DOCSLIB.ORG

Return of Private Foundation OMB No 1545-0052 Form 990 -PF Or Section 4947( A)(1) Nonexempt Charitable Trust ` Treated As a Private Foundation 2011 Note

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

l efile GRAPHIC p rint - DO NOT PROCESS As Filed Data - DLN: 93491123005113 Return of Private Foundation OMB No 1545-0052 Form 990 -PF or Section 4947( a)(1) Nonexempt Charitable Trust ` Treated as a Private Foundation 2011 Note . The foundation may be able to use a copy of this return to satisfy state reporting requirements Department of the Treasury Internal Revenue Service For calendar year 2011 , or tax year beginning 07 - 01-2011 , and ending 06-30-2012 G Check all that apply r'Inltlal return r'Inltlal return of a former public charity r'Flnal return r-Amended return (Address change (Name change Name of foundation A Employer identification nu The I Paul Getty Trust 95-1790021 °/ WILLIAM G H11MPHRTFS Number and street (or P 0 box number if mail is not delivered to street address) Room/suite 6 Ielepnone number (see page 1u of the instructions) 1200 Getty Center Drive Suite 401 (310) 440-6040 City or town, state, and ZIP code C If exemption application is pending, check here F Los Angeles, CA 90049 D 1. Foreign organizations, check here (- H C heck type of organization F Section 501(c)(3) exempt private foundation 2. Foreign organizations meeting the 85% test, r- check here and attach computation FSection 4947 ( a )( 1 nonexem p t charitable trust (Other taxable p rivate foundation E If private foundation status was terminated I Fa Ir market value of all assets at end J Accounting method F Cash F Accrual und er sect ion 507 ( b )( 1 )( A ), c hec k here 0- F of y e a r (from Part 77, col. (c), Other (specify) F If the foundation is in a 60-month termination line 16)x$ 10,502,514,302 (Part I, column (d) must be on cash basis.) under section 507(b)(1)(B), check here 0- F (d) Disbursements Analysis of Revenue and Expenses (The (a) Revenue and (b) Net investment (c) Adjusted net for charitable total of amounts in columns (b), (c), and (d) may not expenses per income income purposes necessanly equal the amounts in column (a) (see page 11 of books the instructions) ) (cash basis only) 1 Contributions, gifts, grants, etc , received (attach schedule) 22,782,663 2 Check 11111- F_ if the foundation is not required to attach Sch B 3 Interest on savings and temporary cash investments 1,835,969 1,835,969 1,835,969 4 Dividends and interest from securities. 19,181,612 18,889,932 19,181,612 5a Gross rents . 356,512 356,512 356,512 b Net rental income or (loss) 235,842 C, 6a Net gain or (loss) from sale of assets not on line 10 163,796,771 b Gross sales price for all assets on line 6a 2,933,410,807 co 7 Capital gain net income (from Part IV , line 2) . 236,245,694 co 8 Net short-term capital gain . 0 9 Income modifications . 28,447 10a Gross sales less returns and allowances 17,761,490 b Less Cost of goods sold . 8,739,526 c Gross profit or (loss) (attach schedule) . 9,021,964 9,021,964 11 Other income (attach schedule) . 40,302,060 101,001,789 125,200,679 12 Total . Add lines 1 through 11 . 257,277,551 358,329,896 155,625,183 13 Compensation of officers, directors, trustees, etc 5,133,938 1,304,317 1,482,548 3,651,390 14 Other employee salaries and wages 77,805,344 157,477 3,268,103 74,537,241 15 Pension plans , employee benefits . 32,120,054 578,432 1,802,862 30,317,192 16a Legal fees (attach schedule) . 899,253 349,166 349,166 550,087 b Accounting fees (attach schedule) . 666,388 245,868 420,468 245,920 W co c Other professional fees (attach schedule) . 7,917,018 7,900,940 7,900,940 16,078 17 Interest . 24,318,638 24,318,638 18 Taxes (attach schedule) (see page 14 of the instructions) 966,132 365 724,593 241,539 19 Depreciation (attach schedule) and depletion . 46,570,169 44,626 88,005 20 Occupancy . 12,204,494 17,148 810,283 11,394,211 21 Travel, conferences, and meetings . 5,658,338 129,823 610,938 5,047,401 C5 22 Printing and publications . 1,459,891 6,099 80,310 1,379,582 23 Other expenses (attach schedule) . 52,323,174 53,046,223 78,387,563 41,187,047 s 24 Total operating and administrative expenses. Add lines 13 through 23 . 268,042,831 63,780,484 120,244,417 168,567,688 25 Contributions, gifts, grants paid . 10,522,711 14,565,066 26 Total expenses and disbursements . Add lines 24 and 25 278,565,542 63,780,484 120,244,417 183,132,754 27 Subtract line 26 from line 12 a Excess of revenue over expenses and disbursements -21,287,991 b Net investment income (if negative, enter -0-) 294,549,412 c Adjusted net income (if negative, enter -0-) 35,380,766 For Privacy Act and Paperwork Reduction Act Notice, see page 30 of the instructions . Cat No 11289X Form 990-PF (2011) Form 990-PF (2011) Panes 2 Attached schedules and amounts in the description column Beginning of year End of year Balance Sheets should be for end-of- y ear amounts onl y (See instructions ( a) Boo k Va l ue ( b ) Boo k Va l ue ( c) F air M arket Va l ue 1 Cash-non-interest-bearing . 1,015,355 5,517,348 5,517,348 2 Savings and temporary cash investments . 349,444,081 223,177,221 223,177,221 3 Accounts receivable ► Less allowance for doubtful accounts 4 Pledges receivable ► Less allowance for doubtful accounts 5 Grants receivable . 6 Receivables due from officers , directors , trustees, and other disqualified persons ( attach schedule ) ( see page 15 of the instructions ) . 7 Other notes and loans receivable ( attach schedule) ► Less allowance for doubtful accounts 8 Inventories for sale or use . 4,194,101 4,933,386 7,579,272 9 Prepaid expenses and deferred charges . 6,804,234 9,404,625 9,404,625 10a Investments - U S and state government obligations (attach schedule) 31,751,29 0 116,971,566 116,971,566 b Investments -corporate stock ( attach schedule) . 330,180,55 3 269,852,663 269,852,663 c Investments - corporate bonds ( attach schedule). 118,196,88 7 53,048,394 53,048,394 11 Investments - land, buildings , and equipment basis Less accumulated depreciation ( attach schedule) ► 0 12 Investments - mortgage loans . 84,467,069 98,152,469 98,152,469 13 Investments -other ( attach schedule ) . 4,671,579,304 4,572,536 ,391 4,572,536,391 14 Land, buildings , and equipment basis 1,764,106,372 584,079,464 1,209,179,279 1,180,026 ,908 1,193,666,042 Less accumulated depreciation ( attach schedule ) ► 15 Other assets ( describe Ilk- ) 2,106,960 , 747 2,235,003,442 3,952,608,311 16 Total assets ( to be completed by all filers-see the instructions Also, see page 1, item I) 8,913,772,900 8,768,624,413 10,502,514,302 17 Accounts payable and accrued expenses . 372,664,324 599,116,516 18 Grants payable . 8,101,239 5,910,653 19 Deferred revenue . 20 Loans from officers, directors , trustees , and other disqualified persons 21 Mortgages and other notes payable ( attach schedule ) . 618,320,000 616,945,000 ) 0 12,332,696 J 22 Other liabilities ( describe ► 23 Total liabilities ( add lines 17 through 22) . 999,085,563 1,234,304,865 Foundations that follow SFAS 117, check here ► F and complete lines 24 through 26 and lines 30 and 31. w1 4) 24 U nrestricted . 7,909,332,273 7,530,275,703 4,385,064 2,828,108 qu 25 Temporarily restricted . 26 Permanently restricted 970,000 1,215,737 Foundations that do not follow SFAS 117, check here F- and complete lines 27 through 31. U- 27 Capital stock, trust principal, or current funds . 28 Paid-in or capital surplus, or land, bldg , and equipment fund n 29 Retained earnings , accumulated income, endowment , or other funds 30 Total net assets or fund balances ( see page 17 of the instructions ) . 7,914,687,337 7,534,319,548 31 Total liabilities and net assets/ fund balances ( see page 17 of the instructions ) . 8,913,772,900 8,768,624,413 UTIM Analysis of Changes in Net Assets or Fund Balances 1 Total net assets or fund balances at beginning of year-Part II, column (a), line 30 (must agree with end-of-year figure reported on prior year's return) . 1 7,914,687,337 2 Enter amount from Part I, line 27a . 2 -21,287,991 3 Other increases not included in line 2 (itemize) 3 4 Add lines 1, 2, and 3 . 4 7,893,399,346 5 Decreases not included in line 2 (itemize) Oil 9!^ 5 359,079,798 6 Total net assets or fund balances at end of year (line 4 minus line 5)-Part II, column (b), line 30 . 6 7,534,319,548 Form 990-PF (2011) Form 990-PF (2011) Page 3 Ca ital Gains and Losses for Tax on Investment Income (b) How acquired (a) List and describe the kind(s) of property sold (e g , real estate, (c) Date acquired (d) Date sold P-Purchase 2-story brick warehouse, or common stock, 200 shs MLC Co (mo , day, yr (mo , day, yr D-Donation la PUBLICLY TRADED EQUITY INVESTMENTS -LT P b PUBLICLY TRADED EQUITY INVESTMENTS - ST P c PUBLICLY TRADED FIXED INCOME INVESTMENT - LT P d PUBLICLY TRADED FIXED INCOME INVESTMENT - ST P e INTEREST RATE SWAP (f) Depreciation allowed (g) Cost or other basis (h) Gain or (loss) (e) Gross sales price (or allowable) plus expense of sale (e) plus (f) minus (g) a 202,684,287 167,007,877 35,676,410 b 236,108,049 236,085,234 22,815 c 155,084,678 144,087,183 10,997,495 d 2,130,226,419 2,137,193,257 -6,966,838 e 0 12,791,562 -12,791,562 Complete only for assets showing gain in column (h) and owned by the foundation on 12/31/69 (I) Gains (Col (h) gain minus (j) Adjusted basis (k) Excess of col (i) col (k), but not less than -0-) or (i) F M V as of 12/31/69 as of 12/31/69 over col (j), if any Losses (from col (h)) a 35,676,410 b 22,815 c 10,997,495 d -6,966,838 e -12,791,562 If gain, also enter in Part I, line 7 2 Capital gain net income or (net capital loss) If (loss), enter -0- in Part I, line 7 2 236,245,694 3 Net short-term capital gain or (loss) as defined in sections 1222(5) and (6) If gain, also enter in Part I, line 8, column (c) (see pages 13 and 17 of
Recommended publications
  • VIEWS December 1997

    VIEWS December 1997

    Volume 12, Number 1 VISUAL MATERIALS SECTION 1 VIEWS: The Newsletter of the Visual Materials Section Society of American Archivists Volume 12, Number 1 December 1997 JAZZIN’ IN CHICAGO by the Library of Congress for use, and LC will update and maintain the document. It is available on the Library of Minutes of Visual Materials Section Meeting. Society Congress’s (LC) “Cataloger’s Desktop,” which can be of American Archivists Annual Meeting, Chicago. Saturday, ordered on the World Wide Web through LC’s Cataloging August 30, 1997. 8:30 AM. Distribution Service. I. Meeting opened with welcome to the assembled Mark E. Martin (Temple Memorial Library) of the group by Chair, Judi Hoffman (Library of Congress). Advanced Workshop Committee reported that there have Introduction of incoming Chair, Catherine Johnson (Dance been no workshops in the last two years and that he is Heritage Coalition). Laurie A. Baty (National Historical retiring from his position. Publications and Records Commission) announced the sale of Section tee shirts made possible by Diane Ryan of John Slate (Texas Afro-American Photographic the Chicago Historical Society. All shirts were sold at the Archives) from Bibliography Committee reported that the conclusion of the meeting. bibliography is located on Richard Pearce-Moses’ (Heard Museum) website and submissions and/or suggestions are II. Elizabeth Atkins (Ford Motor Company) from the welcome. It is hoped that the bibliography will be SAA Program Committee made an announcement incorporated into the Visual Materials website. concerning next year’s meeting in Orlando, Florida, and encouraged section members to submit session proposals. Laurie A.
  • Brea (Los Angeles), California Oil, Oranges & Opportunities

    Brea (Los Angeles), California Oil, Oranges & Opportunities

    BUSINESS CARD DIE AREA 225 West Washington Street Indianapolis, IN 46204 (317) 636-1600 simon.com Information as of 5/1/16 Simon is a global leader in retail real estate ownership, management and development and an S&P 100 company (Simon Property Group, NYSE:SPG). BREA (LOS ANGELES), CALIFORNIA OIL, ORANGES & OPPORTUNITIES Brea Mall® is located in the heart of North Orange County, California, a few miles from California State University, Fullerton and their approximately 40,000 students and staff. — Brea and its surrounding communities are home to major corporations including American Suzuki Motor Corporation, Raytheon, Avery Dennison, Beckman Coulter and St. Jude Hospital. — The city’s Art in Public Places has integrated public art with private development. This nationally recognized collection features over 140 sculptures throughout the city including in Brea Mall. — The new master-planned communities of La Floresta and Blackstone, both in the city of Brea and less than four miles from Brea Mall, have added over 2,100 new luxury housing units to the area. — Brea City Hall and Chamber of Commerce offices are adjacent to the mall, located across the parking lot from Nordstrom and JCPenney. — One of the earliest communities in Orange County, Brea was incorporated in 1917 as the city of oil, oranges and opportunity. SOCAL STYLE Brea Mall has long served as a strategic fashion- focused shopping destination for the communities of North Orange County. The center continues in this tradition with a newly renovated property encompassing world-class shopping and dining. BY THE NUMBERS Anchored by Five Department Stores Nordstrom, Macy’s Women’s, Macy’s Men’s & Furniture Gallery, JCPenney Square Footage Brea Mall spans 1,319,000 square feet and attracts millions of visitors annually.
  • In This Issue

    In This Issue

    The Women’s Review of Books Vol. XXI, No. 1 October 2003 74035 $4.00 I In This Issue I In Zelda Fitzgerald, biographer Sally Cline argues that it is as a visual artist in her own right that Zelda should be remembered—and cer- tainly not as F. Scott Fitzgerald’s crazy wife. Cover story D I What you’ve suspected all along is true, says essayist Laura Zimmerman—there really aren’t any feminist news commentators. p. 5 I “Was it really all ‘Resilience and Courage’?” asks reviewer Rochelle Goldberg Ruthchild of Nehama Tec’s revealing new study of the role of gender during the Nazi Holocaust. But generalization is impossible. As survivor Dina Abramowicz told Tec, “It’s good that God did not test me. I don’t know what I would have done.” p. 9 I No One Will See Me Cry, Zelda (Sayre) Fitzgerald aged around 18 in dance costume in her mother's garden in Mont- Cristina Rivera-Garza’s haunting gomery. From Zelda Fitzgerald. novel set during the Mexican Revolution, focuses not on troop movements but on love, art, and madness, says reviewer Martha Gies. p. 11 Zelda comes into her own by Nancy Gray I Johnnetta B. Cole and Beverly Guy-Sheftall’s Gender Talk is the Zelda Fitzgerald: Her Voice in Paradise by Sally Cline. book of the year about gender and New York: Arcade, 2002, 492 pp., $27.95 hardcover. race in the African American com- I munity, says reviewer Michele Faith ne of the most enduring, and writers of her day, the flapper who jumped Wallace.
  • April–July 2018 Exhibitions

    April–July 2018 Exhibitions

    APRIL–JULY 2018 EXHIBITIONS YVE LARIS COHEN: MEETING GROUND ON VIEW 4/19/18 THROUGH 9/2/18 The work of transgender artist Yve Laris Cohen moves between the worlds of visual art and dance, situated within genealogies that include Minimalist sculpture, Institutional Critique, postmodern dance, and classical ballet. His work often considers the architecture and latent histories of theatrical spaces, through installations and performances that highlight states of transition. For Laris Cohen’s exhibition—his first solo museum presentation on the West Coast—the artist takes as his starting point MCASD La Jolla’s current expansion, a construction endeavor involving the conversion of Sherwood Auditorium into gallery space. On the occasion of Sherwood’s disappearance, Laris Cohen has engaged in an excavation of the history of the auditorium and, in turn, of the Museum itself. His installation will transpose architectural and archival elements of Sherwood to the Museum’s downtown building, effectively extending the life of the former civic space. There is a striking symmetry in this gesture: just as Sherwood Auditorium is transformed into a gallery, the artist transforms a gallery into Sherwood Auditorium. Laris Cohen sees architecture as not only a formal construction but also a social and political one. Indeed, the project considers not just material artifacts of the building, but also the labor that supported the auditorium’s programs and maintenance. As part of the exhibition, a former Sherwood events technician, Michael Scheer, has been contracted to assist with a weekly event taking place inside the installation. As a caretaker of Sherwood for over two decades, Scheer is now responsible for guarding archival materials from 1971, which marked a turning point in Sherwood’s history.
  • 601 Anton Blvd COSTA MESA, CALIFORNIA

    601 Anton Blvd COSTA MESA, CALIFORNIA

    601 Anton Blvd COSTA MESA, CALIFORNIA SITE - ICONIC RESTAURANT SITE RESTAURANT - ICONIC ANTON BLVD 8,345 SF + PATIO 8,345 SF + PATIO BRISTOL ST 5 Blvd Anton 601 Santa Ana Tustin 261 241 Bella Terra Market Place Fountain Valley ABOUT ORANGE COUNTY Tustin 405 SITE 55 Legacy 5 The District 241 39 133 SOUTH COAST PLAZA Irvine Business Complex Irvine • Orange County ranks 5th nationally as the largest county in America, with 3.1 million people and an economy that generates more than $220 billion per year Park Place Great Park • Average Household Income is $155,453 405 Huntington Irvine Spectrum • Over 50 million square feet of office in the surrounding trade area Beach 55 Newport Pacific City Shady Bluffs University of Canyon California Irvine • 43.8 million domestic and international travelers visit Orange County each year Costa Mesa 1 Turtle Rock • Total Annual Retail Sales per Household for Orange County ranked 5th Nationally with total 133 sales over $37 Billion annually Newport 5 Beach • Orange County visitors spent $8.7 Billion on dining, entertainment, shopping, sporting Fashion Island 73 events, transportation, and accommodations Balboa Island Newport Corona Coast Del Mar Resort at Pelican Hill 1 Crystal Cove 133 SOUTH COAST PLAZA SITE 292,000 ADT METRO POINTE AT SOUTH COAST 251,000 ADT 106,700 ADT JOHN WAYNE AIRPORT 601 Anton Blvd Anton 601 PROPERTY HIGHLIGHTS • 8,345 SF + 600 SF Patio • Freestanding 2nd Generation Restaurant site, located in Pacific Arts Plaza, co-tenancy with Specialty’s Café and Mastro’s Steakhouse, and 786,000 SF of leased office space • Accessible from the 405, moments from the 55, 73, and 5 freeways, as well as, one mile from John Wayne Airport.
  • Directory – English

    Directory – English

    SOUTHERN CALIFORNIA’S PREMIER SHOPPING DESTINATION SOUTH COAST PLAZA South Coast Plaza’s unparalleled collection of boutiques, department stores and award-winning restaurants, many of which are exclusive to California, attract visitors from around the world. South Coast Plaza’s reputation as one of the nation’s premier shopping destinations for fashion, design and dining grows stronger every year. Valentino ©2021 South Coast Plaza Considered one of Southern California’s most distinguished cultural, social and retail centers, South Coast Plaza is located within walking distance of the world-renowned Segerstrom Center for the Arts. NEW STORES & RESTAURANTS Baccarat 714.435.9600 CXI Currency Exchange International 714.957.5802 Dripp Coffee Bar 714.406.2118 Isabel Marant 714.708.2690 Louis Vuitton California Dream 866.884.8866 Loewe 714.464.7420 Monique Lhuillier 714.241.4432 Mulberry 949.508.2166 Orange County Museum of Art 714.780.2130 Psycho Bunny 714.462.4667 Reiss London 650.540.2054 Robin’s Jean 714.957.5799 Sunglass Hut 714.979.9139 Tag Heuer 714.435.2000 Tempur-Pedic 657.655.2703 Thom Browne 714.410.8485 Tiffany & Co. 714.540.5330 UNTUCKit 714.975.9250 Universal Appliance 949.284.1811 YellowKorner 714.435.2000 Zimmermann 949.274.7514 COMING SOON Audemars Piguet Fall 2021 Canada Goose Fall 2021 Pressed Juicery Fall 2021 Spring 2021 SOUTH COAST PLAZA AREA MAP The Bridge of Gardens The Bridge of Gardens crosses Bear Street, offering a spectacular view as it connects the two sides of South Coast Plaza. W MAGGIANO’S LITTLE ITALY PHILZ
  • South Coast Plaza

    South Coast Plaza

    SOUTHERN CALIFORNIA’S PREMIER SHOPPING DESTINATION SOUTH COAST PLAZA South Coast Plaza’s unparalleled collection of boutiques, department stores and award-winning restaurants, many of which are exclusive to California, attract visitors from around the world. South Coast Plaza’s reputation as one of the nation’s premier shopping destinations for fashion, design and dining grows stronger every year. Considered one of Southern California’s most distinguished cultural, social and retail centers, South Coast Plaza is located within walking distance of the world-renowned Segerstrom Center for the Arts. NEW STORES & RESTAURANTS AllSaints 714.955.4448 ba&sh 714.708.2920 Camilla 949.468.2904 Chalk & Vermilion Fine Art 714.662.6939 Costa Peruvian Cuisine 714.852.3299 Eve by Eve’s 657.205.8889 Furla 714.617.9629 Givenchy 714.545.2185 Golden Goose 657.212.5453 Isabel Marant 714.708.2690 John Hardy 714.549.2356 Knife Pleat 714.266.3388 Lafayette 148 New York 714.868.3131 Moynat 714.708.1310 Marugame Udon 714.619.5688 Orange County Museum of Art 714.780.2130 Philz Coffee 714.486.2731 Seabirds Kitchen 714.708.2166 TERRACE by Mix Mix 657.231.6447 Yellow Vase 714.445.0013 Zimmermann 949.274.7514 Harry Winston ©2019 South Coast Plaza COMING SOON The Hall Global Eatery Winter 2019 Dripp Spring 2020 Outpost Kitchen Spring 2020 Tickets to Segerstrom Center for the Arts, South Coast Repertory and Disneyland® are now available at South Coast Plaza Concierge locations. Winter 2019 SOUTH COAST PLAZA SERVICES MONEY EXCHANGE For your convenience, Travelex Worldwide Money foreign exchange converts foreign currency into U.S.
  • Mocp at 40 Checklist

    Mocp at 40 Checklist

    MoCP at 40 Checklist West Gallery Julia Margaret Cameron (British citizen, b. 1815 India, d. 1879 Sri Lanka) Sir John Herschel, 1867; printed 1913 Photogravure Extended loan of the Baum Family Collection EL2003:63 Lewis Hine (American, 1874-1940) Ellis Island, 1905 Gelatin silver print Museum purchase 1982:291 Eduard J. Steichen (American, 1879-1973) Cyclamen - Mrs. Philip Lydig, 1913 Photogravure Gift of Andrew Baum and Leslie Baum 2013:270 Eugène Atget (French, 1857-1927) Untitled, n.d. Gelatin silver print Museum purchase 1979:26 Alfred Stieglitz (American, 1864-1946) The Asphalt Paver, NY, 1892; printed 1913 Photogravure Gift of Andrew Baum and Leslie Baum 2013:275 Ansel Adams (American, 1902-1984) Bridalveil Fall, Yosemite National Park, California, 1927 Gelatin silver print Gift of Arnold and Thelma Gilbert 1981:87 1 West Gallery Edward S. Curtis (American, 1868-1952) The Yuma, 1907 Photogravure Gift of Harry Poll 2005:8 Adam Schreiber (American, b. 1976) View from the Window at Le Gras, 1826, from the Anachronic series, 2009 Inkjet print Museum purchase 2014:12 Jaroslav Rössler (Czech, 1902-1989) Akt (nude abstract), 1926 Gelatin silver print Gift of the Baruch Foundation 2009:193 Beaumont Newhall (American, 1908-1993) Chase National Bank, New York, 1928; printed 1981 Gelatin silver print Gift of Richard Templeton 1982:111 August Sander (German, 1976-1964) Customs Official, 1929 Gelatin silver print Gift of Maxine and Lawrence K. Snider 2010:70 Walker Evans (American, 1903-1975) Sharecroppers’ Kitchen Wall, Hale Co., Alabama, 1936 Gelatin silver print Gift of Sonia Bloch 2007:251 2 West Gallery Arthur Rothstein (American, 1915-1985) Family from New Mexico, camped near the packinghouse at Deerfield, Florida.
  • Melissa Ann Pinney Papers 1975-2015

    Melissa Ann Pinney Papers 1975-2015

    Women and Leadership Archives Loyola University Chicago Melissa Ann Pinney Papers 1975-2015 Creator: Melissa Ann Pinney (1951- ) Extent: 1.25 linear feet (3 boxes) Processor: Molly Sampson, February 2019 Repository: Women and Leadership Archives, Loyola University Chicago Administration Information Access Restrictions: None Usage Restrictions: Melissa Pinney retains copyright of her works. Preferred Citation: Identification of item, date, box #, folder #, Melissa Ann Pinney Papers, Women and Leadership Archives, Loyola University Chicago. Provenance: Melissa Ann Pinney donated her papers to the Women and Leadership Archives on May 29, 2014. Separations: None See Also: Other artists related to Artemisia at the Women and Leadership Archives and the Artemisia records at the Art Institute of Chicago. Biographical History Melissa Ann Pinney is an award-winning photographer whose work has been displayed in the Art Institute of Chicago, Museum of Modern Art (NY), Metropolitan Museum of Art (NY), Museum of Fine Arts (Houston), and the San Francisco Museum of Modern Art, among countless other galleries and museums around the world. Pinney was also a member at the Artemisia gallery, a women’s art cooperative that highlights the work of female arts in the Chicago area. In 1999, she was awarded a Guggenheim fellowship. Her work focuses on the life experiences of girls and women across the country. Pinney attended Columbia College where she earned her Bachelor of Fine Arts in Photography in 1977. She went on to receive her MFA in photography from the University of Illinois at Chicago eleven years later. She is currently a professor of photography at Columbia College Chicago. Scope and Content This collection contains exhibit, gallery, and photograph collections from Melissa Ann Pinney’s photography career.
  • Re: Columbia Columbia College Chicago

    Re: Columbia Columbia College Chicago

    Columbia College Chicago Digital Commons @ Columbia College Chicago Alumni Newsletters Alumni Spring 1999 re: Columbia Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/alumnae_news This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation re: Columbia College Chicago (Spring-Summer 1999), Alumni Magazine, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/alumnae_news/61 This Article is brought to you for free and open access by the Alumni at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Alumni Newsletters by an authorized administrator of Digital Commons @ Columbia College Chicago. Commencement '99 olumbia College Chicago awarded 1,376 Bachelor of Arts diplomas at its 1999 commencement ceremony held at the UIC C Pavilion. Award-winning author and filmmaker Sh erman Alexie,J r. gave the commencement address; he was awarded an hon­ orary degree along with corporate leader Arthur C . Nielsen, Jr., acclaimed novelist Sara Paretsky, and education activist William Strickland,Jr . Columbia presidentj ohn B. Duff awarded the Presi­ dent's M edal for Distinguished Service to Shirley Mordine, founder and director emeritus, Columbia College Chicago Dance Center and chair emeritus, dance department;John Mulvany, chair emeritus, Re: Columbia J~J departments of photography and art & design; and Leslie E. Van No. 24/ spring-summer 1999 . I Marter, chair emeritus, liberal education department. Biannual publication sent free of charge to alumni and friends of Columbia College Chicago Congratulations, C OL~ A Graduates! From left: John Mulvany, Leslie E. Van Marter, Dr.
  • Notes About an Artist

    Notes About an Artist

    museu mVIEWS A quarterly newsletter for small and mid-sized art museums Summer 2010 PICASSO looks at DEGAS The following is a sampling from the introduc - fame Throughout his life Pablo Picasso was fas - tion and a chapter of this engaging study. increased…. cinated with the life and work of Edgar Degas. “Picasso initially encountered works by “…Never He collected Degas’s pictures, re-interpreted Degas and his peers in black-and-white illus - straightfor - ardly his subject matter, and created scenes that trations, and only began to see their original w included images of Degas himself. “Picasso pastels and paintings when he visited Paris imitative, Looks at Degas,” the summer exhibition at the several times from 1900 onward. Dating from Picasso’s Sterling and Francine Clark Art Institute in this moment are his first tentative gestures response to Degas was mercurial and competi - Williamstown (MA), brings together more than toward some of Degas’s signature themes: the tive, always involving an element of willful 100 works that shed light on the relationship cabaret singer, the prostitute, and, as Fagus transformation and sometimes bordering on between the two who, in fact, never met. “Yet indicated, racecourses, female nudes, and parody or pastiche. A parallel narrative… the café habitués, stage performers, bathers, dancers. After settling in Montmartre in 1904, concerns the gradually revealed affinity and ballerinas that Degas typically depicted Picasso became acquainted with several people between these two artists as professionals and also appear repeatedly in Picasso’s images, and who knew Degas, including the dealer as human beings, an affinity that Picasso was Degas the man appears in person in a substan - Ambroise Vollard, who briefly represented surely aware of.
  • The Intimate World of Lyonel Feininger

    The Intimate World of Lyonel Feininger

    THE MUSEUM OF MODERN ART "»• * 11 WEST 53 STRUT, NEW YORK 19. N. Y. Mond^anuary 1*, 1963 TELEPHONE: CIRCLE 5-8900 PRESS PREVIEW: Monday, January Ik, I963 11 a.m. - k p.m. The Intimate World of Lyonel Feininger, an exhibition of 60 watercolors, drawings, prints and 108 toys opening at the Museum of Modern Art, Tuesday, January 15, will show a virtually unkncn aspect of the famous American artist. Known as an artist of formal achievements, Feininger is revealed in this show as a man of humor, warmth and sometimes pathos. His watercolors, drawings, prints, comic strips, toys and even letters, are peopled with creatures, real extraordinary and always human. Most of the works have been lent by the artist's widow and family and have never been shown before. The exhibition, selected by William S. Lieberman, Curator of Drawings and Prints, continues through March 12. Although hi© career was spent mostly in Germany, much of Feininger's art was inspired by memories of his childhood in New York City, where he was born in I87I and died in I956, The Second Avenue Elevated, the New York Central locomotives, the schooners, motor-sailers and steamboats in the harbor lingered long in his mind and nourished the iconography of his art. He himself wrote: "I don't paint a picture in the traditional sense. From deep within arises an almost painful urge for the realization of inner experiences, an overwhelming longir~, an unearthly nostalgia overcomes me at times to bring them to light out of the past." Such feelings for America are revealed in his thematic devotion to boats, as, seen here in some dozen compositions ranging from antique galleons to motor yachts, A similar nostalgia perhaps inspired the two comic strip serials, The Kin-der-Kids and Wee Willie Winkle's World, which he sent each week from Germany in I906 to the Chicago Sunday Tribune.