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The Library Development Program Report 1981-82

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The Library Development Program Report 1981-82 University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Other Library Materials (Newsletters, Reports, Library Development Review Etc.) 9-1-1982 The Library Development Program report 1981-82 University of Tennessee Libraries Follow this and additional works at: https://trace.tennessee.edu/utk_libdevel Part of the Arts and Humanities Commons Recommended Citation Dobson, John (ed). The Library Development Program Report. Knoxville: University of Tennessee, 1981/ 1982. This Review is brought to you for free and open access by the Other Library Materials (Newsletters, Reports, Etc.) at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Library Development Review by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. EDITED BY JOHN DOBSON Twenty-seeond Report The University of Tennessee Record (ISSN 0162-3996) Volume 85, Issue No.4, September 1982. Published monthly except February, April, May, June, August, October, and December by The Universiy of Tennessee 37996 Second class postage paid at Knoxville, Tennessee The University of Tennessee, Knoxville EOl-6010-001-83 We have found, during our relatively brief association with The University of Tennessee Library in Knoxville, that the prevailing characteristic of libraries, particularly those that must depend on public assistance, is "struggle." A library's lot seems to be a never-ending upward climb against persistent odds. One comes to realize that the information a library collects and holds for use grows and changes day by day, keeping the struggle going day by day. We have been told that our library here has a long history of frustration and struggle, doubtless beginning long before the day in 1827 when East Tennessee College (Blount College from 1794 until 1807) was promised a library ". but, in the meantime, the private library of one of the professors [will] serve as a substitute." Twenty-six years later, East Tennessee University (since 1840) received its first appropriation for library books, the sum of $100. A federal land grant in 1869 legally obligated the city of Knoxville to supply funds for a library, but the University of Tennessee (since March 10, 1879) had to take "legal action" before collecting $20,000 in 1881. Five thousand of this was earmarked for a library building, but it took Carnegie funds to accomplish this in 1910. (The structure could have been a reality five years earlier; the state needed that much time to raise matching funds.) So, 116 years after its founding, The University of Tennessee had a library in its own library bUilding. Today, that library, in its four campus locations, continues to struggle, perhaps more needful of support than ever before, if one stops to consider the shockingly inflated costs of library materials. A research library such as ours needs distinguished collections-rare books, historical collections, manuscripts, source materials-as well as a rich foundation of basics. And in times like these, the distinguished must defer to the fundamentals. The Library Development Program, established in 1959, remains a convenient and effective method for the enrichment of library growth. Donors may proceed at their own pace and follow their own interests. They may make gifts of cash, securities, books, manuscripts, memorabilia, rarities; gifts in tribute and in memory; endowments restricted to particular areas of interest, or free funds for immediate open spending. Whatever, the donor will know the gifts are gratefully accepted, that they are welcome and important ammunition for the unending battle. The procedure is simple, and the rewards are pleasing. 9Jt4f~~~ Some Notable Aapdsitlons Natural Wonders of the plates. The American Heritage Collector's American Scene Edition, acquired for the library by Mr. and The library was pleased to accept this Mrs. Alvarez, for the first time provided year the gift of the American Heritage prints reproduced in color from the Collector's Edition , The Original Water­ collection of the New York Historical Color Paintings by John James Audubon Society. During the course of producing for the Birds of America . The Collector's these pictures, the publisher took great Edition in folio , published in 1966, is trouble to assure the Society that the prints limited to 750 numbered copies. The would be as faithfully reproduced as library's copy is number 470. Included are technically possible . They were in fact 431 of the 433 original Audubon reproduced under the supervision of the watercolors along with the artist's marginal Society.. The watercolors are Audubon's in sketches and notes. their entirety, exactly as he did them . library patrons Mr. and Mrs . Max Unlike the Havell engravings, nothing is Alvarez thoughtfully presented the beautiful edited or omitted in the Collector's Edition . Audubon folio to Special Collections. Mr. Audubon's flaws , footnotes, and marginal and Mrs. Alvarez are staunch friends of the sketches are all present. Paper used in University and have been generous in producing the prints is a 200-year, acid­ providing support for the Special free sheet (stain-resistant) of 200-lb . stock, Collections acquisition program. which essentially prevents deterioration Audubon's original paintings have over a period much longer than for normal been carefully preserved at the New York paper. Three hundred and sixty-seven of the Historical Society , which purchased them paintings are 103/4" x 13", and 64 of the from the artist's widow through public paintings are 131/4" x 211/2" . subscription in 1863. Because of concern In Marshall B. Davidson's for conserving the delicate watercolors and Introduction to the Collector's Edition, the fragile pastel hues, the original collection of importance of the work is emphasized: 431 subjects has rarely been publicly "With this publication virtually the entire displayed in its entirety. The paintings series of paintings created by John James remain today very much as Audubon Audubon for The Birds of America is delivered them to his engraver more than a reproduced for the first time in full color century and a quarter ago . In order to and with the accuracy made possible by reach a much wider audience for his works modern photographic techniques. There is than might ever see his originals, Audubon nothing in American art to which this large commissioned copies to be made by the collection of Audubon's original work can English engraver Robert Havell , Jr. , for be compared . No other artist of his time I publication in his monumental double­ was so sensitively and intimately concerned elephant folio . Compiled from 1827 to with the natural wonders of the American 1838, the Birds of America includes scene. No single person before or since has natives of Kentucky, Pennsylvania, the contributed so much to the art of painting Gulf of St. Lawrence, the Great Pine birds." Swamp, Niagara Falls, Egg Harbor, New The library is most grateful to Mr. Jersey, Labrador, Florida , Mississippi and and Mrs . Alvarez for making the impressive many other places that Audubon could collection of bird prints available. personally reach . Audubon ultimately Ornithologists and other lovers of birds will painted all the known species of North benefit greatly from having access to this American birds . (top) Eastern Meadowlark rich resource . Sets of Audubon prints are usually (bottom) Nashville Warbler reprints made from the early engraved Use d by permission of the New York Histo rical SOcie ty • 3 Codes, Manuals, and Histories in 1962. (The manuscript section holds the Three Governors and a Pioneer Printer One of the goals of the library is to incomplete manuscript for this landmark After a recent visit to the library, Dr. build an unexcelled collection of history, which was given by the Moses and Mrs Joe L. Raulston presented to the Tennesseana. Among the most desirable White estate in 1925.) manuscript division a group of documents, materials in this category are the works of Almost as rare as the historical which had been passed down through his John Haywood. Haywood, a successful treatises is a legal work produced by Judge family. Dr. Raulston, along with his lawyer and judge who migrated from North Haywood, The Duty and Authority of daughter Mrs. Stanley Miller, who Carolina in 1807, established his horne, Justices of the Peace In the State of accompanied him, carne to the library to Tusculum, some eight miles from Nashville Tennessee (Nashville, 18lO). This scarce see an exhibit of George Roulstone on the Nolensville Pike. Next to his office and important little volume is said to be the imprints. They were interested in seeing he provided space for young, would-be second book printed in Nashville. The first the library's collection of works from lawyers who wanted to study under his bound book printed in Nashville was issued George Roulstone's press because they are tutelage. It was a fledgling law school, by the same printer, Thomas G. Bradford descended from a collateral line of the perhaps the first in the Old Southwest. in 1809. It was Haywood's A Revisal of All pioneer printer's family. Early in his career, Haywood was the Public Acts of the State of North George Roulstone, the first printer in concerned with the literature of the law Carolina and of the State of Tennessee Tennessee, was also the first Knoxville and during most of his life found time for Now in Force In the State of Tennessee. postmaster and a trustee of Blount College. the preparation and publication of law This was acquired for the library in 1975. He was brought to Knoxville by Gov. reports and manuals. Books from his An excellent copy of The Duty and William Blount to be the official printer for prolific pen supplied much of the gUidance Authority of Justices of the Peace was the Southwest Territory.
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