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View of the Paneling Is Shown in Fig.1 TABLE OF CONTENTS NEW THEORIES IN ARCHITECTURE IN INDIA 4 Ar.INDIRA KOLLI M.Arch Principal ANCIENT INDIAN TEMPLES IS A LIVING LIBRARY 5 “Religious structures exhibits science” Ar.S.CHINNADURAI M.Arch Head of the Department THEORETICAL INTENTIONS IN DESIGN CONCEPT 6 Ar.R. Reghu, M. Arch Assistant Professor CONTEMPORARY ARCHITECTURE IN INDIA 7 Ar. RAGHAVENDRAN M, M.ARCH Assistant Professor PRINCIPLE OF ARCHITECTURE 8 Symmetry – in Site level, in Building level, in Detail level Ar.N.NISHYA M.Arch Assistant Professor GLASS FIBRE REINFORCED GYPSUM (GFRG) BUILDING PANEL 10 Er.C. Jenil Kumar, Assistant professor TWIN PASSENGER LIFT 12 Er.Z.Jenner M.E Assistant Professor RAIN WATER HARVESTING METHODS 13 Ar.Priyadarshini M.Arch Assistant Professor THERMAL INSULATION IN BUILDINGS 14 E.M. Jerin Shibu M.E Assistant Professor APPLICATION OF STATISTICS 15 Ms.R.MARIA ANUSHIYA M.Sc Assistant Professor ÖHRINGEN PETTING ZOO,GERMANY 16 Ar.K.KEERTHANA B.Arch Assistant Professor STOCHASTIC MODELLING FOR URBAN DESIGN (I) 17 Mr.P.S.STEM EDILBER M.Sc,M.Phil Assistant Professor 2 Volume 12 June 2020 THE TUDOR REVIVAL STYLE 18 Ar.T.JOSEPHINE SABEENA B.Arch Assistant Professor A PROPOSAL FOR CREATIVE CO-WORKING AND CO-LIVING IN KYIV WINS THE 2020 CANACTIONS YOUTH COMPETITION 19 Ar.T.DINESH PANDIAN M.Arch Assistant Professor CRYSTALLINE DESIGN FOR THE SPRINGDALE VETERAN MEMORIAL 20 Ar.K.ASWIN PRAKESH M.Arch Assistant Professor ARCHITECTURAL JOURNALISM – ASPECT FOR REALIZING BUILDINGS 21 Ar.G.Gnana Shini B.Arch Assistant Professor SELF-HEALING CONCRETE 22 CHENNAI - A STYLE BEYOND TIMES. 23 3 Volume 12 June 2020 NEW THEORIES IN ARCHITECTURE IN INDIA Ar.INDIRA KOLLI M.Arch Principal 4 Volume 12 June 2020 ANCIENT INDIAN TEMPLES IS A LIVING LIBRARY “Religious structures exhibits science” Ar.S.CHINNADURAI M.Arch Head of the Department Ancient India temples are not only place for religious purpose alone and also its being astrological observatory, positive energy stimulating spaces etc. The best example of this vittala temple at hampi. An Architectural marvel by vijayanagar kingdom, The Vittala Temple or Vitthala Temple in Hampi is an ancient monument that is well-known for its exceptional architecture and unmatched craftsmanship. It is considered to be one of the largest and the most famous structure in Hampi. The temple is located in the north eastern part of Hampi, near the banks of the Tungabhadra River. The iconic temple has amazing stone structures such as the incomparable stone chariot and the fascinating musical pillars. The Vittala Temple is presumed to be the grandest of all temples and monuments in Hampi. The temple exemplifies the immense creativity and architectural excellence possessed by the sculptors and artisans of the Vijayanagara era. The painting explains the solar and lunar eclipses in detailed before 1000 back itself. Beautiful acoustical detailing and orientation of spaces according the context. The Vittala temple is built in the Dravidian style of architecture. It has traits and features that are characteristic of typical south Indian temple architecture. It’s elaborate and artistic carvings and magnificent architecture is unmatched by any other structure found in Hampi. 5 Volume 12 June 2020 THEORETICAL INTENTIONS IN DESIGN CONCEPT Ar.R. Reghu, M. Arch Assistant Professor Introduction This chapter explains the theoretical intentions behind the design concept. The concept statement is a rationalization for the design decisions that have been made and is portrayed in following chapters. The theoretical examples inspiration the concept of a ‘gallery in flux’. The design informants provide a summary of theoretical aspects addressed in previous chapters and clarify how the theory informs the design. Theoretical Intention The platform of the involvement is a new settlement gallery for the current Ditsong: National Museum of Cultural History. On a practical level the satellite gallery provides supplementary demonstration spaces for the Ditsong: National Museum of Traditional Antiquity. This generates additional space in which to exhibition things deposited in the present museum. The satellite museum is part of a advertising methodology of the Ditsong: National Museum of Traditional Antiquity to create experience for the museum. Based on investigation, the theoretical intention of the design involvement is the following: 1. To experiment present and out-of-date opinions about galleries and fair spaces and to create a modern museum involvement that fits into the situation of Pretoria. 2. The exposition examines how the gallery can be recognized in the community realm and become part of daily routine. 3. To expose inhabitants of Pretoria to culture as a social practice (as defined in Chapter 3) by displaying everyday cultural artifacts. Concept Statement The theoretical method to the project intervention is to generate a museum in flux. This means that the gallery involvement is frequently varying. This concept can be applied in the functioning of the gallery with changing displays. A modern gallery information opposes the knowledge of a gallery being built and describing the same communication for a hundred ages to come. A modern gallery should be continually mutable; increas- ing or decrease conferring to the requirements of the visitors or the types of presentations on display. A modern gallery should make the documentation among demonstrated matters and the structure that purposes as a ‘breathing museum’ potential. The planned gallery spaces should be able to accommodate fluctuating demonstrations as calculated by curators. The intervention should make provision for alteration and variations. 6 Volume 12 June 2020 CONTEMPORARY ARCHITECTURE IN INDIA Ar. RAGHAVENDRAN M, M.ARCH Assistant Professor Contemporary architecture is becoming more prominent across the country, from the larger, urban cities to smaller, rural areas. The changing culture of architecture in modern India, both as a lifestyle and as a profession, has been eye-opening. In terms of lifestyle, we never predicted the extent to which architecture and design could affect us as well as the society and culture we live in, nor did we predict how deeply symbolic of our beliefs and attitudes they’d become. As a profession, the huge wave of development and technology that caused us to try and ape everything that didn’t belong to us, has made us question and search for our own identity and provoked us to revisit the solid traditional roots and foundation of Indian architecture. Glass, steel and aluminium might remain as ‘fashionable’ materials, but there has been a shift in sensibilities with the revival of Indian crafts and the use of natural and alternative materials such as brick, mud, clay, bamboo, wood, stone, etc. The importance of context, sustainability, nature, and creating an architecture that is true to our culture and cultivates an ‘Indian identity’ has gained much credence. Today, a lot of younger contemporary practices in India have joined them, such as Sanjay Puri Architects, Mathew & Ghosh Architects, RAT lab, Cadence, Studio Symbiosis, Morphogenesis who are making waves overseas for their futuristic thinking that rests on a traditional ethos and the core tenets of a contextual, responsible and resourceful architecture. 7 Volume 12 June 2020 PRINCIPLE OF ARCHITECTURE SYMMETRY – IN SITE LEVEL, IN BUILDING LEVEL, IN DETAIL LEVEL Ar.N.NISHYA M.Arch Assistant Professor Symmetry is termed as the balanced distribution and arrangement of forms and spaces on opposite sides of a dividing line or plane, or about a centre or axis. Two types of fundamental symmetries are Bilateral Symmetry and Radial Symmetry. Symmetry Bilateral Symmetry Radial Symmetry Arrangement of elements towards Balanced arrangement of elements opposite side of an axis. along axis, The elements can be divid- ed into similar halves by passing axis line any angle SYMMETRY SITE LEVEL EXAMPLE Palace of the Soviets by Le Corbusier. In this building Main Auditorium, Open Air Platform and small Auditorium all arranged in Bilateral symmetry in site. SYMMETRY BUILDING LEVEL EXAMPLE Great Stupa at Sanchi. Radial symmetry in plan, Bilateral symmetry in Elevation. 8 Volume 12 June 2020 SYMMETRY DETAIL LEVEL EXAMPLE Frank Lloyd Wright Studio This house elevation shows symmetry. 9 Volume 12 June 2020 GLASS FIBRE REINFORCED GYPSUM (GFRG) BUILDING PANEL Er.C. Jenil Kumar, Assistant professor SCOPE This document forms the merchandise specification for manufactured GFRG panels designed to be used within the housing industry for walling, ceilings, suspended floor formwork and partitions. The specified technical and mechanical property requirements ask the finished product, that is, the ultimate manufactured GFRG panel dried and prepared for installation. Specified is also the standard control procedure and therefore the associated mechanical tests necessary to make sure a suitable quality of the finished GFRG panel product. APPLICATION This specification is meant to be used by licensed manufacturers of GFRG to make sure a consistent , quality controlled global product suitable for its intended purpose. The details of this document also assists the top users, like engineers, architects and builders, both in their designs using GFRG and in specifying the physical properties of the GFRG panel in their contract documents. DEFINITIONS For the aim of this specification the subsequent definitions apply: - Standard GFRG Panel GFRG panel may be a factory manufactured walling product utilized in the development industry to supply
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