Aberdeen Awa' : Sketches of Its Men, Manners, And
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Visualising Victoria: Gender, Genre and History in the Young Victoria (2009)
Visualising Victoria: Gender, Genre and History in The Young Victoria (2009) Julia Kinzler (Friedrich-Alexander-University Erlangen-Nuremberg, Germany) Abstract This article explores the ambivalent re-imagination of Queen Victoria in Jean-Marc Vallée’s The Young Victoria (2009). Due to the almost obsessive current interest in Victorian sexuality and gender roles that still seem to frame contemporary debates, this article interrogates the ambiguous depiction of gender relations in this most recent portrayal of Victoria, especially as constructed through the visual imagery of actual artworks incorporated into the film. In its self-conscious (mis)representation of Victorian (royal) history, this essay argues, The Young Victoria addresses the problems and implications of discussing the film as a royal biopic within the generic conventions of heritage cinema. Keywords: biopic, film, gender, genre, iconography, neo-Victorianism, Queen Victoria, royalty, Jean-Marc Vallée. ***** In her influential monograph Victoriana, Cora Kaplan describes the huge popularity of neo-Victorian texts and the “fascination with things Victorian” as a “British postwar vogue which shows no signs of exhaustion” (Kaplan 2007: 2). Yet, from this “rich afterlife of Victorianism” cinematic representations of the eponymous monarch are strangely absent (Johnston and Waters 2008: 8). The recovery of Queen Victoria on film in John Madden’s visualisation of the delicate John-Brown-episode in the Queen’s later life in Mrs Brown (1997) coincided with the academic revival of interest in the monarch reflected by Margaret Homans and Adrienne Munich in Remaking Queen Victoria (1997). Academia and the film industry brought the Queen back to “the centre of Victorian cultures around the globe”, where Homans and Munich believe “she always was” (Homans and Munich 1997: 1). -
Victoria & Abdul
Victoria & Abdul For those Anglophiles who want another immersion in the warm, luxurious stew of the British monarchy, look no further for your latest fix than “Victoria and Abdul,” an engaging if utterly predictable dip into late Victorianism by a whole passel of old British pros, plus an attractive newcomer. All you need to know is that Dame Judi Dench rules this film as Queen Victoria, way late in her reign, alienated from her son (the future Edward VII), sour as vinegar from her unending rule, and looking for some—any—breath of the novel and the fresh. As she herself admits when challenged in the film: ”I am cantankerous, greedy, fat; I am perhaps, disagreeably, attached to power.” Her relief comes in the form of one Abdul Karim, a young, literate Indian Muslim (Ali Fazal) who is selected to come to London from Agra in 1887 to deliver a special commemorative coin to Her Majesty on the occasion of her Golden Jubilee. Abdul is supposed to be invisible to the Queen, but instead he catches her eye, then her mood, and finally, her spirit to the point where he becomes her teacher, or “munshi,” in all things Muslim and Indian as well as serving as her clerk. Theirs is a relationship which appalls her family—including the Prince of Wales (a bombastic Eddie Izzard)— and the court—especially in the person of Sir Henry Ponsonby (the uptight Tim Pigott- Smith) but which lasted until the Queen’s death in 1901. Sound familiar? Of course, we are in the same realm as the earlier “Mrs. -
Mrs Brown by Jeremy Brock Ext. the Grounds Of
MRS BROWN BY JEREMY BROCK EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT Begin on black. The sound of rain driving into trees. Something wipes frame and we are suddenly hurtling through a forest on the shoulders of a wild-eyed, kilted JOHN BROWN. Drenched hair streaming, head swivelling left and right, as he searches the lightening-dark. A crack to his left. He spins round, raises his pistol, smacks past saplings and plunges on. EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT Close-up on BROWN as he bangs against a tree and heaves for air. A face in its fifties, mad-fierce eyes, handsome, bruised lips, liverish. He goes on searching the dark. Stops. Listens through the rain. A beat. Thinking he hears a faint thump in the distance, he swings round and races on. EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT BROWN tears through the trees, pistol raised at full arm's length, breath coming harder and harder. But even now there's a ghost grace, a born hunter's grace. He leaps fallen branches, swerves through turns in the path, eyes forward, never stumbling once. EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT BROWN bursts into a clearing, breaks to the centre and stops. With his pistol raised, he turns one full slow circle. His eyes take in every swerve and kick of the wildly swaying trees. There's a crack and a branch snaps behind him. He spins round, bellows deep from his heart: BROWN God save the Queen!! And fires. Nothing happens. The trees go on swaying, the storm goes on screaming and BROWN just stands there, staring into empty space. -
Directory for the City of Aberdeen
ABERDEEN CITY LIBRARIES Digitized by the Internet Archive in 2011 with funding from National Library of Scotland http://www.archive.org/details/directoryforcity185556uns mxUij €i% of ^krtimt \ 1855-56. TO WHICH tS AI)DEI< [THE NAMES OF THE PRINCIPAL INHABITAxnTs OLD ABERDEEN AND WOODSIDE. %httim : WILLIAM BENNETT, PRINTER, 42, Castle Street. 185 : <t A 2 8S. CONTENTS. PAGE. Kalendar for 1855-56 . 5 Agents.for Insurance Companies . 6 Section I.-- Municipal Institutions 9 Establishments 12 ,, II. — Commercial ,, III. — Revenue Department 24 . 42 ,, IV.—Legal Department Department ,, V.—Ecclesiastical 47 „ VI. — Educational Department . 49 „ VII.— Miscellaneous Registration of Births, Death?, and Marri 51 Billeting of Soldiers .... 51: The Northern Club .... Aberdeenshire Horticultural Society . Police Officers, &c Conveyances from Aberdeen Stamp Duties Aberdeen Shipping General Directory of the Inhabitants of the City of Aberd 1 Streets, Squares, Lanes, Courts, &c 124 Trades, Professions, &c 1.97 Cottages, Mansions, and Places in the Suburbs Append ix i Old Aberdeen x Woodside BANK HOLIDAYS. Prince Albert's Birthday, . Aug. 26 New Year's Day, Jan 1 | Friday, Prince of Birthday, Nov. 9 Good April 6 | Wales' Queen's Birthday, . Christmas Day, . Dec. 25 May 24 | Queen's Coronation, June 28 And the Sacramental Fasts. When a Holiday falls on a Sunday, the Monday following is leapt, AGENTS FOR INSURANCE COMPANIES. OFFICES. AGENTS Aberd. Mutual Assurance & Fiieudly Society Alexander Yeats, 47 Schoolhill Do Marine Insurance Association R. Connon, 58 Marischal Street Accidental Death Insurance Co.~~.~~., , A Masson, 4 Queen Street Insurance Age Co,^.^,^.^.—.^,.M, . Alex. Hunter, 61 St. Nicholas Street Agriculturist Cattle Insurance Co.-~,.,„..,,„ . A. -
TBC June 2019
Tarves and Barthol Chapel Quarterly Newsletter TBC June 2019 'Front cover reproduced by kind permission of Ailsa Ross and AA Publishers' Issue 49 TOLQUHON GALLERY Original art in a unique setting beside Tolquhon Castle Paintings, Sculpture, Ceramics, Glass, Wood, Jewellery 15 June - 9 July — Jolomo ‘A Tapestry of Colour’ 20 July - 31 August — Summer Exhibition Tolquhon, Tarves, Ellon, AB41 7LP T: 01651 842343 E: [email protected] www.tolquhon-gallery.co.uk 2 ‘The Woman Who Rode a What?’ Hello to readers of the June TBC Newsletter Have you heard of Kimi Werner? Neither had I, until I read a chapter on her adventures in ‘The Woman Who Rode a Shark’ by Ailsa Ross. I had 2 long train journeys recently where ‘The Woman Who Rode a Shark’ was my companion, and I paid no attention to time until the mid-afternoon con- nection. Kimi was the adventurer who swam with a shark on a research expedition to Mexico in 2013. Further chapters in this book tell stories about daring women, from the pirate queen Teuta in 200BC to Isobel Gunn leaving Orkney in 1780 for Hudson Bay and up to present times where Aus- tralian Jade Hamiester age 16, skied to the Arctic. The bright blue front cover of this book instantly invites readers to open up and from then on, readers of all ages will be engrossed. We relate to deep sea diving, mountaineering, space exploration, as adven- tures principally undertaken by men: Scott and Shackleton, Aldrin and Arm- strong were pioneers in exploration and we are familiar with their 20th century achievements, but Ailsa’s new book will make young people hungry for more information on each of these female characters. -
The Famous Ballads of Anna Gordon, Mrs
The Famous Ballads of Anna Gordon, Mrs. Brown (Book Chapter) The MIT Faculty has made this article openly available. Please share how this access benefits you. Your story matters. Citation Perry, Ruth. "The Famous Ballads of Anna Gordon, Mrs. Brown." Book Chapter in Volume Four: A Cultural History of Women in the Age of Enlightenment, Edited by Ellen Pollak, Michigan State University, USA, 2012. (A Cultural History of Women, 6 Volume Set, ed. by Linda Kalof) As Published http://www.bergpublishers.com/?TabId=15134 Publisher Berg Publishers Version Author's final manuscript Citable link http://hdl.handle.net/1721.1/69940 Terms of Use Creative Commons Attribution-Noncommercial-Share Alike 3.0 Detailed Terms http://creativecommons.org/licenses/by-nc-sa/3.0/ The Famous Ballads of Anna Gordon, Mrs. Brown Ruth Perry, MIT 5/22/2010 When one thinks of the Scottish enlightenment, one imagines men striding up the craggy peak adjoining Holyrood Park in Edinburgh, arguing and gesticulating, or reading one another‟s works by candle light, or sitting over whiskey or beer in largely male company. But there were, of course, women who participated in the intellectual ferment of that period. Among other things, women were an important part of the traditional song culture that interested Scottish intellectuals as the antiquarian remains of a precious national culture. Indeed, as Burns and Scott knew, women were often crucial in transmitting and preserving this stream of Scotland‟s literary history. Thus while learned written and printed investigations were pouring forth from the four universities of Scotland, with reverberations all over the western world, Scottish scholars and philosophers were eagerly collecting and sharing whatever records they could find of a traditional culture that was essentially oral and popular and carried forward 1 largely by working people and occasionally by their own mothers and aunts. -
Texto Completo (Pdf)
Teresa Sorolla-Romero La reina del (melo)drama. La representación cinematográfica de Victoria del Reino Unido 105 La reina del (melo)drama. La representación cinematográfica de Victoria del Reino Unido The (Melo)Drama Queen. Filmic Representations of Queen Victoria Teresa Sorolla-Romero Universitat Jaume I Recibido: 20/04/2019 Evaluado: 05/06/2019 Aprobado: 05/06/2019 Resumen: En este texto nos proponemos destacar los aspectos más signi- ficativos de las estrategias de representación –estéticas y narrativas– que entretejen los discursos de los filmes dedicados a Victoria del Reino Unido durante las dos primeras décadas del siglo xxi: The Young Victoria (Jean- Marc Valleé, 2009), Mrs. Brown (John Madden, 1997) y Victoria & Abdul (Stephen Frears, 2017) identificando qué elecciones biográficas son desta- can en ellas –qué aspectos se enfatizan, omiten o inventan– con el fin de comprender los mecanismos de articulac ión de las diferentes imágenes fílmicas de la monarca británica y emperatriz de la India. Palabras clave: Victoria del Reino Unido; monarquía británica; drama de época; biopic. Abstract: In this article we intend to focus on the most significant as- pects of the aesthetic and narrative strategies which interwave the filmic discourses devoted to Victoria of the United Kingdom along the first two decades of the 21st century: The Young Victoria (Jean-Marc Valleé, 2009), Mrs. Brown (John Madden, 1997) and Victoria & Abdul (Stephen ISSN: 1888-9867 | e-ISSN 2340-499X | http://dx.doi.org/10.6035/Potestas.2019.14.5 106 POTESTAS, No 14, junio 2019 | pp. 105-141 Frears, 2017). Our aim is to identify which biographical choices are em- phasized –that is, which facets are highlighted, omitted or invented– in order to understand which mechanisms articula te several filmic images of the British monarch and Empress of the India. -
Download the Trail Leaflet
PAGE 1 | Explore VICTORIA’S ISLAND | HERITAGE TRAIL visitisleofwight.co.uk VICTORIA’SExplore ISLAND Heritage Trail When Queen Victoria and Prince Albert chose the Isle of Wight as their favourite holiday spot in the 1840s, little did they know they’d be changing the destiny of a compact and stunningly beautiful Island forever. The creation of their family holiday home at 1890s, featured in the 2017 film ‘Victoria and Osborne brought a new status to the Isle of Abdul’ and the ITV series of ‘Victoria’ features Wight. Not only was the Isle of Wight the place the Queen and her husband buying the house where the family relaxed in private, it was also that will become their “beloved Osborne”. the location where affairs of state were managed. When on the Island, the royals enjoyed many Queen Victoria ruled her worldwide empire from of the pleasures we consider to be modern day the tranquillity of her seaside palace on the Isle holiday activities: dining al fresco, swimming of Wight, entertaining foreign royalty and visiting in the sea, visiting local attractions and simply ministers. taking time out from busy mainland life. Stays on the Isle of Wight reflected Queen Let the Victoria’s Island Trail take you on a Victoria’s private life as well as that of her role as journey across the Isle of Wight. You will visit Head of Empire. Visits with family and friends to some of the places the Queen loved alongside local scenic spots were paired with the creation lesser known locations that reveal the strong of state rooms for formal visits at Osborne. -
Victoria and Abdul
Pick up your copy of the 2017 Saffron Directory now at the Tourist Information Centre its where people click www.saffrondirectory.co.uk YOUR LOCAL CINEMA A cut above SEPTEMBER & OCTOBER 2017 Your local award winning financial advisers. T. 01799 521 900 W. kmdpwm.co.uk RICHMOND’S COACHES Theatre Trips from Saffron Walden & Newport Stalls or Dress Circle Seats including return coach fare 20 Sep Les Miserables - Matinee £67.50 20 Sep Matilda – Matinee £65.00 27 Sep Crazy For You – Matinee Southend Theatre £52.00 28 Sep Cilla – Matinee Milton Keynes Theatre £55.00 3 Oct Brick Lane Music Hall inc Afternoon Tea £55.00 4 Oct An American in Paris – Matinee £65.00 4 Oct Labour of Love – Matinee (Martin Freeman) £79.00 4 Oct Blood Brothers – Matinee Milton Keynes £50.00 18 Oct Dreamgirls – Matinee £65.00 18 Oct Young Frankenstein – Matinee £55.00 2 Nov Cabaret – Milton Keynes Matinee (Will Young) £55.00 8 Nov 42nd Street – Matinee £59.50 12 Nov Last Night of the Proms – Southend inc meal £66.00 15 Nov Tango Moderno – Milton Keynes Matinee £55.00 16 Nov Motown – Matinee £65.00 19 Nov Classical Spectacular – RAH inc Lunch £89.00 26 Nov Birmingham International Tattoo £49.50 VICTORIA 28 Nov Wicksteed Park Christmas Show inc Lunch £45.00 22 Dec The Nutcracker – London Coliseum £69.00 AND ABDUL 01763 848226 or visit our website www.richmonds-coaches.co.uk BOOK NOW AT THE CINEMA BOX OFFICE, TIC OR ONLINE TO ADVERTISE HERE (CIRC. 22,000) CONTACT: [email protected] www.saffronscreen.com CINEMA INFORMATION TICKETS FOR ALL FILMS ARE NOW ON SALE DAYTIME Full £6.90; 65 & over £6.00; other adult concessions £5.30; 18 & under £4.50; family tickets (2 adults + 2 children or 1 adult + 3 children) £20.00 EVENINGS (films at or after 5pm) Full £7.90; 65 & over £7.10; other adult concessions £6.10; 18 & under £5.70 (£4.30 on Monday nights) CINEMA FOR TINIES Adults £4.00; Children £3.00; under 2s free GOD’S OWN COUNTRY NAPPING PRINCESS THE GRADUATE EVENT CINEMA Please see ticket price information for each event. -
Pnews 1303 So
wsletter Ne of e of U th h ish d e T ar ny Pitmedden P Issue #307 The Voice Autumh 2013 p O Ì t / it m n a m l n o of Udny e in o c d e Editi s. Newseab abf de es n r sponsored by the Udny Turbine Trust .wordp B999 Health Trust. Paul Johnston The B999 Health Trust is the group "We have asked the National that had applied to open our own Appeals panel to hear the case community owned professional itself because of the number of pharmacy, within the Pitmedden problems that have arisen in surgery, to protect and fund health NHS Grampian over our services in the Pitmedden and Udny Pharmacy application" said area. As reported in the Press and Paul Johnston for B999 Health Journal, the community owned Trust. company did not get the Pharmacy licence. "What matters is that we are solely interested in improving B999 Health Trust has appealed the the service to Pitmedden and decision. B999 believe the way Haddo Group practice patients NHS Grampian came to a decision - not in any company profit as a was flawed and the appeal is made commercial pharmacy" said to the National Appeal Panel of the Brian McDougall a director NHS in Scotland. The Panel representing local patients in Chairman, Mr Michael Graham, can Pitmedden. either agree with NHS Grampian or direct them to re-take the decision. A decision on whether the But they can also convene a meeting appeal will be heard is due any of the Scottish Panel to hear the day. -
Parishes and Congregations: Names No Longer in Use
S E C T I O N 9 A Parishes and Congregations: names no longer in use The following list updates and corrects the ‘Index of Discontinued Parish and Congregational Names’ in the previous online section of the Year Book. As before, it lists the parishes of the Church of Scotland and the congregations of the United Presbyterian Church (and its constituent denominations), the Free Church (1843–1900) and the United Free Church (1900–29) whose names have completely disappeared, largely as a consequence of union. This list is not intended to be ‘a comprehensive guide to readjustment in the Church of Scotland’. Its purpose is to assist those who are trying to identify the present-day successor of a former parish or congregation whose name is now wholly out of use and which can therefore no longer be easily traced. Where the former name has not disappeared completely, and the whereabouts of the former parish or congregation may therefore be easily established by reference to the name of some existing parish, the former name has not been included in this list. Present-day names, in the right-hand column of this list, may be found in the ‘Index of Parishes and Places’ near the end of the book. The following examples will illustrate some of the criteria used to determine whether a name should be included or not: • Where all the former congregations in a town have been united into one, as in the case of Melrose or Selkirk, the names of these former congregations have not been included; but in the case of towns with more than one congregation, such as Galashiels or Hawick, the names of the various constituent congregations are listed. -
The Reel; Published by the LONDON BRANCH of the ROYAL SCOTTISH COUNTRY DANCE SOCIETY Www
The Reel; Published by the LONDON BRANCH of the ROYAL SCOTTISH COUNTRY DANCE SOCIETY www. rscdslondon.org.uk Registered Charity number 1067690 Dancing is FUN.’ No 254 DECEMBER 2005 TO FEBRUARY 2006 LONDON BRANCH [lllll DANCERS 0N SHOW AT THE HllYAl ALBERT HAll AWARD The London Branch Executive Committee is pleased to announce the bestowal of a Branch Award on Ian Anderson Thrower Alan Anderson Iris Our President writes: This auspicious occasion was an exhibition of movement and dance celebrating 70 years of the Central Council of Recreation (CCPR). It was truly a kaleidoscope of colour and [an Anderson. a life member. first joined the Physical form. The Scottish dancers from the London Branch and from Society through the London Branch in 1951 Country dancing display by Branches in the South East of was with the audience. The sheer size since when he has been continuously in the England popular large of the arena at the Albert Hall is to of so the forefront of activities supporting Scottish daunting any group performers, Angela Young, SCD earned much deserved and appreciation for her expert use Country Dancing. His earliest association was as producer, congratulations of the space, and for her imaginative choreography. The Scottish Country Dancers were a member of the much sought after more than to the occasion and deserved their enthusiastic Demonstration Class from 1952 to 1962 during equal really reception. Stoker which time in 1957 he led a team ofdancers from Mary the Class to Holland on a hectic round of performances. He was a member of the Branch Read the full report Executive Committee from 1956 to 1976 and of the Albert Hall again from 1988 to 1996.