Young Musicians WHAT’S INSIDE: YOUNG MUSICIANS to Showcase Again at November SHOWCASE AGAIN at NOV

Total Page:16

File Type:pdf, Size:1020Kb

Young Musicians WHAT’S INSIDE: YOUNG MUSICIANS to Showcase Again at November SHOWCASE AGAIN at NOV THE COLUMBUS FOLK MUSIC SOCIETY, INC. NOVEMBER, 2015 Young Musicians WHAT’S INSIDE: YOUNG MUSICIANS TO Showcase Again at November SHOWCASE AGAIN AT NOV. 28 COFFEEHOUSE PG. 1 28 Coffeehouse PERFORMING DUO “JIM’S RED PANTS” AT by D. Boston Look for more details COFFEEHOUSE OCT. 31 PG. 1 For the third year in in an e-mail a row, the Columbus announcement in TWO EDUCATIONAL EVENTS: Folk Music Society is November. MUSIC “REALITY” WORK- proud to showcase SHOP SERIES & “ALIVE In addition to INSIDE” DOCUMENTARY PG. 3 young musicians at its hearing music from the November FolkSide musicians, you’ll enjoy OPTIONS TO CONSIDER Coffeehouse. The delicious refreshments THIS THANKSGIVING performers featured will as well as the chance to SEASON PG. 4 be varied in age and Micah Gunn, one of the performers at the event. Fluent pick up “signature” CALENDAR OF EVENTS we’re sure you’ll find on the piano and acoustic guitar, he also composes, writes goodies at our annual them delightfully filled and sings. In July of 2015 he released his first CD album Bake Sale table. The AND ANNOUNCEMENTS PG. 5 with talent. The evening entitled, “Unless.” Listen to Micah: https:// proceeds will benefit begins with the www.reverbnation.com/micahgunn PETER & PAUL WITHOUT the 2016 Central Ohio MARY: A REVIEW PG. 6 traditional Open Jam Folk Festival. So bring (6-7 pm) followed by a shortened Open your “extra change,” your appetite, your FUNNY STUFF PG. 6 Mic session (7-7:30 pm). From 7:30-10 pm welcoming spirt and your usual good various young musicians will perform with cheer! CFMS MEMBER the last hour bringing a “featured HIGHLIGHTS PG. 7 performer.” See Young Musicians - page 2 Performing Duo “Jim’s Red Pants” at Coffeehouse on Saturday, Oct. 31 Interview by Bill Cohen Hillary and Rick Wagner have Bill Cohen: OK, let’s get this out of performed original, traditional roots the way from the very first because it’s music for over 16 years and have probably on many people’s minds. demonstrated their talents on Your names are Rick and Hillary, but instruments varying from guitar, you call your group “Jim’s Red Pants.” hardanger fiddle and nyckelharpa to What’s the story here? the mandolin, bouzouki, penny whistle and banjo. Hillary Wagner: Jim was my granddad. He was a real character and Hillary is an outstanding fiddler and a quite the ladies’ man. His favorite color rare player – equally at home on harmonic twists and the fiddle tunes “Maid Behind the Bar,” as she is he writes for Hillary are exciting was red and he wore it almost daily. playing in a string quartet or sitting in tunes not heard anywhere else. What One Father’s Day we had a really hectic the pit orchestra. Rick is an inventive follows is an interview Bill Cohen did day so we arranged to take him out for composer. His waltzes are stunning, with Hillary about the band. breakfast. We had my 8 year old niece elegant melodies with interesting See Duo “Jim’s Red Pants” - page 2 CONTACT US AT: VOICEMAIL 614-470-3963! PAGE 1 A DIFFERENT STRUMMER NOVEMBER, 2015 Young Musicians - from page 1 These young musicians are excited to CFMS LOOKING FOR A TREASURER. perform for us, so let us in return show our support and how much fun the The Columbus Folk Music Society CFMS can be! Everyone welcome! (CFMS) is currently looking for someone Details on page 5. to serve as Treasurer. Duration is Remember customarily 1 year. the Bake If you, or someone you know, are Sale on interested in finding out additional November details, please contact CFMS President, 28! Mike Hale, at: [email protected] or call 614-354-5586. Duo “Jim’s Red Pants” - "om page 1 years. I started fiddling and just loved influenced Rick’s love for the Irish with us. She was a girly girl who it. I quit teaching school and instead bouzouki. Many other old-time and always wore matching outfits. When began to teach privately and play violin country blues artists also influenced we arrived to pick him up at 7:00 in the and viola for some orchestra and Rick. quartet jobs. I also teach fiddle students morning he met us on the street Bill: Give us some examples of the and do some workshops; I play and wearing bright red pants, an olive cities and towns in which you’ve teach green shirt with giant fuscia pink played. How widely and how long flowers on it and salmon colored shoes. have you toured, and what kinds of He was blinding! Rick wrote a song we venues have hosted your named “Jim's New Red Pants,” then we performances? titled our first CD the same. Later we kept it for our band name but the pants Hillary: Rick and I have played in were no longer new! such a wide variety of venues. We met playing at the Canal St. Tavern in Bill: How do you describe the style of Dayton, we’ve played ArtSong and music you play together? EdenSong in Cincinnati, Moon Over Hillary: Rick and I play any style of Aullwood, Ohio Chautauqua, Dayton music that catches our fancy. Folk Celtic Festival, Central Ohio Folk music is the broadest description, mandolin Festival, Cincinnati Irish Festival, followed by fiddle music to narrow it and I founded and direct the historical events like Tall Stacks, Feast down not at all. We love doing our Centerville Mandolin Ensemble. I of the Hunters Moon, Mississinewa original songs and tunes. We play a lot loved my teacher, Conny Kiradjieff, 1812, Kalamazoo Living History of Irish music, English and Morris and try to be as kind a teacher as he Show, the last stop of the Lewis and tunes, Scandinavian, American folk was. Some of my favorite fiddlers are Clark Bicentennial, and others I’ve and fiddle tunes, and a few from all Kevin Burke, Liz Carroll, Annbjorg forgotten about. We play most often in sorts of other places. One thing that we Lien, Bruce Molsky, Aly Bain and Ohio and Indiana. Johnny Cunningham. do when we play [the] music of all of Bill: Give us your best sales pitch. these is we to try to make them our Rick has written and performed in Why should people come out to see own. We try to be respectful of the acoustic bands for almost fifty years and hear you October 31 at the traditions but we also adapt the tunes now. He played guitar, claw hammer Columbus Folk Music Society monthly so that they reflect our sound. banjo, mandolin and fiddle in a string coffeehouse? band he founded in 1975 called the Bill: What are each of your music Hillary: I’m hoping that folks will backgrounds and what famous “Two-Step Tunesters,” then played solo, and eventually joined with Dave find it a treat instead of a trick to come performers have influenced you the spend Halloween evening with us! We most? and Kay Gordon. Artists who have influenced him are his now deceased play many different instruments Hillary: I was raised playing mostly uncles who played jazz and swing and including hardanger fiddle, fiddle, classical music. I started violin late – in his grandmother and grandfather who bouzouki, dad-gad guitar, mandolins, high school. I went to the College at met while performing in the same claw hammer banjo and who knows the Conservatory of Music in Vaudeville troupe. Michael Holmes of what else we’ll bring! Cincinnati then taught school for a few Dervish and Andy Irvine have PAGE 2! WWW.COLUMBUSFOLKMUSICSOCIETY.ORG A DIFFERENT STRUMMER NOVEMBER, 2015 Two Upcoming Educational Events. Music “Reality” (aka Music Theory) Workshop Series Launches November 8 Are you interested in three part workshop series as a furthering your musical skills or service to our members. even just curious to learn more Workshop space is limited about what makes up the and you must pre-register. universe of music? Details are below, including a The Columbus Music link for registration. The Society, alongside with the registration fee includes the use Columbus Songwriter’s of a MIDI keyboard and Association, is co-sponsoring an computer to aide the learning inexpensive (and extensive!) process. SUNDAYS, NOV 8, 15 & 22 Stirring Documentary on the 4 - 6:00 PM Power of Music as Therapy Columbus Songwriter’s by Bill Cohen Association (CSA) & As folkies, we already know conversation with a loved one, from firsthand experience how something they haven’t done Columbus Folk Music Society (CFMS) music energizes us and stirs our for years. emotions and memories. Now, Thursday, November 5th, the PRESENT: a 2014 film documentary shows 78-minute film will be shown, how nursing home residents followed by a panel discussion suffering from Alzheimer's, by experts who know about Music “Reality” dementia, and depression can various kinds of “alternative” be, at least temporarily, brought therapies, using pets, spiritual out of the shadows and issues, laughter, yoga, art, and Workshop awakened from their usual music. Lunch is also served. coma-like trance. An RSVP is requested. To “Alive Inside” won the reserve a spot, contact Julie with Instructor Bill Hilt, Audience Award at a recent (composer & multi-instrumentalist) Wasserstrom at 614.559.6214 or Sundance Film Festival and for [email protected]. good reason. It shows the magic All are welcome. LOCATION: Jazz Academy space, that can sometimes occur when the earphones of simple audio Whether you attend this event 769 E. Long St., Cols (4th floor, Lincoln Theater) playback machines are placed or not, seeing this compelling on the heads of lethargic movie might just prompt you to $40 total for three 2-hr sessions nursing home residents and pick up your guitar, banjo, or favorite songs from their youth other instrument and head to a are played.
Recommended publications
  • New Faculty Promotion Process Approved
    SJSU Fencing instructor Life & The Arts: makes his point in class Check out first issue See page 4 Spartan Daily Serving San Jose State University Since 1934 Thursday. September 14, 1989 Volume 93, No. 9 New faculty promotion process approved By Aldo Maragoni member from each instructional de- tenure. from thioughout the campus, there is TIIC HON proposition did have a Despite objectons from Norton Daily staff writer partment on campus, could have its Because of the amount of work in- no way for them to know the candi- few opponents who voted against it and a few others. the senate ap- Faculty members and candidates role in reviewing promotion candi- volved in the process. faculty mem- date." she said. "The candidate at the Monday meeting. proved the proposal by a 27-7 vote. involved in the promotions process dates taken away if the new policy bers and promotion candidates com- must then present themselves to a One Academic Senate member. There was one abstention. should be getting more nine to do goes into effect. plained they did not have enough committee that doesn't know them. political science Professor Theodore what they were hired to do: teach. Instead of going through the Uni- time to plan their classes. said Phyl- and the dossiers grow larger in hopes The policy must be signed by Norton called for a single university SJSU's Academic Senate passed a versity Committee. promotion can- lis Connolly. chainvoman of the pro- of making sure the committee has all SJSU President Gail Fullerton before body to he created to review all can- new promotions policy Monday that didates will be reviewed by their fessional standards c llllll nittee the pertinent information." it can be put into effect, but Aca- didates for promotions, retention and may eliminate one reviewing body in own departments or sch(xils, accord- "We were getting nunierous com- Under the new plan, p tttttttt (ion% demic Senate officials were confi- tenure.
    [Show full text]
  • Cwa News-Fall 2016
    2 Communications Workers of America / fall 2016 Hardworking Americans Deserve LABOR DAY: the Truth about Donald Trump CWA t may be hard ers on Trump’s Doral Miami project in Florida who There’s no question that Donald Trump would be to believe that weren’t paid; dishwashers at a Trump resort in Palm a disaster as president. I Labor Day Beach, Fla. who were denied time-and-a half for marks the tradi- overtime hours; and wait staff, bartenders, and oth- If we: tional beginning of er hourly workers at Trump properties in California Want American employers to treat the “real” election and New York who didn’t receive tips customers u their employees well, we shouldn’t season, given how earmarked for them or were refused break time. vote for someone who stiffs workers. long we’ve already been talking about His record on working people’s right to have a union Want American wages to go up, By CWA President Chris Shelton u the presidential and bargain a fair contract is just as bad. Trump says we shouldn’t vote for someone who campaign. But there couldn’t be a higher-stakes he “100%” supports right-to-work, which weakens repeatedly violates minimum wage election for American workers than this year’s workers’ right to bargain a contract. Workers at his laws and says U.S. wages are too presidential election between Hillary Clinton and hotel in Vegas have been fired, threatened, and high. Donald Trump. have seen their benefits slashed. He tells voters he opposes the Trans-Pacific Partnership – a very bad Want jobs to stay in this country, u On Labor Day, a day that honors working people trade deal for working people – but still manufac- we shouldn’t vote for someone who and kicks off the final election sprint to November, tures his clothing and product lines in Bangladesh, manufactures products overseas.
    [Show full text]
  • Noel Paul Stookey Bio
    Noel Paul Stookey Bio Singer/songwriter Noel Paul Stookey has been altering both the musical and ethical landscape of this country and the world for decades—both as the “Paul” of the legendary Peter, Paul and Mary and as an independent musician who passionately belie es in bringing the spiritual into the practice of daily life! "unny, irre erently re erent, thoughtful, compassionately passionate, Stookey’s oice is known all across this land: from the “%edding Song” to “&n 'hese 'imes.” Noel and Betty, his bride of over )* years +but who’s counting,, moved with their three daughters to the coast of maine over forty years ago. since that time he’s done the occasional home town benefit and the here-and-there in-state show but ne er had undertaken a concentrated tour in one season. “& recorded all . of my maine concerts last summer - from ogun/uit to eastport - check '01' out on a map” he says, “and, though not all of the ideo or audio made 2prime time2, i was able to collect *3 music ideos for the 4VD and +amazingly, fit all *3 songs on the 7D to create this 1' 08ME: the maine tour package.” 'he songs in this newest release represent a broad range: '0E 71(&N "959: %1;'< +homage to the rigors of enduring the lengthened winter in maine,, a new ersion of %01'S09:NAM9 +a bittersweet =az6 shaded reminiscence of a middle-aged man in denial, originally recorded on the PP&M ?@AA album, "1M&;&1 49; 78:1<8N +a new song that speaks to the immigration issue in compassionate rather than political terms,, %944&NB S8NG +with the 2original2 lyric and a spoken introduction - DVD only, and '0E ;1DY S1YS S09 48N2' ;&KE E1<< +a commentary on a common misperception of the creati e process,.
    [Show full text]
  • EXTENSIONS of REMARKS 11753 Legislative Affairs, Department O.F the Navy, Were Introduced and Severally Referred by Mr
    May 17, 1979 EXTENSIONS OF REMARKS 11753 Legislative Affairs, Department o.f the Navy, were introduced and severally referred By Mr. BROWN of California: transmitting notice of the Navy s intention as follows: H.R. 4138. A bill for the relief of James E. to sell certain naval vessels to the Republic By Mr. FISHER: Kennedy; to the Committee on the Judiciary. of the Philippines, pursuant to 10 u ..s.c. H .R. 4133. A bill to amend the Internal By Mr. CHAPPELL: 7307; to the Committee on Armed Services. Revenue Code of 1954 to provide that the in­ H.R. 4139. A bill for the relief of Feeronaih Abbosh; to the Committee on the Judiciary. 1623. A letter from the Associate Direct~r vestment tax credit shall not be recaptured of Legislative Liaison, Department of the Air in the case of certain transfers by air carriers Force, transmitting the annual report for of aircraft used exclusively to provide air calendar year 1978 on the progress of the transportation; to the Committee on Ways ADDITIONAL SPONSORS Reserve Officers' Training Corps flight train­ and Means. Under clause 4 of rule XXII, sponsors ing program, pursuant to 10 U .S .C. 2110(b); By Mr. HUBBARD: were added to public bills and resolutions to the Committee on Armed Services. H.R. 4134. A bill to provide, for purposes as follows: 1624. A letter from the Administrator, Na­ of the Federal income tax, that the one-time tional Aeronautics and Space Administra­ H.R. 1878: Mr. DORNAN and Mr. OBERSTAR. exclusion from gross income of gain from the H.R.
    [Show full text]
  • Peter Paul and Mary.Pptx
    Peter, Paul and Mary Group 3: Chen Chen & Hailey Funk Outline • Biography -- Peter; Paul; Mary; Albert Gross the group • Album timeline • Musical style • Musical Analysis (vocal, instrumentation) • Comparison between Peter, Paul and Mary's cover version and original version • Musical influence on&of Peter, Paul and Mary Biography-Peter • Born May 31st 1938, in New York City • learned guitar and violin early on o Went to high school for "Music and Art" • Got a Bachelor's degree in psychology from Cornell • Met Mary and Paul in Greenwich Village (1960) o Due to manager, Albert Grossman Biography-Paul • Born Dec. 30 1937 in Baltimore, Maryland as Noel "Paul" Stookey • Raised in Michigan • Learned to play guitar at 11 • Graduated from Michigan State University o he was a master of ceremonies o involved in band, Corsairs • Moved to New York in 1959 • Worked in sales and at a club in Greenwich Village o Albert Grossman introduced him to Peter and Mary Biography-Mary • Born November 9 1936 in Louisville, Kentucky • Raised in Greenwich Village • Her and schoolmates sang backup for Pete Seeger's album • Dropped out of high school in 11th grade • In Broadway musical The Next President Albert Grossman • Manager of folk/folk rock: o Bob Dylan o Janis Joplin o +others • Put together Peter, Paul and Mary • looking for tall and blonde women (Mary), a good-looking guy (Peter) and a comedic man (Paul). Biography-Peter, Paul and Mary After auditioning several singers in the New York folk scene, Albert Grossman, the Manager, created Peter, Paul and Mary in 1961, After rehearsing them out of town in Boston and Miami, Grossman booked them into The Bitter End, a coffee house, nightclub and popular folk music venue in New York City's Greenwich Village.
    [Show full text]
  • “Our Silence Buys the Battles”: the Role of Protest Music in the U.S.-Central American Peace and Solidarity Movement
    “Our Silence Buys the Battles”: The Role of Protest Music in the U.S.-Central American Peace and Solidarity Movement CARA E. PALMER “No más! No more!” “No más! No more!” Shout the hills of Salvador Shout the hills of Salvador Echo the mountains of Virginia In Guatemala, Nicaragua We cry out “No más! No more!” We cry out “No más! No more!”1 In the 1980s, folk singer John McCutcheon implored his fellow U.S. citizens to stand in solidarity with Central Americans in countries facing United States (U.S.) intervention. Combining both English and Spanish words, his song “No Más!” exemplifies the emphasis on solidarity that characterized the dozens of protest songs created in connection with the U.S.-Central American Peace and Solidarity Movement (CAPSM).2 McCutcheon’s song declared to listeners that without their active opposition, the U.S. government would continue to sponsor violence for profit. McCutcheon sang, “Our silence buys the battles, let us cry, ‘No más! No more!,’” urging listeners to voice their disapproval of the Reagan administration’s foreign policies, because remaining silent would result in dire consequences. One hundred thousand U.S. citizens mobilized in the 1980s to protest U.S. foreign policy toward Central America. They pressured Congress to end U.S. military and financial aid for the military junta in El Salvador, the military dictatorship in Guatemala, and the Contras in Nicaragua. The Reagan administration supported armed government forces in El Salvador and Guatemala in their repression of the armed leftist groups FMLN and MR-13, and the Contras in Nicaragua in their war against the successful leftist revolution led by the FSLN.
    [Show full text]
  • Go to the Zoo Free
    FREE GO TO THE ZOO PDF Jean Adamson,Belinda Worsley | 32 pages | 11 Aug 2010 | Penguin Books Ltd | 9781409300847 | English | United Kingdom Visit - Denver Zoo Peter, Paul and Mary were a US folk-singing trio whose nearly year career began with their rise to become a paradigm for s folk music. After the death of Mary Travers inYarrow and Stookey continued to perform as a duo under their individual names. We're doing our best to make sure our content is useful, accurate and safe. If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly. Forgot your password? Retrieve it. Get promoted. Powered by OnRad. Think you know music? Test your MusicIQ here! In Lyrics. By Artist. By Album. Discuss the Going to the Go to the Zoo Lyrics with the community: 1 Comment. Notify me of new comments via email. William Flynn. Like Reply Report 9 months ago. Cancel Report. Create a new account. Log In. Powered by CITE. Missing lyrics by Peter, Paul and Mary? Know any other songs by Peter, Paul and Mary? Don't keep it to yourself! Add it Here. Watch the song video Going to the Go to the Zoo. The Marvelous Toy. Leatherwing Bat. I Have a Song to Sing O! All Through the Night. It's Raining. Boa Constrictor. Christmas Dinner. Puff The Magic Dragon. Gibson the Rockstar Cat. Michael J. Hidden Cities City's T…. David Gagne. Feels Like Dying. Ally Nicholas.
    [Show full text]
  • FROM “WE SHALL OVERCOME” to “FORTUNATE SON”: the EVOLVING SOUND of PROTEST an Analysis on the Changing Nature of American Protest Music During the Sixties
    FROM “WE SHALL OVERCOME” TO “FORTUNATE SON”: THE EVOLVING SOUND OF PROTEST An analysis on the changing nature of American protest music during the Sixties FLORIS VAN DER LAAN S1029781 MA North American Studies Supervisor: Frank Mehring 20 Augustus 2020 Thesis k Floris van der Laan - 2 Abstract Drawing on Denisoff’s theoretical framework - based on his analysis of the magnetic and rhetorical songs of persuasion - this thesis will examine how American protest music evolved during the Sixties (1960-1969). Songs of protest in relation to the Civil Rights Movement and the Vietnam War gave a sound to the sociopolitical zeitgeist, critically addressing matters that were present throughout this decade. From the gentle sounds of folk to the dazzling melodies of rock, protest music became an essential cultural medium that inspired forms of collective thought. Ideas of critique and feelings of dissent were uniquely captured in protest songs, creating this intrinsic correlation between politics, music, and protest. Still, a clear changing nature can be identified whilst scrutinizing the musical phases and genres – specifically folk and rock - the Sixties went through. By taking a closer look on the cultural artifacts of protest songs, this work will try to demonstrate how American songs of protest developed during this decade, often affected by sociopolitical factors. From Bob Dylan’s “Blowin’ in the Wind” to The Doors’ “The Unknown Soldier”, and from “Eve of Destruction” by Barry McGuire to “Superbird” by Country Joe and The Fish, a thorough analysis of protest music will be provided. On the basis of lyrics, melodies, and live performances, this thesis will discuss how protest songs reflected the mood of the times, and provided an ever-evolving destabilizing force that continuously adjusted to its social and political surroundings.
    [Show full text]
  • PHOENIX HOUSE FOUNDATION ORAL HISTORY PROJECT The
    PHOENIX HOUSE FOUNDATION ORAL HISTORY PROJECT The Reminiscences of Jerry Taylor Columbia Center for Oral History Columbia University 2014 PREFACE The following oral history is the result of a recorded interview with Gerald “Jerry” Taylor conducted by Lance Thurner on September 23, 2014. This interview is part of the Phoenix House Foundation Oral History Project. The reader is asked to bear in mind that s/he is reading a verbatim transcript of the spoken word, rather than written prose. Audio Transcription Center Session #1 Interviewee: Jerry Taylor Location: New York, New York Interviewer: Lance Thurner Date: September 23, 2014 Q: This is Lance Thurner and I’m interviewing Jerry Taylor here in the offices of Lippe and Taylor— Taylor: Lippe Taylor. Q: Lippe Taylor, on Park Avenue in Downtown Manhattan, and it’s September 23rd, about mid- day, and this is for the Phoenix House oral history project. Jerry, would you just say hello? Taylor: Hello, everyone! Q: OK. So, Jerry, I’d like to begin this interview as a life history interview, just talking a little bit about your childhood and your growing up, and kind of taking a long view of how you became involved with Phoenix House. So, can we just start a little bit with when, where were you born, and a little bit about your childhood? Taylor: Sure. I was born in Los Angeles in 1935. Grew up there, went to Fairfax High School. As a matter of fact, after I graduated college, I worked for a magazine called Coast, which was owned by Jeff Nathanson, who is now a Phoenix House board member on the West Coast, a little coincidence there.
    [Show full text]
  • The Uneven Heart
    Chapter 10 The Uneven Heart BOB DYLAN THE MUSICIAN T IS EASY to be seduced by Dylan’s lyrics: they were essential when he was nominated for ‘Voice of a Generation’, and they stuck in the fans’ throats I when he converted to Christianity. Equally easy is it to question his mu- sical abilities: ‘He can’t sing’, ‘he can’t play the harmonica’, ‘he only knows three guitar chords’, ‘his lyrics are good, but I can’t stand the voice’. Et cetera … et cetera … But what if it’s first and foremost the music that has captured one’s atten- tion? Or put differently: if one is of the opinion that what is said cannot meaningfully be separated from how it is said? (this is a more unproblematic premise in painting, where how something is painted is usually considered more important than what the painting is of). In this article, I argue that what is most appealing about Dylan’s art and what creates the impression that what he does and says is significant, is the sense of a direct address as an expression of a life and a pulse, and that this aspect of his work first and foremost comes to expression through musical means, and not through the lyrics, because the meaning of a song is not primarily textual but musical, in a fundamental sense: it is based on the conflation of a sound and a set of meaningful associations. This theme may be introduced through two examples. My very first en- counter with Dylan’s music was not through Dylan himself, but through Peter, Paul and Mary, in a clip which I have later identified as a performance from the Newport festival, taken from the documentary Festival (1967).
    [Show full text]
  • Peter, Paul & Mary Late Again Mp3, Flac
    Peter, Paul & Mary Late Again mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Late Again Country: US Released: 1968 Style: Folk MP3 version RAR size: 1490 mb FLAC version RAR size: 1369 mb WMA version RAR size: 1370 mb Rating: 4.9 Votes: 502 Other Formats: MOD AU MPC ASF VQF DTS AIFF Tracklist Hide Credits Apologize A1 3:50 Written-By – Paul Stookey* Moments Of Soft Persuasion A2 2:31 Written-By – Peter Yarrow Yesterday's Tomorrow A3 3:30 Written-By – Robert Dorough*, Laura Popper, Mary Travers Too Much Of Nothing A4 2:32 Written-By – Bob Dylan There's Anger In The Land A5 3:42 Written-By – Don West , Hedy West Love City (Postcards To Duluth) A6 3:39 Written-By – Paul Stookey* She Dreams B1 2:52 Written-By – Travers*, Okun*, Stookey*, Yarrow* Hymn B2 2:19 Written-By – Mason*, Gold*, Stookey* Tramp On The Street B3 3:49 Written-By – Grady Cole, Hazel Cole I Shall Be Released B4 2:36 Written-By – Bob Dylan Reason To Believe B5 2:10 Written-By – Tim Hardin Rich Man Poor Man B6 3:35 Written-By – Peter Yarrow, Peter Zimmel Credits Producer – Albert B. Grossman, Milton T. Okun* Other versions Category Artist Title (Format) Label Category Country Year Peter, Paul Late Again (LP, Warner Bros. - Seven WS 1751 WS 1751 US 1968 & Mary Album, Ter) Arts Records Peter, Paul Late Again (LP, Warner Bros. - Seven BP-8512 BP-8512 Japan 1968 & Mary Album, Red) Arts Records Warner Bros. - Seven CPLW 1550, Peter, Paul Late Again (LP, Arts Records, CPLW 1550, France 1968 (WS.
    [Show full text]
  • Sing! 1975 – 2014 Song Index
    Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo ..
    [Show full text]