřila poděkování Mgr. Janu Sukovi za jeho vstřícnost, trpělivost a za cenné rady při vedení bakalářské práce. Anotace ŠTĚPÁNOVÁ, Barbora. Absurdita a ironie v díle skupiny Monty Python. Hradec Králové: Pedagogická fakulta Univerzity Hradec Králové, 2016. 46 s. Bakalářská práce. Cílem bakalářské práce je poukázat na prvky absurdity a ironie v díle britské humoristické skupiny Monty Python. Tyto elementy budou nastíněny analýzou jejich televizní a filmové tvorby. Dále předkládaná studie podtrhuje elementy "montypythonovského" humoru v kontextu tradičního pojetí humoru. V neposlední řadě bakalářská práce představuje jednotlivé členy této skupiny, seznamuje s jejich dílem jako takovým a všímá si jejich vlivu na další vývoj britské komedie. Klíčová slova: absurdita, ironie, britský humor, Monty Python. Annotation ŠTĚPÁNOVÁ, Barbora. Absurdity and Irony in the Work of Monty Python. Hradec Králové: Pedagogická fakulta Univerzity Hradec Králové, 2016. 46 p. Bachelor Degree Thesis. The goal of the bachelor's thesis is to point out the elements of absurdity and irony in the work of the British comedy group Monty Python. These elements will be demonstrated by the analysis of the television and film production of the group.
    [Show full text]
  • Newsletter 01/12 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 01/12 DIGITAL EDITION Nr. 305 - Januar 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/12 (Nr. 305) Januar 2012 editorial Hallo Laserdisc- und sten Mustervorführungen geschlossen. Um Ihnen DVD-Fans, waren bereits vielverspre- schon einen kleinen Vorge- liebe Filmfreunde! chend. Seien Sie also ge- schmack zu geben, haben spannt. Wir werden Sie na- wir auf dieser Seite schon Mit 86 prall gefüllten Seiten türlich rechtzeitig informie- mal das Teaser-Poster ab- heissen wir Sie ganz herzlich ren, sobald unser Projekt gebildet. willkommen zu unserem er- fertiggestellt ist. Denn dann sten Newsletter in unserem werden Sie den “Director’s In diesem Sinne – freuen Jubiläumsjahr 2012. Gerne Cut” auf unserer Website Sie sich mit uns zusammen hätten wir Ausgabe 305 (www.laserhotline.de) an- auf ein adrenalintreibendes schon wesentlich früher ins schauen können. Eine an- Jahr! Feld geschickt, doch wie es schließende Kinoauswertung halt immer so ist: Termine, ist übrigens auch nicht aus- Ihr Laser Hotline Team Termine, Termine. Dafür aber sieht die aktuelle Aus- gabe vom Umfang eher aus wie eine Doppelnummer – und das obwohl wir auf Grafik praktisch fast voll- kommen verzichtet haben. Aber Sie kennen ja unsere Einstellung: Information geht vor! Auch wenn Sie lange nichts mehr von uns gehört haben, so waren wir doch extrem fleissig. Denn um un- ser 20jähriges Jubiläum ge- bührend feiern zu können, haben wir mit der Produkti- on unseres ersten eigenen Films begonnen.
    [Show full text]