Tiffany Studios, design attributed to Clara Driscoll (American, 1861–1945). Hanging Head Dragonfly Lamp on Mosaic and Turtleback-Tile Base, c. 1906. Glass, mosaic, and bronze: 86.4 x 57.2 cm. Roger and J. Peter McCormick endowments, Robert Allerton Purchase Fund, Goodman Endowment for the Collection of the Friends of American Art, Pauline S. Armstrong Endowment, Edward E. Ayer Endowment in memory of Charles L. Hutchinson; restricted gift of the Antiquarian Society in memory of Helen Richman Gilbert and Lena Turnbull Gilbert, Sandra van den Broek, Mr. and Mrs. Henry M. Buchbinder, Mr. and Mrs. Robert O. Delaney, Mr. and Mrs. Wesley M. Dixon, Jamee and Marshall Field, Celia and David Hilliard, Elizabeth Souder Louis, Mrs. Herbert A. Vance, and Mr. and Mrs. Morris S. Weeden (2006.2).

18 Acquisitions July 1, 2005–June 30, 2006

African and Stand (Marufad) (with overall small 20th cen., blackened terracotta Amerindian Art patterns), and Qur’an Stand (2005.232). Gur-speaking peoples, (Marufad) (with single large pattern); possibly Lobi; Burkina Faso, Altar African early/mid-20th cen., wood: gift of Vessel, terracotta and sacrificial Lobi; Burkina Faso, or Akan; Ghana John Reuter-Pacyna and Jay Zerbe material, early/mid-20th cen. or Côte d’Ivoire, Figure of a (2005.465–67). Possibly Zulu; (2005.235). Gur-speaking peoples, Monkey, early/mid-20th cen., South Africa, Beaded Apron, mid- possibly Nuna; Burkina Faso, bronze: gift of John Reuter-Pacyna 20th cen., beads and string: gift of Container for Valuables, early/mid- and Jay Zerbe (2005.463). Probably John Reuter-Pacyna and Jay Zerbe 20th cen., blackened terracotta and Lasta; Ethiopia, Triptych Icon with (2005.464). Kwere; Tanzania, Posts slip (2005.229). Kurumba; Burkina Central Image of the Virgin and Representing Male and Female Faso, Storage Container, early/mid- Child, late 17th cen., reign of Iyassu Ancestors, early/mid-20th cen., 20th cen., terracotta (2005.226). I (1682–1706), tempera on linen, wood and kaolin: restricted gift of Kurumba, Kasena, or Mossi; mounted on wood and bound with Terry E. and Cynthia Perucca Burkina Faso, Two Storage cord: Director’s Fund (2006.11). (2006.128.1–2). Containers, early/mid-20th cen., Ethiopia, Processional Cross, mid- terracotta (2005.286–87). Lobi; /late 15th cen., copper, bronze, and The following 67 objects are the Burkina Faso, Water Container brass: Wirt D. Walker Fund partial and promised gift of Keith (Nyondedaa or Nyonnyodaa), (2006.12). Fang; Gabon, Reliquary Achepohl: Aït bou Addou or Aït early/mid-20th cen., blackened ter- Head, mid-/late 19th cen., wood Mendes; Bezzit or Merkalla, Great racotta (2005.233). Nuna; Burkina and copper: Frederick W. Renshaw Kabylie region, Algeria, Couscous Faso, Two Storage Containers, Acquisition Fund, Robert Allerton Platter, early/mid-20th cen., terra- early/mid-20th cen., terracotta and and Ada Turnbull Hertle endow- cotta and pigment (2005.282). Bwa; slip (2005.227–28). Turka; Burkina ments, Robert Allerton Income Burkina Faso, Storage Container, Faso, Storage Container, early/ Fund, Gladys N. Anderson early/mid-20th cen., terracotta and mid-20th cen., terracotta (2005. Endowment (2006.127). Swahili; slip (2005.264). Gur-speaking peo- 268). Babessi; Cameroon, Water Kenya, Qur’an Stand (Marufad) ples; Burkina Faso or Ghana, Container, early/mid-20th cen., (with pierced decoration), Qur’an Container for Valuables, early/mid- terracotta (2005.250). Mambila; Lip

19 or vicinity, Cameroon, Container for cen., blackened terracotta 19th/early 20th cen., terracotta and Liquids, early/mid-20th cen., terra- (2005.225). Inland Niger Delta metal; Storage Container (Etso), cotta (2005.251). Nsei; Cameroon, region, Mali, Ritual Jar, early/mid- early/mid-20th cen., terracotta Bowl for Sauce or Stew (Ku To), 20th cen., blackened terracotta (2005.242, 245). Nupe or related early/mid-20th cen., blackened ter- (2005.221). Maninka; Kangaba, tradition; Nigeria, Storage racotta (2005.248). Possibly Nsei; Mali, Water Container (Jidaga), Container and Water or Palm Wine Cameroon, Container, Possibly for early/mid-20th cen., terracotta and Container, early/mid-20th cen., ter- Use as an Oil Lamp, early/mid-20th slip (2005.265). Somono; Mali, racotta (2005.243–44). Yoruba; cen., blackened terracotta Water Container, late 19th/mid-20th Nigeria, Shrine Jar, late 19th/early (2005.249). Yamba; possibly Gom, cen., terracotta, slip, and kaolin 20th cen., terracotta (2005.241). Cameroon, Palm Wine Container, (2005.222). Possibly Somono or Yoruba; Ekiti, Nigeria, Shrine Jar, early/mid-20th cen., terracotta Bobo; Mali or Burkina Faso, Water early/mid-20th cen., terracotta (2005.274). Senufo; Côte d’Ivoire, Container, early/mid-20th cen., ter- (2005.270). Yoruba; Osogbo or Water Container (Funjoho), racotta and slip (2005.220). Hausa; vicinity, Nigeria, Osun Shrine Jar, early/mid-20th cen., terracotta and Niger, Water or Storage Container, early/mid-20th cen., terracotta slip (2005.230). Ambundu or early/mid-20th cen., terracotta and (2005.277). Baatonu (Bariba); Chokwe; Democratic Republic of slip (2005.263). Jerma; vicinity of Republic of Benin, Jar (Wékéru) and the Congo or Angola, Bottle, late Niamey, Niger, Two Water Shea Butter Jar (Bwéeru or Wéké 19th/early 20th cen., terracotta Containers, early/mid-20th cen., ter- Gumgia), early/mid-20th cen., terra- (2005.255). Lunda or Luba; racotta and pigment (2005.223–24). cotta; Jar (Wékéru), mid-20th cen., Democratic Republic of the Congo Bëna; Nigeria, Container for Ritual terracotta and pigment (2005. or Zambia, Figural Bottle, mid-/late Healing (Ngwarkandangra), mid- 271–72, 276). Baatonu (Bariba) or 20th cen., terracotta (2005.284). 20th cen., terracotta (2005.279). Yoruba; Republic of Benin or Mangbetu or Zande; Democratic Cham, Mwona, or Longuda; Nigeria, Shea Butter Jar (Bwéeru or Republic of the Congo, Bottle, Nigeria, Two Containers for Ritual Wéké Gumgia) or Shrine Jar, late early/mid-20th cen., terracotta Healing (Itinate or Kwandalowa), 19th/early 20th cen., terracotta (2005.254). Songye; Democratic mid-20th cen., terracotta; Container (2005.240). Teke; Republic of Republic of the Congo, Storage for Ritual Healing (Itinate or Congo, Bottle, early/mid-20th cen., Container (Mulondo), early/mid- Kwandalha), mid-20th cen., terra- terracotta (2005.253). Zulu; Hlabisa 20th cen., terracotta (2005.252). cotta (2005.269, 280–81). Gwari; region, KwaZulu-Natal, South Possibly Zela; Democratic Republic Nigeria, Water Container, early/mid- Africa, Vessel for Serving Beer of the Congo, Figural Bottle, 20th cen., blackened terracotta, (Izikhamba), mid-20th cen., black- mid-/late 20th cen., terracotta (2005.246). Igbo; Ishiagu, Nigeria, ened terracotta (2005.261). Zulu; (2005.283). Gur-speaking peoples, Water or Palm Wine Container (Iti KwaZulu-Natal, South Africa, Two possibly Frafra; Ghana or Burkina or Udu), mid-20th cen., terracotta Vessels for Serving Beer Faso, Container, Possibly for Water, (2005.266). Northeastern Igbo; (Izikhamba), mid-20th cen., black- early/mid-20th cen., blackened ter- Nigeria, Title-Taking Vessel, mid- ened terracotta (2005.259–60). racotta (2005.231). Kwahu; 20th cen., terracotta (2005.267). Unidentified culture; northeast Nkawkaw, Ghana, Commemorative Jen (Janjo), Bata, or Kwa; Nigeria, Tanzania, Medicine Container Container (Abusua Kuruwa), late Ritual Container (Ku’chan), mid- (Nkhoba), early/mid-20th cen., ter- 19th/early 20th cen., terracotta and 20th cen., terracotta and sacrificial racotta (2005.278). Possibly Kisi or sacrificial material (2005.237). Ewe, material (2005.234). Possibly Mafa; Pare; Tanzania, Ritual Container, Aja, or Fon; Ghana or Togo, Pair of Mandara Mountains region, Nigeria early/mid-20th cen., terracotta and Shrine Figures, late 19th/early 20th or Cameroon, Ritual Container, glass beads (2005.256). Gwembe cen., terracotta (2005.238.1–2). early/mid-20th cen., terracotta Tonga; Zambia, Container for Unidentified culture; Kenya, Sudan, (2005.236). Mambila or Mfumte; Water or Beer (Inongo), mid-/late or Uganda, Container, mid-/late possibly Mbat, Nigeria or Cameroon, 20th cen., terracotta and pigment 20th cen., terracotta and pigment Figural Vessel, mid-20th cen., terra- (2005.258). Lozi or Mbunda; (2005.285). Bamana; Mali, Water cotta (2005.247). Nupe; Nigeria, Zambia, Two Water Bottles, mid- Container (Jidaga), early/mid-20th Water or Palm Wine Container, late 20th cen., terracotta and pigment

20 (2005.257, 275). Shona; Zimbabwe (2006.122). Ijo; Nigeria, Water Modeled Quail, Linked Diamonds, or Mozambique, Container for Spirit Headdress, probably 20th and Diagonal Bands of Stepped Water or Beer, mid-/late 20th cen., cen., wood, pigment, and kaolin Scrolls; Macaw Effigy Vessel with a terracotta and enamel paint (2006.123). Tiv; Nigeria, Snuff Diagonal Band of Stepped Scrolls (2005.262). Ring, probably early/mid-20th cen., and Macaw-head Motifs; Jar with copper alloy (2006.124). Yoruba; Two Horned-and-Plumed Serpents, The following 21 objects are the gift Nigeria, Figure of Eshu Elegba, Macaw-head Motifs, and Birds; of Richard Faletti, the Faletti Family 19th cen., wood and leather a.d. 1280–1450, ceramic and Collection: Nuna; Burkina Faso, (2006.108). Zulu; South Africa, pigment (2004.1145–47, 1150–51). Flute, probably early/mid-20th cen., Milk Vessel, probably 20th cen., Casas Grandes; Villa Ahumada wood and leather (2006.119). wood (2006.126). Polychrome, Ramos variant, Jar Keaka; Cameroon, Healing Figure, with Diagonal, Serrated Bands and North American early 20th cen., wood (2006.114). Macaw-head Motifs, a.d. Maine; Penobscot (?), Pail, c. 1760, Senufo; Côte d’Ivoire, Pair of 1280–1450, ceramic and pigment birchbark: Wirt D. Walker Fund Figures for Divination, probably (2004.1148). New Mexico, (2005.288). Mexico; Colima, Parrot early/mid-20th cen., wood Mogollon; Classic Mimbres Black- Vase, c. a.d. 200, ceramic: gift of (2006.120.1–2); Turtle Pendant, on-white, Bowl Depicting a Ethel and Julian Goldsmith probably early/mid-20th cen., cop- Legendary Hero-hunter Wearing a (2005.462). per alloy (2006.121). Luba; Heron Headdress and a Quiver, Democratic Republic of the Congo, with an Attendant Rabbit Hunter; The following 20 objects are the Pendant, 19th/20th cen., hippopota- Bowl Depicting a Pair of Avian-fish partial and promised gift of an mus tooth (2006.115). Tabwa; Composite Creatures; Bowl with anonymous donor: East-central Democratic Republic of the Congo, Three-part Antelope Design; Bowl Arizona, Cibola region; Four Mile Miniature Figure, early/mid 20th- with Antelopes Standing on Fish, Polychrome, White Mountain Red cen., wood (2006.117). Wongo; Surrounded by Stepped-fret and Ware, Bowl Depicting an Abstract Democratic Republic of the Congo, Floral Designs; Bowl Depicting a Face, Possibly a Kachina, Above a Cup, probably early 20th cen., Pair of White Rabbits; Bowl Bighorn Sheep Head and Bowl wood (2006.125). Dogon; Mali, Depicting a Masked Antelope Depicting a Bird with Outstretched Male Figure, 19th/20th cen., wood Hunter Holding a Bow and Arrow, Wings, a.d. 1300–1400, ceramic (2006.106). Equestrian Ring, proba- Attended by a Similar Figure; Bowl and pigment (2004.1140–41). bly late 19th/early 20th cen., brass Depicting Part of an Emergence Northeastern Arizona; Sikyatki (2006.116). Eastern Segou region, Myth with a Hero Twin Riding a Polychrome, Bowl with a Bisected Mali, Face Mask, late 19th/early Large Mosquito, with a Burden Design of Spattering and a Standing 20th cen., wood, copper, and pig- Basket Below; a.d. 950–1150, Ritualist Holding a Macaw, a.d. ment (possibly bluing) (2006.107). ceramic and pigment (2004.1133– 1400–1625, ceramic and pigment Ibibio; Nigeria, Two Ekpo 39). West-central New Mexico, (2004.1152). Southern Arizona, Association Masks, 19th/20th cen., Anasazi; Socorro Black-on-white, Hohokam; Sacaton Red-on-buff, wood (2006.111–12). Ibibio, Okobo Olla with a Shoulder Pattern of Bell-shaped Shoulder Olla with subgroup; Nigeria, Face Mask, Chevrons, and a Lower Register Diagonal, Geometric Bands and mid-20th cen., wood and metal with a Pattern of Alternating Scroll Appendages, a.d. 950–1150, (2006.113). Igbo; Nigeria. Squared Spirals and Zigzag Squares ceramic and pigment (2004.1144). Architectural Support Figure, and Olla with Horned Serpents and Casas Grandes; Ramos Polychrome, 19th/20th cen., wood and camwood Interlocking, Hatched and Black Jar with Two Serpents with Modeled (2006.109). Igbo; Uzouwani village Stepped Designs; a.d. 950–1400, Heads and Diamond-back Patterns; group, Nigeria, Composite Mask, ceramic and pigment Jar with Two Plumed Serpents, 19th/20th cen., wood and pigment (2004.1142–43). Birds, and P-shaped Motifs; Jar with (2006.110). Igbo; Nigeria, Four Two Human Figures Marked with South American Bracelets, probably 19th cen., ivory Crosshatches, and an Abstract Peru, north coast; Moche, Vase (2006.118.1–4). Ijebu Yoruba; Plumed Serpent and a Zigzag Band Depicting Warriors in Battle and Nigeria, Staff Figure (Edan), of Geometric Scrolls; Jar with Capturing Prisoners, 100 b.c.–a.d. 18th/19th cen., copper alloy

21 500, ceramic and pigment; Peru, gift of the Antiquarian Society in Acquisitions funds (2006.83). south coast; Nazca, Container with memory of Helen Richman Gilbert Manierre Dawson, Figure in Pink Warriors, Mythological Figures, and and Lena Turnbull Gilbert, Sandra and Yellow, 1914, oil on board: par- Trophy Heads, 180 b.c.–a.d. 500, van den Broek, Mr. and Mrs. Henry tial and promised gift of Mary and ceramic and pigment: partial and M. Buchbinder, Mr. and Mrs. John Gedo (2005.427). Thomas promised gift of an anonymous Robert O. Delaney, Mr. and Mrs. Doughty, Coming Squall (Nahant donor (2004.153–54). Wesley M. Dixon, Jamee and Beach with a Summer Shower), Marshall Field, Celia and David 1835, oil on canvas mounted on Hilliard, Elizabeth Souder Louis, cradled panel: restricted gift of Mrs. Mrs. Herbert A. Vance, and Mr. and Herbert A. Vance (2005.159). Jan Mrs. Morris S. Weeden (2006.2). Matulka, Untitled (Still Life with American Art Lobster), c. 1930, oil on canvas: Metalwork partial and promised gift of Mary Ceramics Jessie M. Preston, Large Silver and and John Gedo (2005.428). Charles Artist unknown, Edgefield district, Amethyst Pierced Pendant; Wire- Shaw, Polygon, 1937, painted wood South Carolina, Face Jug, c. 1860, back Pendant with Pink Tourmaline relief: through prior acquisition of stoneware with alkaline glaze: Juli and Yellow Quartz; Gold-washed the George F. Harding Collection and David Grainger Fund Pierced Pendant with Turquoise (2006.81). William Zorach, (2006.84). Pickard China, decorated Cabochon; Gold-washed Choker Summer, 1913 (recto), and Untitled, by Anton Richter, Covered Sugar with Four Pierced Stamped Plaques, 1914 (verso), oil on canvas: partial Dish and Creamer in the Aura Dark Opal Cabochons; Geometric and promised gift of Jamee and Argenta Linear Pattern, c. 1910, Stickpin with Pink Quartz and Marshall Field (2005.425). porcelain blank overpainted with Mother of Pearl; Nine Simple enamel, gold, and silver; decorated Cabochon Stickpins; Two Small by Edward S. Challinor, Serving Mother of Pearl Jewelry Segments; Plate, 1919/22, porcelain blank Two Round Silver Belt Buckles with overpainted with enamel and gold: Stylized Geometric Monogram; Architecture and Design gift of David and Nancy Platt, Oval Silver Belt Buckle with Jonathan Platt, Elizabeth Platt, and Stylized Geometric Monogram; (The location of all projects is Thomas Platt in memory of Dorothy Rectangular Silver Belt Buckle with Chicago and the state is Illinois, Pickard Platt (2005.86–87; Stylized Geometric Monogram; unless otherwise stated.) 2005.607). Brass Name Plaque; Square Copper Relief Decorated Segment, 1900/42: Arthur F. Hussander, Carter H. Glass restricted gift of Neville and John H. Harrison Technical High School, Tiffany Glass and Decorating Bryan; through prior acquisition of n.d., exterior perspective drawing, Company or Tiffany Studios, Jack- various donors (2005.30–52). graphite and watercolor on paper: in-the-Pulpit Vase, 1900/12, Favrile Architecture Purchase Fund glass: gift of Mr. and Mrs. Irving T. Painting (2005.289). Booth Hansen Kean in memory of Emily Kean and Milton Avery, The Wader, 1959, oil Associates, St. Patrick’s Roman Frank Carland (2005.88). Tiffany on canvas: gift of Albert A. Robin Catholic Church Renovation, 2000, Studios, design attributed to Clara (2005.85). Ilya Bolotowsky, Grey two interior elevation proposals for Driscoll, Hanging Head Dragonfly Diamond, 1955, oil on canvas the altar and one ceiling elevation, Lamp on Mosaic and Turtleback- mounted on panel: Walter Aitken watercolor, graphite, and gold ink Tile Base, c. 1906, glass, mosaic, and Hyacinth Drechney funds on watercolor paper; Navy Pier and bronze: Roger and J. Peter (2006.82). John Singleton Copley, Competition Entry, delineated by McCormick endowments, Robert Portrait of Henry Hill, 1765/70, Gilbert Gorski, c. 1989, nighttime Allerton Purchase Fund, Goodman pastel on brown paper laid down: aerial perspective looking northwest Endowment for the Collection of Roger and J. Peter McCormick over Navy Pier, colored pencil and the Friends of American Art, Pauline endowments; restricted gift of airbrush on watercolor paper: gift of S. Armstrong Endowment, Edward William C. Vance from the Vance Laurence O. Booth (2005.290.1–3, E. Ayer Endowment in memory of Family Foundation; Maurice D. 239). Adrian Smith, Skidmore, Charles L. Hutchinson; restricted Galleher Endowment and General

22 Owings and Merrill, AT&T Ronald and Evelyn Nish Fund—in prints: Crane Pulling Cart from Corporate Center, 1,195 drawings memory of Ruth S. Demme, Simeon Roof Tile, 1930s; Decorative Disk of various types; USG Building, B. Williams Fund, Bertha Evans from Roof Tile, 1930s; Edge of Tile 1,218 drawings of various types; Brown Fund, Estate of Alice Feffer, from Roof Tile, 1930s; Mother and Olympia Center, 1,431 drawings Ada Turnbull Hertle Fund, Alyce Child Tending Plants from Roof of various types; Jin Mao Tower, and Edwin DeCosta and the Walter Tile, 1935; Horse Pulling Carriage Shanghai, China, 1,051 drawings of E. Heller Foundation Fund, Estate with Drive from Roof Tile, 1935; various types; Rowes Wharf, of Laura T. Magnuson; Major Ancient Tile from Roof Tile, 1930s; Boston, Massachusetts, 5,492 draw- Acquisitions Centennial Fund Clay Seal of Tachibana District from ings of various types; various (2006.14). Roof Tile, 1930s; Scroll-like dates and media: gift of Skidmore, Segment on a Tile from Roof Tile, Owings and Merrill LLP (2005.609– Painting. Li Huasheng, Ten 1935; Rosette-like Segment of Tile 13). Harry Weese, portfolio of Thousand Acres of Lotus, 1991, ink from Roof Tile, 1932; Rosette-like drawings, various dates and media: and light color on paper: restricted Segment of Tile from Roof Tile, gift of Shirley Weese Young, Marcia gift of the Auxiliary Board of the 1959; Characters from Roof Tile, Weese, and Kate Weese (2006.88). Art Institute of Chicago (2006.92). 1940; Floral Frond from Roof Tile, Peter J. Weber, Bertram A. Weber, Shao Yixuan (1886–1954), Looking 1933; Geometrics and Partial Cross- Merritt J. Morehouse, White and Leisurely at Distant Boats, n.d., Hatching from Roof Tile, 1940; Weber and Charles White, portfolio hanging scroll; ink on paper: Avery White Character from Roof Tile, of drawings, various dates and Brundage Fund (2006.93). T’ang 1940; Rosette-X in Center from media: gift of John B. Weber Haywen (1927–1991), Untitled No. Roof Tile, 1930s; Character in (2005.461). Insun Cho, Moments in 19, n.d., diptych, ink on paper: gift Square from Roof Tile, 1930s; Bold Flow, 2006, ten presentation draw- of Mrs. Alice King of Alisan Fine Symbol in Square from Roof Tile, ings, digital prints on board: gift of Arts (2006.94). 1930s; Characters in Square from Insun Cho (2006.89.1-10). Roof Tile, 1930s; Characters in Japanese Square from Roof Tile, 1930s; Hub Ceramics. Kato Shuntai (1799– and Spokes Segment from Roof Tile, 1878), Tea Bowl, n.d., glazed 1930s; Horse and Rider from Roof stoneware: gift of Mrs. Mary Sue Tile, 1935; Rectangular Tile Asian Art Dunwoody (2005.172). Kawai Segment from Roof Tile, 1930s; Kanjiro, Tea Bowl, c. 1940, glazed Character and Cross-Hatching from Burmese stoneware: gift of Alfred Bodian Roof Tile, 1940; Bearded Face from Manuscript. Artist unknown, (2005.468). Nakamura Takuo, Roof Tile, 1935; Rosette Segment Kammavaca, 20th cen., manuscript Water Jar with Lacquer Lid, 2004, from Roof Tile, 1930s; Characters in Pali script with cover boards; stoneware with plum-colored glaze in Cross-Hatching from Roof Tile, manuscript: cloth, gilt lacquer; cover and gold enamel: Margaret Gentles 1940; Partial Rosette Segment from boards: lacquer on wood: gift of Endowment (2005.169). Roof Tile, 1930s; Peony from Roof Abraham Hoffer (2005.170). Tile, 1930s; Three-Quarters Rosette Painting. Ike Taiga, Group with Fleur de Lis from Center, Chinese Pilgrimage to the Jizo Nun, 1930s; Rosette Quarter Panels, 1755/65, hanging scroll, ink and red Bronze. Artist unknown, Tripod 1930s: gift of Theodore and Luann pigment on paper: Kate S. Food Container (Ding), Western Van Zelst, Hiratsuka Un’ichi—Van Buckingham Endowment; Margaret Zhou dynasty, early 9th cen. b.c.: Zelst Family Collection Gentles Fund; restricted gift of Major Acquisitions Centennial Fund (2005.175–204); fourteen prints: Roger L. Weston, George and (2005.426). Tojoyo (burial figure of a Tang Roberta Mann, Harlow and Susan woman), 1943; View of Nobuto in Furniture. Artist unknown, Couch Higinbotham, Charles C. Haffner Chiba Prefecture, 1922; St. Luke’s Bed, late Ming or early Qing III, and James M. and Carol D. Hospital in Tsukiji, from the series dynasty, 17th cen., huanghuali Trapp (2005.168). After the Earthquake, 1925; One wood with woven mat seat: G. Glass Water (rose flower in glass), Prints. Hiratsuka Un’ichi, thirty

23 24 left: Jeff Koons (American, born 1955). Woman in Tub, 1988. Porcelain; 60.3 x 91.4 x 68.6 cm. Partial and promised gift of Stefan T. Edlis Trust (2005.472). left, below: Ike Taiga (Japanese, 1723–1776). Group Pilgrimage to the Jizo Nun, Edo period (1615–1868), 1755/65. Hanging scroll; ink and red pigment on paper; 54.9 x 123.2 cm. Kate S. Buckingham Endowment; Margaret Gentles Fund; restricted gift of Roger L. Weston, George and Roberta Mann, Harlow and Susan Higinbotham, Charles C. Haffner III, and James M. and Carol D. Trapp (2005.168). right: Penobscot (?), Maine. Pail, c. 1760. Birchbark; 35.6 x 34.3 x 27.3 cm. Wirt D. Walker Fund (2005.288). below: Ilya Bolotowsky (American, born Russia, 1907–1981). Grey Diamond, 1955. Oil on canvas mounted on panel; 154.9 x 154.9 cm. Walter Aitken and Hyacinth Drechney funds (2006.82).

25 left: Artist unknown, China. Tripod Food Container (Ding), Western Zhou dynasty, early 9th century b.c. Bronze; h. 49; diam. 43 cm. Major Acquisitions Centennial Fund (2005.426).

below: Bruce Davidson (American, born 1933). Birmingham, 1963. Gelatin silver print; 27.9 x 61 cm. Restricted gift of Lewis S. and Anne Neri Kostiner (2006.17).

26 above: Peter De Wint (English, 1784–1849). In Wales between Bangor and Capel Curig, 1830s. Watercolor over traces of graphite on ivory wove paper; 36.5 x 53 cm. Suzanne Searle Dixon and Margaret Day Blake endowments (2006.86).

right: Adrian Smith, architect, Skidmore, Owings and Merrill. AT&T Corporate Center, Chicago, 1985–91. Graphite, ink, colored pencil, and air- brush on tracing paper; 112 x 66 cm. Gift of Skidmore, Owings and Merrill LLP (2005.609.2).

27 above: Designed by Edward William Godwin (English, 1833–1886); made by William Watt (English, 1834–1885). Sideboard, c. 1876. Ebonized mahogany with glass, silvered brass; 184.2 x 255.3 x 50.2 cm with leaves extended. Robert Allerton, Harry and Maribel G. Blum, Mary and Leigh Block, Mary Waller Langhorne, Mrs. Siegfried G. Schmidt, Tillie C. Cohn, Richard T. Crane, Jr., Memorial, Eugene A. Davidson, Harriott A. Fox, Florence L. Notter, Kay and Frederick Krehbiel, European Decorative Arts Purchase, and Irving and June Seaman endowments; through prior acquisi- tion of the Estate of Reid Martin (2005.529).

left: Jean-Baptiste Oudry (French, 1686–1755). Lattice Work and Reflecting Pool at Arcueil, 1744/47. Charcoal with stumping, and with traces of erasing; 30.5 x 23 cm. Gift of Celia and David Hilliard (2005.555).

right, above: Artist unknown, Bukhara, Uzbekistan. Woman’s Robe, 1840s/60s. Silk, cotton, warp-faced plain weave, warp-dyed (ikat); main lining: plain weave, printed; center opening lining: warp-faced plain weave; bottom edge lining: plain weave; cuff lining: twill weave; edging: warp twining; 134 x 167.5 cm. Gift of Guido Goldman (2005.606).

right, below left: Artist unknown, Edgefield district, South Carolina. Face Jug, c. 1860. Stoneware with alkaline glaze, h: 13.3 cm. Juli and David Grainger Fund (2006.84).

right, below right: Designed by Carlo Bugatti (Italian, 1855–1940). Cobra Chair, 1902. Wood, parchment, copper, pigment; h. 97 cm. Major Acquisition Funds (2006.103).

28 29 30 left: Michael Raedecker (Dutch, born 1963). Brilliant Gloom, 2004. Oil on canvas; 130 x 190 cm. Collection of Nancy Lauter McDougal and Alfred L. McDougal, partial and promised gift (2005.474). left, below: Probably Lasta; Ethiopia. Triptych Icon with Central Image of the Virgin and Child, late 17th cen., reign of Iyassu I (1682–1706). Tempera on linen, mounted on wood and bound with cord; 67 x 74 cm. Director’s Fund (2006.11). right: Produced by Clabburn, Sons and Crisp (active 1851–83), Norwich, England. Shawl, c. 1860. Silk, twill weave; 374.65 x 170.5 cm. Restricted gift of the Franke Family Charitable Foundation (2005.437). below: Larry Sultan (American, born 1946). Mom Posing for Me, 1984. Chromogenic color print; 73 x 99 cm. Restricted gift of Reva and David Logan (2005.107).

31 left: James Ensor (Belgian, 1860–1949). The Temptation of Saint Anthony, 1887. Charcoal, graphite, colored pencil, pastel, and watercolor, with cut-and-pasted ele- ments; 178 x 157.5 cm. Regenstein Endowment and the Louise B. and Frank H. Woods Purchase Fund (2006.87).

below: Richard Parkes Bonington (English, 1802–1828). View on the Grounds of a Villa near Florence, 1826. Oil on millboard mounted on canvas; 43.1 x 58.4 cm. Partial and promised gift of Carol and Joel Honigberg (2005.291).

32 1943; Three-Color Glazed Vase of wooden frame: Wirt D. Walker 1976, oil on canvas: gift of Albert Qianlong (A.D. 1736–96) with Fund (2006.3). Hwang Hyun-yong A. Robin (2005.147). Laura Owens, Plum Blossoms, 1965; Pasadena (active late 19th–early 20th cen.), Untitled, 2004, oil and acrylic on Palm, California (plus cover), 1978, Peonies, n.d., six-panel folding linen: collection of Nancy Lauter watercolor on shikishi board; screen, ink on paper, mounted on McDougal and Alfred L. McDougal, Daruma Face (local folk motif, silk brocade with wooden frame: partial and promised gift poetry board), c. 1978, watercolor Wirt D. Walker Fund (2006.90). (2005.473). Sue Williams, It’s a on shikishi board; Small Mountains New Age, 1992, acrylic and oil on of Izumo, Shimane-ken, 1932; Night Vietnamese canvas: Norman Wait Harris at Nihonbashi Bridge (Tokyo), Ceramics. Artists unknown, a Purchase Fund (2006.68). 1946; Sakurada-mon Gate, from the group of seven vessels originally Belgian. Michaël Borremans, One at series Eight Imperial Moat, 1929; from the Hoi An shipwreck: Large the Time, 2003, oil on canvas: Shinobazu-no-ike Pond in Snowy Plate; Miniature Water Dropper in restricted gift of the Buddy Taub Scene, 1930; Nude (sitting on a the Shape of a Blowfish, Four Foundation, Jill and Dennis Roach, rock), 1925; Okutama in Autumn, Miniature Lidded Boxes; Miniature Directors (2006.69). Luc Tuymans, 1927; Nagasaki Doll (with baby on Pear-Shaped Bottle; 15th cen., Angel, 1992, oil on linen; Niks, her back), 1959: gift of T. David underglaze blue porcelain: gift of 2002, oil on canvas: collection of and Cindy Van Zelst, Hiratsuka Cheney Cowles (2006.4–10). Nancy Lauter McDougal and Alfred Un’ichi—Van Zelst Family L. McDougal, partial and promised Collection (2005.205–18). gift (2005.475–76). Dutch. Michael Raedecker, Brilliant Screens. Okura Jiro, Mountain Gloom, 2004, oil on canvas: collec- Contemporary Art Lake Screen Tachi, 1990, two four- tion of Nancy Lauter McDougal panel screens, gold leaf and pigment and Alfred L. McDougal, partial Drawing on walnut: gift of the artist and promised gift (2005.474). (2005.173.1–2). American. Roni Horn, Were II, German. Magnus von Plessen, Self- 2004, red powdered pigment and Portrait with Someone Else’s Head, Sculpture. Okura Jiro, Mu-2, 1990, varnish on paper: collection of 2004, oil on canvas: collection of hanging sculpture, walnut: gift of Judith Neisser, promised gift. the Cartin Family, promised gift the artist (2005.174). (Obj. 185073). Painting Korean American. Julia Fish, Living Photography Ceramics. Artist unknown, Pair of Rooms: SouthEast-One, with American. Roni Horn, From Some Bottles Decorated with Blue and Lights, Action, 2003–05, oil on can- Thames, Groups C, E, F, J, and N, White Dragons, Choson dynasty vas: Ann M. Vielehr and Dankmar 2000, four images in each group, (1392–1910), porcelain: gift of Mrs. Adler prize funds (2005.295); Entry photographs printed on laquered Mary Sue Dunwoody (2005.171. (Fragment One), 1998, oil on can- paper: restricted gift of Pritzker 1–2). Lee Kang-Hyo, Globular Vase, vas: gift of Dean Valentine and Amy Traubert Family Foundation; 2000/06, stoneware: gift of the Adelson (2005.469). Adolph through prior gift of Emily Crane Pucker Gallery, in honor of Dr. Gottlieb, White Line #2, 1968, oil Chadbourne, Mr. and Mrs. Carter Avram and Kerana Kraft (2006.95). on canvas: gift of Albert A. Robin H. Harrison, and Muriel Kallis (2005.470). Mary Heilmann, Newman in memory of Albert Hardy Painting. Gim Eung-won Heaven, 2004, oil on canvas: collec- Newman; Oscar L. Gerber Memorial (1855–1921), Orchids, n.d., four tion of Howard and Donna Stone, Endowment; and Robert and hanging scrolls, ink on paper: Wirt promised gift (Obj. 187055). Karen Marlene Baumgarten Memorial Fund D. Walker Fund (2006.91). Kilimnik, Marie Antoinette Out for (2006.53–57.1–4). Sherrie Levine, Screens. Artist unknown, a Walk at Her Petite Hermitage, After Egon Schiele, 1982, seven gel- Chaekkori, Choson dynasty France, 1750, 2005, water-soluble atin silver and eleven chromogenic (1392–1910), 19th cen., eight-panel oil color on canvas: collection of prints: through prior bequest of folding screen, ink and color on Marc Jacobs, promised gift (Obj. Marion Livingston and prior gift of paper mounted on silk brocade with 185072). Richard Lindner, Two, Emily Crane Chadbourne (2006.1).

33 Sculpture European Decorative Arts Medieval through American. Jeff Koons, Woman in Modern European Tub, 1988, porcelain: partial and Furniture Painting, and Modern promised gift of Stefan T. Edlis English. Edward William Godwin, European Sculpture Trust (2005.472). designer, Sideboard, made by English. Andrew Lord, Twelve William Watt, c. 1876, ebonized Painting Mexican Pieces, First Round, mahogany with glass, silvered brass: English. Richard Parkes Bonington, 1995–98, ceramic, epoxy, gold leaf, Robert Allerton, Harry and Maribel View on the Grounds of a Villa near and encre de Chine: gift of Agnes G. Blum, Mary and Leigh Block, Florence, 1826, oil on millboard Gund and Daniel Shapiro Mary Waller Langhorne, Mrs. mounted on canvas: partial and (2005.293). Siegfried G. Schmidt, Tillie C. Cohn, promised gift of Carol and Joel Japanese. Yutaka Sone, Highway Richard T. Crane, Jr., Memorial, Honigberg (2005.291). Junction 14–5, 2002, marble: gift of Eugene A. Davidson, Harriott A. French. Jean Metzinger, Globe and the Society for Contemporary Art Fox, Florence L. Notter, Kay and Banjo, 1930, oil on canvas; Léopold (2005.296). Frederick Krehbiel, European Survage, Face Holding a Leaf, c. Decorative Arts Purchase, and Irving Video and Film 1934, oil on canvas: gift of Albert and June Seaman endowments; A. Robin (2005.163–64). American. David Hammons, Phat through prior acquisition of the Romanian. Victor Brauner, Free, 1995/99, digital video projec- Estate of Reid Martin (2005.529). Alphabet de la Tête, 1938; Animal, tion, surround sound: through prior German. Attributed to Heinrich December 1950; Untitled, April gift of Mary and Leigh Block and Ludwig Rohde, Slant-Front Desk 1957; oil on canvas: gift of Albert Florence S. McCormick; Robert and (Bureau en pente), c. 1725, mar- A. Robin (2005.161, 160, 162). Marlene Baumgarten Endowment; quetry with maple, amaranth, and anonymous gift (2005.294). mahogany, and walnut on spruce Sculpture Canadian. Rodney Graham, and oak: restricted gift of Kathryn German. Oskar Schlemmer, Torqued Chandelier Release, 2005, Gilbertson, Kay and Frederick Grotesque, 1923 (cast 1964), gold- 35-mm color film, silent, and cus- Krehbiel, Doris and Stanford Marks, plated silver: gift of Albert A. Robin tom projector: Major Acquisitions Mrs. Eric Oldberg, Harry Root, (2005.165). Fund (2005.292). Melinda and Paul Sullivan; through Spanish. Salvador Dalí, Venus de English. Steve McQueen, Girls, prior acquisition of Robert Allerton; Milo with Drawers, 1936, painted Tricky, 2001, color video projection European Decorative Arts Purchase plaster with metal pulls and mink with sound: Wilson L. Mead Fund, Fund (2006.102). pom-poms: through prior gift of through prior gift of Lucille L. and Italian. Carlo Bugatti, designer, Mrs. Gilbert W. Chapman Joseph L. Block; Curator’s Fund, Cobra Chair, 1902, wood, parch- (2005.424). Cyrus Hall McCormick and ment, copper, pigment: Major Anabelle Decker funds, and Claire Acquisition Funds (2006.103). and Gordon Prussian Fund for Contemporary Art (2006.15). Sculpture Photography English. George Frederic Watts, Clytie, 1868, plaster: Lacy Armour American. Artist unknown, Paper Endowment; through prior gift of Moon Portraits, c. 1910, nine gela- George F. Harding Collection tin silver prints on postcard stock in (2005.608). single frame: restricted gift of Helen German. Johann Gottfried Schadow, Harvey Mills in honor of Lucian Bust of Queen Louise of Prussia, and Eliot (2005.106). Thomas 1819/21, bronze: Harry and Maribel Frederick Arndt, Maxwell Street, G. Blum, Richard T. Crane 1987, gelatin silver print made by Memorial, and Mr. and Mrs. Joseph Ron Gordon; Patty Carroll, Hats, Varley endowments; European Big Jim’s, Maxwell Street, 1991, dig- Decorative Arts Purchase Fund ital ink-jet print: restricted gift of (2006.104).

34 Thomas E. and Buffy Keim Chicago, 2000; Janessa, Chicago, of Jack Leigh Gallery (2005.128). (2005.95–96). William Clift, 2002; Girl in Rain, Chicago, 1991; Nathan Lerner, Untitled, 1936, Evening Hudson River, from Bear chromogenic color prints: gift of gelatin silver print made by Ron Mountain, New York, 1985, and Paul D’Amato (2006.27–29). Bruce Gordon: restricted gift of Thomas E. Cloud, La Bajada, New Mexico, Davidson, New York City, 1962, and Buffy Keim (2005.101). Helen 1975; gelatin silver prints; Fence, and Birmingham, 1963; gelatin sil- Levitt, Untitled, mid-1940s, and Aspens, New Mexico, 1974, and ver prints: restricted gift of Lewis S. Untitled, 1940; gelatin silver prints: Stenciled Passage, Framingham, and Anne Neri Kostiner gift of Richard and Elizabeth MA, 1984; platinum/palladium (2006.16–17). Terry Evans, thirteen Devereaux (2005.478–79). Larry prints; View of Iona Island from chromogenic color prints, fifteen gel- McPherson, Thistle Eye, 1977, Bear Mountain, 1985; Apple Trees, atin silver prints, sixteen digital ink- archival digital ink-jet print: Barbara Bandelier, New Mexico, 1972; jet prints, and five books: gift of and Lawrence Spitz Fund Fence, Bare Hills, New Mexico, Jeanne and Richard S. Press (2005.167); Sea Defense, Beirut, 1995; Tree, Canyon de Chelly, (2005.480–528). Steven Foster, Lebanon, 2002, archival digital ink- Arizona, 1996; Carola, Road, Boarded Garage Window Triad, jet print: gift of Larry McPherson Shiprock, New Mexico, 1995; February 20, 2005; Fence Shadow (2005.310). Abelardo Morell, Cloud, Hondo Valley, New Mexico, with Red Line Postlude, April 2, Camera Obscura Image of the 1972; gelatin silver prints: gift of 2005; Fence Shadow with Red Line Water Tower in Park Hyatt Room, Ann Lawrance Morse Field, June 20, 2005; digital prints Chicago, IL, 2005; Camera Obscura (2005.311–20). Robert Cumming, (Epson Ultrachrome 7 inks on Image of Building Façade on Wall Long Tits, Milwaukee, WI, 1969, Epson enhanced matte paper): with Photograph, LaSalle Bank, gelatin silver print; Illustration of Charina Foundation Fund Chicago, 2005; Camera Obscura the Principles of the Uplift Bra “–in (2005.303–04, 308); Corner & Image of Building Cluster in Office, compliance with and/or defiance of Lines, 3x3 Field, January 22, 2005; LaSalle Bank, Chicago, IL, 2005; women’s lib and the exploitation of Hanging Frame (Neg) Postlude, Camera Obscura Image of Three the female form as object,” March 20, 2005; Grid Gable Buildings in Room with Cactus, Fullerton, CA, n.d., gelatin silver Garage Tapestry, January 20, 2005; LaSalle Bank, Chicago, 2005; gela- print: gift of Anstiss and Ronald digital prints (Epson Ultrachrome 7 tin silver prints: gift of Abelardo Krueck in memory of A. James inks on Epson enhanced matte Morell (2005.123–26). Tom Speyer (2005.109–10). Paul paper): Ernest Kahn Endowment Palazzolo, Maxwell Street after D’Amato, Barber Shop Window, (2005.305–06, 309); Brick Wall Party, 2000, gelatin silver print Chicago, 1990, chromogenic color Field (with Dark Shapes), January made by Ron Gordon: restricted gift print: restricted gift of Jack A. 29, 2005, digital print (Epson of Thomas E. and Buffy Keim Jaffe/JRJ Fund (2006.20); Leti and Ultrachrome 7 inks on Epson (2005.102). Melissa Ann Pinney, Mario, Chicago, 1994, and Triplets, enhanced matte paper): restricted Sarasota, Florida, 1997; Emma and Chicago, 1995; chromogenic color gift of Robin and Sandy Stuart Kiara Painted to Look Like Sisters, prints: William Elfenbaum (2005.307). Ron Gordon, Wheels Evanston, Illinois, 2001; Evanston, Endowment (2006.21–22); Novelty and Hubcaps, Old Maxwell Street Illinois, 1998; Evanston, Illinois, Factory, Chicago, 1997, chro- Market, 1991; James Iska, Elotera, 2001; Bat Mitzvah Dance, Chicago, mogenic color print: restricted gift 1993; Jack A. Jaffe, Halloween, IL, 1991; Chicago, Illinois, 1987; of the Linda and David Moscow Maxwell Street, 1965; Kenneth Chicago, Illinois, 1990; Evanston, Foundation (2006.23); April, 2004, Josephson, Chicken Charlie, 1963; Illinois, 1996; Flowergirl, Mundelein, and Betty (Mother and Child), gelatin silver prints made by Ron Illinois, 1991; Washington Park, 2005; chromogenic color prints: Gordon: restricted gift of Thomas E. Chicago, 2000; Kanaha State Beach, restricted gift of the Biff Ruttenberg and Buffy Keim (2005.97–100). Maui, 2000; Beauty Salon Birthday Foundation (2006.24–25); Jack Leigh, Live Oak and Pond, Party, Evanston, Illinois, 1990; Shavondra, 2005, chromogenic 1999, gelatin silver print: gift of Chicago, Illinois, 2002; Kanaha color print: restricted gift of Robert Mrs. Robert O. Levitt (Kathryn State Beach, Maui, 2002; Bellevue, A. and Doris Taub (2006.26); Levitt) (2005.127); Overhanging Nebraska, 2000; Evanston, Illinois, Dancers with Large Black Hat, Limb, 1989, gelatin silver print: gift 1999; Maui, Hawaii, 1996; Kevin &

35 Kate, Evanston, Illinois, 1998; Railroad Artifact, 30th Street, May London, 1978; Vasterival, Emma on Cellar Door, Evanston, 2000; chromogenic color prints: gift Normandy, 954; Robert Graves, Illinois, 2001; Disney World, of Ralph and Nancy Segall 1978; Dressmaker’s Dummy, Paris, Orlando, Florida, 1998; Los (2005.111–22). Larry Sultan, Mom 1928; “Bottle” Kilns in the Angeles, California, 2000; Posing for Me, 1984, chromogenic Potteries, Stoke-on-Trent, n.d.; gela- Greenwood Beach, Evanston, 2000; color print: restricted gift of Reva tin silver prints: gift of Stephen E. Chicago, Illinois, 1999; chro- and David Logan (2005.107). Bob and Phyllis Gross (2005.535–39). mogenic color prints: gift of Ralph Thall, Roosevelt Road, East of French. Artist unknown, Untitled, and Nancy Segall (2005.321–43). Maxwell Street, 1972, gelatin silver 1860–80, Victorian photocollage Marc Pokempner, Kid Dynamite, print made by Ron Gordon: restrict- album: Mary and Leigh Block 1988, gelatin silver print made by ed gift of Thomas E. and Buffy Endowment (2005.297). Pierre Ron Gordon: restricted gift of Keim (2005.104); fifty-two gelatin Jahan, Condorcet, Album la mort et Thomas E. and Buffy Keim silver prints from the series The les statues, 1942–43, gelatin silver (2005.103). Jessica Rowe, Richmond, Perfect City: gift of Ralph and print: restricted gift of John A. Bross Kentucky, 2002, and Park Ridge, Nancy Segall (2005.344–95). in memory of Edward Byron Smith Illinois, 2001; chromogenic color Catherine Wagner, Moscone Center, (2005.55); Paintings Return to the prints: gift of Jessica Rowe 1980–81, and California Louvre, 1945, gelatin silver print: (2005.129–30); Margaret Pelton Landscapes, 1972–79; gelatin silver restricted gift of Karen and Jim Spurrier, 2005, digital print: restrict- prints: Photography Associates Fund Frank (2005.56); Waiter at the ed gift of John A. Bross in honor (2005.301–02). Todd Webb, Fulton Brasserie Lipp, c. 1950, gelatin sil- of Anstiss Hammond Krueck Street, New York, May 1948, ver print: restricted gift of Robert (2006.18); Grace Bassett, 2003, dig- vintage gelatin silver print: gift of and Doris Taub (2005.57); Colette ital print: restricted gift of Anstiss David Semel (2005.540); 49th at Her Window in the Palais Royal, and Ronald Krueck in loving memo- Street, New York, May 1948, September 1941/45, gelatin silver ry of Florence Pierson Hammond vintage gelatin silver print: gift of print: restricted gift of Sidney and (2006.19). Jason Salavon, The Top Charles and Arlene Semel Sondra Berman Epstein (2005.58); Grossing Film of All Time, 1 x 1, (2005.541); Juilliard School, 22nd In the Herault Studio, 1945, gelatin 2000, digital chromogenic print Street, New York, October 1946, silver print: Black Dog Fund in mounted to Plexiglas: David C. and vintage gelatin silver print: gift of honor of Anstiss and Ronald Krueck Sarajean Ruttenberg Arts Foundation Mitchell Semel (2005.542); (2005.59). Purchase Fund (2005.219). Paul Paterson, New Jersey, November German. Heinrich Riebesehl, Leese Strand, Iris, Orgeval, France, 1973, 1946, vintage gelatin silver print: (Nienburg), November 1978, gelatin gelatin silver print: gift of Jack A. gift of Andrew Semel (2005.543). silver print: restricted gift of Anstiss Jaffe and Naomi Stern (2005.477). Jay Wolke, Last Sales on a Sunday, and Ronald Krueck in honor of Joel Sternfeld, A Spring Evening, the 1987, gelatin silver print made by Monika Paul Betts (2005.298); Hudson, May 2001; Looking East Ron Gordon: restricted gift of Soltau (Falling bostel), September on 30th Street on a Morning in Thomas E. and Buffy Keim 1976, gelatin silver print: Barbara May, 2000; Ailanthus Trees, 25th (2005.105). and Lawrence Spitz Fund Street, May 2000; Looking South at Argentinian. Esteban Pastorino (2005.299). Wilhelm Schürmann, 27th Street; Looking South on a Diaz, Skopelos 18, 2002, digital ink- Thimister (B), gelatin silver print: May Evening (the Starrett-Lehigh jet print: restricted gift of Anstiss Photography Associates Fund Building), May 2000; Looking East and Ronald Krueck in honor of (2005.300). on 30th Street on a Late September Judy and Scott McCue (2005.108). Morning; A View towards the English. Bill Brandt, Campden Hill, Empire State Building, November London, 1977; St. Paul’s Cathedral 2000; Ken Robson’s Christmas Tree, in the Moonlight, 1942; The January 2001; Looking South Bombed City, 1942; The Devil’s towards Chelsea Markets, December Den, 1940s; East Sussex Coast, 2000; Grape Hyacinth, April 2000; 1979; gelatin silver prints: gift of Looking West on 30th Street on Jeffrey Hugh Newman a September Evening, 2000; A (2005.530–34); Campden Hill,

36 Prints and Drawings Landscape with Cut Trees, 2005, ink and correction tape: gift of the collage of photocopies, cut-and- artist (2005.551); Sondra Drawings tipped: Adelaide C. Brown Fund Freckelton, Wheelbarrow Harvest, American. Sigmund Abeles, (2005.402). Wally Carlson (for the 1979, watercolor over graphite: Listening to the Morning News, Chicago Tribune), But the thing that Jalane and Richard Davidson 1980, conté crayon and charcoal: bothered me most in visiting Collection (2005.548). Arshile Jalane and Richard Davidson England was the way they wasted Gorky, Untitled, 1946, graphite and Collection (2005.544). Ivan man-hours knocking off for tea, colored crayon with smudging: gift Albright, “And the day ran into the from Mostly Malarky, 1953, pen of Albert A. Robin (2005.416). night, memories…,” 1937, pastel and brush and black ink, over Chester Gould (for the Chicago and gouache; Nude Woman, Full graphite, with erasing, and brush Tribune), Sparkle Plenty Welcomes Body, 1937, watercolor with crayon and blue wash, with white gouache, Mr. Kubicek and Mr. Gould, c. and glue, layered, in artist’s frame: and cut-and-pasted papers: gift of 1950s, pen and brush and black ink, Estate of Jane Fuller McLanathan Patricia C. Kubicek in memory of over graphite, with erasing: gift of (2005.585–86.1–2). William Bailey, Robert A. Kubicek (2005.581). John Patricia C. Kubicek in memory of Self-Portrait, 1979, charcoal with Singleton Copley, Portrait of Henry Robert A. Kubicek (2005.582). Bob stumping and erasing: Jalane and Hill, 1765/70, pastel on brown Kraus, You Rang, Sir? c. 1960, Richard Davidson Collection paper laid down: Roger and J. Peter graphite with brush and gray wash (2005.545). Baker Studios (inscribed McCormick endowments; restricted and black crayon; Adrian Lamb, and drawn on by Dorothy Bond), gift of William C. Vance from the Igloo Cradle, c. 1960, black fiber- Portrait of Dorothy Bond, c. 1950s, Vance Family Foundation; Maurice tipped pen with brush and blue gelatin silver print heightened and D. Galleher Endowment and watercolor and graphite; Ed drawn on with pen and black ink: General Acquisitions funds Nofziger, Thousands of People Own gift of Patricia C. Kubicek in memo- (2006.83). Jack Davis, Untitled Canaries, from Household Pe(s)ts: ry of Robert A. Kubicek (2005.583). (Bloody Sword Battle), c. 1980, pen The Canary, c. 1960, pen and black Kent Bellows, Portrait of Rachel, and black ink, and brush and col- ink, and brush and colored washes, 1985, graphite, with smudging and ored ink washes, with touches of over touches of graphite: gift of Dr. touches of erasing; Debra opaque white; Robert Day, Toy and Mrs. Lewis H. Kaminester Bermingham, The Inheritance, Trumpets, c. 1960, pen and black (2005.566–68). Raymond Pettibon, 1989, graphite with stumping and ink: gift of Dr. and Mrs. Lewis H. No Title, 1981, non-photo blue pen- erasing: Jalane and Richard Kaminester (2005.564, 563). Aaron cil and pen and black ink: gift of Davidson Collection (2005.546–47). Douglas, Study for Aspects of Negro Hudson (2005.561). Joseph Piccillo, Ray Billingsley, Over 21-Year-Old Life: The Negro in an African Horse Study, 1979, graphite with Weepy Winers, from Curtis, 1995, Setting, 1934, gouache: transferred erasing: Jalane and Richard pen and black ink with blue pencil from the Department of American Davidson Collection (2005.549). ruling: gift of Dr. and Mrs. Lewis H. Art; Estate of Solomon Byron Smith; Bud Sagendorf, Sea Hag, from Kaminester (2005.562). Dorothy Margaret Fisher Fund (1990.416). Popeye, 1973, pen and black ink, Bond, Autobiography, c. 1950, pen Stan Fine, Recreation Room, c. with brush and black wash, over and brush and black ink over 1960, pen and black ink, with brush graphite, with blue pencil remarks graphite, with erasing and adhesive and red wash, over graphite: gift of and pasted adhesive shading film shading film; Mama, the Unsung Dr. and Mrs. Lewis H. Kaminester elements: gift of Dr. and Mrs. Lewis Heroine: Mama Watches Television, (2005.565). Julia Fish, Garden H. Kaminester (2005.569). Angelo 1953, pen and brush and black ink Drawing #87, 1996, brush and Torres (commissioned by and later over graphite, with erasing and black ink; Study for Entry published in MAD, No. 204), seven adhesive shading film: gift of (Fragment One), 1997, gouache: gift panels from The Incredible Bulk, Patricia C. Kubicek in memory of of Dean Valentine and Amy Adelson January 1979, pen and black ink, Robert A. Kubicek (2005.579–80). (2005.597–98); Study for Living with gray fiber-tipped pens and Mark Booth, Untitled, 2005, brush Rooms, 2001, correction tape: gift white correction fluid, ruled with and black acrylic ink: Mr. and Mrs. of Judith Neisser (2005.552); light blue fiber-tipped pen, over Robert Hixon Glore Fund Working Drawing for Living graphite: gift of Dr. and Mrs. Lewis (2005.403). Dean Byington, Small Rooms, SouthEast-One, 2002/03, H. Kaminester (2005.572–78). Terry

37 Winters, Pine Cone #16, 1982, char- and Reflecting Pool at Arcueil, Bullfight, October 18, 1960, brush coal and conté crayon, with wiping, 1744/47, charcoal with stumping, and gray wash: bequest of Paul smudging, and erasing: Mr. and and with traces of erasing; Gabriel Gerstley (2005.166). Mrs. Robert O. Delaney Fund de Saint-Aubin, The Genius of (2005.401). Theo Wujcik, Philip Painting, n.d., charcoal with stump- Prints Pearlstein, 1979, silverpoint: Jalane ing, erasing, and incising: gift of American. Ant Farm (Doug Michels, and Richard Davidson Collection Celia and David Hilliard (2005.555, Chip Lord, and Curtis Schreier), (2005.550). Chic Young, Dagwood 558). Georges Valmier, Untitled, Predicta (Media Burn Storyboard), and the Plumber, from Blondie, n.d., gouache, and pen and black 1975, diazo print in purple: Helen 1958, pen and black ink, over ink, with graphite: gift of Albert A. Davis Bailey and Joseph Ryerson graphite, with blue pencil remarks; Robin (2005.405). endowments (2005.404). Ron Playing Restaurant, from Blondie, German. Ella Bergmann, OB-197, Adams, Blackburn, 2002, color 1956, pen and black ink, with brush 1924, pen and black ink, and lithograph: gift of Harriet K. Stratis and black ink, blue pencil, adhesive graphite, with smudging and eras- (2005.590). John E. Dowell, Jr., shading film, cut and pasted paper ing: gift of Albert A. Robin Chicago Duet, 2004, color photo- elements, and touches of opaque (2005.415). Hanna Nagel, Woman lithograph: William McCallin white, over graphite: gift of Dr. and in a Blue Coat, February 1929, lith- McKee Memorial Collection Mrs. Lewis H. Kaminester ographic crayon and watercolor, (2005.423). Peter Hurd, The Water (2005.570–71). with graphite: Print and Drawing Hole, c. 1941, lithograph: gift of Belgian. James Ensor, The Fund (2005.400). Oskar Schlemmer, Elvera and Maurice (Ritz) Fischer Temptation of Saint Anthony, 1887, Head, 1922, pen and black ink; (2005.410). Jasper Johns, Pyre 2, charcoal, graphite, colored pencil, Kurt Schwitters, MZ 30, 17, 1930, 2004, lithograph in black, gray, and pastel, and watercolor, with cut-and- collage composed of cut-and-pasted pale yellow: gift of Gemini G.E.L. in pasted elements: Regenstein papers; Nivea, 1936–37, collage honor of James Cuno and Mark Endowment and the Louise B. and composed of cut-and-pasted papers, Pascale (2005.412). Barbara Jones, Frank H. Woods Purchase Fund with touches of gouache; Untitled, Unite (AfriCOBRA), 1971, color (2006.87). n.d., collage composed of cut-and- screenprint: gift of Judy and Patrick English. Sir Edward Coley Burne- pasted papers: gift of Albert A. Diamond (2005.588). Ynez Johnston, Jones, Study for One of the Fates, Robin (2005.419–22). Ocean Voyagers, 1951, etching: c. 1865, charcoal: gift of Celia and Italian. Giovanni Francesco Everett D. Graff Endowment David Hilliard (2005.553). Peter De Grimaldi (Il Bolognese), Landscape (2006.73); Harbor Scene, 1959/61, Wint, In Wales between Bangor and with a Large Tree on the Right and etching and aquatint, with stenciled Capel Curig, 1830s, watercolor over a Distant View of a Town on the color: Joseph Brooks Fair traces of graphite: Suzanne Searle Left, n.d., pen and brown iron-gall Endowment (2006.74); Untitled Dixon and Margaret Day Blake ink, over charcoal: gift of Celia and (The Black Pagoda V), 1965, litho- endowments (2006.86). George David Hilliard (2005.554). graph in brown: John H. Wrenn Romney, The Gower Family, 1777, Giuseppe Maria Mitelli, Vendor of Memorial Endowment (2006.75). brush and brown ink with graphite: Rosaries and Sacred Images, c. Max Kahn, Sleeping Child, c. 1949, gift of Celia and David Hilliard 1660, pen and brown ink with color lithograph: Estate of Frances (2005.557). touches of red chalk: Suzanne Searle E. Krauss (2005.408). Karl Koehler French. Jean Metzinger, Seated Dixon Endowment (2005.396). and Victor Ancona, This Is the Woman, 1919, gouache with black Montenegrin. Dado (Miodrag Enemy, 1942, color offset lithograph: conté crayon: gift of Albert A. Djuric), Unknown, 1966 (dedicated John H. Wrenn Memorial Collection Robin (2005.417). Alexandre 1967), pen and gray ink: gift of and Stanley Field Endowment Moitte, An Elegant Young Woman Anstiss and Ronald Krueck in mem- (2005.406). Audrey Niffenegger, in a Garden, c. 1785, black chalk: ory of A. James Speyer (2005.414). Ascension, 1985, etching and gift of Lowell Libson in honor of Spanish. Pablo Picasso, Painter and aquatint: gift of Mark Pascale the Regenstein Family and the Model, 1970, black and colored (2005.587). Roi Partridge, Le Pont Regenstein Foundation (2005.584). crayon: gift of Albert A. Robin Neuf, 1911; The Beggar Girl, 1913; Jean-Baptiste Oudry, Lattice Work (2005.418). Pablo Picasso, style of, Louvre Lace (Le Louvre No. 4),

38 1914; Equality and the Beggar Girl, etching, in orange-brown and Six Contes Fantasques, 1944, print- 1914; etchings: gift of Mr. and Mrs. brown: gift of Celia and David ed 1953, drypoint: gift of Celia and Anthony R. White (2006.77–80). Hilliard (2005.560). Henri de David Hilliard (2005.556). Maud Hunt Squire, Bathers, Toulouse-Lautrec, La Revue Swiss. Dieter Roth, Piccadilly Provincetown, 1914/19, color blanche, 1895, color lithograph: gift Triptych, 1968–70, wax and acrylic woodcut: Sara R. Shorey Endowment of Elizabeth Baum and Caroline paint, over color screenprint with and Prints and Drawings Purchase Baum (2005.409). C. Villot, Au offset lithography: Mr. and Mrs. Fund (2006.70). Seventy-four Grand Pasteur, 1930s, lithograph: Robert O. Delaney Fund artists, Screen Prints 1970, 1970, gift of Teri Edelstein and Neil Harris (2006.85.1–3). seventy-five color screenprints in a (2005.411). color screenprinted portfolio, with German. F. A. (after I. Z., published two albums in screenprinted covers: by Giuseppe Allegrini), Madeleine gift of Mary E. Stauss de la Tour d’Auvergne, from Textiles (2005.589.1–75). Chronologica series simulacrorum Czech. Frantisek Kupka, The Fools regiae familiae Mediceae centum American (Les Fous), 1899, lithograph in expressa toreumis, published 1761, Wilda W. Rice for Clyde R. brown and blue, from two stones, engraving: gift of John and Anne C. Rockriver, Bedcover Depicting with scraping: Everett D. Graff Tedeschi (2005.591). Paula Collier’s Magazine Covers, 1932, Endowment (2005.399). Modersohn-Becker, The Goosegirl, cotton plain weave; quilted with Dutch. Adriaen Haelwegh (pub- 1901/02, etching and aquatint: Print cotton; embroidered with cotton in lished by Giuseppe Allegrini), and Drawing Fund (2006.71). stem, trellis, double running stitches; Garzia de’ Medici, Christina of Georg Martin Preissler (after French knots; painted; pieced, Lorraine, Maria Magdalena of Giovanni Domenico Campiglia, backed, and edged in cotton: Estate Austria, and Cosimo I; from published by Giuseppe Allegrini), of Barbara Howard (2005.434). Chronologica series simulacrorum Anna Maria Luisa, from Blanket, Navajo, 1910/20, wool, regiae familiae Mediceae centum Chronologica series simulacrorum weft-faced plain weave, single expressa toreumis; 1666, published regiae familiae Mediceae centum interlocked tapestry weave; Blanket, 1761, engravings: gift of John and expressa toreumis, 1730, published Navajo, 1910/20, wool, weft-faced Anne C. Tedeschi (2005.592–95). 1761, engraving: gift of John and plain weave; single interlocked Flemish. Nicolaes de Bruyn, eleven Anne C. Tedeschi (2005.596). tapestry weave; Blanket, Santa Fe, plates from Heads of Kings and Italian. Alberto Burri, Serigraph 1D, Navajo, wool, weft-faced plain Heroes, 1594: Hector of Troy, plate from Triptych D, 1973/76, screen- weave: gift of Mrs. Lee Winfield one (first edition); Alexander of print: gift of Studs Terkel Alberts (2005.442–44). Christopher Macedonia, plate two; Julius Caesar, (2005.407). Giovanni Benedetto Leitch, Scarf, Merriam, Kansas, late plate three; Josue Dux, plate four; Castiglione, The Raising of Lazarus, 20th cen., silk, plain weave: gift of King David, plate five; Judas c. 1649, etching: restricted gift of Mrs. Lee Winfield Alberts Maehabeus, plate six; Carolus Anne Searle Bent (2005.398). Gino (2005.445). Hanging, 20th cen., Magnus, plate seven; King Arthur, Severini, Pas de Deux, 1952, pub- cotton, plain weave; appliquéd; plate eight; Godefridus Bulonius, lished 1954, color lithograph: gift of Hanging, 20th cen., cotton, plain plate nine; Hector of Troy, plate one Celia and David Hilliard weave with supplementary pattern- (later edition); Josue Dux, plate four (2005.559). ing wefts (overshot) in various twill (later edition); engravings: Amanda Norwegian. Edvard Munch, The weaves, including goose-eye twill S. Johnson and Marion J. Livingston American Girl, 1894, drypoint: gift and chevron twill: gift of Mrs. Lee Endowment (2005.397.1–11). of Wolfgang Wittrock (2005.599). Winfield Alberts (2005.449–50). French. Pierre Bonnard, Portrait of Portuguese. Paula Rego, A Frog he Angelo Testa, Two Panels Entitled Ambroise Vollard, c. 1924, etching: would a-wooing go I, 1989, etching “Cities” from the Chicago Artists Prints and Drawings Purchase Account and aquatint: gift of Mark W. Krisco Collection, Chicago, 1940s, cotton (2006.13). Alexandre-Théophile in loving memory of Dr. Martin L. and synthetic, weft-float faced sin- Steinlen, Reclining Nude Woman, Gecht (2005.413). gle-point twill weave, silk-screen- 1902, aquatint with soft-ground Spanish. Pablo Picasso, Head from

39 printed: restricted gift of the the style of William Morris, late cotton, plain weave, block printed: Elizabeth Cheney Foundation 19th/early 20th cen., cotton and restricted gift of the Estate of James (2006.162–63). Ling Po for Frank silk, plain weave embroidered with Tigerman (2006.160–61). Lloyd Wright, Prototype for Design stem stitch, two-sided plaited 102 from “The Taliesin Line of Spanish stitch, printed: gift of Grant Indonesian Decorative Fabrics and Wallpapers,” and Suzanne McCullagh in memory Ceremonial Head or Shoulder Taliesin West, Scottsdale, 1955, of Margaret Fisher (2005.453). Cloth, Sumatra, Minangkabau peo- linen, plain weave, block-printed: ple, 20th cen., rayon, cotton, plain restricted gift of the Elizabeth French weave with supplementary wefts; Cheney Foundation (2006.164). Length of Dress or Furnishing Tapis (Ceremonial Skirt), East Fabric, possibly Lyon, 1852/70, silk, Sumba, probably Kapunduk area, Bessarabian plain weave with self-patterning 20th cen., cotton, polyester, and Carpet (Kilim), 1842, wool, cotton, weft floats and areas of warp-float rayon, warp resist-dyed (warp ikat) and bast fiber, slit and dovetailed faced satin weave and moiré finish, warp-faced plain weave with supple- tapestry weave: gift of Mr. and woven on loom with Jacquard mentary warps; Eu van Zuylen, Mrs. Joseph W. Fell (2006.72). attachment: restricted gift of the Sarong, Java, Pekalongan people, Estate of Belle M. Borland c. 1930, cotton, plain weave; Chinese (2006.165). resist-printed (batik); Sarong, Timor, Ceremonial Shawl with Tibetan Beboki, Tetum people, 20th cen., Buddhist Inscriptions and Eight Greek or Turkish cotton, warp resist-dyed (warp ikat), Auspicious Emblems (Bajixiang), Towel, cotton, plain weave; embroi- plain weave with supplementary Ming dynasty (1368–1644), dered with cotton and silver-colored wefts; Tapis (Ceremonial Skirt), 15th/16th cen., silk, bands of satin metal in chain stitch, cross-stitch, Sumatra, Lampung area, 1900/50, weave with patterning wefts bound herringbone stitch, and buttonhole cotton, weft-faced plain weave, in satin interlacings: restricted gift of stitch with applied mirrors: gift of embroidered with gilt-metal-strip- James Tigerman (2005.431). Mrs. Lee Winfield Alberts wrapped cotton, applied sequins; (2005.451) Pua (Ceremonial Textile), Borneo, English Iban people, 20th cen., cotton, warp Indian Clabburn, Sons and Crisp, Norwich, resist-dyed (warp ikat); extended Panel Depicting European Figures Shawl, 1860s, silk, twill weave: warp-faced plain weave; Tapis and Horses, Coromandel coast, restricted gift of the Dean L. and (Ceremonial Skirt), Sumatra, probably exported for the Sri Rosemarie Buntrock Foundation Lampung area, Abung people, Lankan market, late 18th cen., cot- and Joseph W. Fell (2005.435); 1900/50, silk, gilt-metal wrapped ton, plain weave; block- and possi- Shawl, 1860s, silk, twill weave: cotton, warp-faced plain weave with bly resist-printed; Panel, North-East restricted gift of the Textile Society gilt-metal wrapped cotton thread (modern Indian state of Assam), (2005.436); Shawl, c. 1860, silk, needlework: gift of E. M. Bakwin 18th cen., silk, double cloth: twill weave: restricted gift of the (2005.454–60). Franke Family Charitable Foundation restricted gift of James Tigerman (2005.432–33). Bag, Rajasthan, (2005.437); Shawl, 1860s, silk, twill Italian Banjar culture, cotton, plain weave, weave: restricted gift of the Christa Four Panels, Venice, 18th cen., silk, embroidered with chain stitch, C. Mayer Thurman Endowment satin weave, painted: gift of Mrs. cross-stitch, herringbone stitch, and Fund and the Textile Society of the William J. Robertson (2005.441.a–d). Art Institute of Chicago (2005.438); buttonhole stitch with applied mirrors; tassels: gift of Mrs. Lee Shawl, late 19th cen., silk, wool, Japanese Winfield Alberts (2005.452). Panel, twill weave: restricted gift of the Akiko Ishigaki, Scarf, Okinawa, late exported for the Sri Lankan market, Textile Society of the Art Institute of 20th cen., silk and pineapple fiber, 1730/50, cotton, plain weave, painted; Chicago (2005.439). Shawl frag- plain weave; Scarf, late 20th cen., resist-dyed; Panel, Coromandel ment, Norwich, late 19th cen., silk silk and wool, plain weave, resist- coast, exported for the Indonesian and wool, twill weave: gift of Judy dyed; edging: plain weave, double market (found in Sulawesi), 1700/30, Wentworth (2005.440). Panel, in cloth with areas of extended plain

40 weave and weft-faced plain weave: (2005.447). gift of Mrs. Lee Winfield Alberts Uzbek (2005.446, 448). Kimono, Japan, Wall Hanging Composed of Three late Taisho period, 1920s, silk, cot- Panels, Bukhara, 1825/75, silk, ton, plain weave, resist-dyed warps warp-faced plain weave, warp-dyed and wefts; Kimono, late Taisho/early (ikat); binding: plain weave; lining Showa period, 1920s/30s, silk, vis- on reverse: cotton, warp-floated cose rayon (delustered), cotton; faced satin weave; Wall Hanging plain weave, stenciled warps; Composed of Five Panels, Bukhara, Kimono, late Taisho period, 1920s, 1801/50, silk, warp-faced plain silk, cotton, plain weave, stenciled weave, warp-dyed (ikat); Wall and resist-dyed warp and wefts; Hanging Composed of Five Panels, Kimono, early Showa period, 1930s, possibly Samarkand, 1850/75, silk, silk, rayon, plain weave, stenciled warp-faced plain weave, warp-dyed warps; Haori, early Showa period, (ikat); Wall Hanging Composed of 1930s, silk, “gold” metal threads, Five Panels, Samarkand or Bukhara, plain weave, satin weave, stenciled; 1850/75, silk, cotton, warp-faced lining: twill weave damask; ties: plain weave, warp-dyed (ikat); plaited; Haori, early Showa period, Portion of a Loom Length, 1930s, silk, plain weave; resist-dyed Bukhara, 1850/75, silk, twill weave wefts; lining: plain weave; printed with supplementary pile warps pattern; Kimono, late Taisho period, forming cut velvet; Portion of a 1920s, silk, plain weave; resist-dyed; Loom Length, Bukhara, 1875/1900, Kimono, early Showa period, 1930s, silk, twill weave with supplementary silk, rayon, “gold” metal-wrapped pile warps forming cut velvet; threads, cotton, plain weave with Woman’s Robe, Bukhara, supplementary weft of “gold” 1840s/60s, silk, cotton, warp-faced metallic threads, resist-dyed; lining: plain weave, warp-dyed (ikat); main plain weave; Kimono, early Showa lining: plain weave, printed; center period, 1930s, silk, rayon, “silver” opening lining: warp-faced plain metal foil on paper, plain weave weave; bottom edge lining: plain with supplementary wefts, stenciled weave; cuff lining: twill weave; edg- warps and resist-dyed wefts; Haori, ing: warp twining: gift of Guido early Showa period, 1930s, silk, vis- Goldman (2005.600–06). cose rayon, plain weave; stenciled warp; lining: plain weave; resist- dyed; ties: cross and recross: restrict- ed gift of the Christa C. Mayer Thurman Textile Endowment and the Estate of James Tigerman (2006.58–67). Fireman’s Coat, early Meiji period, late 19th cen., cotton, plain weave, quilted (sashiko), painted: restricted gift of the Estate of James Tigerman (2006.159).

Thai Jim Thompson, Scarf, after 1951, silk, warp-twined weave: gift of Mrs. Lee Winfield Alberts

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