Sir Walter Scott:Ivanhoe

Total Page:16

File Type:pdf, Size:1020Kb

Sir Walter Scott:Ivanhoe Ivanhoe 1 ELECBOOK CLASSICS Ivanhoe Sir Walter Scott Walter Scott Elecbook Classics Ivanhoe 2 ELECBOOK CLASSICS ebc0218, ivnho13.pdf. Sir Walter Scott: Ivanhoe This Project Gutenberg public domain text has been produced in Portable Document Format (PDF) by the Electric Book Company. ➤ You will need the Acrobat + Search version of the Acrobat Reader to make use of the full search facilities. Click here for details of how to get your free copy of Acrobat Reader and how to get the best from your PDF book. ➤ The Electric Book Company 2000 The Electric Book Company Ltd 20 Cambridge Drive, London SE12 8AJ, UK www.elecbook.com Walter Scott Elecbook Classics Ivanhoe 3 Using Acrobat o view the books you will need Adobe Acrobat Reader, version 3.0 or higher, installed on your computer. To use the full search functions you Twill need the larger Acrobat+Search version, not the simple Acrobat Reader. If you don’t have Acrobat +Search you can download if free from Adobe at: http://www.adobe.com/prodindex/acrobat/readstep.html. Follow the instructions to make sure you get the correct version. Acrobat has a range of ways of viewing and searching the books. Take a little time to experiment and see what suits you best. More detailed assistance if you need it can be obtained by choosing Acrobat Online Help from the menu bar. The main controls for Acrobat are the set of menus and icons which you will see ranged along the top and bottom of the page. Running the mouse cursor across them will bring up balloon help indicating the function of each. Viewing: Once you have opened a book, the first thing to do is to choose the best way of viewing it. When you first open a book, click on the Next Page button and you will see that the page opens with a set of Bookmarks on the left. The page is set to the width of its window and you can alter the magnification by clicking on the dividing bar between page and bookmarks and dragging it to left or right. You can alter the view by clicking on the Select Page View button at the bottom of the page or clicking on View on the menu bar at the top of the screen and then selecting your option. You can also use one of the three pre-set views on the button bar. (Fit Window, Fit Page and 100% View) For smaller screens (14- or 15-inch) and lower resolutions, (800 by 600 or below) you will probably find it is best to view about half a page at a time. If you are in the Fit Width view you can alter page magnification by dragging the page edge to left or right. Alternatively you can set an exact figure using the Select Page View button. Use the PgUp or PgDn keys or the sidebar to move up and down the pages. With Walter Scott Elecbook Classics Ivanhoe 4 larger screens and higher resolutions, you can view an entire page at a time by selecting Fit Page or, if you prefer, two pages (Go to the 1- or 2-page view button at the bottom of the page). You can also select and magnify areas of the page by up to 800% with the Magnify View tool. This is particularly useful for viewing smaller pictures or diagrams. Searching: To find a word or phrase in the texts click on the Search button. (This is the icon of a pair of binoculars with a pad behind it—not to be confused with the much slower Find button which is a simple pair of binoculars) This will open a dialog box in which you can type the required words. Search highlights all the words or phrases it finds which match your request. To highlight the next occurrence of a match in the document, click the Search Next button. To highlight the previous occurrence of a match in a document, click the Search Previous button. To refine your search click on the Search button again to bring up the dialog box and type in your next search term. Hold down the Ctrl key and you will see the ‘Search’ button turn to ‘Refine’. Click on the Refine button and then the Search Next and Search Previous buttons as before. Wild cards are * and ?. The asterisk * matches none, one or more characters. For example searching for prim* would find prime, primal, primate etc as well as prim. The query ? matches single characters only; searching for t?me would find time and tame but not theme. Search Options. These expand or limit the results of searches with single terms and phrases, with wild card symbols and with Boolean expressions. Click in the option boxes if you want to use them. Word stemming finds words that share a stem with the search word. Thesaurus finds words that have meanings similar to the meaning of the search word. Sounds like finds different spellings of proper names. Match case finds text only when it has the same case as the text you type. Walter Scott Elecbook Classics Ivanhoe 5 Project Gutenberg Etexts ****The Project Gutenberg Etext of Ivanhoe, by Walter Scott***** #1 in our series by Walter Scott Ivanhoe by Walter Scott September, 1993 [Etext #83] ****The Project Gutenberg Etext of Ivanhoe, by Walter Scott***** ******This file should be named ivnho13.txt or ivnho13.zip****** Corrected EDITIONS of our etexts get a new NUMBER, ivnho14.txt VERSIONS based on separate sources get new LETTER, ivnho10a.txt Prepared by “John P Roberts, Jr” <[email protected]> Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Project Gutenberg surfs with a modem donated by Supra. Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we do NOT keep these books in compliance with any particular paper edition, usually otherwise. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. To be sure you have an up to date first edition [xxxxx10x.xxx] please check file sizes in the first week of the next month. Since our ftp program has a bug in it that scrambles the date [tried to fix and failed] a look at the file size will have to do, but we will try to see a new copy has at least one byte more or less. Walter Scott Elecbook Classics Ivanhoe 6 Information about Project Gutenberg We produce about two million dollars for each hour we work. The fifty hours is one conservative estimate for how long it we take to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nominally estimated at one dollar then we produce $2 million dollars per hour this year as we release thirty-two text files per month, or 384 more Etexts in 1998 for a total of 1500+ If these reach just 10% of the computerized population, then the total should reach over 150 billion Etexts given away. The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by the December 31, 2001. [10,000 x 100,000,000=Trillion] This is ten thousand titles each to one hundred million readers, which is only 10% of the present number of computer users. 2001 should have at least twice as many computer users as that, so it will require us reaching less than 5% of the users in 2001. We need your donations more than ever! All donations should be made to “Project Gutenberg/CMU”: and are tax deductible to the extent allowable by law. (CMU = Carnegie- Mellon University). For these and other matters, please mail to: Project Gutenberg P. O. Box 2782 Champaign, IL 61825 When all other email fails try our Executive Director: Michael S. Hart <[email protected]> We would prefer to send you this information by email (Internet, Bitnet, Compuserve, ATTMAIL or MCImail). If you have an FTP program (or emulator), please FTP directly to the Project Gutenberg archives: [Mac users, do NOT point and click. .type] ftp uiarchive.cso.uiuc.edu login: anonymous password: your@login cd etext/etext90 through /etext96 or cd etext/articles [get suggest gut for more information] dir [to see files] get or mget [to get files. .set bin for zip files] GET INDEX?00.GUT for a list of books and GET NEW GUT for general information and MGET GUT* for newsletters.
Recommended publications
  • Rūta Stanevičiūtė Nick Zangwill Rima Povilionienė Editors Between Music
    Numanities - Arts and Humanities in Progress 7 Rūta Stanevičiūtė Nick Zangwill Rima Povilionienė Editors Of Essence and Context Between Music and Philosophy Numanities - Arts and Humanities in Progress Volume 7 Series Editor Dario Martinelli, Faculty of Creative Industries, Vilnius Gediminas Technical University, Vilnius, Lithuania [email protected] The series originates from the need to create a more proactive platform in the form of monographs and edited volumes in thematic collections, to discuss the current crisis of the humanities and its possible solutions, in a spirit that should be both critical and self-critical. “Numanities” (New Humanities) aim to unify the various approaches and potentials of the humanities in the context, dynamics and problems of current societies, and in the attempt to overcome the crisis. The series is intended to target an academic audience interested in the following areas: – Traditional fields of humanities whose research paths are focused on issues of current concern; – New fields of humanities emerged to meet the demands of societal changes; – Multi/Inter/Cross/Transdisciplinary dialogues between humanities and social and/or natural sciences; – Humanities “in disguise”, that is, those fields (currently belonging to other spheres), that remain rooted in a humanistic vision of the world; – Forms of investigations and reflections, in which the humanities monitor and critically assess their scientific status and social condition; – Forms of research animated by creative and innovative humanities-based
    [Show full text]
  • Koleksi Musik Hendi Hendratman 70'S, 80'S & 90'S
    Hendi Hendratman Music Collection Koleksi Musik Hendi Hendratman 70’s, 80’s & 90’s dst (Slow, Pop, Jazz, Reggae, Disco, Rock, Heavy Metal dll) 10 Cc - I'm Not In Love 10 Cc - Rubber Bullets 10000 Maniacs - What's The Matter Here 12 Stones - Lie To Me 20 Fingers - Lick It (Radio Mix) 21 Guns - Just A Wish 21 Guns - These Eyes 2xl - Disciples Of The Beat 3 Strange Days - School Of Fish 4 Non Blondes - What's Up 4 The Cause - Let Me Be 4 The Cause - Stand By Me 4 X 4 - Fresh One 68's - Sex As A Weapon 80's Console Allstars Vs Modern Talking Medley 98 Degrees - Because Of U 999 - Homicide A La Carte - Tell Him A Plus D - Whip My Hair Whip It Real Good A Taste Of Honey - Sukiyaki A Tear Fell A1 - Be The First To Believe Aaron Carter - (Have Some) Fun With The Funk Aaron Neville - Tell It Like It Is Ace - How Long Adam Hicks - Livin' On A High Wire Adam Wakeman - Owner Of A Lonely Heart Adina Howard - Freak Like Me Adrian Belew - Oh Daddy African Rhythm - Fresh & Fly After 7 - Till You Do Me Right After One - Real Sadness Ii Agnetha Faltskog & Tomas Ledin - Never Again Aileene Airbourne - Ready To Rock Airbourne - Runnin' Wild Airplay - Should We Carry On Al B. Sure - Night & Day Al Bano & Romina Power - Felicita Al Martino - Volare Alan Berry - Come On Remix Alan Jackson - Little Man Alan Ross - The Last Wall Albert One - Heart On Fire Aleph - Big Brothers Alex Dance - These Words Between Us Alex Gopher - Neon Disco Alias - More Than Words Can Say Alias - Waiting For Love Alisha - All Night Passion Alisha - Too Turned On Alison Krawss - When
    [Show full text]
  • Colonial Exhibitions and World Fairs As Precursors of Digital Public Space: Digital Citizenship & Historical Comparisons’
    THIS IS THE PROVISIONAL AND UNCORRECTED TEXT OF THE PAPER THAT I WILL PRESENT IN THE PANEL ON SPECTACLE. PLEASE DO NOT CITE OR DOWNLOAD) Berteke Waaldijk Berteke Waaldijk Utrecht University [email protected] ‘Colonial exhibitions and world fairs as precursors of digital public space: digital citizenship & historical comparisons’ paper for Media in Transition 2, Boston, May 10-12, 2002 panel: Spectacle When I submitted my proposal for this paper I had in mind a wide range of questions dealing with digital citizenship and world fairs as precursors of digital culture. Too many by far for the fifteen minutes available. Seeing that I would be presenting in the context of a panel on ‘spectacle’, I have decided to let this context guide me in cutting down my paper. In 1901 visitors to the PanAmerican Exposition in Buffalo were warned: ‘Please remember: the moment you enter the gates, you are part of the show’ (cited by Bennett, Birth of the Museum, p. 68/69, who cites Harris, 1978, who cites the 1901 ‘Short Sermon to Sightseeers’) For some visitors the show was over rather soon, President McKinley was shot at when he visited a reception at the Fair, and he died a few days later, proving that there was no chance of seeing an Exposition without being exposed yourself, and reminding us that politics does not stop when showtime begins. 1 THIS IS THE PROVISIONAL AND UNCORRECTED TEXT OF THE PAPER THAT I WILL PRESENT IN THE PANEL ON SPECTACLE. PLEASE DO NOT CITE OR DOWNLOAD) Berteke Waaldijk Today, students, shoppers, gamers, workers and citizens who log on for education, consumption, entertainment, work or politics in cyberspace hardly need such a warning.
    [Show full text]
  • 1 the ARGONAUTS of NORTH LIBERTY by Bret Harte PART I
    1 THE ARGONAUTS OF NORTH LIBERTY By Bret Harte PART I CHAPTER I The bell of the North Liberty Second Presbyterian Church had just ceased ringing. North Liberty, Connecticut, never on any day a cheerful town, was always bleaker and more cheerless on the seventh, when the Sabbath sun, after vainly trying to coax a smile of reciprocal kindliness from the drawn curtains and half-closed shutters of the austere dwellings and the equally sealed and hard-set churchgoing faces of the people, at last settled down into a blank stare of stony astonishment. On this chilly March evening of the year 1850, that stare had kindled into an offended sunset and an angry night that furiously spat sleet and hail in the faces of the worshippers, and made them fight their way to the church, step by step, with bent heads and fiercely compressed lips, until they seemed to be carrying its forbidding portals at the point of their umbrellas. Within that sacred but graceless edifice, the rigors of the hour and occasion reached their climax. The shivering gas-jets lit up the austere pallor of the bare walls, and the hollow, shell-like sweep of colorless vacuity behind the cold communion table. The chill of despair and hopeless renunciation was in the air, untempered by any glow from the sealed air-tight stove that seemed only to bring out a lukewarm exhalation of wet clothes and cheaply dyed umbrellas. Nor did the presence of the worshippers themselves impart any life to the dreary apartment. Scattered throughout the white pews, in dull, shapeless, neutral blotches, rigidly separated from each other, they seemed only to accent the colorless church and the emptiness of all things.
    [Show full text]
  • Various Roadrunner Rarities Mp3, Flac, Wma
    Various Roadrunner Rarities mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Roadrunner Rarities Country: Japan Released: 1997 Style: Hard Rock, Heavy Metal MP3 version RAR size: 1905 mb FLAC version RAR size: 1416 mb WMA version RAR size: 1106 mb Rating: 4.2 Votes: 151 Other Formats: AC3 MIDI AA ADX MOD WAV DMF Tracklist 1 –Railway Out To Kill 3:42 2 –Mad Max Fly, Fly Away 4:21 3 –London Non-Stop Rock 3:44 4 –Heathen Hellbound 3:41 5 –Mercyful Fate A Dangerous Meeting 5:11 6 –Tank This Means War 5:20 7 –Paradox Heresy 6:57 8 –Artillery Khomaniac 6:44 9 –King Diamond No Presents For Christmas 4:23 10 –Apocrypha Lost Children Of Hope 3:34 11 –Crimson Glory Dream Dancer 6:52 Companies, etc. Licensed To – Roadrunner Records Licensed From – The All Blacks B.V. Licensed From – Shrapnel Records, Inc. Credits Artwork By – Tokyo New Art Co., LTD. Notes 01. アウト・トゥ・キル 02. フライ、フライ・アウェイ 03. ノン・ストップ・ロック 04. ヘルバウンド 05. デンジャラス・ミーティング 06. ジス・ミーンズ・ウォー 07. ヘラシー 08. ホメイニアック 09. ノー・プレゼンツ・フォー・クリスマス 10. ロスト・チルドレン・オブ・ホープ 11. ドリーム・ダンサー Japanese only release. Manufactured by Roadrunner Japan Inc., Tokyo, Japan 1, 2, 5, 6, 7, 8, 9, 10, 11 Issued under license to Roadrunner Records from The All Blacks B.V. 3 Issued under license from Shrapnel Records Inc. to The All Blacks B.V. Roadrunner Records is a registered trademark of The All Blacks B.V. Barcode and Other Identifiers Mastering SID Code: IFPI L221 Mould SID Code: IFPI 1E11 Matrix / Runout: RRCY - 1056 AH709A Rights Society: JASRAC Other (EAN): 4988015072037 Related Music albums to Roadrunner Rarities by Various Kids In Glass Houses - Gold Blood Casbah - Barefooted On Earth #1 King Diamond - Conspiracy Mercyful Fate - The Beginning Mercyful Fate - Melissa King Diamond - No Presents For Christmas Atreyu - Lonely Crimson Glory - Lonely Mercyful Fate - Don't Break The Oath King Diamond - Abigail.
    [Show full text]
  • PNLA QUARTERLY the Official Journal of the Pacific Northwest Library Association
    P PNLA QUARTERLY The Official Journal of the Pacific Northwest Library Association Volume 73, number 3 (Spring 2009) Volume 73, number 3 (Spring 2009) President‘s Message 2 From the Editor 3 Feature Articles Liesl Seborg. Leadership in Prairie Dog Town 4 PNLA Leads Vision Statement 7 Maribel Alvarez. Metadata in the Music File World 7 Diane Ruess. We're All in This Together: The Alaska Library Association and The Alaska State Library Building Library Services 13 Claire Carroll Margaglio. Radical Reads: Accelerated Reader Resources 25 PNLA Quarterly 73:3 (Spring 2009) www.pnla.org 1 President's Message KATHY WATSON The PNLA Manual states that the president ―represents PNLA at state and provincial conferences, or names an alternate.‖ Last October, I attended the Idaho Library Association Annual Conference in Idaho Falls, a short 60 miles away from my home. It was a great conference, and a good one to cut my presidential teeth on as I knew many of the Idahoans attending, and had just worked with most of the vendors at the August PNLA conference in Post Falls . As a matter of fact, I was so busy enjoying the ILA conference that I almost missed my opportunity to speak at the business meeting! March 12, 2009 saw me heading off to Kodiak, Alaska for the Alaska Library Association's Annual Conference. Flying out of Pocatello these days means that you must fly first to Salt Lake City, Utah, a lovely city and a fine airport, but is a route that does not make for a direct flight to anywhere.
    [Show full text]
  • To Serve and Protect
    TO SERVE AND PROTECT by Natasha Solten “ in the secret places where what ends meets what is starting…” Juan Ramon Jimenez Sid finally exited Sonny’s office much to the collective relief of Sonny and Vinnie, who both stood shaking their heads, simultaneously sighing their mutual exasperation. Sid left a kind of weasely smell on the air, which made Vinnie’s nose wrinkle. Sonny said, “I wanna throttle that guy so bad.” Vinnie said, “How do Harvard guys get to be such morons?” Sonny turned. “Not like those Fordham guys, right?” Vinnie shot him a wry, closed-mouthed grin. Standing in front of the glass desk, Sonny’s gaze lingered on him and Vinnie watched with perhaps too much pleasure as those lips formed into what Vinnie had come to think of as his smile—the smile Sonny reserved for him and him alone. Sonny’s scowl could be damning, his grin exciting, but that smile was intoxicating like a warm brandy buzz. When it was the real thing it affected Sonny’s eyes, too, making them more gold than brown, making them seem to sparkle. Then the gaze would drop easily and lightly, taking in Vinnie’s entire form before moving back to light again on Vinnie’s face. He wasn’t even sure Sonny was conscious of the fact that he often did that—gave Vinnie the once-over—taking in the whole picture. At first Vinnie had told himself Sonny was just appreciating the suits he’d bought him, seeing what his money had paid for. But Sonny did it when Vinnie wore his jeans and leather jacket.
    [Show full text]
  • Mercyful Fate Hells Preacher Vol. 1 Mp3, Flac, Wma
    Mercyful Fate Hells Preacher Vol. 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hells Preacher Vol. 1 Country: Japan Released: 2015 Style: Heavy Metal MP3 version RAR size: 1451 mb FLAC version RAR size: 1826 mb WMA version RAR size: 1740 mb Rating: 4.5 Votes: 711 Other Formats: AC3 DMF MOD VQF DTS FLAC ADX Tracklist A1 Intro A2 Doomed By The Living Dead A3 Curse Of The Pharaohs A4 Come To The Sabbath B5 Satan's Fall B6 A Dangerous Meeting Credits Bass – Timi Hansen Drums – Kim Jensen* Guitar – Hank Shermann, Michael Denner Vocals – King Diamond Notes Special Advance Copy 28 October 1984, Rainbow Music Hall, Denver CO USA Available in: Clear Marbled, Clear Yellow Marbled Clear Light Green Marbled Clear Dark Green Marbled Clear Lime Marbled Clear Blue Marbled Clear Red Marbled and a Test Pressing. Limited edition per color. Unknown amount of the test pressing. One source say 15 copies and another one 13 copies. This is the Clear Marbled version which is limited to 6 copies worldwide Barcode and Other Identifiers Matrix / Runout (Side A): CLR 013 A Matrix / Runout (Side B): CLR 013 B Other versions Category Artist Title (Format) Label Category Country Year Hells Preacher Vol. 1 Mercyful Cult Legend CLR 013 (LP, Ltd, S/Edition, CLR 013 Japan 2015 Fate Recordings Unofficial, Blu) Hells Preacher Vol. 1 Mercyful Cult Legend CLR 013 (LP, Ltd, S/Edition, CLR 013 Japan 2015 Fate Recordings Unofficial, Lig) Hells Preacher Vol. 1 Mercyful Cult Legend CLR 013 (LP, Ltd, S/Edition, CLR 013 Japan 2015 Fate Recordings Unofficial, Yel) Hells Preacher Vol.
    [Show full text]
  • The Routledge Companion to Remix Studies
    THE ROUTLEDGE COMPANION TO REMIX STUDIES The Routledge Companion to Remix Studies comprises contemporary texts by key authors and artists who are active in the emerging field of remix studies. As an organic interna- tional movement, remix culture originated in the popular music culture of the 1970s, and has since grown into a rich cultural activity encompassing numerous forms of media. The act of recombining pre-existing material brings up pressing questions of authen- ticity, reception, authorship, copyright, and the techno-politics of media activism. This book approaches remix studies from various angles, including sections on history, aes- thetics, ethics, politics, and practice, and presents theoretical chapters alongside case studies of remix projects. The Routledge Companion to Remix Studies is a valuable resource for both researchers and remix practitioners, as well as a teaching tool for instructors using remix practices in the classroom. Eduardo Navas is the author of Remix Theory: The Aesthetics of Sampling (Springer, 2012). He researches and teaches principles of cultural analytics and digital humanities in the School of Visual Arts at The Pennsylvania State University, PA. Navas is a 2010–12 Post- Doctoral Fellow in the Department of Information Science and Media Studies at the University of Bergen, Norway, and received his PhD from the Program of Art and Media History, Theory, and Criticism at the University of California in San Diego. Owen Gallagher received his PhD in Visual Culture from the National College of Art and Design (NCAD) in Dublin. He is the founder of TotalRecut.com, an online com- munity archive of remix videos, and a co-founder of the Remix Theory & Praxis seminar group.
    [Show full text]
  • Mercyful Fate the Best of Mercyful Fate Rar
    Mercyful fate the best of mercyful fate rar [] - Mercyful Fate [EP]. [] - Mercyful Fate [EP]. Tamanho: 20,65 . [] - The Best Of Mercyful Fate. [] - The Best Of Mercyful Fate. Depois do fim do Mercyful Fate, King Diamond dedica-se à sua carreira solo até hoje. .. The Best Of Mercyful Fate (Coletânea ) Here you can download mercyful fate best of shared files: Best Of Mercyful mercyful fate best of mercyful fate carlitos RapidShare. Fast free download of Mercyful Fate- Return of the from direct link. Kb audio 1 downloads. File also searched as: ralf sesseler midi king diamond & mercyful fate - Best Of Mercyful , Mb. Mercyful Fate. be mercyful fate the best of mercyful fate on the selected school automatically to emerge the company. energetic Grade Shirts can record any effective dud drop. MERCYFUL FATE - Melissa-in The Beginning - 2 CD - Best Of - Excellent Portrait-Black Hole Of Doom demo CD RAR # Mercyful Fate metal King. Mercyful Fate. fate 2 Attachment(s) Mercyful Fate - Werewolves In Hilversum () [SBD/FLAC] The MASTERED Metallica Concert - The BEST Performed 45 RAREST Songs EVER (Multi-page thread 1 2 3) .. Mercyful Fate - Milan, IT - rar. In the Shadows by Mercyful Fate, released 22 June 1. Egypt 2. The Bell Witch 3. The Old Oak 4. Shadows 5. A Gruesome Time 6. Thirteen Invitations 7. Após um bom trabalho onde se destacou na banda Black Rose, King Diamond fundou o Mercyful Fate em , junto com os guitarristas Hank. Mercyful Fate · Don't Break The Oath (Reissue). Composers: Hank Shermann. A Corpse Without Soul · Mercyful Fate · The Best of Mercyful g: rar.
    [Show full text]
  • Agents of Metal Pt. 1
    Agents of Metal Part 1 Lasse Öörni 1 2 NaNoWriMo 2008. Edited later. Any similarities or references to actual above top secret organizations, operations and fnords may not be purely coincidental. Read at own risk. Many thanks to Lionel Gendre for co-creating the Agent concept and the Three Words! 3 4 1. Ian felt it just before Gwen, the spherical lead systems administrator and BOFH of the BOFHs, actually opened her mouth to exclaim. In the space of that fraction of a second, the atmosphere of the server room had changed to something that was markedly wrong. “Fuck!” That harshly shouted word snapped him completely out of his stupor, already expecting the weekend, and back into hardcore action mode. He swiveled around in his chair and saw her looking intently at the flat-screen monitor of her main workstation. But he could not yet deduce what had agitated her. “Cut the power,” she yelled. “What?” Ian could not quite follow. “The fucking comms rack!” Cutting off network access to the main servers and isolating each of the subnets in the building on their own was normally not healthy to even think about, no matter it was Friday. However, in the space of roughly five months Ian had known Gwen, he had learned that her judgment was better left unchallenged. It had never failed so far. He reached out and yanked the power cord. 5 The led displays of the routers and switches in the network equipment rack died, and their ventilation fans slowed down to a halt. The droning hum of the servers and the air conditioning went on, but the change was clearly noticeable: the server room simply was not supposed to sound like this.
    [Show full text]
  • STEEL for an AGE 4.Pdf
    STOP THE MADNESS! •2• •3• Greg War: Sabathan contacted me in June 2009 to join the band. At that time the band consisted of Sabathan, David DC and the first singer Laurent. The name HORACLE had already been chosen by Sabathan and David DC. I noticed in an interview you did for That’s Metal #18 that Sabathan (the band’s bassist and founder) has been in bands since the mid-80s, but what about the rest of you guys? What have you been up to before forming/joining HORACLE? Drinking and listening to Metal doesn’t count as an answer, musically I mean… Terry: I played in a couple local bands before, nothing big though. I am in another band too but we struggle with the line-up since... quite a while now... Though I also have another project in preparation for next year! Dyno: I’ve made my classical studies. Then I bought my first electric guitar playing old MAIDEN, METALLICA and GNR’s stuff. I’ve played in several local bands since more than 20 years, but the more established one was my latest before HORACLE, OIDHEHE BAALTINNE (Black Death Metal with pagan inspirations). We had an EP and played gigs in Belgium and France, opening for bands like VADER and MARDUK. We split in 2013, one month before recording a full length album, due to the lack of personal involvement of a part of the musicians. Greg War: Nothing serious for me, musically talking, only a few jams with some friends. So THIS means that HORACLE is my first official band.
    [Show full text]