Unoccupied Lewis Ave. Building Hit at Ground Level
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Avicii Feat. Aloe Blacc S.O.S
538 TOP 50 19 APRIL 2019 538.NL/TOP50 35+2# 1 AVICII FEAT. ALOE BLACC S.O.S. 1-11# 2 4+7# 3 2-16# 4 DADDY YANKEE FEAT. MABEL SUZAN & FREEK SNOW CON CALMA DON’T CALL ME ALS HET AVOND UP IS 5=16# 5 3-16# 6 9+6# 7 KRIS KROSS A’DAM, ROBIN SCHULZ FEAT. DUNCAN LAURENCE MAAN & TABITHA ERIKA SIROLA HIJ IS VAN MIJ SPEECHLESS ARCADE 15+7# 8 7-15# 9 8-8# JONAS BROTHERS GUY SEBASTIAN MARTIN GARRIX FEAT. BONN SUCKER BEFORE I GO NO SLEEP P!NK WALK ME HOME 13+9# DAVID GUETTA FEAT. BEBE REXHA & J BALVIN SAY MY NAME 11-16# NIELSON IJSKOUD 10-16# BILLIE EILISH BAD GUY 14=3# PANIC! AT THE DISCO HIGH HOPES 6-16# MARSHMELLO FEAT. CHVRCHES HERE WITH ME 18+6# LIL NAS X FEAT. BILLY RAY CYRUS OLD TOWN ROAD 45+2# DAVINA MICHELLE SKYWARD 16-5# DERMOT KENNEDY POWER OVER ME 12-11# KREZIP LOST WITHOUT YOU 17-12# JONAS BLUE FEAT. THERESA REX WHAT I LIKE ABOUT YOU 28+3# PANIC! AT THE DISCO HEY LOOK MA, I MADE IT 27+4# ALVARO SOLER LOCA 19-9# KHALID FEAT. DISCLOSURE TALK 23-8# SAM SMITH & NORMANI DANCING WITH A STRANGER 20-14# AVA MAX SWEET BUT PSYCHO 22-16# ARMIN VAN BUUREN X LUCAS & STEVE DON'T GIVE UP ON ME 25-3# DANNY VERA ROLLER COASTER 21-3# CALVIN HARRIS & RAG 'N' BONE MAN GIANT 26-15# AVA MAX SO AM I 38+3# GEORGE EZRA PRETTY SHINING PEOPLE 34+4# ALAN WALKER FEAT. -
Assessment Day 2013 1. Gender 2. Race Or Ethnicity
Campus Activities Board Survey Results – Assessment Day 2013 Last Modified: 03/28/2013 1. Gender # Answer Response % 1 Male 67 34% 2 Female 133 67% Total 200 100% 2. Race or Ethnicity # Answer Response % 1 White 182 91% African 2 9 5% American 3 Hispanic 3 2% Asian/Pacific 4 4 2% Islander American 5 Indian/Alaskan 0 0% Native 6 Other 2 1% Total 200 100% Other white/black Human 3. Current Classification # Answer Response % 1 Freshman 24 12% 2 Sophomore 38 19% 3 Junior 32 16% 4 Senior 77 39% Graduate or 5 29 15% Professional Total 200 100% 4. Major # Answer Response % 1 Accounting 2 1% 2 Economics - BBA 1 1% 3 Economics - BA 1 1% 4 International Business 0 0% 5 Finance 3 2% 6 Management 10 5% 7 Marketing 8 4% 8 Management Information Systems 0 0% 9 MBA 2 1% 10 Health Care Administration 1 1% 11 Human Resource Management 1 1% 12 Nurse Anesthesia 0 0% 13 Business Undecided 0 0% 14 Early Childhood Education 0 0% 15 Elementary Education 4 2% 16 Secondary Education 7 4% 17 Pre-Elementary Education 0 0% 18 Pre-Secondary Education 1 1% 19 Family and Consumer Science 0 0% 20 Hospitality Management 0 0% 21 Education Undecided 0 0% 22 Special Education 2 1% 23 Literacy Education 0 0% 24 Educational Leadership Studies 0 0% 25 Counseling 1 1% 26 EdD Program 0 0% 27 EdS Program 0 0% 28 EdS in School Psychology 0 0% 29 MAT Program 0 0% 30 RBA Program 1 1% 31 Bachelor of Applied Science Program 1 1% 32 Education Undecided 0 0% 33 Music 4 2% 34 Theatre 2 1% 35 Art 4 2% 36 Pre-Music 0 0% 37 Undecided Fine Arts 0 0% 38 Athletic Training 4 2% 39 Exercise -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
TREE of CLUES: a Packet for Popheads
TREE OF CLUES: a packet for popheads Written by Kevin Kodama 1. In one song by this artist, a background clicking noise slows down as she sings “I found another way / To caress my day”. One of this artist’s videos is a single shot of her as both a giant goddess and tiny dancers that slowly zooms out. A track by this artist that she described as “a medieval march through the destruction of a relationship” laments “I never thought that you would be the one to tie me down”. This artist asks “Why don’t I do it for you” in a video that showcases her pole-dancing skills, and she explained a part of her name as “a selection of letters that sounded... masculine and strong”. For ten points, name this artist who released “Cellophane” for her 2019 album MAGDALENE. ANSWER: FKA twigs (accept Taliah Debrett Barnett) 2. This song’s heavily ad-libbed bridge includes the James Brown-inspired lyric “Good God! I can’t help it!”. In the music video for this song, the artist crawls on the ground sporting white polka dotted lipstick. This song begins with a series of tongue clicking and a breathy “yeah” along with some funky guitars. The video for this song uses pink, purple, and blue lighting in a scene where the artist runs between a male flirt and Tessa Thompson. This song’s artist describes herself as “an emotional sexual bender”, which is a nod to her pansexuality. For ten points, name this top r/popheads track of 2018, a Janelle Monae song that was the lead single for the album Dirty Computer. -
Uk - Artist Info – Smukfest – Skanderborg – 2017
UK - ARTIST INFO – SMUKFEST – SKANDERBORG – 2017 (Updated February 14th 2017) ABOUT “SMUKFEST” 2017 .................................................................................................. 1 THE SMUKFEST ARTISTHANDLING TEAM 2017 .................................................................... 3 GENERAL CONTRACTUAL TERMS: ....................................................................................... 4 CONTACTS: ......................................................................................................................... 5 LOCATION/DRIVING INSTRUCTIONS: .................................................................................. 6 PRODUCTION OFFICE: ......................................................................................................... 7 GUESTS/GUEST LISTS/VIP: .................................................................................................. 7 SECURITY: ........................................................................................................................... 8 TELEVISION AND RADIO: .................................................................................................. 10 MERCHANDISE: ................................................................................................................ 10 WIRELESS EQUIPMENT: .................................................................................................... 11 MAIN STAGES INFO: ........................................................................................................ -
Copyright by Jessica Lyle Anaipakos 2012
Copyright by Jessica Lyle Anaipakos 2012 The Thesis Committee for Jessica Lyle Anaipakos Certifies that this is the approved version of the following thesis: Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age APPROVED BY SUPERVISING COMMITTEE: Supervisor: Shanti Kumar Janet Staiger Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age by Jessica Lyle Anaipakos, B.S. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2012 Dedication To G&C and my twin. Acknowledgements This thesis would not have been possible without the guidance, encouragement, knowledge, patience, and positive energy of Dr. Shanti Kumar and Dr. Janet Staiger. I am sincerely appreciative that they agreed to take this journey with me. I would also like to give a massive shout out to the Radio-Television-Film Department. A big thanks to my friends Branden Whitehurst and Elvis Vereançe Burrows and another thank you to Bob Dixon from Seven Artist Management for allowing me to use Harper Smith’s photograph of Skrillex from Electric Daisy Carnival. v Abstract Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age Jessica Lyle Anaipakos, M.A. The University of Texas at Austin, 2012 Supervisor: Shanti Kumar This thesis looks at electronic dance music (EDM) celebrity and fandom through the eyes of four producers on Twitter. Twitter was initially designed as a conversation platform, loosely based on the idea of instant-messaging but emerged in its current form as a micro-blog social network in 2009. -
Performance in EDM - a Study and Analysis of Djing and Live Performance Artists
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 12-2018 Performance in EDM - A Study and Analysis of DJing and Live Performance Artists Jose Alejandro Magana California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Music Performance Commons Recommended Citation Magana, Jose Alejandro, "Performance in EDM - A Study and Analysis of DJing and Live Performance Artists" (2018). Capstone Projects and Master's Theses. 364. https://digitalcommons.csumb.edu/caps_thes_all/364 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Magaña 1 Jose Alejandro Magaña Senior Capstone Professor Sammons Performance in EDM - A Study and Analysis of DJing and Live Performance Artists 1. Introduction Electronic Dance Music (EDM) culture today is often times associated with top mainstream DJs and producers such as Deadmau5, Daft Punk, Calvin Harris, and David Guetta. These are artists who have established their career around DJing and/or producing electronic music albums or remixes and have gone on to headline world-renowned music festivals such as Ultra Music Festival, Electric Daisy Carnival, and Coachella. The problem is that the term “DJ” can be mistakenly used interchangeably between someone who mixes between pre-recorded pieces of music at a venue with a set of turntables and a mixer and an artist who manipulates or creates music or audio live using a combination of computers, hardware, and/or controllers. -
Skrillex Bio 2021
SKRILLEX BIO 2021 Sonny Moore aka Skrillex is a 33 year old record producer, DJ, musician, singer and songwriter hailing from Los Angeles who has won 8 Grammy Awards, been named MTV’s Electronic Dance Music Artist of the Year, and holds the record for most Grammys won by an electronic artist. He’s headlined arenas and festivals globally and graced the covers of magazine heavyweights like Rolling Stone and Wired. His collaborations include Justin Bieber, Bruno Mars, FKA Twigs, Kid Cudi, Boys Noize, A$AP Rocky, and Diplo among countless others. Jack Ü, his project with Diplo, had their eponymous album reach #1 on the US Dance charts, with their track “Where Are Ü Now” feat. Justin Bieber going 4x platinum. Skrillex linked with Bieber again for the 8x platinum “Sorry”, which debuted at #1 on the Billboard Hot 100. His label, OWSLA, has launched the careers of some of the most powerful names in electronic music, including Marshmello, Zedd, Porter Robinson, and Mija. He later worked with friend/cult filmmaker Harmony Korine by scoring his critically acclaimed Spring Breakers movie and composed an original track for Pixar’s Wreck It Ralph. He simultaneously penned one of the biggest club hits of the year with A$AP Rocky (Wild For The Night) and dropped his first fashion collaboration with G-Star (it sold out globally in a matter of days). Skrillex took some much needed time off from a never ceasing touring schedule to enjoy some time split between Tokyo and Los Angeles for a creative sabbatical, where he is currently finishing up a trove of new music. -
Music Review
6/14/2017 Rich text editor, grade_submission_feedback_comment, press ALT 0 for help. < I like this a lot, but it feels .. heavy. Even the lede sentence is soooo long. Is there a way you can lighten it up a little? Be careful about overdoing it. There are so few albums that are really ABOVE, you know? And we need a little old school in here because I don't know any of the references you make. The past year in popular music has fostered the explosion of Electronic Dance Music and a new generation of neonclad ravers in America, taking the music from its roots in the clubs and abandoned warehouses of inner cities and dropping it on festival stages big and bright enough to see from space. As tidal waves of young, talented artists, and veterans alike, fight for their share of the spotlight, RussianGerman producer Anton Zaslovski, better known as Zedd, has separated himself from the heard with his gutpunching electrohouse style and the genre’s most anticipated fulllength album release since it’s rise into the American mainstream, his debut record, Clarity. After sending OWSLA record label head honcho and dubstep king, Skrillex, a sample of his work in 2011, Zedd punched his ticket straight to the top of the game. Although Clarity is the artist’s first studio album, it’s seamless flow from track to track and heavy electro influences point to a musician wise beyond his years. Traditionally, EDM has been a genre dominated by single releases with many artists struggling to create cohesive fulllength albums that make any sort of lasting impression on listeners. -
Lady Gaga's Born This Way Ball World Tour Announces Complete North American Tour Details
September 18, 2012 Lady Gaga's Born This Way Ball World Tour Announces Complete North American Tour Details THE BORN THIS WAY BALL TO STOP IN 25 NORTH AMERICAN CITIES TICKETS GO ON-SALE BEGINNING FRIDAY, SEPTEMBER 21ST AT LIVENATION.COM LOS ANGELES, Sept. 18, 2012 /PRNewswire/ -- Today, 5-time Grammy Award winner LADY GAGA and Live Nation Global Touring have revealed complete details for North American leg of her The Born This Way Ball World Tour! Following overwhelming ticket sales and sold out shows throughout Europe, Australia, New Zealand and Asia, The Born This Way Ball will continue in 2013 visiting 25 cities in North America including performances in New York, Los Angeles, Chicago, and Toronto. In this brand new tour, Gaga performs her latest album Born This Way as well as music from both The Fame and The Fame Monster. The Born This Way Ball began on April 27th, 2012 in Seoul, South Korea. Tickets for North America go on-sale beginning Friday, September 21st at www.LiveNation.com. Pollstar's 2012 Mid Year report ranks the Born This Way Ball as the top grossing tour by any female artist worldwide this year. About the show, the Hong Kong Daily News wrote "Lady Gaga's Born This Way Ball is effortlessly brilliant in both the visual and musical sense," while Seoul Daily said that with her "splendid and unprecedented stage, she is the absolute queen of pop!" The UK's Daily Telegraph called the Ball "quite spectacular," while affirming that "Lady Gaga occupies pole position as the 21st century's ultimate pop star." "The Haus of Gaga and I have worked for months conceiving a spectacular stage," said Mother Monster. -
Have You Heard of Edm?
HAVE YOU HEARD OF EDM? No clue what you’re talking about. Yes, but not totally sure what it is. Heck yes. Love it when the bass drops. EDM stands for Do you subscribe to electronic any EDM artists’ dance music. channels on YouTube? It encompasses a variety of electronic music, including everything from '90s techno to modern subgenres such as Yes No dubstep, house, trance, and trap. EDM also includes club mixes and DJ collaborations. Got it. Like Daft Punk's Do you consider yourself You’re not alone. Viewership through tech-savvy? I didn't "Get Lucky," subscriptions is skyrocketing: realize this right? Love that kind of music song. I guess In 2014, subscribers to EDM was so big. I am into EDM. channels on YouTube went up Yes No EDM is crazy popular. There were nine EDM collaborations 60% 77% 175% on smartphones on TVs on gaming on Billboard Hot 100 year-end devices list in 2014. On YouTube, the official versions of these EDM Songs on Makes sense! mega-hits generated big numbers: Billboard Hot 100 for 2014: EDM fans are more likely than their peers to be online, engaging in 2.3 billion #15 “Turn Down for What” tech-savvy behaviors such as these: VIEWS DJ Snake & Lil Jon • Buying music and ebooks, or #22 “Wake Me Up!” downloading apps to a tablet or 8.4 million Avicii featuring Aloe Blacc smartphone LIKES • Playing action/adventure #28 “Latch” video games Disclosure featuring Sam Smith • Following a brand on a #33 “Summer” social network Calvin Harris • Using the internet and TV #37 “Break Free” concurrently Interesting, I've probably Ariana Grande featuring Zedd but I don't really been listening #60 “Hey Brother” to EDM pay attention to Avicii the Billboard Hot without even 100 artists. -
DJ Zedd Has Told Dr
Lifestyle FRIDAY, APRIL 29, 2016 Prince reportedly had been diagnosed with AIDS six months before he died he 57-year-old musician passed away at his Paisley Park estate in Minneapolis last week and it has been alleged Tthat he contracted HIV in the Nineties before develop- ing full-blown AIDS last year after refusing medication for the illness on religious grounds. Friends of the late star - who was a Jehovah’s Witness - told the National Enquirer magazine: “He was in bad shape. Doctors told Prince his blood count was unusually low and that his body temperature had dropped dangerously below the normal 98.6 degrees. He was totally iron deficient, very weak and often disoriented. He rarely ate and when he did it all came right back up.” However, Prince is said to have told his friends: “God can - and will - cure me.” After his initial HIV diagnosis, Prince was reportedly discouraged from taking medication by members of his faith. A source said: “They told Prince he’d have ever- lasting life and believed he had been cured by faith. “But the symptoms returned and it was too late for medication. He expected to live through the summer but his immune system was very weak.” He is alleged to have been taking prescrip- tion opiates for “AIDS-related pain and hip problems”. These claims come following recent reports that Prince overdosed on the painkiller Percocet six days before his death and had to be given a “save shot” to counteract the effects of opiates, after being taken ill on his private jet on the way back from a gig in Atlanta.