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In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
BATJ Class and Recital Information with Waiver
Ballet & All That Jazz Ranelle W. Flurie, Director 18703 Crestwood Drive Hagerstown, MD 21742 301-797-2100 Fall 2020 BTJ is pleased to announce that we are returning to in-person and/or virtual classes coupled with a 2020 Fall Recital. Although it will be a bit different this year, we want to ensure that we showcase the talents and hard work of our dancers. We are working very hard to ensure safety first while providing class and recital instruction. Please remember to social distance, wear masks, and wash hands to keep our children safe. With that said, class instruction will begin on Monday, August 31st, and the three recitals will be held on Sunday, October 18th, and October 25th (details below). Please ensure your returning dancer is registered for fall classes via the Ballet and All That Jazz website (https://balletandallthatjazz.com/registration/), in- person, or by phone. We encourage new students to register in person. Registration is Tuesday, August 25th and Wednesday, August 26th from 5pm- 8pm at the Ballet and All That Jazz studio, located at 18703 Crestwood Drive, Hagerstown, Maryland 21742. For additional questions, contact us at 301-797-2100. Class Information: To ensure successful class instructions, please review the information below and reach out with any questions. • Classes will occur virtual/or in person. • Please ensure you have signed the waiver prior to class attendance (see form below). • Virtual class links will be sent at the beginning of the year for those who sign up for virtual instruction, and the same link will be use weekly. -
March 2021 Hidden Shamrock?? We Will Be Hiding SEVENTEEN Green Shamrocks Throughout the Community the RESERVE STAFF Common Areas on St
IW-743 - The Reserve At Stone Port - Issue: 03/01/21 Viewed: 03/03/21 09:04 AM 2015 Reserve Circle • Rockingham, VA 22801 • (540) 434-2000 www.liveatstoneport.com Feeling lucky?? Can you find a March 2021 hidden Shamrock?? We will be hiding SEVENTEEN green shamrocks throughout the community THE RESERVE STAFF common areas on St. Patrick’s Day Property Manager- (Wednesday, March 17th). Kehris Snead If you find one, please bring it to the Assistant Property Manager- Clubhouse front doors during office Amy McCracken hours and we will bring your prize out Leasing Consultants- to you! Erica Short Kristin Chapman Nominate Your Neighbor! Kevin Moore We will be gifting those who have Assistant Maintenance Supervisor- been neighborly during this ongoing Jason Kagey pandemic. If you would like to Maintenance Technicians- nominate a neighbor for doing a good Joel Short deed, please let us know. We would Nathan Conley like to thank them with a small gesture Isaiah Kagey of our appreciation! Brodi Hummel We may be experiencing trying times, but it’s touching to see how our community continues to look out for each other. *while supplies last* “Imagine what our real neighborhoods would be like if “May your troubles be less and each of us offered as a matter of your blessings be more & nothing course, just one kind word to but happiness come through another person.” - Mr. Rogers your door.” Office Hours Be Neighborly Monday 10:00 am–6:00 pm Make it a beautiful day in your Newsletter Ideas? Tuesday 10:00 am–6:00 pm neighborhood by celebrating “Won’t Have an idea or pictures to add to our Wednesday 10:00 am–6:00 pm You Be My Neighbor Day” on community newsletter? Thursday 10:00 am–6:00 pm Saturday, March 20, the birthday of Email us at: Friday 10:00 am–6:00 pm Fred Rogers. -
1. What Do You Consider to Be Blight? (Check All That Apply.) ___ Safety, Fire And/Or Health Hazards ___ Visual Appeal/At
4. Do you feel that an Anti-Blight Bylaw should be 1. What do you consider to be blight? 6. What are the most significant causes of blight? limited to any of the following locations? (Check all that apply.) (Check all that apply.) (Check 1 to 3 items below.) ___ Safety, fire and/or health hazards ___ Primary buildings (residential, public, & commercial) ___ Insufficient current building codes, health codes ___ Visual appeal/attractiveness ___ Secondary buildings (sheds, garages, etc.) and zoning bylaws ___ Abandoned buildings ___ Front yards ___ Difficulty in enforcing existing building codes, ___ None of the above ___ Back/side yards if visible from the street health codes and zoning bylaws ___ Don’t know ___ Back/side yards if visible by an abutter ___ Declining home ownership and/or growing ___ Decline to answer ___ Do not see a need for an Anti-Blight Bylaw number of rental properties ___ Other _______________________________ ___ Decline to answer ___ Abandoned/foreclosed property ___ Other ________________________________________ ___ None of the above ___ Decline to answer 2. What do you feel should be the goals or the 5. To what degree do the following conditions contribute ___ Other __________________________________ purpose of an Anti-Blight Bylaw? to blight? (1 = NO IMPACT, 5 = VERY HIGH (Check all that apply.) IMPACT, D/K = Don’t Know.) 7. What are the most significant reasons for ___ To raise property values 1 2 3 4 5 D/K Bikes blight? (Check 1 to 3 items below.) ___ To improve visual appearance 1 2 3 4 5 D/K Broken windows -
February 22, 1996
Jmm Ridison University Library Baseball Coollo puts Harritonburq, VA 22807 in a short opens Its appearance in "W^ the FEB 2 21996 season disappointing looking for Its concert at the L*%J third-straight Convo. 40-win year. Style/18 BreezeJAMES MADISON UNIVERSITY Sports/23 THURSDAY FEBRUARY 22. 1996 VOL. 73. NO. 37 State honors JMU hiring requests; Internet service to provide off- higher ed job freeze may end soon campus access by Joelle Bartoe by Cyndy Liedtke senior writer senior writer The hiring freeze imposed on the Virginia UPDATE ON HIRING FREEZE |— government has probably gone unnoticed by It's a familiar scenario — dial up the most JMU students. There seem to be just as VAX from the comforts of an off- many professors and just as many General Assembly budget legislation: campus dwelling and come head-to-head administrators on campus. with a busy signal. The hiring freeze, under which JMU and all A new service may mean fewer busy Virginia colleges and universities have been It authorizes the signals for people anxiously trying to operating since Dec. I, 1994, is part of Gov. The proposal docs creation of 650 check their e-mail from off campus. George Allen's (R) plan to reduce tuition costs not support limits JMU and SprintLink will launch a and control the size of administration, to 700 new new partnership Feb. 26 to give students, according to Robert Lauterberg, director of the on administrative positions. faculty and staff local dial-up Internet Virginia Department of Planning and Budget. positions. access with a direct connection to the "The governor's trying to encourage It exempts colleges JMU network. -
Learn the BEST HOPPER FEATURES
FEATURES GUIDE Learn The 15 BEST HOPPER TIPS YOU’LL FEATURES LOVE! In Just Minutes! Find A Channel Number Fast Watch DISH Anywhere! (And You Don’t Even Have To Be Home) Record Your Entire Primetime Lineup We’ll Show You How Brought to you by 1 YOUR REMOTE CONTENTS 15 TIPS YOU’LL LOVE — Pg. 4 From fi nding a lost remote, binge watching and The Hopper remote control makes it easy for you to watch, search and record more, learn all about Hopper’s best features. programming. Here’s a quick overview of the basics to get you started. Welcome HOME — Pg. 6 You’ve Made A Smart Decision MENU — Pg. 8 With Hopper. Now We’re Here SETTINGS — Pg. 10 DVR TV Power Parental Controls, Guide Settings, Closed Displays your Turns the TV To Make Sure You Understand Captioning, Screen Adjustments, Bluetooth recorded programs. on/off. All That You Can Do With It. and more. Power Guide Turns the receiver Displays the Guide. APPS — Pg. 12 on/off. Netfl ix, Game Finder, Pandora, The Weather CEO and cofounder Charlie Ergen remembers Channel and more. the beginnings of DISH as if it were yesterday. DVR — Pg. 14 The Tennessee native was hauling one of those Operating your DVR, recording series and Home Search enormous C-band TV dish antennas in a pickup managing recordings. Access the Home menu. Searches for programs. truck, along with his fellow cofounders Candy Ergen and Jim DeFranco. It was one of only two PRIMETIME ANYTIME & Apps Info/Help antennas they owned in the early 1980s. -
Pacing in Children's Television Programming
DOCUMENT RESUME ED 434 364 CS 510 117 AUTHOR McCollum, James F., Jr.; Bryant, Jennings TITLE Pacing in Children's Television Programming. PUB DATE 1999-03-00 NOTE 42p.; Paper presented at the Annual Meeting of the Association for Education in Journalism and Mass Communication (82nd, New Orleans, LA, August 4-7, 1999). PUB TYPE Reports Research (143) Speeches/Meeting Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Childrens Television; Content Analysis; Preschool Education; *Programming (Broadcast); Television Research IDENTIFIERS Sesame Street ABSTRACT Following a content analysis, 85 children's programs were assigned a pacing index derived from the following criteria:(1) frequency of camera cuts;(2) frequency of related scene changes;(3) frequency of unrelated scene changes;(4) frequency of auditory changes;(5) percentage of active motion;(6) percentage of active talking; and (7) percentage of active music. Results indicated significant differences in networks' pacing overall and in the individual criteria: the commercial networks present the bulk of the very rapidly paced programming (much of it in the form of cartoons), and those networks devoted primarily to educational programming--PBS and The Learning Channel--present very slow-paced programs. (Contains 26 references, and 12 tables and a figure of data.) (RS) ******************************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * ******************************************************************************** Pacing in Children's Television Programming James F. McCollum Jr. Assistant Professor Department of Communication Lipscomb University Nashville, TN 37204-3951 (615) 279-5788 [email protected] Jennings Bryant Professor Department of Telecommunication and Film Director Institute for Communication Research College of Communication Box 870172 University of Alabama Tuscaloosa, AL 35487-0172 (205) 348-1235 PERMISSION TO REPRODUCE AND OF EDUCATION [email protected] U.S. -
"All That Lay Deepest in Her Heart": Reflections on Jewett, Gender, and Genre
Colby Quarterly Volume 26 Issue 3 September Article 3 September 1990 "All that lay deepest in her heart": Reflections on Jewett, Gender, and Genre Karen Oakes Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 26, no.3, September 1990, p.152-160 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Oakes: "All that lay deepest in her heart": Reflections on Jewett, Gende 1/All that lay deepest in her heart": Reflections on Jewett, Gender, and Genre by KAREN OAKES In the beginning (or in 1941), God (later known as F. O. Mat thiessen) created the American Renaissance.] Emerson and Thoreau, Melville and Hawthorne and Whitman he created them. And he saw that it was good. GIVE this rather whimsical introduction to my thoughts on Sarah Orne Jewett I by way of suggesting how circuitous my route to her has been. Nineteenth century American literature has, until very recently, focused primarily if not exclusively on the n1agnetic figures gathered around mid-century. My own education, at an excellent women's college, and later, at a radical university, foregrounded Emerson and company to the obliteration of "lesser" deities. I experienced the pleasure of Jewett-appropriately, it turns out-through the mediation ofa friend, who said simply, as ifofpeachpie, "Ithink you'lllikeher." And I did. The setting of her work conjured the New England of my childhood, her characters and their voices, the members ofmy extended family. -
The Ghosts of War by Ryan Smithson
THE GHOSTS OF WAR BY RYAN SMITHSON RED PHASE I. STUCK IN THE FENCE II. RECEPTION III. BASIC TRAINING PART I IV. MAYBE A RING? V. EQ PLATOON VI. GI JOE SCHMO VII. COLD LIGHTNING VIII. THE EIGHT HOUR DELAY IX. THE TOWN THAT ACHMED BUILT X. A TASTE OF DEATH WHITE PHASE XI. BASIC TRAINING PART II XII. RELIEF XIII. WAR MIRACLES XIV. A TASTE OF HOME XV. SATAN’S CLOTHES DRYER XVI. HARD CANVAS XVII. PETS XVIII. BAZOONA CAT XIX. TEARS BLUE PHASE XX. BASIC TRAINING PART III XXI. BEST DAY SO FAR XXII. IRONY XXIII. THE END XXIV. SILENCE AND SILHOUETTES XXV. WORDS ON PAPER XXVI. THE INNOCENT XXVII. THE GHOSTS OF WAR Ghosts of War/R. Smithson/2 PART I RED PHASE I. STUCK IN THE FENCE East Greenbush, NY is a suburb of Albany. Middle class and about as average as it gets. The work was steady, the incomes were suitable, and the kids at Columbia High School were wannabes. They wanted to be rich. They wanted to be hot. They wanted to be tough. They wanted to be too cool for the kids who wanted to be rich, hot, and tough. Picture me, the average teenage boy. Blond hair and blue eyes, smaller than average build, and, I’ll admit, a little dorky. I sat in third period lunch with friends wearing my brand new Aeropostale t-shirt abd backwards hat, wanting to be self-confident. The smell of greasy school lunches filled e air. We were at one of the identical, fold out tables. -
Writing Between the Lines: Aaliyah's Dialogic Strategies for Overcoming Academic Writing Disengagement
Volume 10 Number 1 Spring 2014 Editor Stephanie Anne Shelton http://jolle.coe.uga.edu Writing Between the Lines: Aaliyah’s Dialogic Strategies for Overcoming Academic Writing Disengagement Peel, Anne, [email protected] The College of New Jersey, New Jersey, USA Abstract This case study report uses the conceptual framework of Bakhtinian notions of dialogism to explore how a highly motivated 10th grade English student, Aaliyah, developed strategies for combating her disengagement in academic writing. Aaliyah‟s anxiety and boredom stemmed from multiple factors relating to the distance between her home and school literacy: a desire for dialogic exchange with a partner within her Discourse community, writing topics and modalities that conflicted with her notion of what constitutes purposeful writing, and lack of knowledge of disciplinary writing conventions. Findings revealed that Aaliyah‟s strategy of infusing her compositional practices with opportunities for dialogical exchange with, about, and beyond the text, helped her successfully navigate feelings of boredom and anxiety. Key words: engagement, academic writing, dialogic strategies Please cite this article as: Peel, A. (2014). Writing between the lines: Aaliyah‟s dialogic strategies for overcoming academic writing disengagement. Journal of Language and Literacy Education [Online], 10(1), 65-81. Retrieved from http://jolle.coe.uga.edu. Peel, A. / Overcoming Academic Writing Disengagement (2014) 66 Everything goes in one ear and out the other and I don't get what they're saying and I'm just doze, just daydreaming, and I don't feel like being there and I don't do the work right. Even though I have an A. -
Wireless Communication
Getting Started with M.2 Modules and i.MX 6/7/8 Copyright 2020 © Embedded Artists AB Getting Started with M.2 Modules and i.MX 6/7/8 from Linux v5.4 Getting Started with M.2 Modules and i.MX 6/7/8 from Linux v5.4 Page 2 Embedded Artists AB Jörgen Ankersgatan 12 SE-211 45 Malmö Sweden http://www.EmbeddedArtists.com Copyright 2020 © Embedded Artists AB. All rights reserved. No part of this publication may be reproduced, transmitted, transcribed, stored in a retrieval system, or translated into any language or computer language, in any form or by any means, electronic, mechanical, magnetic, optical, chemical, manual or otherwise, without the prior written permission of Embedded Artists AB. Disclaimer Embedded Artists AB makes no representation or warranties with respect to the contents hereof and specifically disclaim any implied warranties or merchantability or fitness for any particular purpose. Information in this publication is subject to change without notice and does not represent a commitment on the part of Embedded Artists AB. Feedback We appreciate any feedback you may have for improvements on this document. Send your comments by using the contact form: www.embeddedartists.com/contact. Trademarks All brand and product names mentioned herein are trademarks, services marks, registered trademarks, or registered service marks of their respective owners and should be treated as such. Copyright 2020 © Embedded Artists AB Rev A Getting Started with M.2 Modules and i.MX 6/7/8 from Linux v5.4 Page 3 Table of Contents 1 Document Revision History ................................. 5 2 Introduction .......................................................... -
Tomorrow We Offer All That Will Clear Them
PESKY BEAVERS “AT KAUFMAN’S” The Most Startling Musical Announcement Ever Made Complaints of Damage Done Tomorrow We Offer All That By Dam Buildeis : t PLENTIFUL IN THE WESi Remain of 1909-10 Winter Though Once Threatened With Ex- tinction—Accused Inundating Garments at Prices That Farm Lands and Felling j \ Valuable Trees. From the New York Sun. Will Clear Them Out The announcement of the Steinway Player has al- Denver.—The beaver, which threatened i ready created the most profound interest in musical and at one time to become extinct, has been so well protected by game wardens In the L trade the and its unbounded circles, throughout world, Rocky mountain states that now ranch- i '» success from has been assured the beginning. men are complaining of Its depredations. Fourteen Suits for Small Women and Misses, A A The vast resources of the Steinway house, with its They tell of farm lands Inundated and j shade the dam tremendous American and European prestige, stand as a trees destroyed by busy Sold formerly to $25. builders, and In consequence of such com- for new instru- gilt-edge security the perfection of the plaints State Game Commissioner Hol- ment. land has In several cases granted special permits for the destruction of beavers. A Small Lot of Long Coats—black, navy or gray and A A One ranchman whose place was a fav- The Pianola Piano orite of beavers Stemway dwelling place complained * mixtures. Sold up to $17.50.CpvJ.vyvy that not only did the beavers build a dam j will he on daily exhibition in which Inundated his bottom lands and spoiled a promising crop of hay, but our player rooms where con- having stripped off all the available tim- black and colors—choice models that A A A ber near the stream they descended on the Long Coats, <J>1 ranch and * v/ stant demonstration will he yard girdled all the cotton- sold to Vy.