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Athenians and Eleusinians in the West Pediment of the Parthenon
ATHENIANS AND ELEUSINIANS IN THE WEST PEDIMENT OF THE PARTHENON (PLATE 95) T HE IDENTIFICATION of the figuresin the west pedimentof the Parthenonhas long been problematic.I The evidencereadily enables us to reconstructthe composition of the pedimentand to identify its central figures.The subsidiaryfigures, however, are rath- er more difficult to interpret. I propose that those on the left side of the pediment may be identifiedas membersof the Athenian royal family, associatedwith the goddessAthena, and those on the right as membersof the Eleusinian royal family, associatedwith the god Posei- don. This alignment reflects the strife of the two gods on a heroic level, by referringto the legendary war between Athens and Eleusis. The recognition of the disjunctionbetween Athenians and Eleusinians and of parallelism and contrastbetween individualsand groups of figures on the pedimentpermits the identificationof each figure. The referenceto Eleusis in the pediment,moreover, indicates the importanceof that city and its majorcult, the Eleu- sinian Mysteries, to the Athenians. The referencereflects the developmentand exploitation of Athenian control of the Mysteries during the Archaic and Classical periods. This new proposalfor the identificationof the subsidiaryfigures of the west pedimentthus has critical I This article has its origins in a paper I wrote in a graduateseminar directedby ProfessorJohn Pollini at The Johns Hopkins University in 1979. I returned to this paper to revise and expand its ideas during 1986/1987, when I held the Jacob Hirsch Fellowship at the American School of Classical Studies at Athens. In the summer of 1988, I was given a grant by the Committeeon Research of Tulane University to conduct furtherresearch for the article. -
HCS — History of Classical Scholarship
ISSN: 2632-4091 History of Classical Scholarship www.hcsjournal.org ISSUE 1 (2019) Dedication page for the Historiae by Herodotus, printed at Venice, 1494 The publication of this journal has been co-funded by the Department of Humanities of Ca’ Foscari University of Venice and the School of History, Classics and Archaeology of Newcastle University Editors Lorenzo CALVELLI Federico SANTANGELO (Venezia) (Newcastle) Editorial Board Luciano CANFORA Marc MAYER (Bari) (Barcelona) Jo-Marie CLAASSEN Laura MECELLA (Stellenbosch) (Milano) Massimiliano DI FAZIO Leandro POLVERINI (Pavia) (Roma) Patricia FORTINI BROWN Stefan REBENICH (Princeton) (Bern) Helena GIMENO PASCUAL Ronald RIDLEY (Alcalá de Henares) (Melbourne) Anthony GRAFTON Michael SQUIRE (Princeton) (London) Judith P. HALLETT William STENHOUSE (College Park, Maryland) (New York) Katherine HARLOE Christopher STRAY (Reading) (Swansea) Jill KRAYE Daniela SUMMA (London) (Berlin) Arnaldo MARCONE Ginette VAGENHEIM (Roma) (Rouen) Copy-editing & Design Thilo RISING (Newcastle) History of Classical Scholarship Issue () TABLE OF CONTENTS LORENZO CALVELLI, FEDERICO SANTANGELO A New Journal: Contents, Methods, Perspectives i–iv GERARD GONZÁLEZ GERMAIN Conrad Peutinger, Reader of Inscriptions: A Note on the Rediscovery of His Copy of the Epigrammata Antiquae Urbis (Rome, ) – GINETTE VAGENHEIM L’épitaphe comme exemplum virtutis dans les macrobies des Antichi eroi et huomini illustri de Pirro Ligorio ( c.–) – MASSIMILIANO DI FAZIO Gli Etruschi nella cultura popolare italiana del XIX secolo. Le indagini di Charles G. Leland – JUDITH P. HALLETT The Legacy of the Drunken Duchess: Grace Harriet Macurdy, Barbara McManus and Classics at Vassar College, – – LUCIANO CANFORA La lettera di Catilina: Norden, Marchesi, Syme – CHRISTOPHER STRAY The Glory and the Grandeur: John Clarke Stobart and the Defence of High Culture in a Democratic Age – ILSE HILBOLD Jules Marouzeau and L’Année philologique: The Genesis of a Reform in Classical Bibliography – BEN CARTLIDGE E.R. -
Seeing Gods: Epiphany and Narrative in the Greek Novels
Seeing Gods: Epiphany and Narrative in the Greek Novels ROBERT L. CIOFFI Bard College The Greek world was full of the divine, and the imagined world of the ancient novels was no different.1 Divinity and its worship pervade the novels’ narra- tives, helping to unite, drive apart, and then reunite their protagonists. In this paper, I explore the relationship between ancient religion and literature, the transformation of literary tradition, and the place of the marvelous in the nov- els’ narratives by examining the role that one aspect of the human experience of the gods, epiphany, plays in the genre. Although the novelists describe very few scenes of actual epiphany,2 they make abundant use of the epiphanic met- aphor in what I will call “epiphanic situations,” when an internal audience reacts to the hero or, most often, the heroine of the novel as if he or she were a god or goddess. These epiphanic situations transform the common metaphor of divine beauty into a reality, at least as experienced by the internal audience,3 and they offer the novelists an alternative to ekphrasis for expressing ineffable beauty. ————— 1 Zeitlin 2008, 91 writes: “The novels are full of: temples, shrines, altars, priests, rituals and offerings, dreams (or oracles), prophecies, divine epiphanies, aretalogies, mystic language and other metaphors of the sacred (not forgetting, in addition, exotic barbarian rites).” 2 In the novels, mortals are most frequently visited by divinities during dreams: e.g., Chari- ton 2,3; X. Eph. 1,12; Longus 1,7-8, 2,23, 2,26-27, 3,27, 4,34; Ach. -
Studieren Im Rom Der Renaissance
Forschungen 3 Michael Matheus ∙ Rainer Christoph Schwinges (Hrsg.) Die Arbeiten dieses Bandes sind den «Rom-Studien» von Personen aus dem römisch- deutschen Reich, aus Polen und Italien zur Zeit der Renaissance gewidmet. Ziel ist nicht zuletzt, den im Vergleich zu anderen italienischen Universitätsorten lange unter- schätzten Studienort Rom ins rechte Licht zu rücken. Ein grundlegender Beitrag zu Forschungswegen und Forschungsstand macht dazu den Auftakt. Um ihn herum sind Beiträge gruppiert, die sowohl die allgemeine Prosopographie als auch Studieren einzelne Persönlichkeiten im römischen Umfeld betreffen. So ndet man Beiträge über «Rom und Italien als Kriterien des sozialen Erfolgs» am Beispiel deutscher Gelehrter des 15. Jahr- hunderts, über den gelehrten Ritteradeligen Ulrich von Hutten und den späteren Kardinal im Rom Wilhelm von Enckenvoirt «im kosmopolitischen Rom», über die Frage, welche Rolle die päpst- lichen Hofpfalzgrafen beim Erwerb von Universitätsgraden «auf Schleichwegen in Rom» spiel- ten, über «Polnische Studenten im Rom der frühen Renaissance», über zwei Kollegien und ihre Kollegiaten im Rom des 15. und 16. Jahrhunderts (in italienischer Sprache: Lo studio dei der Renaissance collegiali), über die vornehmlich rhetorischen und humanistischen Studien, die selbst Bürger- söhne Roms am heimischen Universitätsort betrieben (in italienischer Sprache: Letture e studi dei cittadini romani), sowie über «Gelehrtennetzwerke zur Zeit der Renaissance am Beispiel | downloaded: 2.10.2021 von Johannes Regiomontanus» am römischen Studienort. Die Beiträge zeigen gesamthaft auf, dass auch die «Rom-Studien» wichtige Bestandteile der universitären Sozial- und Kultur- geschichte Europas sind. Repertorium Academicum Germanicum (RAG) Repertorium Academicum Germanicum (RAG) Forschungen 3 https://doi.org/10.48350/151567 ISBN 978-3-7281-3994-8 (open access) DOI 10.3218/3994-8 source: [email protected] www.vdf.ethz.ch Hochschulverlag AG an der ETH Zürich Liebe Leserin, lieber Leser Wir freuen uns, dass Sie unsere Open-Access-Publikation heruntergeladen haben. -
Martial's and Juvenal's Attitudes Toward Women Lawrence Phillips Davis
University of Richmond UR Scholarship Repository Master's Theses Student Research 5-1973 Martial's and Juvenal's attitudes toward women Lawrence Phillips Davis Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Davis, Lawrence Phillips, "Martial's and Juvenal's attitudes toward women" (1973). Master's Theses. Paper 454. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. MARTIAL' S AND JUVENAL' S ATTITUDES TOWARD WOMEN BY LAWRENCE PHILLIPS DAVIS A THESIS SUBMITTED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF MASTER OF·ARTS IN ANCIENT LANGUAGES MAY 1973 APPROVAL SHEET of Thesis PREFACE The thesis offers a comparison between the views of Martial and Juvenal toward women based on selected .Epigrams of the former and Satire VI of the latter. Such a comparison allows the reader to place in perspective the attitudes of both authors in regard to the fairer sex and reveals at least a portion of the psychological inclination of both writers. The classification of the selected Epigrams ·and the se lected lines of Satire VI into categories of vice is arbi- . trary and personal. Subjective interpretation of vocabulary and content has dictated the limits and direction of the clas sification. References to scholarship regarding the rhetori cal, literary, and philosophic influences on Martial and Ju venal can be found in footnote6 following the chapter concern-· ~ng promiscuity. -
Classical Reception in Contemporary Women's
CLASSICAL RECEPTION IN CONTEMPORARY WOMEN’S WRITING: EMERGING STRATEGIES FROM RESISTANCE TO INDETERMINACY by POLLY STOKER A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Classics, Ancient History, and Archaeology School of History and Cultures College of Arts and Law University of Birmingham April 2019 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The reader who rewrites remains a vital interlocutor between the classical past and the modern classicist. However, the neglect of the female reader in classical reception studies is an omission that becomes ever more conspicuous, and surely less sustainable, as women writers continue to dominate the contemporary creative field. This thesis makes the first steps towards fashioning a new aesthetic model for the female reader based on irony, ambivalence, and indeterminacy. I consider works by Virginia Woolf, Alice Oswald, Elizabeth Cook, and Yael Farber, all of whom largely abandon ‘resistance’ as a strategy of rereading and demand a new theoretical framework that can engage with and recognize the multivalence of women’s reading and rewriting. -
Qt7hq5t8mm.Pdf
UC Berkeley Room One Thousand Title Water's Pilgrimage in Rome Permalink https://escholarship.org/uc/item/7hq5t8mm Journal Room One Thousand, 3(3) ISSN 2328-4161 Author Rinne, Katherine Publication Date 2015 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Katherine Rinne Illustration by Rebecca Sunter Water’s Pilgrimage in Rome “If I were called in To construct a religion I should make use of water.” From Philip Larkin, “Water,” 1964 Rome is one of the world’s most hallowed pilgrimage destinations. Each year, the Eternal City’s numinous qualities draw millions of devout Christians to undertake a pilgrimage there just as they have for nearly two millennia. Visiting the most venerable sites, culminating with St. Peter’s, the Mother Church of Catholicism, the processional journey often reinvigorates faith among believers. It is a cleansing experience for them, a reflective pause in their daily lives and yearly routines. Millions more arrive in Rome with more secular agendas. With equal zeal they set out on touristic, educational, gastronomic, and retail pilgrimages. Indeed, when in Rome, I dedicate at least a full and fervent day to “La Sacra Giornata di Acquistare le Scarpe,” the holy day of shoe shopping, when I visit each of my favorite stores like so many shrines along a sacred way. Although shoes are crucial to our narrative and to the completion of any pilgrimage conducted on Opposite: The Trevi Fountain, 2007. Photo by David Iliff; License: CC-BY-SA 3.0. 27 Katherine Rinne foot, our interest in this essay lies elsewhere, in rededicating Rome’s vital role as a city of reflective pilgrimage by divining water’s hidden course beneath our feet (in shoes, old or new) as it flows out to public fountains in an otherwise parched city. -
Kilden Til Jeppe Paa Bierget
Kilden til Jeppe paa Bierget Gunnar Sivertsen Aarhus Universitetsforlag | a 85350_jeppe_.indd 3 17‑11‑2010 10:52:35 Kilden til Jeppe paa Bierget © Forfatteren og Aarhus Universitetsforlag 2010 Tilrettelægning: Jørgen Sparre Omslag: Harvey Macaulay Trykt hos Narayana Press Printed in Denmark 2010 ISBN 978 87 7934 628 4 Aarhus Universitetsforlag Fax 89 42 53 80 www.unipress.dk Århus Langelandsgade 177 8200 Århus N København Tuborgvej 164 2400 København NV Bogen er udgivet med støtte fra Den Hielmstierne‑Rosencroneske Stiftelse, Institusjonen Fritt Ord, Lillian og Dan Finks Fond, Nordisk institutt for studier av innovasjon, forskning og utdan‑ ning og Norges forskningsråd. 85350_jeppe_.indd 4 17‑11‑2010 10:52:35 Forord Ludvig Holbergs Jeppe paa Bierget bygger på hovedhandlingen i Jakob Bidermanns (1578‑1639) latinske roman Utopia (1640), som skildrer en karnevalsfeiring hvor man gjør en bonde til narrefyrste. Holberg nevner selv lånet fra Bidermann i komediens førsteutgave (1723). I 1806 gjendiktet den første Holberg‑forskeren, Knud Lyne Rahbek (1760‑1830), Bidermanns hovedhandling som en kort og tilsynelatende sammenhengende anek‑ dote på dansk. Gjennom to hundre år har Holberg‑forskere trodd at Rahbeks anek‑ dote er en “oversettelse” og lest den i stadig nye utgaver. Det direkte kjennskapet til Bidermanns roman har vært svakt. I denne boken presenterer jeg en ny og mer direkte oversettelse av kilden til Jeppe paa Bierget. Latindikteren Bidermann og hans forfatterskap introduseres, og jeg gir en inngående tolkning av Utopia. To hundre års Holberg‑forskning gjen‑ nomgås for å oppklare de misforståelsene som Rahbeks anekdote har medført. Dermed legger jeg et nytt grunnlag for å undersøke hvordan Holbergs komedie er skapt i dialog med en annen dikters tekst. -
VIVA ROMA Für Jugendgruppen
Thomas Michael Glaw Dorothea Lubahn Reiseführer VIVA ROMA für Jugendgruppen Erlebnistouren Geschichte & Geschichten Schöne Aussichten & Plätze zum Chillen Gut Essen und Trinken Restaurants für Gruppen Liebe Leser*innen, Sie kennen wahrscheinlich Rom sehr gut, sonst wür- den Sie nicht mit einer Gruppe dorthin fahren. Warum also noch ein Führer? Wir möchten Ihnen zur Hand gehen, Sie anregen, Geschichten zu erzählen, Sie ermutigen, auch einmal Dinge wegzulassen. Sie können in wenigen Tagen Ihren Teilnehmer*innen nur Einblicke geben und Lust machen, zurückzukommen in die Ewige Stadt. Erschlagen Sie die Jugendlichen nicht mit Fakten, machen Sie ihre Teilnehmer*innen zu Mit-Gestaltern, indem sie selbst Führungen übernehmen oder Informationen recherchieren, und ermuntern Sie sie zu eigenen, neuen Erfahrungen. Öffnen Sie die Augen für 2000 Jahre Geschichte, ohne das heutige Rom zu vergessen. Dieser Führer und unsere Webseite Rom-U20.de unterstützen Sie bei Ihrem Besuch. Machen Sie Rom für Ihre Jugendlichen zu einem ganz besonderen Erlebnis. Dr. Thomas Michael Glaw & Dorothea Lubahn 2 Erlebnistouren Bazzecole - Restaurants Geschichte & Geschichten Orte abseits der Besucherströme für Jugendgruppen Das alte Rom Aquädukte: dem römischen Va� kan S. 83 Pala� n, Forum Romanum Wasser auf der Spur S. 61 Trastevere S. 88 & Kolosseum S. 4 Thermen in Rom S. 64 Gianicolense S. 93 Centro Storico: Friedhöfe S. 66 Centro Storico S. 95 Vom Campo dei Fiori Nordöstliche Villen S. 98 zur Spanischen Treppe S. 15 Orte der S� lle S. 68 Esquilin & Mon� S. 101 Das Reich des Papstes - Sport & Entspannen San Lorenzo S. 105 der Va� kan und seine Museen S. 25 Schöne Aussichten S. 69 Piramide S. -
Eumolpos and the Wars of Athens , Greek, Roman and Byzantine Studies, 24:3 (1983:Autumn) P.197
SIMMS, ROBERT M., Eumolpos and the Wars of Athens , Greek, Roman and Byzantine Studies, 24:3 (1983:Autumn) p.197 Eumolpos and the Wars of Athens Robert M Simms NCIENT TRADITION recalled two great early wars between Ath A ens and her neighbor Eleusis. Of these, the later was associated with Theseus, who captured Eleusis from the Megarians under Diokles and Skiron: although attested only by Megarian sources (Plut. Thes. 10), this conquest is perhaps related to the synoikismos of Attica which was regarded as Theseus' signal achievement.1 The earlier war, on the other hand, is much more fully attested than that of Theseus: it is placed in the time of Erechtheus,2 and is represented as the heroic defense of Athens against an invading force from Eleusis under the command of Eumolpos. This war too is sometimes said to have re sulted in the annexation of Eleusis by Athens. Scholars generally agree 3 that these legends reflect one or more historical wars, but have disagreed about their number, sequence, and nature.4 The present study will approach these questions by a different route, viz. the com plex and self-contradictory legend of Eumolpos. We begin by cataloguing the versions (I, II, etc.) and variants (A, B, etc.) of this legend, combining and enlarging upon the work of Kern5 and Jacoby.6 Our approach will entail an attempt to attribute each version and suggest its age. 1 Thuc. 2.1S.1, Philoch. FGrHist 328F107, Andron IOFI4. For a good discussion of scholarship on the synoikismos see R. A. Padgug, GRBS 13 (1972) 13S-S0, and see now S. -
Remains of Old Latin; Newly Edited and Translated
THE LOEB CLASSICAL LIBRARY FOODED BY JAMES LOEB, LL.D. EDITED BY T. E. PAGE, C.H., Lirr.D. E. CAPPS, PH.D., LL.D. W. H. D. ROUSE, liit.d. REMAINS OF OLD LATIN I ENNIUS AND CAECILIUS EEMAINS OF OLD LATIN newly edited axd translated by E7%.AVaRMINGT0N, m.a. RKAOER IN ANTIKST HISTORY, UNIVERSITY OF LONDON, king's COLLEGE (in three volumes y I ENNIUS AND CAECILIUS CAMBRIDGE, MASSACHUSETTS HARVARD UNIVERSITY PRESS LONDON WILLIAM HEINEMANN LTD MCMXXXV ?A Printed in Great Britain — CONTENTS PAOK INTEODUCTION vii BKNIUS 1 CAECILITTS 467 WORDS FBOM ENNniS AND CAECrLITJS NOT INCLUDED IN THE TEXT OE THE NOTES OF THIS VOLUME . 562 CONCOEDANCES I. —ENNius {for rej. from Vahlen's ed. to this) . 565 n.—EKNius (for ref. from this ed. to Vahleti'a) . 575 I.—CAECiLius (for ref. from Ribbeck's ed. to this) . 585 II. —CAECILIUS (for ref. from this ed. to Ribbeck's) . 587 INDEX 591 INTRODUCTION Scope of this nork. Limits of the archaic period. Archaic spelling. Contents In three volumes entitled Remains of Old Latin, of which this is the first volume, my object is to present a Latin text and an English translation of Latin remnants, literary and epigraphic, which belong to the archaic period of Roman literary historj-. I have fixed the limit of this archaic period at 81 —80 B.C., which are the years of Sulla's dictatorship. It is indeed true that the limit cannot really be defined with precision, partly because archaisms in spelling and in form survive, especially in epi- graphic records, during many years after the date here given. -
Death and the Female Body in Homer, Vergil, and Ovid
DEATH AND THE FEMALE BODY IN HOMER, VERGIL, AND OVID Katherine De Boer Simons A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Depart- ment of Classics. Chapel Hill 2016 Approved by: Sharon L. James James J. O’Hara William H. Race Alison Keith Laurel Fulkerson © 2016 Katherine De Boer Simons ALL RIGHTS RESERVED ii ABSTRACT KATHERINE DE BOER SIMONS: Death and the Female Body in Homer, Vergil, and Ovid (Under the direction of Sharon L. James) This study investigates the treatment of women and death in three major epic poems of the classical world: Homer’s Odyssey, Vergil’s Aeneid, and Ovid’s Metamorphoses. I rely on recent work in the areas of embodiment and media studies to consider dead and dying female bodies as representations of a sexual politics that figures women as threatening and even mon- strous. I argue that the Odyssey initiates a program of linking female death to women’s sexual status and social class that is recapitulated and intensified by Vergil. Both the Odyssey and the Aeneid punish transgressive women with suffering in death, but Vergil further spectacularizes violent female deaths, narrating them in “carnographic” detail. The Metamorphoses, on the other hand, subverts the Homeric and Vergilian model of female sexuality to present the female body as endangered rather than dangerous, and threatened rather than threatening. In Ovid’s poem, women are overwhelmingly depicted as brutalized victims regardless of their sexual status, and the female body is consistently represented as bloodied in death and twisted in metamorphosis.