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Etnies Album Download Free Etnies Album Download Free
etnies album download free Etnies album download free. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67da3abdce05c41a • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Etnies album download free. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67da3abdadc384d4 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. -
Resource Guide 4
WILLIAM D. CANNON AR T G A L L E R Y TABLE OF CONTENTS Steps of the Three-Part-Art Gallery Education Program 3 How to Use This Resource Guide 4 Making the Most of Your Gallery Visit 5 The Artful Thinking Program 7 Curriculum Connections 8 About the Exhibition 10 About Street Skateboarding 11 Artist Bios 13 Pre-visit activities 33 Lesson One: Emphasizing Color 34 Post-visit activities 38 Lesson Two: Get Bold with Design 39 Lesson Three: Use Text 41 Classroom Extensions 43 Glossary 44 Appendix 53 2 STEPS OF THE THREE-PART-ART GALLERY EDUCATION PROGRAM Resource Guide: Classroom teachers will use the preliminary lessons with students provided in the Pre-Visit section of the Full Deck: A Short History of Skate Art resource guide. On return from your field trip to the Cannon Art Gallery the classroom teacher will use Post-Visit Activities to reinforce learning. The guide and exhibit images were adapted from the Full Deck: A Short History of Skate Art Exhibition Guide organized by: Bedford Gallery at the Lesher Center for the Arts, Walnut Creek, California. The resource guide and images are provided free of charge to all classes with a confirmed reservation and are also available on our website at www.carlsbadca.gov/arts. Gallery Visit: At the gallery, an artist educator will help the students critically view and investigate original art works. Students will recognize the differences between viewing copies and seeing works first and learn that visiting art galleries and museums can be fun and interesting. Hands-on Art Project: An artist educator will guide the students in a hands-on art project that relates to the exhibition. -
105 September 2018
#105 September 2018 Passes on sale until 20 October 2018’ UpgradeUpgrade toto aa fullfull yearyear forfor £259£259 Unlimited use between 1.9.18 and 31.7.19 Passes on sale until 20 October 2018’ UpgradeUpgrade toto aa fullfull yearyear forfor £259£259 Unlimited use between 1.9.18 and 31.7.19 editorial Yo, Notts! I'm Tom Quigley, a Notts photographer, skateboarder and publisher of indie skate mag, Varial Magazine. I’m stoked to have lent a hand to the 'Lion crew this month, to share my passion for skateboarding alongside a handful of our many creative and talented skateboarders. This issue, we’re demonstrating why Nottingham's skate scene is one of the best in the country and a real asset to our city. Skateboarding. You mean those kids hanging around at Sneinton Market all the time? Well, most of us aren't kids anymore, and our old skate spots like Broadmarsh Banks and the Old Market Square are long gone. Yet we're still here and skating as much as we were in the seventies, eighties and nineties. Skateboarding doesn’t have an age limit, and there’s an unbiased inclusivity that comes from that. If you wander through Sneinton Market, or “HQ”, on a summer evening – or even an autumn one; we're resilient – you'll witness a community of people, #LookUpDuck of all ages and professions, hanging out together and constantly pushing each Vicky rolls back in time with the wind. other to better themselves. All because of a piece of wood and four wheels. -
6101 Wilkins and Moss.Indd I 08/07/19 4:47 PM Refocus: the American Directors Series
ReFocus: The Films of Spike Jonze 6101_Wilkins and Moss.indd i 08/07/19 4:47 PM ReFocus: The American Directors Series Series Editors: Robert Singer and Gary D. Rhodes Editorial board: Kelly Basilio, Donna Campbell, Claire Perkins, Christopher Sharrett and Yannis Tzioumakis ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of neglected American directors, from the once- famous to the ignored, in direct relationship to American culture—its myths, values, and historical precepts. The series ignores no director who created a historical space—either in or out of the studio system—beginning from the origins of American cinema and up to the present. These directors produced film titles that appear in university film history and genre courses across international boundaries, and their work is often seen on television or available to download or purchase, but each suffers from a form of “canon envy”; directors such as these, among other important figures in the general history of American cinema, are underrepresented in the critical dialogue, yet each has created American narratives, works of film art, that warrant attention. ReFocus brings these American film directors to a new audience of scholars and general readers of both American and Film Studies. Titles in the series include: ReFocus: The Films of Preston Sturges Edited by Jeff Jaeckle and Sarah Kozloff ReFocus: The Films of Delmer Daves Edited by Matthew Carter and Andrew Nelson ReFocus: The Films of Amy Heckerling Edited by Frances Smith and Timothy Shary ReFocus: The Films of Budd Boetticher Edited by Gary D. -
Bamcinématek Presents Skateboarding Is Not a Crime, a 24-Film Tribute to the Best of Skateboarding in Cinema, Sep 6—23
BAMcinématek presents Skateboarding is Not a Crime, a 24-film tribute to the best of skateboarding in cinema, Sep 6—23 Opens with George Gage’s 1978 Skateboard with the director in person The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Brooklyn, NY/Aug 16, 2013—From Friday, September 6 through Thursday, September 12, BAMcinématek presents Skateboarding is Not a Crime, a 24-film tribute to the best of skateboarding in cinema, from the 1960s to the present. The ultimate in counterculture coolness, skateboarding has made an irresistibly sexy subject for movies thanks to its rebel-athlete superstars, SoCal slacker fashion, and jaw-dropping jumps, ollies, tricks, and stunts. Opening the series on Friday, September 6 is George Gage’s Skateboard (1978), following a lumpish loser who comes up with an ill-advised scheme to manage an all-teen skateboarding team in order to settle his debts with his bookie. An awesomely retro ride through 70s skateboarding culture, Skateboard was written and produced by Miami Vice producer Dick Wolf and stars teen idol Leif Garrett (Alfred Hitchcock’s daughter plays his mom!) and Z-Boys great Tony Alva. Gage will appear in person for a Q&A following the screening. Two of the earliest films in the series showcase the upright technique that dominated in the 60s. Skaterdater (1965—Sep 23), Noel Black’s freewheelingly shot, dialogue-free puppy-love story (made with pre-adolescent members of Torrance, California’s Imperial Skateboard Club) is widely considered to be the first skateboard movie. Claude Jutra’s cinéma vérité lark The Devil’s Toy (1966—Sep 23), is narrated in faux-alarmist fashion, with kids whipping down the hills of Montreal, only to have their decks confiscated by the cops. -
Moving Images – Static Spaces: Architectures, Art, Media, Film, Digital Art and Design
Moving Images – Static Spaces: Architectures, Art, Media, Film, Digital Art and Design AMPS Proceedings Series 14 AMPS PROCEEDINGS SERIES 14 AMPS, Altinbaş University 12-13 April, 2018 Moving Images – Static Spaces: Architectures, Art, Media, Film, Digital Art and Design EDITOR: Ayşegül Akçay Kavakoğlu SERIES EDITOR: Graham Cairns PRODUCTION EDITOR: Eric An © AMPS C.I.O. AMPS PROCEEDINGS SERIES 14. ISSN 2398-9467 INTRODUCTION : This publication is the product of the conference, Moving Images – Static Spaces: Architectures, Art, Media, Film, Digital Art and Design held in Istanbul in April 2018. Organised by Altinbaş University, the international research group AMPS, the scholarly journal Architecture_MPS and PARADE (Publication and research in Art, Architecture, Design and Environments, it offered a platform for multiple and diverse examinations of the city based on the following proposition: The relationship between architecture, urban environments and the moving image is deep rooted. It is also mutating. Born in the City Symphony films of the early 20th it was premised on the dynamic and mobile representation of buildings, streets and cities. Caught on celluloid, these architectures were the setting of news reels and documentaries. They were also settings projected on screen and presented like never before. This complex relationship continues today with interiors, architecture and cities still forming backdrops to action and being the subject of feature films, documentaries, news broadcasts and TV. Today, however, moving imagery and architecture coexist in multiple other worlds too: iphone screens and locative media; YouTube ‘news’ streaming of war torn cites; virtual reality spaces explored through headsets and haptic sensors; the animated environments of Second Life; the fantastical settings of the gaming industry; fly-through representations of architectural projects; and the real-time algorithmic formation of parametric architecture on a computer screen. -
Gap to Fakie from D3 to Documenta13 by Uffe Christensen
Gap To Fakie From D3 to Documenta13 by Uffe Christensen Fine Arts Department, Gerrit Rietveld Academie Thesis mentor: Janice McNabb March 23 2015 I was sitting in my brothers Copenhagen apartment at the end of 2014. I am drinking a cup of coffee (aeropress) and trying to keep my mind off my obligations. One of which you are holding in your hand right now. For several months I had been struggling in Amsterdam with finding some sort of focus within my endless piles of books and photocopied texts I had obtained for the sole purpose of having something valid to say over the course of the next four-thousand-something-words. During the research- and writing process I seemed to have lost myself a bit somewhere along the way. I flip through a pile of magazines lying on his coffee table, one of which is the spring 2014 issue of Dank Magazine1. On the cover was a list of the featured skateboarders and articles in the magazine and suddenly two names that are definitively not familiar in the skateboard world: Matias Faldbakken and Geide Einarsson. They are both visual artists based in Oslo. Both of which I have a tremendous amount of respect for and both have been very influential on my work over the last couple of years. Faldbakken in particular2. So seeing his name and Geide Einarssons on a magazine cover bearing a full bleed black and white photograph of a skateboarder flying down a set of stairs struck me with curiosity. The article with Faldbakken and Einarsson was actually a review of a recently released skateboard film. -
Gender Trouble Girl: the Disruptive Work of Kim Gordon Thomas S
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations 8-2005 Gender Trouble Girl: The Disruptive Work of Kim Gordon Thomas S. Caw Follow this and additional works at: https://dc.uwm.edu/etd Recommended Citation Caw, Thomas S., "Gender Trouble Girl: The Disruptive Work of Kim Gordon" (2005). Theses and Dissertations. 2031. https://dc.uwm.edu/etd/2031 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. 1 GENDER TROUBLE GIRL: THE DISRUPTIVE WORK OF KIM GORDON by Thomas S. Caw A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin-Milwaukee August 2005 2 GENDER TROUBLE GIRL: THE DISRUPTIVE WORK OF KIM GORDON by Thomas S. Caw A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin-Milwaukee August 2005 Major Professor Date Graduate School Approval Date 3 ABSTRACT GENDER TROUBLE GIRL: THE DISRUPTIVE WORK OF KIM GORDON by Thomas S. Caw The University of Wisconsin-Milwaukee, 2005 Under the Supervision of Dr. Gillian Rodger Kim Gordon has been referred to as the “Godmother of Grunge,” the “Godmother of alternative rock,” “rock’s reigning experimental diva,” the original “Riot Mom,” and other similar sobriquets when mentioned as an important influence on younger women musicians such as Courtney Love or the bands in the Riot Grrrl movement, but her work has been given only superficial treatment in both the popular and academic literature. -
Interview Sport Question
Issue: 554 www.varsity.cam.ac.uk 08 February 2002 THE CAMBRIDGE STUDENT NEWSPAPER 20p where sold QUESTION INTERVIEW SPORT Should the British Varsity gets the Men and Women Monarchy be gossip on Hockey Blues abolished? Paul ‘Tad’ Dutton victorious PAGE 8 PAGE 10 PAGE 32 Victory is by no means out of reach as Cambridge competitors have the chance to show which is the better university – PAGE 31 AN END TO ALL CREATION Oliver Duff tertainment and nightlife to both cur- rent and prospective students, point- CUSU CUSU Council voted on ing out that Cambridge compares un- Wednesday to bury Creation Ents favourably to many other university deep in the dustbin of Cambridge towns. history. Emma’s Seb Hoyle called the doc- The decision was the result of a ument, "a useful way to analyse the lengthy and heated debate amongst good and bad aspects of past activities the college reps. The controversy sur- and to capitalise on that" but also la- rounding Creation Ents was ignited by belled it "blinkered", in that it "had not the financial debacle surrounding last fully explored all the possible avenues summer’s all-night dance party at for CUSU Ents to be a success in the Oakington. A series of appalling or- future." ganisational blunders, including hav- CUSU admitted: “We recognise ing to buy last-minute provisions of that a reduction in the scale and scope bottled water and failing to take into of CUSU Ents may not be popular. account in the payment of VAT, led to However, our responsibility is to make a final £24,000 deficit. -
Skripsi REPRESENTASI SEKSISME DALAM FIM HER DEPARTEMEN
Skripsi REPRESENTASI SEKSISME DALAM FIM HER O L E H SYAFFIRAH NOOR KOROMPOT E31113521 DEPARTEMEN ILMU KOMUNIKASI FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS HASANUDDIN MAKASSAR 2017 REPRESENTASI SEKSISME DALAM FILM HER O L E H SYAFFIRAH NOOR KOROMPOT E31113521 Skripsi Sebagai Salah Satu Syarat Untuk Memperoleh Gelar Sarjana Pada Departemen Ilmu Komunikasi DEPARTEMEN ILMU KOMUNIKASI FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS HASANUDDIN MAKASSAR 2017 2 KATA PENGANTAR Assalamualaikum Warahmatullahi Wabarakatuh Puji syukur, penulis panjatkan kehadirat Allah SWT, yang telah memberikan nafas, kesehatan, rejeki, dan ilmu pengetahuan bagi penulis hingga hari ini. Sehingga skripsi ini dapat terselesaikan guna memenuhi salah satu syarat dalam menyelesaikan studi pada Departemen Ilmu Komunikasi, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Hasanuddin. Pada kesempataan ini, penulis ingin menyampaikan terimakasih yang sebesar-besarnya kepada kedua orang tua. Papa Moh. Noor Korompot dan Mama Fadlon F. Basgefan yang telah menjadi pendorong penulis agar dapat menyelesaikan setiap lembaran-lembaran ini dengan waktu yang cukup cepat. Tidak lupa adik laki-laki ku satu-satunya, Kesar, selalu semangat menjalani kehidupan ini. Untuk menyelesaikan bangku kuliah merupakan pencapaian terbesar dalam diri penulis, bukan hanya karena gelar sarjana semata, tetapi tanggung jawab sebagai anak perempuan pertama di dalam keluarga, yang wajib memberikan contoh kepada adik laki-laki nya agar dapat semangat menjalani kehidupan perkuliahan. Selesainya penyusunan skripsi ini tidak lepas dari bantuan dan dukungan berbagai pihak. Oleh karena itu, dengan penuh rasa kerendahan hati penulis mengucapkan terima kasih tiada tara kepada: 1. Bapak Muliadi Mau, S.Sos., M.Si selaku pembimbing I dan Bapak Andi Subhan Amir, S.Sos, M.Si selaku pembimbing II yang dengan sabar dan murah hati bersedia menerima, mendampingi, membimbing, dan memberikan tambahan ilmu bagi penulis agar dapat menyelesaikan skripsi ini. -
Skateboarding and Urban Landscapes in Asia Skateboarding and Urban Landscapes in Asia Consumption and Sustainability in Asia
CONSUMPTION AND SUSTAINABILITY IN ASIA McDuie-Ra Duncan McDuie-Ra Skateboarding and Urban Landscapes Skateboarding and Urban Landscapes in Asia in Asia Endless Spots Skateboarding and Urban Landscapes in Asia Consumption and Sustainability in Asia Asia is the primary site of production of a myriad of commodities that circulate the globe. From cars and computer chips to brand clothing, material objects manufactured across Asia have become indispensable to people’s lives in most cultural contexts. This mega production generates huge amounts of waste and pollution that threaten the health and lifestyle of many Asians. Yet, Asia is not only a site of production, but also one of the most rapidly growing consumer markets. This series focuses on consumption – the engine propelling Asia onto the world economic stage – and its implications, from practices and ideologies to environmental sustainability, both globally and on the region itself. The series explores the interplay between the state, market economy, technologies, and everyday life, all of which have become defining facets of contemporary Asian culture. Shifts in consumption that have taken place across Asia since the 1950s onward have had a deep impact on new and emerging informal economies of material care, revealing previously invisible sites of innovation, resistance and co-option. The series will bring together studies by historians, anthropologists, geographers, and political scientists that systematically document and conceptualize Asia’s engagement with consumption and sustainability