The Uneven Heart
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New Faculty Promotion Process Approved
SJSU Fencing instructor Life & The Arts: makes his point in class Check out first issue See page 4 Spartan Daily Serving San Jose State University Since 1934 Thursday. September 14, 1989 Volume 93, No. 9 New faculty promotion process approved By Aldo Maragoni member from each instructional de- tenure. from thioughout the campus, there is TIIC HON proposition did have a Despite objectons from Norton Daily staff writer partment on campus, could have its Because of the amount of work in- no way for them to know the candi- few opponents who voted against it and a few others. the senate ap- Faculty members and candidates role in reviewing promotion candi- volved in the process. faculty mem- date." she said. "The candidate at the Monday meeting. proved the proposal by a 27-7 vote. involved in the promotions process dates taken away if the new policy bers and promotion candidates com- must then present themselves to a One Academic Senate member. There was one abstention. should be getting more nine to do goes into effect. plained they did not have enough committee that doesn't know them. political science Professor Theodore what they were hired to do: teach. Instead of going through the Uni- time to plan their classes. said Phyl- and the dossiers grow larger in hopes The policy must be signed by Norton called for a single university SJSU's Academic Senate passed a versity Committee. promotion can- lis Connolly. chainvoman of the pro- of making sure the committee has all SJSU President Gail Fullerton before body to he created to review all can- new promotions policy Monday that didates will be reviewed by their fessional standards c llllll nittee the pertinent information." it can be put into effect, but Aca- didates for promotions, retention and may eliminate one reviewing body in own departments or sch(xils, accord- "We were getting nunierous com- Under the new plan, p tttttttt (ion% demic Senate officials were confi- tenure. -
Cwa News-Fall 2016
2 Communications Workers of America / fall 2016 Hardworking Americans Deserve LABOR DAY: the Truth about Donald Trump CWA t may be hard ers on Trump’s Doral Miami project in Florida who There’s no question that Donald Trump would be to believe that weren’t paid; dishwashers at a Trump resort in Palm a disaster as president. I Labor Day Beach, Fla. who were denied time-and-a half for marks the tradi- overtime hours; and wait staff, bartenders, and oth- If we: tional beginning of er hourly workers at Trump properties in California Want American employers to treat the “real” election and New York who didn’t receive tips customers u their employees well, we shouldn’t season, given how earmarked for them or were refused break time. vote for someone who stiffs workers. long we’ve already been talking about His record on working people’s right to have a union Want American wages to go up, By CWA President Chris Shelton u the presidential and bargain a fair contract is just as bad. Trump says we shouldn’t vote for someone who campaign. But there couldn’t be a higher-stakes he “100%” supports right-to-work, which weakens repeatedly violates minimum wage election for American workers than this year’s workers’ right to bargain a contract. Workers at his laws and says U.S. wages are too presidential election between Hillary Clinton and hotel in Vegas have been fired, threatened, and high. Donald Trump. have seen their benefits slashed. He tells voters he opposes the Trans-Pacific Partnership – a very bad Want jobs to stay in this country, u On Labor Day, a day that honors working people trade deal for working people – but still manufac- we shouldn’t vote for someone who and kicks off the final election sprint to November, tures his clothing and product lines in Bangladesh, manufactures products overseas. -
Noel Paul Stookey Bio
Noel Paul Stookey Bio Singer/songwriter Noel Paul Stookey has been altering both the musical and ethical landscape of this country and the world for decades—both as the “Paul” of the legendary Peter, Paul and Mary and as an independent musician who passionately belie es in bringing the spiritual into the practice of daily life! "unny, irre erently re erent, thoughtful, compassionately passionate, Stookey’s oice is known all across this land: from the “%edding Song” to “&n 'hese 'imes.” Noel and Betty, his bride of over )* years +but who’s counting,, moved with their three daughters to the coast of maine over forty years ago. since that time he’s done the occasional home town benefit and the here-and-there in-state show but ne er had undertaken a concentrated tour in one season. “& recorded all . of my maine concerts last summer - from ogun/uit to eastport - check '01' out on a map” he says, “and, though not all of the ideo or audio made 2prime time2, i was able to collect *3 music ideos for the 4VD and +amazingly, fit all *3 songs on the 7D to create this 1' 08ME: the maine tour package.” 'he songs in this newest release represent a broad range: '0E 71(&N "959: %1;'< +homage to the rigors of enduring the lengthened winter in maine,, a new ersion of %01'S09:NAM9 +a bittersweet =az6 shaded reminiscence of a middle-aged man in denial, originally recorded on the PP&M ?@AA album, "1M&;&1 49; 78:1<8N +a new song that speaks to the immigration issue in compassionate rather than political terms,, %944&NB S8NG +with the 2original2 lyric and a spoken introduction - DVD only, and '0E ;1DY S1YS S09 48N2' ;&KE E1<< +a commentary on a common misperception of the creati e process,. -
EXTENSIONS of REMARKS 11753 Legislative Affairs, Department O.F the Navy, Were Introduced and Severally Referred by Mr
May 17, 1979 EXTENSIONS OF REMARKS 11753 Legislative Affairs, Department o.f the Navy, were introduced and severally referred By Mr. BROWN of California: transmitting notice of the Navy s intention as follows: H.R. 4138. A bill for the relief of James E. to sell certain naval vessels to the Republic By Mr. FISHER: Kennedy; to the Committee on the Judiciary. of the Philippines, pursuant to 10 u ..s.c. H .R. 4133. A bill to amend the Internal By Mr. CHAPPELL: 7307; to the Committee on Armed Services. Revenue Code of 1954 to provide that the in H.R. 4139. A bill for the relief of Feeronaih Abbosh; to the Committee on the Judiciary. 1623. A letter from the Associate Direct~r vestment tax credit shall not be recaptured of Legislative Liaison, Department of the Air in the case of certain transfers by air carriers Force, transmitting the annual report for of aircraft used exclusively to provide air calendar year 1978 on the progress of the transportation; to the Committee on Ways ADDITIONAL SPONSORS Reserve Officers' Training Corps flight train and Means. Under clause 4 of rule XXII, sponsors ing program, pursuant to 10 U .S .C. 2110(b); By Mr. HUBBARD: were added to public bills and resolutions to the Committee on Armed Services. H.R. 4134. A bill to provide, for purposes as follows: 1624. A letter from the Administrator, Na of the Federal income tax, that the one-time tional Aeronautics and Space Administra H.R. 1878: Mr. DORNAN and Mr. OBERSTAR. exclusion from gross income of gain from the H.R. -
INTERVIEWS from the 90'S
INTERVIEWS FROM THE 90’s 1 INTERVIEWS FROM THE 90’S p4. THE SONG TALK INTERVIEW, 1991 p27. THE AGE, APRIL 3, 1992 (MELBOURNE, AUSTRALIA) p30. TIMES THEY ARE A CHANGIN'.... DYLAN SPEAKS, APRIL 7, 1994 p33. NEWSWEEK, MARCH 20, 1995 p36. EDNA GUNDERSEN INTERVIEW, USA TODAY, MAY 5, 1995 p40. SUN-SENTINEL TODAY, FORT LAUDERDALE, SEPT. 29, 1995 p45. NEW YORK TIMES, SEPT. 27, 1997 p52. USA TODAY, SEPT. 28, 1997 p57. DER SPIEGEL, OCT. 16, 1997 p66. GUITAR WORLD MAGAZINE, MARCH 1999 Source: http://www.interferenza.com/bcs/interv.htm 2 3 THE SONG TALK INTERVIEW, 1991 Bob Dylan: The Song Talk Interview. By: Paul Zollo Date: 1991 Transcribed from GBS #3 booklet "I've made shoes for everyone, even you, while I still go barefoot" from "I and I" By Bob Dylan Songwriting? What do I know about songwriting? Bob Dylan asked, and then broke into laughter. He was wearing blue jeans and a white tank-top T-shirt, and drinking coffee out of a glass. "It tastes better out of a glass," he said grinning. His blonde acoustic guitar was leaning on a couch near where we sat. Bob Dylan's guitar . His influence is so vast that everything that surrounds takes on enlarged significance: Bob Dylan's moccasins. Bob Dylan's coat . "And the ghost of 'lectricity howls in the bones of her face Where these visions of Johanna have now taken my place. The harmonicas play the skeleton keys and the rain And these visions of Johanna are now all that remain" from "Visions of Johanna" Pete Seeger said, "All songwriters are links in a chain," yet there are few artists in this evolutionary arc whose influence is as profound as that of Bob Dylan. -
Peter Paul and Mary.Pptx
Peter, Paul and Mary Group 3: Chen Chen & Hailey Funk Outline • Biography -- Peter; Paul; Mary; Albert Gross the group • Album timeline • Musical style • Musical Analysis (vocal, instrumentation) • Comparison between Peter, Paul and Mary's cover version and original version • Musical influence on&of Peter, Paul and Mary Biography-Peter • Born May 31st 1938, in New York City • learned guitar and violin early on o Went to high school for "Music and Art" • Got a Bachelor's degree in psychology from Cornell • Met Mary and Paul in Greenwich Village (1960) o Due to manager, Albert Grossman Biography-Paul • Born Dec. 30 1937 in Baltimore, Maryland as Noel "Paul" Stookey • Raised in Michigan • Learned to play guitar at 11 • Graduated from Michigan State University o he was a master of ceremonies o involved in band, Corsairs • Moved to New York in 1959 • Worked in sales and at a club in Greenwich Village o Albert Grossman introduced him to Peter and Mary Biography-Mary • Born November 9 1936 in Louisville, Kentucky • Raised in Greenwich Village • Her and schoolmates sang backup for Pete Seeger's album • Dropped out of high school in 11th grade • In Broadway musical The Next President Albert Grossman • Manager of folk/folk rock: o Bob Dylan o Janis Joplin o +others • Put together Peter, Paul and Mary • looking for tall and blonde women (Mary), a good-looking guy (Peter) and a comedic man (Paul). Biography-Peter, Paul and Mary After auditioning several singers in the New York folk scene, Albert Grossman, the Manager, created Peter, Paul and Mary in 1961, After rehearsing them out of town in Boston and Miami, Grossman booked them into The Bitter End, a coffee house, nightclub and popular folk music venue in New York City's Greenwich Village. -
Young Musicians WHAT’S INSIDE: YOUNG MUSICIANS to Showcase Again at November SHOWCASE AGAIN at NOV
THE COLUMBUS FOLK MUSIC SOCIETY, INC. NOVEMBER, 2015 Young Musicians WHAT’S INSIDE: YOUNG MUSICIANS TO Showcase Again at November SHOWCASE AGAIN AT NOV. 28 COFFEEHOUSE PG. 1 28 Coffeehouse PERFORMING DUO “JIM’S RED PANTS” AT by D. Boston Look for more details COFFEEHOUSE OCT. 31 PG. 1 For the third year in in an e-mail a row, the Columbus announcement in TWO EDUCATIONAL EVENTS: Folk Music Society is November. MUSIC “REALITY” WORK- proud to showcase SHOP SERIES & “ALIVE In addition to INSIDE” DOCUMENTARY PG. 3 young musicians at its hearing music from the November FolkSide musicians, you’ll enjoy OPTIONS TO CONSIDER Coffeehouse. The delicious refreshments THIS THANKSGIVING performers featured will as well as the chance to SEASON PG. 4 be varied in age and Micah Gunn, one of the performers at the event. Fluent pick up “signature” CALENDAR OF EVENTS we’re sure you’ll find on the piano and acoustic guitar, he also composes, writes goodies at our annual them delightfully filled and sings. In July of 2015 he released his first CD album Bake Sale table. The AND ANNOUNCEMENTS PG. 5 with talent. The evening entitled, “Unless.” Listen to Micah: https:// proceeds will benefit begins with the www.reverbnation.com/micahgunn PETER & PAUL WITHOUT the 2016 Central Ohio MARY: A REVIEW PG. 6 traditional Open Jam Folk Festival. So bring (6-7 pm) followed by a shortened Open your “extra change,” your appetite, your FUNNY STUFF PG. 6 Mic session (7-7:30 pm). From 7:30-10 pm welcoming spirt and your usual good various young musicians will perform with cheer! CFMS MEMBER the last hour bringing a “featured HIGHLIGHTS PG. -
View Song List
Piano Bar Song List 1 100 Years - Five For Fighting 2 1999 - Prince 3 3am - Matchbox 20 4 500 Miles - The Proclaimers 5 59th Street Bridge Song (Feelin' Groovy) - Simon & Garfunkel 6 867-5309 (Jenny) - Tommy Tutone 7 A Groovy Kind Of Love - Phil Collins 8 A Whiter Shade Of Pale - Procol Harum 9 Absolutely (Story Of A Girl) - Nine Days 10 Africa - Toto 11 Afterglow - Genesis 12 Against All Odds - Phil Collins 13 Ain't That A Shame - Fats Domino 14 Ain't Too Proud To Beg - The Temptations 15 All About That Bass - Meghan Trainor 16 All Apologies - Nirvana 17 All For You - Sister Hazel 18 All I Need Is A Miracle - Mike & The Mechanics 19 All I Want - Toad The Wet Sprocket 20 All Of Me - John Legend 21 All Shook Up - Elvis Presley 22 All Star - Smash Mouth 23 All Summer Long - Kid Rock 24 All The Small Things - Blink 182 25 Allentown - Billy Joel 26 Already Gone - Eagles 27 Always Something There To Remind Me - Naked Eyes 28 America - Neil Diamond 29 American Pie - Don McLean 30 Amie - Pure Prairie League 31 Angel Eyes - Jeff Healey Band 32 Another Brick In The Wall - Pink Floyd 33 Another Day In Paradise - Phil Collins 34 Another Saturday Night - Sam Cooke 35 Ants Marching - Dave Matthews Band 36 Any Way You Want It - Journey 37 Are You Gonna Be My Girl? - Jet 38 At Last - Etta James 39 At The Hop - Danny & The Juniors 40 At This Moment - Billy Vera & The Beaters 41 Authority Song - John Mellencamp 42 Baba O'Riley - The Who 43 Back In The High Life - Steve Winwood 44 Back In The U.S.S.R. -
1 Bob Dylan's American Journey, 1956-1966 September 29, 2006, Through January 6, 2007 Exhibition Labels Exhibit Introductory P
Bob Dylan’s American Journey, 1956-1966 September 29, 2006, through January 6, 2007 Exhibition Labels Exhibit Introductory Panel I Think I’ll Call It America Born into changing times, Bob Dylan shaped history in song. “Life’s a voyage that’s homeward bound.” So wrote Herman Melville, author of the great tall tale Moby Dick and one of the American mythmakers whose legacy Bob Dylan furthers. Like other great artists this democracy has produced, Dylan has come to represent the very historical moment that formed him. Though he calls himself a humble song and dance man, Dylan has done more to define American creative expression than anyone else in the past half-century, forming a new poetics from his emblematic journey. A small town boy with a wandering soul, Dylan was born into a post-war landscape of possibility and dread, a culture ripe for a new mythology. Learning his craft, he traveled a road that connected the civil rights movement to the 1960s counterculture and the revival of American folk music to the creation of the iconic rock star. His songs reflected these developments and, resonating, also affected change. Bob Dylan, 1962 Photo courtesy of John Cohen Section 1: Hibbing Red Iron Town Bobby Zimmerman was a typical 1950’s kid, growing up on Elvis and television. Northern Minnesota seems an unlikely place to produce an icon of popular music—it’s leagues away from music birthplaces like Memphis and New Orleans, and seems as cold and characterless as the South seems mysterious. Yet growing up in the small town of Hibbing, Bob Dylan discovered his musical heritage through radio stations transmitting blues and country from all over, and formed his own bands to practice the newfound religion of rock ‘n’ roll. -
“Our Silence Buys the Battles”: the Role of Protest Music in the U.S.-Central American Peace and Solidarity Movement
“Our Silence Buys the Battles”: The Role of Protest Music in the U.S.-Central American Peace and Solidarity Movement CARA E. PALMER “No más! No more!” “No más! No more!” Shout the hills of Salvador Shout the hills of Salvador Echo the mountains of Virginia In Guatemala, Nicaragua We cry out “No más! No more!” We cry out “No más! No more!”1 In the 1980s, folk singer John McCutcheon implored his fellow U.S. citizens to stand in solidarity with Central Americans in countries facing United States (U.S.) intervention. Combining both English and Spanish words, his song “No Más!” exemplifies the emphasis on solidarity that characterized the dozens of protest songs created in connection with the U.S.-Central American Peace and Solidarity Movement (CAPSM).2 McCutcheon’s song declared to listeners that without their active opposition, the U.S. government would continue to sponsor violence for profit. McCutcheon sang, “Our silence buys the battles, let us cry, ‘No más! No more!,’” urging listeners to voice their disapproval of the Reagan administration’s foreign policies, because remaining silent would result in dire consequences. One hundred thousand U.S. citizens mobilized in the 1980s to protest U.S. foreign policy toward Central America. They pressured Congress to end U.S. military and financial aid for the military junta in El Salvador, the military dictatorship in Guatemala, and the Contras in Nicaragua. The Reagan administration supported armed government forces in El Salvador and Guatemala in their repression of the armed leftist groups FMLN and MR-13, and the Contras in Nicaragua in their war against the successful leftist revolution led by the FSLN. -
A New Era for Wind Power in the United States
Chapter 4 Wind Vision: A New Era for Wind Power in the United States 1 Table of Contents Message from the Director ..................................................................................................................................... xiii Acronyms .......................................................................................................................................................................xv Executive Summary: Overview ...........................................................................................................................xxiii Contents of Table Executive Summary: Key Chapter Findings ..................................................................................................xxvii ES.1 Introduction ........................................................................................................................................................................xxvii ES.1.1 Project Perspective and Approach ......................................................................................................................xxvii ES.1.2 Understanding the Future Potential for Wind Power ....................................................................................xxix ES.1.3 Defining a Credible Scenario to Calculate Costs, Benefits, and Other Impacts .....................................xxxi ES.2 State of the Wind Industry: Recent Progress, Status and Emerging Trends ................................................xxxiv ES.2.1 Wind Power Markets and Economics ................................................................................................................xxxv -
Swarthmore Folk Alumni Songbook 2019
Swarthmore College ALUMNI SONGBOOK 2019 Edition Swarthmore College ALUMNI SONGBOOK Being a nostalgic collection of songs designed to elicit joyful group singing whenever two or three are gathered together on the lawns or in the halls of Alma Mater. Nota Bene June, 1999: The 2014 edition celebrated the College’s Our Folk Festival Group, the folk who keep sesquicentennial. It also honored the life and the computer lines hot with their neverending legacy of Pete Seeger with 21 of his songs, plus conversation on the folkfestival listserv, the ones notes about his musical legacy. The total number who have staged Folk Things the last two Alumni of songs increased to 148. Weekends, decided that this year we’d like to In 2015, we observed several anniversaries. have some song books to facilitate and energize In honor of the 125th anniversary of the birth of singing. Lead Belly and the 50th anniversary of the Selma- The selection here is based on song sheets to-Montgomery march, Lead Belly’s “Bourgeois which Willa Freeman Grunes created for the War Blues” was added, as well as a new section of 11 Years Reunion in 1992 with additional selections Civil Rights songs suggested by three alumni. from the other participants in the listserv. Willa Freeman Grunes ’47 helped us celebrate There are quite a few songs here, but many the 70th anniversary of the first Swarthmore more could have been included. College Intercollegiate Folk Festival (and the We wish to say up front, that this book is 90th anniversary of her birth!) by telling us about intended for the use of Swarthmore College the origins of the Festivals and about her role Alumni on their Alumni Weekend and is neither in booking the first two featured folk singers, for sale nor available to the general public.