Rollins College Hamilton Holt School

ENG 245 Selected Studies in Popular Culture: “Beyond Privet Drive: Harry Potter and the Witch-Craze” Summer Session I May 19-June 30, 2008

Section H1 CRN # 60029 6:00-9:25 pm Monday and Wednesday in Orlando 105 (4 credit hours)

Dr. Jennifer Ailles Department of English Office Hours: Monday 4:00-5:30 pm (and by appointment) Office: Orlando Hall 111 Email: [email protected]

Everyone knows witchcraft from J. K. Rowling’s Harry Potter series where good and evil witches have battled in a world parallel to the Muggles’ realm, but how many know the history of witchcraft in the western world before Harry went to Hogwarts? Starting about the time Nearly Headless Nick became nearly headless, witches were identified as heretics who were vilified, discriminated against, and hunted down because they represented the mystical borders of a society and the malevolent (un)known. More recently, some witches have also been celebrated as benevolent figures whose magic is an extension of the untainted natural world. What makes a person a witch or makes a society label someone as a “witch” as opposed to a “squib” or a “Muggle”? How are witches different from other marginalized figures? In this course we will examine how witches have been represented in literature and film over time and in different milieus. Besides Harry Potter, some of the works we will discuss will be Haxan, The Craft, Disney cartoons, The Crucible, and The Blair Witch Project. We will also look at classical antecedents such as the goddess Diana and Hecate along with cultural documents including the Malleus Maleficarum, Newes From Scotland, and transcripts from witch trials that have been highly influential in how witches and their persecution have been understood and represented historically in texts. Extensive knowledge of Harry Potter is not required. This course is suitable for witches, Muggles, and non-English majors.

This course satisfies the literature (L) general education requirement. The Rollins faculty has described the purpose of the L requirement this way: “The L requirement seeks to develop lifelong readers, sensitive to the richness of literary texts and to the pleasure of exploring that richness. In support of this goal, the L requirement develops students’ ability to discover and articulate the ways in which literature imaginatively reflects the human condition.” Prerequisite: ENG 140 or equivalent.

The syllabus will give you a general idea of the material we will be covering each week, but I may augment or possibly alter the syllabus depending on how the class proceeds. You will ENG 245... 2 always be given notification of changes far enough in advance to allow you time to prepare for class.

Required Texts: ƒ Marlowe, Christopher. Doctor Faustus. Ed. Sylvan Barnet. London: Penguin, 2001. ƒ Miller, Arthur. The Crucible. 1953. (Penguin Classics). London: Penguin, 2003. ƒ Rowling, J. K. Harry Potter series. You will need to read one of the seven Harry Potter novels. (editions are available at any bookstore or library). --. Harry Potter and the Philosopher’s [Sorcerer’s] Stone. 1997. --. Harry Potter and the Chamber of Secrets. 1999. --. Harry Potter and the Prisoner of Azkaban. 1999. --. Harry Potter and the Goblet of Fire. 2000. --. Harry Potter and the Order of the Phoenix. 2003. --. Harry Potter and the Half-Blood Prince. 2005. --. Harry Potter and the Deathly Hallows. 2007. ƒ Shakespeare, William. The Tempest. 1611. (Signet Classic Shakespeare). London: Penguin, 1998. ƒ Walker, Barbara G. The Woman’s Encyclopedia of Myths and Secrets. New York: Harper& Row, 1983. ƒ Standard MLA Writing Guide such as Troyka and Hesse’s Quick Access to use while writing your paper.

The rest of your readings will be available on electronic reserve at the library for you to print off and bring to class. I suggest that you obtain either a binder or a second folder to keep all of your readings together.

Assignments and Grading: Specific grading criteria, along with detailed requirements, will be included on individual assignment descriptions given out during the term, but initial details are included here.

The grading of assignments will be as follows: • In-Class Participation, Discussion, and Homework = 15% ƒ This class is a seminar and as such it relies on the full interaction of the members to help you develop your interpretive and critical analyzing skills. Therefore, attendance is mandatory. As well, regular participation in class discussion is required to achieve full marks. • 1 Page Report on Trip to Avalon = 5% • Paper I (6-7 pages) and 1 page Proposal = 20% ƒ Each student will research and write a 6-7 page essay that analyzes one of the course texts in relation to a particular topic. A 1 page proposal and an annotated bibliography (min. 5 critical secondary sources) will also be required. • Midterm Exam = 25% • Exam II = 35% ƒ Exams will be based on materials from readings, films, and discussions and will consist of identification, short answers, and longer essay questions. ENG 245... 3

GRADING SYSTEM (from the Holt School Catalogue) A student’s work in a completed course is evaluated and recorded by letters based upon the following principles: ƒ Grade A is reserved for work that is exceptional in quality and that shows keen insight, understanding and initiative. ƒ Grade B is given for work that is consistently superior and that shows interest, effort or originality. ƒ Grade C is a respectable grade; a “C” average (2.00) is required for matriculation and for graduation. It reflects consistent daily preparation and completion in a satisfactory manner of all work required in the course. ƒ Grade D is the lowest passing grade. It is below the average necessary for meeting graduation requirements and ordinarily is not accepted for transfer by other institutions. ƒ Grade F is failing.

Late Work: I expect you to complete all assignments on time and to come to class prepared to participate in discussions. Except in cases of excused absences late assignments will incur a penalty of one third of a letter grade a day (A to A- to B+ to B etc.), including weekends. To avoid incurring unwarranted penalties due to lateness all assignments must be handed in to me directly. If you know that you will be unable to meet a particular deadline or that you will be absent from class when an assignment is due, please contact me in advance to make alternative arrangements for submission. Computer glitches of any kind will not be accepted as a legitimate excuse for any late or missed work.

Attendance: We meet twice a week and thus any absence will result in you missing a significant amount of material. You are allowed 1 absence for any reason, including illness. Each subsequent absence, except in the case of excused absences, will lower your grade by a full grade (A to B to C...). Please contact a Holt School advisor if you have a significant medical or compassionate reason for missing multiple classes.

Hurricanes or Other Campus Emergencies: In case of a hurricane or other campus-wide emergency please consult the Rollins College Emergency Preparedness plan:

The Academic Honor Code Membership in the student body of Rollins College carries with it an obligation, and requires a commitment, to act with honor in all things. The student commitment to uphold the values of honor - honesty, trust, respect, fairness, and responsibility - particularly manifests itself in two public aspects of student life. First, as part of the admission process to the College, students agree to commit themselves to the Honor Code. Then, as part of the matriculation process during Orientation, students sign a more detailed pledge to uphold the Honor Code and to conduct themselves honorably in all their activities, both academic and social, as a Rollins student. A student signature on the following pledge is a binding commitment by the student that lasts for his or her entire tenure at Rollins College: ENG 245... 4

The development of the virtues of Honor and Integrity are integral to a Rollins College education and to membership in the Rollins College community. Therefore, I, a student of Rollins College, pledge to show my commitment to these virtues by abstaining from any lying, cheating, or plagiarism in my academic endeavors and by behaving responsibly, respectfully and honorably in my social life and in my relationships with others. This pledge is reinforced every time a student submits work for academic credit as his/her own. Students shall add to the paper, quiz, test, lab report, etc., the handwritten signed statement: “On my honor, I have not given, nor received, nor witnessed any unauthorized assistance on this work.” Material submitted electronically should contain the pledge; submission implies signing the pledge.

Extra Help: If you feel you need help or if you have any questions, big or small, regarding the class, come see me in my office hours or contact me on email anytime during the term. In addition, there are numerous resources provided for you to help you successfully complete this course, including academic advising, content tutoring, disability services, international student services, and the writing center. Please see TJ’s for more on their services.

Schedule [As of May 19, 2008]

**What is a Witch?** Monday, May 19th ƒ Introduction ƒ Watch (In Class): Myrick, Daniel, and Eduardo Sanchez, dirs. The Blair Witch Project. (Heather Donahue, Joshua Leonard, and Michael Williams). USA. Haxan Films, 1999. [87 mins in class]

Wednesday, May 21st ƒ Read: Walker, Barbara G. Entries on “Athene,” “Crone,” “Diana,” “Eve,” “Fairies,” “Furies,” “Goddess,” “Gorgon,” “Hades,” “Hag,” “Hecate,” “Isis,” “Lilith,” “Magi,” “Magic,” “Mana,” “Mary,” “Medusa,” “Metis,” “Minerva,” “Moon,” “Paganism,” “Persephone,” “Sophia, Saint,” “Trinity,” “Weird Sisters,” “Witch,” and “Witchcraft.” The Woman’s Encyclopedia of Myths and Secrets. New York: Harper & Row, 1983. [hereafter Walker]

Monday, May 26th Class cancelled due to Memorial Day Holiday

**Medieval and Renaissance Witchcraft and Witch-craze** Wednesday, May 28th ƒ Watch: Boorman, John, dir. Excalibur. (Nigel Terry and Nicol Williamson). USA. Warner Bros., 1981. [140 mins.] ENG 245... 5

ƒ Read: Walker, Barbara G. Entries on “Arthur,” “Druid,” “Elaine,” “Elements,” “Holy Grail,” “Incubus,” “Lightening,” “Mantra,” “Margawse,” “Merlin,” “Morgan Le Fay,” “Necromancy,” “Omphalos,” “Serpent,” “Speaking in Tongues,” “Succubus,” and “Water.” ƒ Read (Skim): Pennick, Nigel. “Appendix I: The Meaning of Hebrew Letters,” “Appendix II: Greek Letter Meanings,” “Appendix III: The Runic Correspondences,” “Appendix IV: Runes and Tarot Major Arcana,” “Appendix V: Ogham Correspondences,” “Appendix VI: Gaelic Alphabet Correspondences,” “Appendix VII: Magic Square Correspondences,” and “Appendix VIII: The 72 Names of God.” Magic Alphabets: The Secrets and Significance of Ancient Scripts--Including Runes, Greek, Ogham, Hebrew, and Alchemical Alphabets. 1992. York Beach: Samuel Weiser Inc., 1993. [e-reserve] ƒ Read (Skim): Godwin, David. Entries on “Introduction,” “1-13,” and 650-674.” Godwin’s Cabalistic Encyclopedia: A Complete Guide to Cabalistic Magick. St. Paul: Llewellyn Publications, 1989. [e-reserve]

Monday, June 2nd ƒ Read: James VI? “News From Scotland.” Witchcraft in Early Modern Scotland: James VI’s Demonology and the North Berwick Witches. Eds. Lawrence Normand and Gareth Roberts. Exeter: University of Exeter Press, 2000. [e-reserve] ƒ Read: Marlowe, Christopher. Doctor Faustus. Ed. Sylvan Barnet. London: Penguin, 2001. ƒ Read: Walker. Entries on “Cannibalism,” “Cauldron,” “Demon,” “Devil,” “Flying Ointment,” “Hair,” “Inquisition,” “Lucifer,” “Midwifery,” “Martyrs,” “Possession,” “Sacrifice,” “Satan,” “Spider,” “Torture,” and “Willow.” ƒ Read (Skim): Kramer, Heinrick, and James Sprenger. Entries on “Table of Contents,” “The Bull of Innocent VIII,” “Part I Question I,” and “Part III Question XIV.” The Malleus Maleficarum. 1486. Trans. Rev. Montague Summers. 1928. New York: Dover Publications, 1971. [e-reserve] ƒ Read (Skim): Rosen, Barbara, ed. “Laws and Punishments.” Witchcraft in England, 1558- 1618. 1969. Amherst: University of Massachusetts Press, 1991. [e-reserve]

**Witchcraft Comes to the New World** Wednesday, June 4th ƒ Read: Shakespeare, William. The Tempest. 1611. (Signet Classic Shakespeare). London: Penguin, 1998. ƒ Watch: Bender, Jack, dir. The Tempest. (Peter Fonda and John Glover). USA. NBC, 1998. [88 mins.] ƒ Read: Walker. Entry “Alchemy,” “Knot,” “Triangle,” and “Wheel.” ƒ Read: Guiley, Rosemary Ellen. Entries on “Alchemy,” “Nature Spirits,” “Universal Life Force,” “Vision Quest,” and Vodoun/Voodoo.” Harper’s Encyclopedia of Mystical and Paranormal Experience. New York: Harper San Francisco, 1991. [e-reserve]

Monday, June 9th ƒ Midterm 6-7:30pm followed by class.

**Witchcraft and Disney** ENG 245... 6

ƒ Watch: Stevenson, Robert, dir. Bedknobs and Broomsticks. (Angela Lansbury). USA. Walt Disney Pictures, 1971. [139 mins.]

Wednesday, June 11th ƒ Watch: Disney, Walt, prod. Snow White and the Seven Dwarfs. (Adriana Caselotti and Lucille La Verne). USA. Walt Disney Pictures, 1937. ƒ Read: Walker. Entries on “Apple,” “Fatherhood,” “Heart,” “Incest,” “Menstrual Blood,” “Mirror,” “Motherhood,” “Sirens”

**Salem and its Afterlife** ƒ Read: Miller, Arthur. The Crucible. 1953. (Penguin Classics). London: Penguin, 2003.

Monday, June16th ƒ **Proposals Due** (in class) ƒ Watch: Miner, Steve, dir. Warlock. (Richard E. Grant, Julian Sands, and Lori Singer). ƒ Watch: Ortega, Kenny, dir. Hocus Pocus. (Bette Midler, Kathy Najimy, and Sarah Jessica Parker). USA. Walt Disney Pictures, 1993. [96 mins.] ƒ Read: Zolar. “Halloween.” Zolar’s Encyclopedia of Omens, Signs & Superstitions. New York: Prentice Hall, 1989. [e-reserve] ƒ Read: Walker. Entries on “Cross,” “Exorcism,” “Hex,” “Hexagram,” “Hocus Pocus,” “Magen David,” “Name,” “Pentacle,” “Reincarnation,” “Salt,” and “Tetragammaton.”

**Witch-Craft in the Modern World** Wednesday, June 18th ƒ Watch: Fleming, Andrew, dir. The Craft. (Fairuza Balk, Neve Campbell, Rachel True, and Robin Tunney). USA. Columbia Pictures Corporation, 1996. [101 mins.] ƒ Read: Walker. Entries on “Golden Rule,” and “Tarot” ƒ Read: Conway, D. J. “Casting the Magic Circle and Tools of Magic.” Celtic Magic. St. Paul: Llewellyn Publications, 1990. [e-reserve] ƒ Read: Weinstein, Marion. Entries on “The Principles,” “The Coven,” “The Holidays,” and “Familiars.” Earth Magic: A Dianic Book of Shadows. 1980. Custer: Phoenix Publishing Inc., 1991. [e-reserve] ƒ Read: Budapest, Zsuzsanna. “‘Dangers’ of Magic by Starhawk.” The Holy Book of Women’s Mysteries. 1980. Oakland: Wingbow Press, 1989. [e-reserve] **Independent field trip to Avalon (write a one page response/report of your visit)**

**Harry Potter** Monday, June 23rd ƒ Read: At least one of the seven books in the Harry Potter series.

Wednesday, June 25th ƒ Harry Potter continued **Papers Due Friday, June 27th on Email or Hardcopy in my office mailbox by 7pm**

Monday, June 30th **Final Exam 6-8 (In Class)**