Western Michigan University ScholarWorks at WMU Early Drama, Art, and Music Medieval Institute 2019 Francis Quarles and Jesuit Images: Some Observations Clifford Davidson Follow this and additional works at: https://scholarworks.wmich.edu/early_drama Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, History of Christianity Commons, and the Medieval Studies Commons WMU ScholarWorks Citation Davidson, Clifford, "Francis Quarles and Jesuit Images: Some Observations" (2019). Early Drama, Art, and Music. 7. https://scholarworks.wmich.edu/early_drama/7 This Article is brought to you for free and open access by the Medieval Institute at ScholarWorks at WMU. It has been accepted for inclusion in Early Drama, Art, and Music by an authorized administrator of ScholarWorks at WMU. For more information, please contact wmu-
[email protected]. Francis Quarles and Jesuit Images: Some Observations Clifford Davidson The purpose of the present paper is to situate Francis Quarles’s Emblemes, first published in 1635 and reprinted many times over the next two and one-half centuries,1 in relation to changing views of religious images. Official attitudes toward images with religious meaning shifted violently in the decades before Quarles’s birth in 1592. In the reign of Elizabeth I, in spite of reluctance from the Queen, there had been a dramatic return to a general condemnation of such images along with a resumption of the Edwardian campaign to “cleanse” churches of “idolatry.”2 The return of iconophobia was presaged when already in May 1559, six months after 1 See for convenience the checklist in Peter M. Daly and Mary V.