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VIEWS December 1997
Volume 12, Number 1 VISUAL MATERIALS SECTION 1 VIEWS: The Newsletter of the Visual Materials Section Society of American Archivists Volume 12, Number 1 December 1997 JAZZIN’ IN CHICAGO by the Library of Congress for use, and LC will update and maintain the document. It is available on the Library of Minutes of Visual Materials Section Meeting. Society Congress’s (LC) “Cataloger’s Desktop,” which can be of American Archivists Annual Meeting, Chicago. Saturday, ordered on the World Wide Web through LC’s Cataloging August 30, 1997. 8:30 AM. Distribution Service. I. Meeting opened with welcome to the assembled Mark E. Martin (Temple Memorial Library) of the group by Chair, Judi Hoffman (Library of Congress). Advanced Workshop Committee reported that there have Introduction of incoming Chair, Catherine Johnson (Dance been no workshops in the last two years and that he is Heritage Coalition). Laurie A. Baty (National Historical retiring from his position. Publications and Records Commission) announced the sale of Section tee shirts made possible by Diane Ryan of John Slate (Texas Afro-American Photographic the Chicago Historical Society. All shirts were sold at the Archives) from Bibliography Committee reported that the conclusion of the meeting. bibliography is located on Richard Pearce-Moses’ (Heard Museum) website and submissions and/or suggestions are II. Elizabeth Atkins (Ford Motor Company) from the welcome. It is hoped that the bibliography will be SAA Program Committee made an announcement incorporated into the Visual Materials website. concerning next year’s meeting in Orlando, Florida, and encouraged section members to submit session proposals. Laurie A. -
In This Issue
The Women’s Review of Books Vol. XXI, No. 1 October 2003 74035 $4.00 I In This Issue I In Zelda Fitzgerald, biographer Sally Cline argues that it is as a visual artist in her own right that Zelda should be remembered—and cer- tainly not as F. Scott Fitzgerald’s crazy wife. Cover story D I What you’ve suspected all along is true, says essayist Laura Zimmerman—there really aren’t any feminist news commentators. p. 5 I “Was it really all ‘Resilience and Courage’?” asks reviewer Rochelle Goldberg Ruthchild of Nehama Tec’s revealing new study of the role of gender during the Nazi Holocaust. But generalization is impossible. As survivor Dina Abramowicz told Tec, “It’s good that God did not test me. I don’t know what I would have done.” p. 9 I No One Will See Me Cry, Zelda (Sayre) Fitzgerald aged around 18 in dance costume in her mother's garden in Mont- Cristina Rivera-Garza’s haunting gomery. From Zelda Fitzgerald. novel set during the Mexican Revolution, focuses not on troop movements but on love, art, and madness, says reviewer Martha Gies. p. 11 Zelda comes into her own by Nancy Gray I Johnnetta B. Cole and Beverly Guy-Sheftall’s Gender Talk is the Zelda Fitzgerald: Her Voice in Paradise by Sally Cline. book of the year about gender and New York: Arcade, 2002, 492 pp., $27.95 hardcover. race in the African American com- I munity, says reviewer Michele Faith ne of the most enduring, and writers of her day, the flapper who jumped Wallace. -
Read Book ~ Spirit Into Matter: the Photographs of Edmund Teske
VCK6BKPUKIO7 < Book « Spirit into Matter: The Photographs of Edmund Teske Spirit into Matter: The Photographs of Edmund Teske Filesize: 2.7 MB Reviews This pdf is so gripping and intriguing. I could comprehended almost everything using this composed e ebook. You are going to like just how the article writer create this ebook. (Miss Dakota Zulauf) DISCLAIMER | DMCA DHVCKBNWIIZA » PDF / Spirit into Matter: The Photographs of Edmund Teske SPIRIT INTO MATTER: THE PHOTOGRAPHS OF EDMUND TESKE To read Spirit into Matter: The Photographs of Edmund Teske eBook, remember to refer to the link under and download the document or get access to additional information that are in conjuction with SPIRIT INTO MATTER: THE PHOTOGRAPHS OF EDMUND TESKE ebook. Getty Trust Publications. Paperback. Book Condition: new. BRAND NEW, Spirit into Matter: The Photographs of Edmund Teske, Julian Cox, Edmund Teske (1911-1996) was one of the alchemists of twentieth-century American photography. Over a sixty-year period, he created a diverse body of work that explored the expressive and emotional potentials of the medium. His drive to experiment with sophisticated techniques, such as solarization and composite printing, liberated a younger generation of American photographers; at the same time, his subject matter - sometimes abstract, oen homoerotic, and always lyrical and poetic - opened up new areas for photographers to explore. Spirit into Matter is published to coincide with the first major retrospective of Teske's work, to be held at the Getty Museum from June 15 to September 19, 2004. Julian Cox provides an introduction and extensive biocritical essay on Teske that traces his long and varied career, from Chicago in the 1930s to Los Angeles, where the photographer took up residence in 1943. -
{PDF} Minor White: Manifestations of the Spirit Pdf Free Download
MINOR WHITE: MANIFESTATIONS OF THE SPIRIT PDF, EPUB, EBOOK Paul Martineau | 200 pages | 08 Jul 2014 | Getty Trust Publications | 9781606063224 | English | Santa Monica CA, United States Minor White: Manifestations of the Spirit PDF Book He had them all read photographs, and the group that had completed the exercises came up with much more profound insights and reactions to the photographs. Some of the results are dark, moody, and romantic. The subtitle of your show is Manifestations of the Spirit. Although I cannot view this exhibition, I have seen the checklist of all the works in the exhibition. The only reason that I did not give it the top rating was that I thought it bordered on the hagiographic in several aspects of the description of his life and manner of working. Throughout his career, White sought to photograph things not only for what they are but also for what they may suggest, and his pictures teem with symbolic and metaphorical allusions. Paul Getty Museum in Los Angeles. Average rating 4. Inconspicuous at first, the photograph depicts two trees in a small secluded clearing, crusted with patches of dry moss, surrounded everywhere by dead leaves and so close as to be united at the base. Get The Deal. Search z. Nothing anyone can say can take away from the sheer simple pleasure of really looking at photographs by these two icons of the art form. Paul Martineau is associate curator in the Department of Photographs at the J. It also discusses his role as a teacher, and as the editor of Aperture magazine from its inception in through , and his relationships with other photographers of that era, including Alfred Stieglitz, Edward Weston, Paul Brandt, Dorothea Lange and Ansel Adams. -
Bibliography
Bibliography Abell, Sam. Stay this Moment : The Photographs of Sam Abell. Rochester, N.Y.; Charlottesville, Va: Professional Photography Division, Eastman Kodak Co; Thomasson-Grant, 1990. Print. Aberth, Susan L., and Leonora Carrington. Leonora Carrington : Surrealism, Alchemy and Art. Aldershot, Hampshire; Burlington, VT: Lord Humphries; Ashgate, 2004. Print. Abram, David. Becoming Animal : An Earthly Cosmology. 1st ed. New York: Pantheon Books, 2010. Print. ---. The Spell of the Sensuous. New York: Pantheon Books, 1996. Print. Using descriptive personal stories of interaction with nature David Abram introduces the reader to phenomenology. This philosophy rejects the separation of the human mind by Descartes and believes all observation is participatory. Abram brings Merleau-Ponty’s theory that the human body is the true subject of experience through examples, often as his outings in nature. I related to this work for I believe humans aren’t superior, that we are interconnected and part of the chain of life with other creatures. I never knew my beliefs were part of an existing philosophy. It is through full sensory interaction with the earth that we realize we must do more to save it. Abram’s book is a call to all humans to join in this activity, reawakening our senses to the rest of the world. Allmer, Patricia, and Manchester City Art Gallery. Angels of Anarchy : Women Artists and Surrealism. Munich ; New York: Prestel, 2009. Print. Anderson, Adrian. Living a Spiritual Year: Seasonal Festivals in Northern and Southern Hemispheres : An Esoteric Study. Rudolph Steiner Press, 1993. Print. Avedon, Richard, et al. Evidence, 1944-1994. 1st ed. New York: Random House, Eastman Kodak Professional Imaging in association with the Whitney Museum of American Art, 1994. -
Mocp at 40 Checklist
MoCP at 40 Checklist West Gallery Julia Margaret Cameron (British citizen, b. 1815 India, d. 1879 Sri Lanka) Sir John Herschel, 1867; printed 1913 Photogravure Extended loan of the Baum Family Collection EL2003:63 Lewis Hine (American, 1874-1940) Ellis Island, 1905 Gelatin silver print Museum purchase 1982:291 Eduard J. Steichen (American, 1879-1973) Cyclamen - Mrs. Philip Lydig, 1913 Photogravure Gift of Andrew Baum and Leslie Baum 2013:270 Eugène Atget (French, 1857-1927) Untitled, n.d. Gelatin silver print Museum purchase 1979:26 Alfred Stieglitz (American, 1864-1946) The Asphalt Paver, NY, 1892; printed 1913 Photogravure Gift of Andrew Baum and Leslie Baum 2013:275 Ansel Adams (American, 1902-1984) Bridalveil Fall, Yosemite National Park, California, 1927 Gelatin silver print Gift of Arnold and Thelma Gilbert 1981:87 1 West Gallery Edward S. Curtis (American, 1868-1952) The Yuma, 1907 Photogravure Gift of Harry Poll 2005:8 Adam Schreiber (American, b. 1976) View from the Window at Le Gras, 1826, from the Anachronic series, 2009 Inkjet print Museum purchase 2014:12 Jaroslav Rössler (Czech, 1902-1989) Akt (nude abstract), 1926 Gelatin silver print Gift of the Baruch Foundation 2009:193 Beaumont Newhall (American, 1908-1993) Chase National Bank, New York, 1928; printed 1981 Gelatin silver print Gift of Richard Templeton 1982:111 August Sander (German, 1976-1964) Customs Official, 1929 Gelatin silver print Gift of Maxine and Lawrence K. Snider 2010:70 Walker Evans (American, 1903-1975) Sharecroppers’ Kitchen Wall, Hale Co., Alabama, 1936 Gelatin silver print Gift of Sonia Bloch 2007:251 2 West Gallery Arthur Rothstein (American, 1915-1985) Family from New Mexico, camped near the packinghouse at Deerfield, Florida. -
Melissa Ann Pinney Papers 1975-2015
Women and Leadership Archives Loyola University Chicago Melissa Ann Pinney Papers 1975-2015 Creator: Melissa Ann Pinney (1951- ) Extent: 1.25 linear feet (3 boxes) Processor: Molly Sampson, February 2019 Repository: Women and Leadership Archives, Loyola University Chicago Administration Information Access Restrictions: None Usage Restrictions: Melissa Pinney retains copyright of her works. Preferred Citation: Identification of item, date, box #, folder #, Melissa Ann Pinney Papers, Women and Leadership Archives, Loyola University Chicago. Provenance: Melissa Ann Pinney donated her papers to the Women and Leadership Archives on May 29, 2014. Separations: None See Also: Other artists related to Artemisia at the Women and Leadership Archives and the Artemisia records at the Art Institute of Chicago. Biographical History Melissa Ann Pinney is an award-winning photographer whose work has been displayed in the Art Institute of Chicago, Museum of Modern Art (NY), Metropolitan Museum of Art (NY), Museum of Fine Arts (Houston), and the San Francisco Museum of Modern Art, among countless other galleries and museums around the world. Pinney was also a member at the Artemisia gallery, a women’s art cooperative that highlights the work of female arts in the Chicago area. In 1999, she was awarded a Guggenheim fellowship. Her work focuses on the life experiences of girls and women across the country. Pinney attended Columbia College where she earned her Bachelor of Fine Arts in Photography in 1977. She went on to receive her MFA in photography from the University of Illinois at Chicago eleven years later. She is currently a professor of photography at Columbia College Chicago. Scope and Content This collection contains exhibit, gallery, and photograph collections from Melissa Ann Pinney’s photography career. -
7TH ANNUAL GROUP SHOW CATALOG ONLINE 2021 Juried by Paula Tognarelli Executive Director and Curator, Griffin Museum of Photography
7TH ANNUAL GROUP SHOW CATALOG ONLINE 2021 Juried by Paula Tognarelli Executive Director and Curator, Griffin Museum of Photography 114 Warren St. Hudson NY 12534 http://davisortongallery.com [email protected] o Debra Achen o Olga Merrill o Julia Arstorp o C E Morse o Deyva Arthur o Xuan-Hui Ng o Gary Beeber o Catherine Panebianco o Bruce Berkow o Bruce Panock o Joan Lobis Brown o Thomas Pickarski o Jenny Carey o Michalis Poulas o Syl Arena o Michael Prais o John A Benigno o Susan Richman o Linda Cassidy o Russ Rowland o Sally Chapman o Jacque Rupp o Patricia Houghton Clarke o Meryl Salzinger o Ellen Feldman o Paul David Shea o Diane Fenster o Vicky Stromee o Beth Galton o Edgar Takoyaki o Steven Parisi Gentile o Larry Torno o Karen Ghostlaw o Benjamin Tankersley o Danielle L Goldstein o John Tunney o Katie Golobic o Jim Turner o Rohina Hoffman o Karey Walter o Susan Higgins o Molly Wood o David Kulik o Thomas Yackley o Randy Matusow 114 Warren St. Hudson NY 12534 http://davisortongallery.com [email protected] Debra Achen Conveyance Portfolio Title: Frequency Shift: The Stonehenge Continuum 11 x 15” Size of edition: 10 + 2AP Archival Pigment Price of print only: $375 Other size available: 14 x 20" $450 Artist Statement: The “Frequency Shift” portfolio explores the vibrant energy I experienced while visiting Stonehenge. I consider the source of this energy to be aligned with the monument’s evolving continuum in history… a story that changes over time with prevailing thought and scientific discoveries of each era. -
Re: Columbia Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago Alumni Newsletters Alumni Spring 1999 re: Columbia Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/alumnae_news This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation re: Columbia College Chicago (Spring-Summer 1999), Alumni Magazine, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/alumnae_news/61 This Article is brought to you for free and open access by the Alumni at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Alumni Newsletters by an authorized administrator of Digital Commons @ Columbia College Chicago. Commencement '99 olumbia College Chicago awarded 1,376 Bachelor of Arts diplomas at its 1999 commencement ceremony held at the UIC C Pavilion. Award-winning author and filmmaker Sh erman Alexie,J r. gave the commencement address; he was awarded an hon orary degree along with corporate leader Arthur C . Nielsen, Jr., acclaimed novelist Sara Paretsky, and education activist William Strickland,Jr . Columbia presidentj ohn B. Duff awarded the Presi dent's M edal for Distinguished Service to Shirley Mordine, founder and director emeritus, Columbia College Chicago Dance Center and chair emeritus, dance department;John Mulvany, chair emeritus, Re: Columbia J~J departments of photography and art & design; and Leslie E. Van No. 24/ spring-summer 1999 . I Marter, chair emeritus, liberal education department. Biannual publication sent free of charge to alumni and friends of Columbia College Chicago Congratulations, C OL~ A Graduates! From left: John Mulvany, Leslie E. Van Marter, Dr. -
Teske, Edmund (1911-1996) by Craig Kaczorowski
Teske, Edmund (1911-1996) by Craig Kaczorowski Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2013 glbtq, Inc. Reprinted from http://www.glbtq.com In a career that spanned over sixty years, American photographer Edmund Teske created a distinct and inventive body of work that embraced multiple styles and subjects, from somber urban vistas to intimate, often eroticized, portraits. Although primarily self-taught in the photographic process, Teske's sophisticated experiments with darkroom techniques, such as solarization, layered negatives, and composite printing became his signature distinction. Noting that Teske considered himself a "poet with a camera," the curator and writer Julian Cox observed that Teske's "subject matter--sometimes abstract, often homoerotic, and always lyrical and poetic--opened up new areas for photographers to explore." Similarly, Lee Witkin, a photography dealer who has exhibited many of Teske's works, heralded him as "one of the forgotten greats of American photography," and observed that "his photographs are poems of his life-- fragments of the far past combined with yesterday and today." Edmund Teske was born on the near South Side of Chicago, Illinois on March 7, 1911, the first of three children to German Lutheran immigrants, Rudolph and Olga Teske. When he was a young child, his family moved out of the city to a small farm a few miles outside of Wisconsin Rapids, Wisconsin. His father attempted to raise cows and chickens, and grow wheat, potatoes, and cucumbers. The work, however, turned out to be much more strenuous--and much less prosperous-- than expected, and within a short time the family moved back to Chicago. -
Notes About an Artist
museu mVIEWS A quarterly newsletter for small and mid-sized art museums Summer 2010 PICASSO looks at DEGAS The following is a sampling from the introduc - fame Throughout his life Pablo Picasso was fas - tion and a chapter of this engaging study. increased…. cinated with the life and work of Edgar Degas. “Picasso initially encountered works by “…Never He collected Degas’s pictures, re-interpreted Degas and his peers in black-and-white illus - straightfor - ardly his subject matter, and created scenes that trations, and only began to see their original w included images of Degas himself. “Picasso pastels and paintings when he visited Paris imitative, Looks at Degas,” the summer exhibition at the several times from 1900 onward. Dating from Picasso’s Sterling and Francine Clark Art Institute in this moment are his first tentative gestures response to Degas was mercurial and competi - Williamstown (MA), brings together more than toward some of Degas’s signature themes: the tive, always involving an element of willful 100 works that shed light on the relationship cabaret singer, the prostitute, and, as Fagus transformation and sometimes bordering on between the two who, in fact, never met. “Yet indicated, racecourses, female nudes, and parody or pastiche. A parallel narrative… the café habitués, stage performers, bathers, dancers. After settling in Montmartre in 1904, concerns the gradually revealed affinity and ballerinas that Degas typically depicted Picasso became acquainted with several people between these two artists as professionals and also appear repeatedly in Picasso’s images, and who knew Degas, including the dealer as human beings, an affinity that Picasso was Degas the man appears in person in a substan - Ambroise Vollard, who briefly represented surely aware of. -
DEMO Magazine
ARTS + MEDIA = CULTure SUMMER 2011 FOR ALUMNI & FRIENDS OF 14 COLUMBIA COLLEGE CHICAGO Students First How the Campaign for Columbia College Chicago is transforming lives DEMOI Friday, September 23–Sunday, September 25 From career workshops to creative workshops, a panel, a party, a brunch at the House of Blues and much, much more. There is something for everyone at this year’s Alumni Weekend! Visit colum.edu/alumniweekend for the latest information and to register. colum.edu/alumniweekend Photos: Vladimir Zaytsev (B.A. ‘12) Photos: SUMMER 2011 14 FEATURES In the Moment Over the past decade, Columbia has been building the resources to 09 support an unprecedented $100 million campaign. By Lisa Holton Seizing the Moment How Columbia’s fundraising campaign will transform the college 18 and create a foundation for future growth. By Ann C. Logue Portfolio: John Paul Marcelo John Paul Marcelo (B.A. ’99) documents disasters through painting. 25 By Becca James (B.A. ’11) DEPARTMENTS 5 Vision A question for President Warrick L. Carter 6 Wire News from the college community 34 Get Lit New books by Anina Bennett, Natalie Y. Moore, Tim Stafford, Zoe Keithley and Penelope Cagney 36 Out There Our alumni section, featuring class news and notes, and CAAN updates 42 Point & Shoot Caught on camera around the country COVER 52 Events What’s coming up on campus 53 Backstory A 1961 fundraising campaign comes into focus The Campaign for Columbia College Chicago is transforming the institution by making its education more accessible to more students, including Carrie Jones, an ASL-English SPOT ON Interpretation major.